Mixed Race Studies

Who’s the most photographed American man of the 19th Century? HINT: It’s not Lincoln…

The Washington Post
2016-03-15

Jennifer Beeson Gregory

Born into slavery in 1818, Frederick Douglass would become one of the most well-known abolitionists, orators, and writers of his time. He understood and heralded not only the power of the written or spoken word, but also the power of the visual image — especially, his own likeness. He therefore sat for portraits wherever and whenever he could. As a result, Douglass was photographed more than any other American of his era: 160 distinct images (mostly portraits) have survived, more than Abraham Lincoln at 126. Many of these rare, historically significant images are published for the first time in “Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American,” by John Stauffer, Zoe Trodd and Celeste-Marie Bernier.

This book shows all 160 photos and delves into Douglass’s life and passions, including photography. In his writings, Douglass praises Louis Daguerre, who invented the daguerreotype, which made the developing process easier and cheaper, and in turn made photography available to the masses. By the mid-19th century, there were portrait studios all over the Northern United States. Almost everyone in a free state could afford to have their picture taken — even non-whites. Douglass therefore called photography a “democratic art.”…

Unknown Photographer, Honeymoon with Helen Pitts in Niagara Falls, N.Y., August 1884. Albumen print (Frederick Douglass National Historic Site/National Park Service)

Read the entire article here.

Preference and prejudice: Does intermarriage erode negative ethno-racial attitudes between groups in Spain?

Ethnicities
Published online before print 2016-03-28
DOI: 10.1177/1468796816638404

Dan Rodríguez-García, Associate Professor
Department of Social and Cultural Anthropology
Autonomous University of Barcelona, Barcelona, Spain

Miguel Solana-Solana
Department of Geography
Autonomous University of Barcelona, Barcelona, Spain

Miranda J. Lubbers, Ramón y Cajal Researcher
Department of Social and Cultural Anthropology
Autonomous University of Barcelona, Barcelona, Spain

This paper challenges the idea – rooted in classic assimilation theory – that intermarriage clearly erodes social and ethno-racial boundaries and negative attitudes between groups. Drawing on narratives from 58 immigrants of seven different origin countries residing in Catalonia, Spain, who are in romantic partnerships with Spanish-born people, we focus on preferences and prejudices related to mixing. We find that the members of exogamous couples both suffer social discrimination regarding the crossing of ethnocultural borders, particularly from their respective family members – a rejection that is based on negative stereotypes and preconceptions linked to the partner’s origin, phenotype or ethnocultural characteristics, such as religion, in intersection with gender. More significantly, we also find that ethno-racial prejudices (particularly when referring to marriage preferences for the respondents and their children) and discriminatory attitudes (towards one’s own and other immigrant minority groups) also exist among intermarried couples themselves. In sum, we question the role of mixed unions as a diluter of differences and an accelerator of integration.

Read or purchase the article here.

Haiti, the Archive, and the Historical Imagination

African American Intellectual History Society
2016-03-13

Brandon Bryd, Assistant Professor of History
Mississippi State University

John Mercer Langston Mathew Brady – Library of Congress Prints and Photographs Division. Brady-Handy Photograph Collection. http://hdl.loc.gov/loc.pnp/cwpbh.00690. CALL NUMBER: LC-BH83- 30771

In the fall of 1877, John Mercer Langston laid on his bed on board the British steamer “Andes.” He was sea-sick and could not leave his cabin. Again. The new U.S. minister and consul general to Haiti was three days into his first trip at sea and so far the voyage from New York City to Cap Haïtien had been miserable.

But the tide would turn. After passing Cape Hatteras, the admitted “novice in sea-faring life” recovered. Langston “enjoyed the trip thereafter with a zest and pleasure real and inspiriting.” He became filled with a thrilling realization: soon he would land in Haiti. In a few short days, he would “behold now for the first time . . . negro nationality in harmonious, honored activity.”

Childhood lessons about Toussaint Louverture did not prepare Langston for his arrival in Haiti. They could not. One week after leaving New York, Langston was stunned when the British captain obeyed orders from Haitian men who came on board the “Andes” to direct it into the harbor. Put simply, he “had never seen up to that time men of their complexion holding such positions and performing such duties.”…

Read the entire article here.

I’m Irish but I’m not white. Why is that still a problem as we celebrate the Easter Rising?

The Guardian
2016-03-29

Emma Dabiri

With an Irish mother and Nigerian father, I grew up singing Irish rebel songs. But the racism I experienced was not part of the dreams of 1916’s revolutionaries

I grew up singing Irish rebel songs. One of the first ones I learned, which seared an impression on my young mind, was James Connolly. In the haunting ballad the folk musician Christy Moore laments the 1916 execution of Connolly, the Easter Rising revolutionary, and hero of the working man:

Where oh where is our James Connolly?
Where oh where is that gallant man?
He’s gone to organise the union
That working men they might yet be free.

The song outlines the capture of Connolly, a central figure in the 1916 Easter Rising. On Easter Monday, 24 April 1916, Irish republicans desperate to end the British occupation of Ireland mounted an insurrection in Dublin. British forces, with their vastly superior military advantage, quickly crushed the rebels. Nevertheless, these events – the centenary of which was commemorated this weekend – were the catalyst for a long fight for Irish independence that was eventually achieved in 1922…

Read the entire article here.

The Coiled Serpent: An Interview with the Poetry Anthology’s Creators

La Bloga
Monday, 2016-03-28

Daniel A. Olivas

As already discussed here on La Bloga in a lovely review by Olga García Echeverría, Tía Chucha Press will publish this week a landmark poetry anthology, The Coiled Serpent: Poets Arising from the Cultural Quakes and Shifts of Los Angeles. I am blessed to be one of the editors of this new book along with the very talented Neelanjana Banerjee and Ruben J. Rodriguez. The Coiled Serpent includes a powerful, eloquent introduction by the press’s founder, Los Angeles Poet Laureate Luis J. Rodriguez. Of course, without the vision and poetic reach of Luis, this anthology would not have been born.

Of this anthology, Ohio State Professor Frederick Luis Aldama observes: “The dexterous hands of this high-octane trio of editors pull together in one exquisite volume LA’s finest of polymorphous polyglot poetic voices. The 150-plus poets disparately drop us into the sights, sounds, tastes, smells, and touch of our planet’s capital: the megalopolis of LA with its hybrid, polylingual, and interstitial peoples. As we brush up with and enter into the lives of the young and old, workers and artists, border crossers and code-shifters…. Persians, Asians, Latinos, African Americans, and all sorts in between, great seismic quakes of creativity invite us to feel life at its most sand-dirt blasting harshness as well as its most soothing and sweet. With The Coiled Serpent we feel the cyclonic force of poetic talent at the epicenter of change in the making of tomorrow’s planetary republic of letters.”

The Coiled Serpent will have its formal release event on March 30 at the Ace Hotel in downtown Los Angeles the week of AWP’s annual conference (more on the conference below).

In honor of The Coiled Serpent’s release, I posed two questions to Neelanjana Banerjee, Ruben J. Rodriguez and Luis J. Rodriguez. Here are their responses:

Which poems particularly touched you and why?

Read the entire interview here.

Pao: A Novel

Bloomsbury Publishing
2011-07-12
288 pages
5 1/2″ x 8 1/4″
Paperback ISBN: 9781608195077
EPUB eBook ISBN: 9781608196845

Kerry Young

As a young boy, Pao comes to Jamaica in the wake of the Chinese civil war and rises to become the Godfather of Kingston’s bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small time and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn’t quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tsu’s Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, and the tricky criminal and romantic predicaments Pao must negotiate goes far toward explaining the novel’s great charm.

A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, though tides of change that will bring Rastafarianism and the Back to Africa Movement. Jamaica is transforming: And what is the place of a Chinese man in this new order? Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change.

Voices of Diversity Presents “One Drop of Love” at the Rose Wagner Performing Arts Center

Jeanné Wagner Theatre
Rose Wagner Performing Arts Center
138 West 300 South
Salt Lake City, Utah 84101
Tuesday, 2016-03-29, 18:00-20:00 MDT (Local Time)

10th Anniversary of the Social Justice Lecture Series: Allies for Equity
Presented by Voices of Diversity of The University of Utah/College of Social Work
2015-2016

One Drop of Love is a multimedia solo performance by Fanshen Cox DiGiovanni. This extraordinary one-woman show incorporates filmed images, photographs, and animation to tell the story of how the notion of “race” came to be in the United States and how it affects our most intimate relationships. A moving memoir, One Drop of Love takes audiences from the 1700s to the present, to cities all over the U.S., and to West and East Africa, where Fanshen and her father spent time in search of their “racial” roots. The show encourages everyone to discuss “race” and racism openly and critically.

The performance will be immediately followed by a 30-minute Q&A with the artist. All are invited to stay after the show for a reception celebrating 10 years of the Social Justice Lecture Series: Allies for Equity!

• All events in this series are free and open to the public
• 2 NASW-endorsed CEUs will be available for $10 per event
• For more information, please call (801) 581-8455.

Understanding and Hearing the Afro-Asian Atlantic

Princeton University African American Studies
2016-03-21

Presenters: Tao Leigh Goffe, Kerry Young, Hannah Lowe, Randy Chin, and John Kuo Wei Tchen

A panel exploring the intersections of literature, reggae, and the relationships between the minority Chinese community in the Caribbean and the majority Afro-Caribbean community

This panel will be moderated by Tao Leigh Goffe (Princeton University) and John Kuo Wei Tchen (NYU)

In this dialogue, panelists Randy Chin, Kerry Young, and Hannah Lowe will discuss the African and Asian cultural heritage of the Caribbean in music and writing. Exploring the legacy of enslaved African labor and Chinese indentured labor in the Caribbean, Young and Lowe craft narratives that reconstruct and trouble colonial history. The region’s history cannot be fully understood without listening to its rich musical tradition. Chin will talk about the role of Jamaican Chinese businessmen in the production of reggae music and mobile soundsystems. He will also talk about his storied career in the reggae music industry, which began when his parents Vincent and Patricia Chin founded VP Records in Jamaica in 1979. The currents of the Black Atlantic and the overseas Chinese converge in Caribbean music but also in Young and Lowe’s novels and poetry that tackle themes such as intimacies out of wedlock, masculinities, abandonment, and criminality set in Kingston, Jamaica’s Chinatown and gambling dens in London’s East End. In these cultural texts, Jamaican patois and southern Chinese dialects are sometimes woven together to construct new narrative forms of the Afro-Asian experience in the Americas.

Together with historian John Kuo Wei Tchen and literary scholar Tao Leigh Goffe, panelists will discuss the tensions and intimacies between the minority Chinese community in the Caribbean and the majority Afro-Caribbean community. Other themes to be explored include representations of blackness and Chineseness in Caribbean diasporic literature and music.

This event is part of the Campus Conversations on Identities and is co-sponsored by the Department of African American Studies, the Program in American Studies, the Lewis Center for the Arts, the Department of Comparative Literature, the Program in Gender and Sexuality Studies, the Asian American Students’ Association, and the Princeton Caribbean Connection (PCC).

Misty Copeland on Why She Talks About Being a Black Ballerina

For Harriet
2016-02-24

What Is Critical Race Theory?

Harvard Magazine
2016-03-22

Marina Bolotnikova

Khiara Bridges Photograph courtesy of Khiara Bridges

RACIAL-JUSTICE ACTIVISTS at Harvard Law School (HLS) won one of the largest public battles over the school’s legacy this month, when the administration agreed to abandon the existing HLS shield. The shield was modeled after the crest of the slaveholding Royall family, whose fortune endowed Harvard’s first law professorship; the shield’s removal was the first of a list of demands issued in December by student group Reclaim Harvard Law School. But HLS has not, so far, acted on the group’s larger, more controversial demands—among them, creating a program in critical race theory, a legal-studies movement with origins at Harvard in the 1970s.

On Monday night, Reclaim HLS hosted a critical race theory teach-in by Khiara Bridges, an associate law professor at Boston University, modeled on how she teaches first-year criminal law. “We’re not pretending that we’re disconnected from the real world,” Bridges said as she opened her presentation, alluding to one of the motivating goals of critical race theory: to link activism with academics. The event took place in the student lounge of Wasserstein Hall, which members of Reclaim HLS have occupied for the last month to create opportunities for learning and discussion, and to bring visibility to their demands…

Read the entire article here.