Mixed Race Studies

Race and the Modern Exotic: Three ‘Australian’ Women on Global Display

Monash University Publishing
October 2011
180 pages
Paperback ISBN: 9781921867125
eBook ISBN: 9781921867132

Angela Woollacott, Manning Clark Professor of History
The Australian National University

Annette Kellerman, Rose Quong and Merle Oberon were internationally successful ‘Australian’ performers of the first half of the twentieth century. Kellerman was a swimmer, diver, lecturer, and silent-film star, Quong an actor, lecturer and writer who forged a career in London and New York, and Oberon one of the most celebrated film stars of the 1930s and 1940s, first in London and then Hollywood.

Through her international vaudeville performances and film roles, Kellerman played with the quasi-racial identity of South Sea Islander. Quong built a career based on her own body, through a careful appropriation of Orientalism. Her body was the signifier of her Chinese authenticity, the essentialist foundation for her constructed, diasporic Chinese identity. The official story of Oberon’s origins was that she was Tasmanian. However, this was a publicity story concocted at the beginning of her film career to mask her lower-class, Anglo-Indian birth. Despite anxious undercurrents about her exoticism, Australians were thrilled to claim a true Hollywood star as one of their own.

These three women performers created newly modern, racially ambiguous Australian femininities. Racial thinking was at the core of White Australian culture: far from being oblivious to racial hierarchies and constructions, Australians engaged with them on an everyday basis. Around the world, ‘Australian’ stars represented a white-settler nation, a culture in which white privilege was entrenched, during a period replete with legal forms of discrimination based on race. The complex meanings attached to three successful ‘Australian’ performers in this period of highly articulated racism thus become a popular cultural archive we can investigate to learn more about contemporary connections between race, exoticism and gender on the global stage and screen.

The legend of Merle

The Age
Docklands, Victoria, Australia
2002-08-21

Merle Oberon (1943)

She was one of the most glamorous stars of the 1930s and ’40s. A screen siren with smouldering looks, exotic features and almond-shaped eyes. Merle Oberon was described as graceful and hauntingly beautiful.

On her ascent, in 1939, she captivated the world in the box office Hollywood hit, Wuthering Heights, playing Cathy opposite Laurence Olivier as Heathcliff.

From the other side of the globe, Tasmanians glowed with pride. Oberon, according to a biography that read like a Hollywood film script, had been born in Hobart, the daughter of an upper-class white colonial family. She left Tasmania for India after her distinguished father died in a hunting accident, and was raised there by aristocratic godparents.

If Errol Flynn was the island state’s favourite son, Merle Oberon was its treasured daughter. In 1978, the Hobart Town Hall hosted a function attended by well-known local identities to welcome her back. Decades later, Tasmanians proudly recount stories and anecdotes about the hometown girl who blazed her way to Hollywood. Only Oberon wasn’t born in Tasmania. She was Anglo-Indian…

Read the entire article here.

Saskatchewan artist Leah Dorion features Métis women in stunning exhibit

CBC News
2015-11-08

Visual artist Leah Dorion said this painting is dedicated to Catherine Beaulieu Bouvier from Fort Providence, N.W.T. (Eric Anderson/CBC)

Country Wives and Daughters of the Country: Métis Women of This Land at the Affinity Gallery

Visual artist Leah Marie Dorion grew up in Prince Albert, proud of her Métis heritage, but she always wondered why Métis women were never represented in textbooks.

Now, Dorion’s doing something about it with her new exhibit of acrylic paintings and crafts.

“I have created paintings and dedicated them to specific Métis women of history,” Dorion told Saskatchewan Weekend host Eric Anderson. “These women I felt never really had a visual presence in the history books. There is a lot of oral history of these women and their contributions.”

It’s called Country Wives and Daughters of the Country: Métis Women of This Land…

Read the entire article here.

Discovering my blackness

Blavity
2015-10-27

Juan Robles
Brooklyn, New York

“Oh, you’re Latino. I thought you were black.”

For most of my life, I’ve had people pose some variant of that statement to me. In our society, the prevalent idea is that a person can either be Latino or black but not both. As a child, I would identify only as Latino. I didn’t see myself as black and I didn’t understand, and therefore denied, the fact that I have African ancestors. Sadly, this is the case for many Latinos in America…

Read the entire article here.

In The Mix with Rosa Clemente: A Revolutionary Introduction

The Real News
2015-11-04

Jared A. Ball, Associate Professor of Communication Studies
Morgan State University, Baltimore, Maryland

Activist, journalist and scholar Rosa Clemente sat down with Jared Ball for this extended 3-part interview about her life, work and politics.

Watch the interview here.

Halloween Costume Emails Stokes Debate At Yale

All Things Considered
National Public Radio
2015-11-09

Audie Cornish, Host

Yale University is in turmoil after a series of emails about culturally insensitive Halloween costumes. Some students there are protesting what they say is a hostile environment for students of color. Sebi Median-Tayac [Aaron Z. Lewis], one of the leaders of the protest, speaks with NPR’s Audie Cornish.

Listen to the story (00:03:58) here. Download the story here. Read the transcript here.

What’s Really Going On at Yale

Medium
2015-11-08

Aaron Z. Lewis, Senior
Yale University

Dean Jonathan Holloway; Photo credit: Yale Daily News

By now, you’ve probably seen the video of a Yale student yelling at a professor, the Facebook post about a “white girls only” party, or the email about offensive Halloween costumes. Unfortunately, the short YouTube clips and articles I’ve seen don’t even come close to painting an accurate picture of what’s happening at Yale. I’m a senior here, and I’ve experienced the controversy firsthand over the past week (and years). I want to tell a more complete story and set a few facts straight.

For starters: the protests are not really about Halloween costumes or a frat party. They’re about a mismatch between the Yale we find in admissions brochures and the Yale we experience every day. They’re about real experiences with racism on this campus that have gone unacknowledged for far too long. The university sells itself as a welcoming and inclusive place for people of all backgrounds. Unfortunately, it often isn’t…

Read the entire article here.

The Biobank as Political Artifact: The Struggle over Race in Categorizing Genetic Difference

The ANNALS of the American Academy of Political and Social Science
Volume 661, Number 1, September 2015
pages 143-159
DOI: 10.1177/0002716215591141

Sandra Soo-Jin Lee, Senior Research Scholar, Pediatrics
Center for Biomedical Ethics
Stanford University

This article discusses the institutional practices of classifying and creating taxonomies of difference within biobanks (repositories that store a broad range of biological materials, including DNA) and the technical and sociopolitical priorities that ultimately create biobanks. I argue that biobanks operate as political artifacts and that the social circumstances surrounding the development and use of biobanks determine what counts as meaningful difference within human genetic research. The massive collection of human DNA, blood, and tissues is critical to genomic medicine and the development and governance of biobanks structure knowledge that will ultimately bear on how population differences are interpreted and health disparities are framed. Careful consideration of how to avoid the conflation of concepts of race, ethnicity, and nationality with biological differences is necessary to identify effective interventions that will bear positively on health.

Read or purchase the article here.

Killing That “Tragic Mulatto” Bullshit

Ain’t I A Woman Collective
2015-10-28

Grace Barber-Plentie

Other than the photos of Lucille Bluth and J-Lo looking pissed off that I’ve carefully saved to use as reaction photos to white people doing, saying, or writing thoughtless stuff, there are about a million unfinished essays, or think pieces – whatever you want to call them – saved on my computer. All of them are about my identity as a black, or to be more specific, mixed race woman. And all of them are negative.

“Why,” I wail and moan in essay after essay, “do I not have a place in the world?”

“Why do I have to sit in-between cultures, in-between two worlds? Who am I? What does it all mean?”

(They’re actually a lot better than that, for example there’s one that, ignoring its negative tone, contains a great paragraph dedicated to Mariah Carey.)

I think there’s a reason I have never finished any of those essays, and I think that it is primarily because I am tired of feeling sorry for myself due to my mixed heritage. It’s time, after almost 21 years on this planet, to kill my “tragic mulatto bullshit.”…

Read the entire article here.

Eslanda: The Large and Unconventional Life of Mrs. Paul Robeson

Yale University Press
2013-01-08
424 pages
64 b/w illus.
6 1/8 x 9 1/4
Cloth ISBN: 9780300124347

Barbara Ransby, Professor, Gender and Women’s Studies, African American Studies & History
University of Illinois, Chicago

• Won Honorable Mention for the 2013 Southern California Book Festival, in the Biography/Autobiography category, sponored by JM Northern Media LLC.
• Won an Honorable Mention for the 2013 New England Book Festival given by the JM Northern Media Family of Festivals, in the Biography/Autobiography Category.
• Selected as a Choice Outstanding Academic Title for 2013 in the North America Category.
• Won a Honorable Mention for the 2014 Los Angeles Book Festival in the Biography/Autobiography Category.

Eslanda “Essie” Cardozo Goode Robeson lived a colorful and amazing life. Her career and commitments took her many places: colonial Africa in 1936, the front lines of the Spanish Civil War, the founding meeting of the United Nations, Nazi-occupied Berlin, Stalin’s Russia, and China two months after Mao’s revolution. She was a woman of unusual accomplishment—an anthropologist, a prolific journalist, a tireless advocate of women’s rights, an outspoken anti-colonial and antiracist activist, and an internationally sought-after speaker. Yet historians for the most part have confined Essie to the role of Mrs. Paul Robeson, a wife hidden in the large shadow cast by her famous husband. In this masterful book, biographer Barbara Ransby refocuses attention on Essie, one of the most important and fascinating black women of the twentieth century.

Chronicling Essie’s eventful life, the book explores her influence on her husband’s early career and how she later achieved her own unique political voice. Essie’s friendships with a host of literary icons and world leaders, her renown as a fierce defender of justice, her defiant testimony before Senator Joseph McCarthy’s infamous anti-communist committee, and her unconventional open marriage that endured for over 40 years—all are brought to light in the pages of this inspiring biography. Essie’s indomitable personality shines through, as do her contributions to United States and twentieth-century world history.