Scholarly perspectives on the mixed race experience.
The general inferiority of the mixed stock has passed into a proverb even in Africa, where it is said: “A god created the whites; I know not who created the blacks; certainly a devil created the mongrels.” So reports Livingstone (quoted by Lombroso), and adds that he had seen but one Portuguese Mestizo of robust health. In Brazil it is held that the mingling of Indian with Latin blood has not produced evil results, but everywhere else such remote crossings have been more or less disastrous. Strikingly is this the case with the Zambos—the mixture of Indian and Negro; they are mainly degenerates and degraded. Thus E. G. Squier, writing of Honduras in the Encyclopædia Britannica, Vol. XII., says: “A small part of the coast, above Cape Gracias, is occupied by the Sambos, a mixed race of Indians and Negroes, which, however, is fast disappearing.” In Mexico, Central and South America, the half-breeds are everywhere stationary or declining. In India the Eurasians (20,000 in Calcutta) “touch a level of degradation which is far lower than any reached by the pure heathen about them. They inherit defects more conspicuously than virtues from both races from which they spring” (Pop. Sci. Mon., Nov., 1892). In Japan the inferior Ainos are passing away before the superior Japanese. The hybrids are never healthy or vigorous, and vanish with the third or fourth generation. Here, in the United States, the testimony is all against the Mulatto. In a report of the Provost-Marshal General, the opinions of physicians stand eleven to one against the Mulatto as “scrofulous and consumptive,” “degenerated physically,” and the one favourable judgement reposes on only two instances. The anthropometry of the Mulatto is decidedly against him. His average lung capacity, the most significant of measurements, was found by Gould to be only 158.9 cubic inches against 163.5 for the pure Black, and 184.7 for the White. His respiration rate was equally unfavourable, being 19 per minute against 17.7 for the pure Black, and 16.4 for the White. We refer, also, to the testimony of Dr. Shaler (p. 52), that he had never known a Mulatto to pass threescore. The writer remembers the first use he ever heard of the word “cachectic;” his father spoke of it as a term generally applicable to Mulattoes.
From the convergence of all such testimony, which may be multiplied indefinitely, there seems no escape whatever. We must concede, with Lombroso: “It is impossible to contemplate these facts without admitting that marriages between some human races are much less fertile and happy than between others;” and especially unfortunate are those between such extremes as Whites and Negroes. When such anthropologists as Waitz, Serres, Deschamps, Bodichon, anticipate a millennium from universal miscegenation, it is only sentimentalism or else forgetfulness of the distinction drawn so properly by Topinard (Éléments d’Anthropologie générale, 1885) between the intermingling of nearly related and of distantly related races. In the first case the result is, in general, certainly good; in the latter, it is quite as certainly bad.
But let us now, merely for the moment and for the sake of argument, admit that both our premises are in doubt; that, perhaps, after all the Negro is not inferior organically—mentally, morally, or physically—to the Caucasian, and that interfertility might, perhaps, work no deterioration; would the case be essentially altered? Assuredly not. For even then the most extreme negrophilist must still admit that there is, at least, a reasonable doubt; even if the Negro be not proved inferior, yet he is certainly not proved equal, and there is a large body of at least apparent evidence against him; even if it be not certain that miscegenation would work deterioration, it is at least very possible and seemingly probable. Who, then, would have the foolhardihood to make this experiment of race amalgamation—an experiment which, once made, is made forever; whose consequences could never be undone—when there is at least and at the very lowest an undeniable possibility, not to say certainty, that those consequences would be disastrous in the extreme? Can we imagine a more wanton folly? Would such an experiment beseem any other place so well as the madhouse?
After years of hearing the story of her Nebraska cousins, who, unbeknownst to them, were passing for white, filmmaker Robin Cloud reaches out to the lost cousins in an attempt to bring them back into the family. We follow Robin as she travels through the South and Midwest.
For decades, African American comedian and filmmaker Robin Cloud had heard tales about the “Nebraska cousins,” a branch of her family that moved away from the East Coast to pass for white in the rural Midwest. In this six-part series, Cloud attempts to find and understand the motives of the relatives who left everything and everyone else behind, and documents how their progeny grapple with the revelation that they aren’t who they thought they were.
As she tells Nam Kiwanuka on The Agenda in the Summer, “I spent my entire childhood being confronted with things that weren’t going right in the world and things that needed to be better about the world. And I think part of what was attractive to me about doing cosmology and particle physics was here was a thing that was beyond these human concerns … something that was bigger than all of us but interested all of us. Where do we come from: Why are we here? These really big esoteric questions.”
Chanda at age four with her parents Sam Weinstein and Margaret Prescod
(Los Angeles Times/ucla.edu)
Now a physics professor at the University of New Hampshire, Chanda Prescod-Weinstein has conducted research on such topics as axions, dark matter, and quantum fields. She’s also an advocate for Black women, and LGBTQ people in STEM…
I don’t think it’s any secret that Tia Mowry (and Tamera) are biracial. While it was a minute before we saw their parents, their mother, Darlene Mowry, is Black and their father, Timothy Mowry, is White. You might imagine that growing up in that household was a bit different than living in the household she does now. And it is. On her YouTube channel, Tia Mowry’s Quick Fix, she shared the racism her parents experienced when they were initially dating, the racism her mother experienced that her father didn’t, and how it’s different having a White father vs. a Black husband in terms of racial treatment.
According to Statistics Canada’s 2011 National Household Survey, less than five per cent of marriages in Canada are between interracial couples. An Ipsos poll conducted on behalf of Global News found 15 per cent of Canadians would never consider marrying someone of a different ethnicity. Mike Drolet looks at attitudes towards mixed-race relationships in Canada.
A novelist learns about her mother’s long-held secret by search for what’s missing from her family photo albums.
The Secret Album is part of HP’s original documentary project, History of Memory, which celebrates the power of printed photos.
We treasure family photos not only because they illuminate the past, but also because they can offer up an alternative narrative to the stories we tell — and retell — about our identities.
This is true for author Gail Lukasik, who was just as captivated by what was left out of her parents’ snapshots as by the faces and stories they portrayed. Growing up in suburban Ohio, Lukasik puzzled over why there were so few pictures of her mother’s side of the family. In the stack of family photo albums, there were only a handful of black-and-white prints of relatives from New Orleans, where her mother, Alvera (Frederic) Kalina, had lived in the 1920s, 1930s and 1940s. “I felt very close to my mother, but she had a certain mystery,” she says. “When I used to ask her about that she’d say, ‘Oh I just don’t have any,’ which I thought was strange.” Her mother’s guardedness about her own family’s origins were yet another layer to their already complex relationship…
…It took Lukasik two years to confront her mother, and the encounter didn’t go well. “I had never seen her so afraid,” says Lukasik, who tells the story in her memoir, White Like Her: My Family’s Story of Race and Racial Passing. “She said, ‘Promise me you won’t tell anyone until after I die.’”…
Gabrielle C. Womack, Reference/Access Associate
McQuade Library Merrimack College, North Andover, Massachusetts
The presentation argues that mulattoes became negroes in the 1930 census because white Americans feared that black people were secretly among them, passing for white. Furthermore, it argues that the census change did not end the practice of racial passing or diminish white Americans fascination with it and fear of this act.
The artist begins performance before audience enters the space. She writes i will not say nigger on a large sheet of charcoal covered brown paper. An hour passes. She begins her monologue by asking audience and herself who the word nigger belongs to, who has the right to use it, and who exactly is a nigger. She concludes that she is a nigger and begins to remove her eurocentric makeup and dress. She stands nude before the audience, revealing her natural hair and skin color and speaks in open confession on the reasons that her ‘light skin is not right skin’ and changes her entire outfit to that more stereotypical of a black female. She packs her white identity into a suitcase and returns to writing lines until she is alone.
The black female experience is heavily dominated by the constant need to navigate the spaces within and between dominant cultures. Many black and brown females are too familiar others monitoring their behavior, language, and appearance, and have to choose where and how they will relate to dominant standards. Despite their double-consciousness, they are still situated as ‘other’ within society. These experiences define their identities and sense of self.
“I Will Not Say Nigger” explores the language and exchanges that take place between dominant and minority cultures/races, but often go unaddressed. The unspoken is present in relationships, the workplace, and other social encounters. They are subtle, difficult to define, and are often brushed under the rug, yet reveal that we are far from the post-racial society that so many insist exists. The character that you in see this piece explores the spectrum of these experiences through her mixed-race identity and shares them in through a spoken and physical confession.
Photo and video shot by Amy Olivia Pierce, edited by Eleanor Kipping, audio recorded live at the University of Maine Innovative Media Research and Commercialization Center.
One Culture: two generations, where we speak to British families and explore the differences between first- and second-generation immigrants.
Of the 1.2 million mixed race people in England and Wales, 0.5% of them identify as ‘Mixed other’. Bilal, who is of both Jamaican and South Asian Kenyan descent, has an open conversation with his parents Colleen and Asif about the pressures, and the positives of being mixed with two minority groups.
A part of #CrossingDivides – a BBC season bringing people together. For more stories like this go to bbc.co.uk/crossingdivides.
Produced and edited by Elizabeth Ashamu Directed by Cebo Luthuli Executive produced by Karlene Pinnock
