Mixed Race Studies

The Author Speaks: Interview With Daniel J. Sharfstein

AARP Bulletin
American Association of Retired Persons
2011-02-17

Julia M. Klein

His powerful new book examines how three American families became white

Before Daniel J. Sharfstein’s senior year at Harvard, he spent the summer of 1993 in South Africa as a volunteer for a voter education project. There, one of his fellow workers told him she had been categorized as “colored,” or mixed-race, because a constable doing the classification appreciated her father’s service as a police officer.

“As a result of that one simple act, she had led a very different life from her colleagues,” recalls Sharfstein, now associate professor of law at Vanderbilt University in Nashville, Tenn. “That was a revelation to me, that something that could seem as natural and inevitable as race could bend because of a personal relationship or community ties or even just individual whim.”

He returned to the United States wondering whether the same kind of thing had happened here.

Sharfstein’s South African experience, followed by a stint as a journalist, Yale Law School and years of archival research and interviews, led to The Invisible Line: Three American Families and the Secret Journey From Black to White. The book interweaves the story of three families with African ancestry—the Gibsons, the Spencers and the Walls—who, over time and in different ways, became identified as white. The color line in America, Sharfstein learned, has been surprisingly permeable. The AARP Bulletin talked to Sharfstein by phone.

Q. Throughout American history, how important was physical appearance in defining whiteness?

A. To a certain degree it was important. We have to remember that, for a long time, the United States was a rural society and almost everybody worked outside. There was a really broad range of complexions that could be considered white…

…Q. What was the legal standard for defining whiteness in the 19th century?

A. There really was no standard. Virginia for more than a century had a one-quarter rule. If you had one African American grandparent, that made someone legally black. Other states, like North Carolina, had a one-eighth rule, while South Carolina didn’t have any specific fraction. One South Carolina court held in the 1830s that “a man of worth, honesty, industry and respectability should have the rank of a white man, while a vagabond of the same degree of blood should be confined to the inferior caste.”…

…Q. In slavery’s absence, you write, “preserving white privilege seemed to require new, less flexible rules about race and constant aggressive action to enforce them.” Why?

A. What really mattered in the South, in the antebellum period, was not who was black and who was white, but who was slave and who was free. The prospect of freedom for African Americans was a motivating force getting people to think about what racial categories themselves meant. In the last days of slavery, because slavery as an institution was under such attack, white Southerners were countering with race-based justifications, and that survived the demise of slavery. After the Civil War, as black freedom was taking root, right alongside it were modern forms of racism that persist to this day.

Q. You suggest that rigid rules about race only increased the number of people transitioning from black to white. Why was that?

A. When rules became more rigid, they were almost always accompanied by rules that subjected African Americans to higher taxes, made it harder for them to own land and increased fear that free African Americans would be returned to slavery. The harder these laws made it to live and to provide for their children, the greater the incentives were to make the move from black to white. Because these lines were being drawn in a way that essentially separated people who looked white from [other] people who looked white, it was impossible to make the line between black and white impregnable…

Read the entire article here.

Mixed Blood: Intermarriage and Ethnic Identity in Twentieth-Century America [Review: Diner]

American Historical Review
Volume 96, Number 2 (April 1991)
pages 624-625

Hasia R. Diner, Paul S. and Sylvia Steinberg Professor of American Jewish History; Professor of Hebrew and Judaic Studies
New York University

Paul R. Spickard. Mixed Blood: Intermarriage and Ethnic Identity in Twentieth-Century America. Madison: University of Wisconsin Press. 1989. Pp. xii, 532 pages.

Paul R. Spickard has performed a tremendous service to historians and other students of ethnicity in writing this study of the historic patterns and changing meaning of out-group marriage. In focusing on the experiences of those Japanese Americans, American Jews, and African Americans who chose to wed nongroup members, and conversely on the experiences of white, Christian Americans as they took spouses from these three minority groups, the author seeks to link social structure and cultural constructs as explanations for particular patterns.

Spickard ought to be credited for authoring the first serious historical hook on the subject and for taking this extremely important topic out of the sole domain of sociologists, who are eager to build models and are therefore oblivious to subtleties of time and place. Indeed, the sociological generalizations about who has intermarried and why provides Spickard with the departure point for this analysis. He ultimately tests the extant models and asks which ones work under which circumstances. No historian before has tackled this issue, and, where they have attempted to address it, they have subsumed it under the rubric of a study of one group without any benefit of comparative analysis. The fact, for example, that intermarriage rates and patterns for Americans of Japanese ancestry and Jews resemble one another discounts, according to Spickard, the importance attributable to color and physical appearance as a barrier to romance across group lines. On the other hand, among African Americans and Jews the dominant pattern of minority-group men marrying majority-group women—rather than conversely—indicates that out-group marriage patterns can, under certain circumstances, be linked to social and economic mobility.

This study also takes the issue of intermarriage out of the hands of group activists, leaders, and apologists who are concerned about the implications of intermarriage rates for group solidarity. By offering a dispassionate and comparative study of the topic, analyzed historically and oriented toward looking for change over time, Spickard adds a note of clearheaded rationality to an otherwise intensely emotional subject. He convincingly proves that marriage outside the group does not always mean a loss to the group or a severing of the bonds between the out-marner and the community of his or her birth. Intermarriage, according to Spickard, has different meanings under varying circumstances. Spickard in no place denigrates the passionate feelings of group members worried about intermarriage or its implications for ethnic cohesion; he offers instead an alternative, cooler way of looking at the issues.

In several other ways, this book ought to be commended and recommended. For one, he treats the issue in its complexity rather than simplicity. To really study intermarriage, the scholar must recognize that members of two groups are involved, and the behavior and attitudes of both are crucial to a thorough analysis. Second, marriage involves both genders, and a study that does not take cognizance of differences in attitude, expectations, and social positions of men and women would not adequately cover the problem. But Spickard addresses these issues and provides historians of ethnicity, gender, and race with a thoroughly researched, sophisticated analysis that should displace the usual sociologically based, model-oriented generalizations that have dominated the field.

Cosmopolitan or mongrel? Créolité, hybridity and ‘douglarisation’ in Trinidad

European Journal of Cultural Studies
Volume 2, Number 3 (September 1999)
pages 331-353
DOI: 10.1177/136754949900200303

Eve Stoddard, Dana Professor of Global Studies
St. Lawrence University, Canton, New York

Grant H. Cornwell, President
College of Wooster, Wooster, Ohio

The article examines a Trinidadian calypso and its reception as a case study to weigh the discourses of hybridity, creolisation, and a local variant, ‘douglarisation’. In cultural studies discourse, ‘creolisation’ is often used synonymously with hybridization. However, it is a different metaphor, with a different genealogy, and is much more grounded in specific histories and places, namely the New World sites of plantation slavery. In Trinidad, the pejorative term ‘dougla‘ sigmfies the offspring of a union between persons of African and Indian ancestry, while ‘douglarisation’ denotes the contested processes of Afro- and Indo-Trinidadian interculturation. ‘Douglarisation’ can be read as a particular instance of both hybridity and creolisation, but with very different implications. We argue that hybridity and creolisation advance different political agendas, the former attentive to multiple roots and the latter to new connections.

Read or purchase the article here.

The Invisible Line Between Black and White

Smithsonian.com
2011-02-18

T. A. Frail

Vanderbilt professor Daniel Sharfstein discusses the history of the imprecise definition of race in America

For much of their history, Americans dealt with racial differences by drawing a strict line between white people and black people. But Daniel J. Sharfstein, an associate professor of law at Vanderbilt University, notes that even while racial categories were rigidly defined, they were also flexibly understood—and the color line was more porous than it might seem. His new book, The Invisible Line: Three American Families and the Secret Journey from Black to White, traces the experience of three families—the Gibsons, the Spencers and the Walls—beginning in the 17th century. Smithsonian magazine’s T.A. Frail spoke with Sharfstein about his new book:

People might assume that those who crossed the line from black to white had to cover their tracks pretty thoroughly, which would certainly complicate any research into their backgrounds. But does that assumption hold?

That’s the typical account of passing for white—that it involved wholesale masquerade. But what I found was, plenty of people became recognized as white in areas where their families were well known and had lived for generations, and many could cross the line even when they looked different. Many Southern communities accepted individuals even when they knew those individuals were racially ambiguous—and that happened even while those communities supported slavery, segregation and very hard-line definitions of race.

So how did you find the three families you wrote about?

It was a long process. I began by trying to find as many of these families as I could in the historical record. That involved reading a lot of histories and memoirs, and then moving from there to dozens and dozens of court cases where courts had to determine whether people were black or white, and from there to property records and census records and draft records and newspaper accounts. And I developed a list of dozens, even hundreds of families that I could be writing about, and then narrowed it down. The three families that I chose represent the diversity of this process of crossing the color line and assimilating into white communities. I chose families that lived in different parts of the South that became white at different points in American history and from different social positions.

And how did those families come to know about their ancestry?

For many generations, members of these three families tried to forget that they had ever been African-American—and yet when I traced the families to the present and began contacting the descendants almost everyone I contacted knew about their history. It seems that the secrets of many generations are no match for the Internet. In many families, people would talk about going to the library and seeing that it had, say, a searchable 1850 census. One woman described the experience of typing in her great-grandfather’s name, finding him, and then having to call over the librarian to go through the handwritten enumeration form with her—she had to ask the librarian what “MUL” meant, not knowing it meant he was mulatto, or of mixed race. Every family seemed to have a story like this…

Read the entire article here.

A Chat with Kat: Marissa Hui, President of HapaSC

Her Campus
2011-02-28

Katharine Goldman

I remember clearly the first time someone used the term “hapa”: I was a freshman, waiting for Campus Cruiser in front of New/North, when a random guy asked me if I was hapa.

Not knowing what it meant, I asked for a clarification. He told me that hapa is Hawaiian for half—it’s traditionally used as a term to refer to people who are half-Asian and half-Caucasian.

Marissa Hui, a senior communications major, knows the intricacies of this term well. She’s the president of HapaSC, an organization on-campus [University of Southen California] dedicated to exploring what it means to be of mixed race, and the exploration of identity that comes with the territory.

HC: Tell me about HapaSC.

Marissa: HapaSC has been around campus for about 10 years. It started originally as a club specifically for students that fit the traditional meaning of “hapa:” half-Asian and half-white. Since then, it’s become an all-encompassing club for students of multiracial, multiethnic, and multicultural backgrounds.

Our mission is to create a diverse community where people can explore their identity. Specifically we deal with a lot of topics about being mixed raced and try to cater to that student population. Sometimes students who are mixed race don’t identify completely with [single-culture] groups, or want to be able to explore their backgrounds within one group and not have to sacrifice one group for another…

Read the entire article here.

Brooklyn Museum Acquires Eighteenth-Century Painting by Agostino Brunias Depicting Dominica Mixed Race Colonial Elite

The Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238-6052
T(718) 638-5000, F(718) 501-6134
January 2011

Agostino Brunias (Italian, ca. 1730-1796), Free Women of Color with their Children and Servants in a Landscape, ca. 1764-1796, Oil on canvas, 2010.59, Gift of Mrs. Carll H. de Silver in memory of her husband, and gift of George S. Hellman, by exchange.

The Brooklyn Museum has acquired, by purchase from the London Gallery Robilant + Voena, Agostino Brunias’s (1730–96) painting Free Women of Color with Their Children and Servants in a Landscape (circa 1764–96), a portrait of the eighteenth-century mixed-race colonial elite of the island of Dominica in the West Indies. Brunias, a London-based Italian painter, left England at the height of his career to chronicle Dominica, then one of Britain’s newest colonies in the Lesser Antilles.

The painting depicts two richly dressed mixed-race women, one of whom was possibly the wife of the artist’s patron. They are shown accompanied by their mother and their children, along with eight African servants, as they walk on the grounds of a sugar plantation, one of the agricultural estates that were Dominica’s chief source of wealth. Brunias documented colonial women of color as privileged and prosperous. The two wealthy sisters are distinguished from their mother and servants by their fitted European dresses.

The painting is a Caribbean version of contemporaneous English works made popular by artists such as William Hogarth and Thomas Gainsborough, whose art often depicts the landed gentry engaged in leisurely pursuits. Free Women of Color with Their Children and Servants in a Landscape and other Caribbean paintings by Brunias celebrate the diversity of European, Caribbean, and African influences in the region.

Although Brunias was originally commissioned to promote upper-class plantation life, his works soon assumed a more subversive, political role throughout the Caribbean as endorsements of a free, anti-slavery society, exposing the artificialities of racial hierarchies in the West Indies. Among his supporters was Haiti’s liberator, François-Dominique Toussaint L’Ouverture, who wore on his waistcoat eighteen buttons decorated with reproductions of Brunias’s paintings.

Free Women of Color with Their Children and Servants in a Landscape will go on view on March 7, 2011, in the European galleries, on the portraiture wall between contemporaneous female Spanish colonial and French subjects.

Author and scholar Adele Logan Alexander appears at the 2010 National Book Festival

2010 National Book Festival
Library of Congress
Washington, D.C.
2010-09-25
Running Time: 00:32:45

Adele Logan Alexander, Professor of History
George Washington University

Speaker Biography: Adele Logan Alexander’s research and teaching incorporate the black Atlantic world, African-American history, family history, gender issues and military and social history. Her first book examined the lives and significance of nonenslaved women of color in the rural antebellum South. Her second explored the Americanization and evolving citizenship of an African- (and Anglo-) American family in the 19th and 20th centuries. In 2003 the African American Historical and Genealogical Society recognized her contributions to the study of family history with an award for Outstanding Lifetime Contribution. She is an adjunct professor of history at George Washington University. Her books include “Homelands and Waterways: The American Journey of the Bond Family, 1846-1926” and “Ambiguous Lives: Free Women of Color in Rural Georgia.” Her latest book is “Parallel Worlds: The Remarkable Gibbs-Hunts and the Enduring (In)Significance of Race” (University of Virginia Press).

Read the Questions and Answers transcript here.

Audience question: In your significant study of African-American families and I guess particularly mixed families, how often did you come across the use of skin products–skin lighteners or whiteners or even darkeners; or was that something that you were able to research or was that something that was talked about at all or written about?

Adele Alexander: Certainly I don’t write about it because I never found it in any of the people that I happen to write about. However, I’ve done a lot of work with a woman you may know about whose name is A’lelia Bundles whose great grandmother was Madame C.J. Walker who developed hair straightening–she called them hair health products, skin health products that also served to create a more–a whiter appearance. But I guess that one of the things is that it almost seems remarkable to me not that so many people did these things, but that so many did not. Because in our culture there was so much of a premium that has been placed on whiteness–day to day inconveniences, legal restrictions and everything else. It’s easy for me to understand why a number of black people wanted to be part of the majority in this country because they were so discriminated against and any steps in that direction I think were understandable.

Shades of White

The New York Times
2011-02-25

Raymond Arsenault, Visiting Scholar, Florida State University Study Center in London
and John Hope Franklin Professor of Southern History, University of South Florida

Daniel J. Sharfstein. The Invisible Line: Three American Families and the Secret Journey from Black to White. New York: Penguin Press, 2011. 415 pp. Hardcover ISBN: 9781594202827.

Racial passing is one of America’s deeply hidden traditions, a largely unacknowledged and unstudied aspect of national life. Historically, African-Americans with identifiably dark skin have had only two choices when confronting racial discrimination and oppression: either they could try to ease their burden through accommodation, making the best of a bad situation, or they could engage in protest and active resistance. The situation was often quite different, however, for light-skinned African-Americans of mixed parentage. For them, there was a tempting third option of trying to pass as white.

In an illuminating and aptly titled book, “The Invisible Line,” Daniel J. Sharfstein demonstrates that African-Americans of mixed ancestry have been crossing the boundaries of color and racial identity since the early colonial era. An associate professor of law at Vanderbilt University and an author with a literary flair, Sharfstein documents this persistent racial fluidity by painstakingly reconstructing the history of three families. In a dizzying array of alternating chapters, he presents the personal and racial stories of the Gibsons, the Spencers and the Walls. The result is an astonishingly detailed rendering of the variety and complexity of racial experience in an evolving national culture moving from slavery to segregation to civil rights…

Read the entire review here.

Tracing lives of three ‘white’ families and their black forebears

The Boston Globe
2011-02-20

Dan Cryer, Globe Correspondent

Daniel J. Sharfstein. The Invisible Line: Three American Families and the Secret Journey from Black to White. New York: Penguin Press, 2011. 415 pp. Hardcover ISBN: 9781594202827.

Randall Lee Gibson, an urbane, Yale-educated Confederate general, mocked black people as “the most degraded of all races of men.’’ Later, as a US senator from Louisiana, he helped broker the end of Reconstruction, freeing the South to harass and lynch blacks virtually at will.

In the 20th century, his orphaned son, Preston, was raised by an aunt and her husband, who had been a justice on the US Supreme Court that legitimated racial segregation in the infamous case of Plessy v. Ferguson.

At the beginning of the 21st century, a rent-a-car employee and genealogy buff dubbed himself Sir Thomas Murphy after tracing his mother’s lineage to English aristocracy. His father’s line remained a mystery.

None of these white people knew that they had African-American ancestors who had “passed for white.’’

Race has always been an inherently unstable construct of nature, culture, and law. Should one be considered black if one grandparent or great-grandparent was black? Or does the “one-drop’’ rule hold, that a single black forebear makes one black? Does “race’’ exist in the eye of the beholder, or solely in the mind of the beheld. In today’s age of mixed-race chic—in which Mariah Carey and Derek Jeter are hailed as beautiful royalty—such questions may seem quaint. But throughout American history, the consequences have been deadly.

“The Invisible Line,’’ Daniel J. Sharfstein’s spellbinding chronicle of racial passing in America, reminds us that the phenomenon has existed since our Colonial beginnings—as escape from oppression, enhancement in status, and path to economic opportunity. However well defined in law, the racial line has always remained porous, breachable under the right conditions…

Read the entire review here.

Doorway Arts Ensemble and Arts Alive Theatre present: “Tether”

Doorway Arts Ensemble
February 2011

Emily Morrison, Publicist
Office: 703-892-0801

sex, race, religion, tether ball… twin sisters are coming of age [2011-02-18 through 2011-03-13]

Bethesda, Maryland Doorway Arts Ensemble presents Tether, a World Premier play by Julie Taiwo Oni, co-produced with Arts Alive Theatre Artistic Director, Perry Schwartz as part of Montgomery College Silver Spring Arts Alive Theatre Series. This production marks the first presentation by a professional theater organization of a script that received development and a stage reading as part of the 2009 Inkwell’s Inkubator Festival in Washington, DC.

In Tether, Lach and Lam are 15 year old mixed race twins. Lach is white, Lam is black and both are obsessed with tether-ball. In this rhythmic drama, life is a back-and-forth game of rules and regulations, kissing boys, movie-talk and the roots of their religious upbringing. As the sisters come into their maturity and men enter the game, they must learn to tether without their counterpart. When an obstacle swings between them, they must begin to face and embrace the differences between each other in order to be true to themselves

The odds against of a couple having twins of dramatically different color are a million to one, each twin fertilized by different sperm with different genetic input from their parents. The phenomenon is extremely rare… there are only about 5 sets of mixed race twins living in the world today.

Runs February 18 through March 13, 2011.
Performances: Thursday-Saturday at 8pm and Sunday Matinee at 2pm
Monday, March 7 at 8 PM – Special Performance

Friday Feb 18 – Press Night – followed by reception (press are welcome to all performances)
Saturday Feb 19 – Q&A follows performance featuring the dramaturg, director, playwright and actors

TICKETS: $10 for general admission/$7 for students and seniors/$5 for MC Students, Faculty and Staff. Call 240-567-5775 or order online at www.tickets.com. All performances opening weekend are Pay What You Can.

LOCATION: The Studio Theater in the Cultural Art Center at Montgomery College Silver Spring 7995 Georgia Avenue Silver Spring, MD 20910 [map & directions]…

For more information, click here.