Mixed Race Studies

Nharas and Morenas Horras: A Luso-African Model for the Social History of the Spanish Caribbean, c. 1570-1640

Journal of Early Modern History
Volume 14, Issue 1 (2010)
pages 119-150
DOI: 10.1163/138537810X12632734397061

David Wheat, Assistant Professor of History
Michigan State University

Drawing on little-used archival materials held in Seville’s Archive of the Indies and ecclesiastical records from the Cathedral of Havana, this article argues that free African and African-descended women participated in Spain’s colonization of the Caribbean to a degree that has not been fully recognized. Regularly described as vecinas (heads of household) and as spouses to Iberian men in key port cities, free women of color played active roles in the formation and maintenance of Spanish Caribbean society during the late sixteenth and early seventeenth centuries, not as peripheral or marginalized figures, but as non-elite insiders who pursued their own best interests and those of their families and associates.

City’s black founding father

Decator Daily
Decatur, Alabama
2010-04-19

Deangelo McDaniel, Staff Writer

Minister, historian reconstructing life of ex-slave who became successful farmer

First in a two-part series

The Rev. Wylheme Ragland would like to spend one day with Robert Murphy.

So would local historian Peggy Allen Towns.

“Just one day,” Ragland said emphatically. “Just one day.”

Murphy, who died June 8, 1918, is one of Decatur’s black founding fathers, Towns and Ragland proclaim.

The former slave is buried in the Cowan section of Decatur City Cemetery and so are many of the secrets that would reveal the River City’s pre-Civil War and Reconstruction history.

Ragland, a United Methodist pastor at the church where Murphy was a trustee, and Towns are determined to reconstruct his life.

Doing so, they say, would fill significant gaps in Decatur’s history and dispel myths about the role of blacks and what happened here in 1864…

…But to understand and appreciate Murphy’s journey you have to go back to Virginia in 1795 when Mary, a slave, was born to the Kimble family.

Mary was his mother.

Traveling from Virginia through North Carolina, she arrived in the Tennessee Valley with the Kimble clan before 1820.

The slave-owning family purchased land in Trinity that extended to the Tennessee River.

In 1831, Murphy was born to Mary and his mother’s owner.

The Kimble family intermarried with the Murphys, who also owned a plantation on the Tennessee River. At some point before the Civil War, Mary and her son became the property of James Murphy

“Where was your home before and during the Civil War?” a government lawyer asked Murphy in 1906.

“About six miles from Decatur,” Murphy answered. “I belonged to James Murphy.”

As was the case for some mulatto (mixed-race) slaves, Murphy had extraordinary privileges for a slave, especially in 1864 when the Union Army fortified Decatur. He told the government he was able to travel between Decatur and Athens where his wife, Harriett, lived.

“My master did not care where I went so long as I did not go to be a soldier,” Murphy said in 1906…

Read the entire article here.

“Our Ancestors came from many Bloods”. Gendered Narrations of a Hybrid Nation

Lusotopie
Volume 12, Issue 1 (2005)
pages 217-232
DOI: 10.1163/176830805774719728

Isabel P.B. Fêo Rodrigues, Professor of Anthropology
University of Massachusetts, Dartmouth

Narratives of mixed ancestry in Cape Verde use gender as common denominator in the weaving of a Creole nation. These narratives may hide tensions, conflicts, and adversities, but they also contain elements of fusion and national cohesion. They are and have been gendered narratives, partial and selective of the elements of fusion substantiating and sustaining a Cape Verdean identity vis-à-vis the multiple symbolic and material challenges faced by this young post-colonial nation-state. In them, Cape Verde is portrayed as an exceptional African case with boundaries carved by the ocean, free from ethnic conflict, and without a pre-colonial past through which to filter present realities.

A Tangled Text: William Wells Brown’s Clotel (1853, 1860, 1864, 1867)

Wesleyan University
April 2009
104 pages

Samantha Marie Sommers

A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in English and the American Studies Program

Table of Contents

• Introduction
• A Canonical Misfire: The Trouble With “Firstness” for Brown and Clotel
• Capturing the Process: Clotel Makes [Its Own] Literary History
• A Close Reading of a Tangled Text
• Considering the Object: Reading Four Paratexts
  • Clotelle: A Tale of the Southern States
  • Clotel; or, The President’s Daughter
  • Miralda; or, The Beautiful Quadroon
  • Clotelle; or, The Colored Heroine
• Conclusion
• Works Cited and Consulted

Introduction

In 1853 William Wells Brown published Clotel; or, The President’s Daughter. This was the first of the four editions that comprise the first novel published by an African American writer. The story was based upon the popular rumor that Thomas Jefferson fathered several children with his slave mistress. Clotel follows the story of Jefferson’s lover Currer, their daughters, Clotel and Althesa, and their granddaughter, Mary, as these biracial characters live through and escape from slavery. This first Clotel was a hardcover edition published in London. From December 1860 to March 1861, a reconceived Clotel was published in Thomas Hamilton’s New York City newspaper The Weekly Anglo-African under a new title: Miralda; or, The Beautiful Quadroon. Much of the documentary style of the first edition was lost as Brown removed the numerous advertisements, newspaper accounts, poems, and other extra-narrative material contained in the 1853 Clotel. Importantly, Brown erases all references to Jefferson in this and the subsequent American volumes. In 1864 Clotel was again repackaged, this time for the American Civil War. Clotelle: A Tale of the Southern States was sold as part of James Redpath’s dime-novel series, “Books for the Camp Fires.” The text of this edition was nearly identical to Miralda, aside from several changes in characters’ names (including that of the eponymous heroine). Redpath directed the repackaging of the text, and he marketed the narrative as entertainment for the Union troops and their sympathizers. In 1867 Brown published Clotelle; or, The Colored Heroine, a final version of the novel, as an American hardcover edition with new chapters that offered an updated ending for the post-bellum audience. My view of the four editions as components of a larger Clotel project takes the study of Clotel in a new direction, examining the novel as a dynamic text captured in four volumes. Traditionally, the four editions have been viewed as a sequence that measures either Brown’s political softening in response to the demands of the American literary market, or Clotel’s movement away from the obscurity of its fragmented style toward the conventions of nineteenth-century domestic fiction.

I view the four Clotels as a tangled text that necessitates a relational reading across the editions. The task of my thesis is to demonstrate the efficacy of this method of reading by exploring the different historical and political factors that motivate each edition, addressing the disparities in the readerly experience of the four texts, and tracking the movement from one print form to another. Even in the most recent work on William Wells Brown, scholars persist with their provisional treatment of the three later editions of Clotel; most egregiously, Miralda is all but disregarded in any discussion of Clotel. My approach attempts to correct this partial view of the novel. Throughout this thesis I will distinguish the four editions by year (the 1853 Clotel, 1860 Clotel, 1864 Clotel, and 1867 Clotel) or by name (Clotel, Miralda, the Redpath Clotelle, and the 1867 Clotelle.) These two naming systems reflect the connection of the editions to one another as well as the distinctiveness of each volume. By referring to the collective work as the four Clotels I wish to emphasize my view that the editions are four parts of a single project.

I first encountered the four editions of Clotel in the fall of 2007. I read the 2004 Penguin edition for my American Studies junior colloquium: Literary Studies as American Studies with Professor Charles Baraw. This edition, edited by Maria Giulia Fabi, includes three appendices that reprint the endings from each subsequent edition of Clotel. In her notes, Fabi explains important aspects of the changes across the volumes including characters’ names, the serialization of Miralda, and the deletion of certain politically critical passages from the American editions. My interest in the four editions stemmed from a curiosity about the implications of transferring a single story across three distinct print formats: the book, the newspaper, and the pamphlet. Because I came to the text with a personal interest in book design and production, I wanted to consider the effect of the design of these versions on the reception of their changing narratives. I sensed an inherent paradox in the story of four discrete objects transmitting one author’s evolving narrative in a moment of perhaps the most profound transition in national ideology. In my final paper for the course, I argued that the close readings of (what I now know to be) the “paratexts” for the four Clotels offered a powerful literary and cultural critique of the novel and its place in nineteenth century publishing. Retrospectively, I see my first encounter with the four Clotels in a single paperback edition as an impetus for my questioning the inherent connection of the later editions to the 1853 edition. Even the perfunctory representation of the American editions in the 2004 Clotel encapsulates the trouble of their minority status in contemporary scholarship, that motivates much of the work in this thesis.

My initial paper on Clotel did not resolve the relationship of the four texts to one another, but the practice of considering the four editions as elements of material culture informed the argument of this thesis: William Wells Brown’s novel Clotel is a four-volume text that must be read relationally and with attention to the materiality of each edition. It is worthwhile to study Clotel as a pamphlet, but when we can study it as a pamphlet that was once serialized in a newspaper and later became a hardcover book, we see the dynamic nature of the text. It is only when we consider four editions equally and relationally that we see how Clotel is inimitable as much for its multi-dimensionality as it is for its historical significance. By calling for this dynamic method of reading, the novel challenges our current methods for historicizing literary texts. I seek to contest the convention of canonizing a single edition of Clotel. We must abandon our reliance on the 1853 edition for critical analysis and our tendency to perform a cursory reading of the later editions of the novel. These practices cannot fully attend to the evolutionary nature of Clotel as a text that responds to four distinct historical moments, nor to the changing political motivations of a single author. We must instead read Clotel as what it truly is: a tangled text…

Read the entire thesis here.

Black Czech writer Zmeškal won EU Prize for Literature in 2011

Afro-Europe
2012-04-08

Czech writer Tomáš Zmeškal, who was born as the son of a Congolese father and a Czech mother in Prague, won the European Union Prize for Literature in 2011 for his debut novel “Love Letter in Cuneiform Script” (Milostný Dopis Klínovým Písmem) set in post-war Czechoslovakia through the collapse of communism.

He was one of 12 winners of the prize, which recognizes the best new or emerging authors in the European Union.

Zmeškal’s novel “Životopis černobílého jehněte”  (“The Biography of the Black and White Lamb”) of 2009, written long before his debut was published, is the first novel in Czech language dealing with the experience of Africans in the communist countries in Eastern Europe. It is the childhood and youth story of twins, who do not know their ethnically mixed parents and grow in their grandmother’s house. In spite of her attempts to protect them, they suffer from the racism and hostility that surrounds them. Which is all the more absurd since the society, in which they live, officially encourages internationalist attitudes and an understanding among nations…

Read the entire article here.

Defining Mixed Race on Television: an Analysis of Barack Obama and Saturday Night Live

California State University, Sacramento
Fall 2011
109 pages

Amanda Joy Davis

THESIS Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in COMMUNICATION STUDIES

This study uses a semiotic approach to textual analysis to examine social constructions of Barack Obama’s race in televised sketch comedy to discover how this construction contributes to the process of hegemony regarding society’s treatment of mixed race. Polysemy will be explored as a key contributing factor. The television program chosen for this study is Saturday Night Live (SNL); the program will be examined for visual and linguistic references to Obama and mixed race. The absence of mixed race references will also be analyzed for their contribution to the show’s overall message. This study argues that while SNL mentions mixed race, it ultimately adds to the hegemonic treatment of mixed race individuals. That is, it identifies Obama as monoracial, ignoring his mixed race heritage in favor of a neat, pre-existing category. While SNL had the opportunity to step outside of the typical dismissal of mixed race and defend their choice of actor to portray Obama, and refer to him as mixed race on a consistent basis, they opted instead to categorize him as monoracial. In doing so, SNL upholds the silent treatment given to the mixed race community, forcing a monoracial identification based on appearance, a hegemonic course of action.

Read the entire thesis here.

Eurasian Women as Tawa’if Singers and Recording Artists: Entertainment and Identity-making in Colonial India

African and Asian Studies
Volume 8, Issue 3 (2009)
pages 268-287
DOI: 10.1163/156921009X458118

Shweta Sachdeva Jha, Assistant Professor of English
Miranda House, University College for Women, University of Delhi

Scholarship on Eurasians has often addressed issues of migration, collective identity and debates around home. Women performers however do not find themselves discussed in these histories of Eurasian peoples in India. This paper aims to account for individual agency in shaping one’s identity within the meta-narratives of collective identity of migrant peoples. I focus on two Eurasian women entertainers in the colonial cities of Benares and Calcutta who chose to forget their mixed-race past to fashion successful careers using new identities as tawa’if singers and actors in the late nineteenth and early twentieth centuries. This, I shall argue, was possible within the wider context of emergent colonial modernities in colonial India. By choosing micro-level case histories of these celebrity entertainers, I want to argue for including popular culture as an arena of identity-making within histories of migration and gender. To engage with popular culture, I shall extend our perception of historical ‘archive’ to include a varied set of materials such as biographical anecdotes, discographies, songbooks, and address the fields of poetry, music and history. Through this project I hope to rethink ideas of gender, culture and agency within wider debates of migration and identity-making.

Racial/Ethnic Variation in Parenting Styles: The Experience of Multiracial Adolescents

Bowling Green State University
December 2011
57 pages

Amanda N. House

According to the 2009 American Community Survey, 2.4% of the U.S. population consists of individuals who identify as two or more races, or multiracial. Nearly half of this estimate captures children under the age of 18, and the multiracial population continues to grow. There is previous literature on racial identification and friendship networks among multiracials, though little attention has been paid to the family experiences of multiracial children and adolescents. Adolescence is often a difficult life stage, and multiracial adolescents may face more adversity than monoracial adolescents with added identity concerns. Parents may react to these unique challenges by adjusting their parenting behaviors. Using the National Longitudinal Study of Adolescent Health (n = 13,395), the present study examines parenting behaviors and parenting styles among monoracial and multiracial adolescents and extends this research by further dissecting the multiracial group. Results show that among levels of parental warmth, there are no significant differences between monoracial and multiracial adolescents. However, on average, Black adolescents report higher levels of parental control than multiracial adolescents. Among multiracial adolescents, no significant differences were found between multiracial White and multiracial non-White adolescents, or between multiracial Black and multiracial non-Black adolescents, with respect to levels of parental warmth or parental control. Results also show that Asian adolescents are more likely than multiracial adolescents to experience authoritarian parenting than to experience authoritative parenting. Among the multiracial group, multiracial White adolescents are more likely than multiracial non-White adolescents to experience neglectful parenting than to experience authoritative parenting. No significant racial differences were found between multiracial Black and multiracial non-Black adolescents with respect to parenting styles.

Read the entire dissertation here.

Racial Classification in Assisted Reproduction

Yale Law Journal
Volume 118, Issue 8 (June 2009)
pages 1844-1898

Dov Fox, Academic Law Research Fellow
Georgetown University Law Center

This Note considers the moral status of practices that facilitate parental selection of sperm donors according to race. Arguments about intentions and consequences cannot convincingly explain the race-conscious design of donor catalogs. This prompts us to examine the expressive dimension of wrongful discrimination. Even practices marked by innocent motives and benign effects can give reason for pause when they needlessly entrench divisive assumptions about how people of a particular race think or act. Race-based differentiation in voting ballots, dating websites, and donor catalogs helps us to tease out the subtle normative tensions that racial preferences occasion in the contexts of citizenship, romance, and reproduction. These reflections suggest that racially salient forms of donor disclosure are pernicious social practices, which, while operating beyond the reach of the law, ought to be condemned as bad policy. The Note concludes by developing reproductive choice-structuring mechanisms that aim to balance respect for intimacy, autonomy, and expressions of racial identity with responsibility to work against conditions that divide us.

Table of Contents

• Introduction
• I. Race and reproduction
  • A. Free Market Sperm Donation
  • B. Race-Conscious Donor Catalogs
• II. the expressive dimension of racial discrimination
  • A. Discriminatory Intent and Discriminatory Effects
  • B. Discriminatory Expression
• III. the moral logic of donor classification
  • A. The Social Meaning of Reproducing Race
  • B. The Architecture of Reproductive Choice
• Conclusion

Introduction

Few choices matter more to us than those we make about the person with whom we will share a life or start a family. When having children involves assisted reproduction, selecting an egg or sperm donor occasions similar gravity. Such decisions typically bring to bear a patchwork of preferences about the particular physique, disposition, or values we find desirable in a romantic or procreative partner. To many, race matters. Just as some people in the search for companionship are looking for a significant other who shares their racial background, many of those who wish to become parents would prefer a child whose racial features resemble their own.

To help those who use donor insemination have a child of a particular race, sperm banks routinely catalog sperm donors on racial grounds. Twenty-three of the twenty-eight sperm banks operating in the United States provide aspiring parents with information about donor skin color, and the largest banks organize sperm donor directories into discrete sections on the basis of race. This practice of race-conscious donor classification invites us to rethink those racial preferences we commonly take for granted within intimate spheres of association. Insofar as race tends to reproduce itself within the family unit, race-conscious donor decisionmaking serves as a promising point of departure from which to ask whether and how our multiracial democracy should seek to preserve or diminish our collective self-identification with racial solidarities.

This Note proceeds in three parts. Part I describes the practice of racial classification by the world’s largest sperm bank. Part II argues that antidiscrimination arguments about bad intentions and bad consequences struggle to make sense of the race-conscious way that sperm banks design donor catalogs and online search functions. This suggests that certain classes of discriminatory behavior require a richer moral vocabulary than traditional frameworks allow. In these cases, we do well to examine what might be called the expressive dimension of wrongful discrimination, which turns on whether a rule or action instantiates public values that characteristically erode worthy forms of social recognition.

Part III works out the social meaning of racial classification in assisted reproduction by reference to similar classifications in the more familiar settings of voting and dating. These analogies help us to tease out the subtle normative tensions that racial preferences occasion in the contexts of citizenship, romance, and reproduction. This Part argues that racial classifications marked by innocent motives and benign effects give reason for pause when they needlessly entrench divisive assumptions about how people of a particular race think or act. These reflections suggest that racially salient forms of donor disclosure are pernicious social practices, which, while operating beyond the reach of the law, ought to be condemned as bad policy. The Note concludes by developing reproductive-choice-structuring mechanisms that aim to balance respect for intimacy, autonomy, and expressions of racial identity with responsibility to work against conditions that divide us.

Read the entire article here.

Traveling with Her Mother’s Tastes: The Negotiation of Gender, Race, and Location in “Wonderful Adventures of Mrs. Seacole in Many Lands”

Signs
Volume 26, Number 4, Globalization and Gender (Summer, 2001)
pages 949-981

Sandra Gunning, Professor of English, Afroamerican and African Studies and Women’s Studies
University of Michigan

The autobiography Wonderful Adventuers of Mrs. Seacole in Many Lands ([1857] 1984) by) Jamaican mixed-race “Creole” Mary Jane Grant Seacole (1805-81) reveals a great deal about the complex interplay in the nineteenth century between gendered mobility, black diaspora identity, colonial power, and transnational circularity. As a black entrepreneur and “doctress” who ran combination lodging houses and taverns in the Caribbean and Central America, Seacole relocated midcareer to Turkey during the Crimean War (1854-56) to service the needs of English soldiers on the battlefield. After losing her business when the war ended sooner than expected, she settled in England and attempted to recover from bankruptcy…