Mixed Race Studies

An Interview with Poet and Room Poetry Coordinator Chelene Knight

Room: Literature, Art, and Feminism Since 1975
Issue 37.4: Claiming Space (2015)

Interview with Bonnie Nish

Chelene Knight was born in Vancouver and is a graduate of The Writer’s Studio at SFU. She has been published in Sassafras Literary Magazine, Room, emerge 2013 and Raven Chronicles and is the Poetry Coordinator at Room. Braided Skin, her first book (Mother Tongue Publishing, March 2015), has given birth to numerous writing projects, including a work in progress, Dear Current Occupant. Her work is deeply rooted in her experiences of mixed ethnicity. Her mother is African-American, and her father and his family were victims of the Asian expulsion in Uganda during the 70s, when President Idi Amin led a campaign of “de-Indianization,” resulting in the “ethnic cleansing” of the country’s Indian minority. Chelene is currently pursuing her BA in English at SFU.

Her first book Braided Skin is forthcoming with Mother Tongue Publishing in spring 2015. Her launch will take place Wednesday April 8th, 2015 from 7-9:30 pm as a part of Twisted Poets Literary Salon run by Pandora’s Collective.

ROOM: First of all Congratulations on your new book Braided Skin (Mother Tongue Publishing). Would you like to tell us something about your new book?

CK: Thank you! Braided Skin is a mix of many things…

Read the entire interview here.

“End the Autocracy of Color”: African Americans and Global Visions of Freedom

Imperial & Global Forum (blog of the Centre for Imperial and Global History at the History Department, University of Exeter)
2016-02-15

Keisha N. Blain, Assistant Professor of History
University of Iowa

John Q. Adams

Historically, black men and women in the United States frequently linked national and geopolitical concerns. Recognizing that the condition of black people in the United States was “but a local phase of a world problem,” black activists articulated global visions of freedom and employed a range of strategies intent on shaping foreign policies and influencing world events.

During the early twentieth century, John Q. Adams, an African American journalist, called on people of African descent to link their experiences and concerns with those of people of color in other parts of the globe. Born in Louisville, Kentucky in 1848, Adams moved to St. Paul, Minnesota in 1886, where he became associate editor, and subsequent owner, of the Appeal newspaper. The paper’s debut coincided with key historical developments of the period including the hardening of U.S. Jim Crow segregation laws, the rising tide of anti-immigration sentiment, and the rapid growth of American imperial expansion overseas…

John Q. Adams, “End Autocracy of Color,” The Appeal, 4 January 1919

Read the entire article here.

Black History Month 2016: Three-star General, Lt. General Nadja West

Black German Cultural Society
2016-02-05

Congratulations!!!

Lt. Gen. Nadja West has been appointed as the Army’s 44th Surgeon General. With this appointment comes a promotion to lieutenant general, which makes West the Army’s first black female 3-star general as well as the highest ranking female of any race to graduate from West Point.

West started as a child in Germany five decades ago. She came into the world a mischlingskinder or “brown baby”—one of many children borne of liaisons between African American servicemen and German women. Orphaned as a baby, she was adopted at nine months by Oscar and Mabel Grammer. Oscar Grammer worked as a chief warrant officer in the U.S. Army. Mabel Grammer was a civil rights activist and journalist who, at one point, wrote for the Afro American Newspapers. Together the couple adopted 12 children; West was the youngest.

On Tuesday, February 9 (2016), Lt. Gen Nadja West will be honored in an official ceremony…

Read the entire article here.

Braided Skin, Poems

Mother Tongue Publishing
2015-03-15
96 pages
8″ x 6″
Paperback ISBN: 978-1-896949-50-5

Chelene Knight

Braided Skin is the vibrant telling of experiences of mixed ethnicity, urban childhood, poverty and youthful dreams through various voices. Knight writes a confident rhythm of poetry, prose and erasure by using the recurring image of braiding–a different metaphor than “mixing,” our default when speaking the language of race. In the title poem “Braided Skin,” this terminology shifts, to entwining and crossing, holding together but always displaying the promise or threat of unravelling. This is just as all tellings of family, history and relationships must be–“Skin that carries stories of missing middles.” When speaking about race, Knight raises the question, then drops it, and the image becomes other objects, then abstraction, and memory–finally becoming something “she breathes in” actively.

Arcade Fire Exploited Haiti, and Almost No One Noticed

The Atlantic
2013-11-12

Hayden Higgins

Arcade Fire / JF Lalonde

The band has a deep, sincere relationship with the Caribbean nation. But even so, Reflektor’s marketing campaign has perpetuated stereotypes.

Months before Arcade Fire’s new album came out, I learned of its existence when social media pointed me to a website with some chalked, black and white patterns spelling out “Reflektor.” The designs seemed strange and foreign, and I was intrigued about what the music might sound like—not because I knew what the accompanying imagery meant, but precisely because I didn’t.

This, of course, was the intended effect. It turns out those designs were inspired by Haitian veve graffiti, used in syncretistic Vodoun practices to summon the Loa (angels or spirits, messengers to the deity). But presented out of context, to the typically unknowing fan like me, they connoted something else: mystery, exoticness, esotericism.

Reflektor itself—now released and at the top of the charts—and the rest of its marketing campaign went all-in on the Haitian tropes. During some promotional concerts the band donned Kanaval masks, coopting a symbol that holds multifaceted, complex meaning for Haitians during Carnival but that was reduced to flat shorthand for “party!” during a raucous SNL appearance. The music evokes similar stereotypes. In the song “Flashbulb Eyes,” glimmering marimbas will, for many listeners, conjure a specific idealization of the Caribbean (where Haiti is located), while singer Win Butler wails about cameras stealing souls. The band’s music used to feel interesting by virtue of its heart-on-sleeve confrontation with mortality; now, it borrows its edginess by leaning on preconceptions about a foreign region….

…This demonstrates that peoples’ stereotypes and assumptions operate independent of the appropriators’ own knowledge, however deep, of the culture they’re taking from. In this case, that knowledge is substantial. The band has a longstanding relationship with Haiti, starting with member Régine Chassagne’s ancestry (her parents fled the nation during the Duvalier horrors). They have been dedicated supporters of Partners in Health, which works to eradicate disease in Haiti. As Darville points out, though, audiences generally lack this context, and the onus is on the artist to recognize that fact…

Read the entire article here.

Maj. Gen. Nadja West confirmed as 44th Army Surgeon General

www.army.mil: The Official Homepage of the United States Army
2015-12-11

Maria Tolleson, Media Relations Officer

Maj. Gen. Nadja West is sworn in as 44th Surgeon General of the Army by Acting Secretary of the Army Eric Fanning. West is also Commander of the US Army Medical Command.

OFFICE OF THE SURGEON GENERAL Falls Church, Va. (Dec. 11, 2015) — The Senate confirmed Thursday Maj. Gen. Nadja West to serve as the new Army Surgeon General and Commanding General, U.S. Army Medical Command (MEDCOM).

With the appointment as the 44th Surgeon General, West picks up a third star to become the Army’s first black female to hold the rank of lieutenant general.

She most recently served as the Joint Staff Surgeon at the Pentagon. West’s appointment as Army Surgeon General is effective immediately…

…With this appointment she becomes the first black Army Surgeon General and the highest ranking female to have graduated from the US Military Academy at West Point…

Read the entire article here.

South Bend high school student behind race-based signs speaks out

WNDU TV 16
South Bend, Indiana
2016-02-12

A local high school student says he’s in trouble after he and two other students posted some controversial signs at Riley High School.

The signs stated “COLORED ONLY” and “WHITES ONLY,” and they were placed above water fountains throughout the school.

Shane Williams, who says he’s black, white, and Hispanic, told NewsCenter 16, “I put the signs up to help students to view legal segregation in a different form, for them to experience it themselves…

Read the entire story here.

Passing up the race: Students share stories of racial “passing”

Polaris Press
The Ann Richards School For Young Women Leaders
Austin, Texas
2016-02-04

It was one of the first weeks of sixth grade when Lanna Ahlberg found herself at school talking on the phone in Traditional Mandarin with her Taiwanese grandmother.

Hanging up the phone, Ahlberg found a number of girls staring at her.

“In sixth grade, a lot of people thought I was Hispanic or white because I have chocolate hair, like it’s not black hair. My eyes aren’t as prominent,” Ahlberg, now in eighth grade, said. “My mom is Taiwanese and my dad is half Swedish.”

If you’re a person of color who has ever been mistaken for white, you’ve experienced the phenomenon known as “white passing.”

Simply defined, White passing is when a person of color is perceived as white at any point in their life…

Read the entire article here.

“The Day Beyoncé Turned Black” – SNL

Saturday Night Live (NBC)
2016-02-13

Dorothy Roberts: The problem with race-based medicine

TEDMED 2015
November 2015

Dorothy Roberts, George A. Weiss University Professor of Law and Sociology and the Raymond Pace and Sadie Tanner Mossell Alexander Professor of Civil Rights
University of Pennsylvania

Social justice advocate and law scholar Dorothy Roberts has a precise and powerful message: Race-based medicine is bad medicine. Even today, many doctors still use race as a medical shortcut; they make important decisions about things like pain tolerance based on a patient’s skin color instead of medical observation and measurement. In this searing talk, Roberts lays out the lingering traces of race-based medicine — and invites us to be a part of ending it. “It is more urgent than ever to finally abandon this backward legacy,” she says, “and to affirm our common humanity by ending the social inequalities that truly divide us.”

Watch the video presentation (00:14:41) here. Download the video presentation here.