Mixed Race Studies

The love story that shocked the world

BBC News
2016-09-14

When an African prince and a white middle-class clerk from Lloyd’s underwriters got married in 1948, it provoked shock in Britain and Africa.

Seretse Khama met Ruth Williams while he was a student at Oxford University. After his studies, he was supposed to go home to the British Protectorate of Bechuanaland (now Botswana) and marry someone from his own tribe, but his romance with Williams changed everything.

His family disapproved and Khama was forced to renounce his claim to the throne. The British government came under pressure to show its disapproval and Khama was exiled from his homeland.

He later became the first president of Botswana when it became an independent country.

Witness spoke to Ruth Williams’s sister about the love that conquered prejudice.

Watch the interview here.

Persons of Color and Religious at the Same Time: The Oblate Sisters of Providence, 1828-1860

University of North Carolina Press
2002
360 pages
6.125 x 9.25, 11 illus., notes, bibl., index
Cloth ISBN: 0-8078-2726-6
Paperback ISBN 0-8078-5401-8
eBook ISBN: 9780807862155

Diane Batts Morrow, Associate Professor of History and African American Studies
University of Georgia, Athens

Founded in Baltimore in 1828 by a French Sulpician priest and a mulatto Caribbean immigrant, the Oblate Sisters of Providence formed the first permanent African American Roman Catholic sisterhood in the United States. It still exists today. Exploring the antebellum history of this pioneering sisterhood, Diane Batts Morrow demonstrates the centrality of race in the Oblate experience.

By their very existence, the Oblate Sisters challenged prevailing social, political, and cultural attitudes on many levels. White society viewed women of color as lacking in moral standing and sexual virtue; at the same time, the sisters’ vows of celibacy flew in the face of conventional female roles as wives and mothers. But the Oblate Sisters’ religious commitment proved both liberating and empowering, says Morrow. They inculcated into their communal consciousness positive senses of themselves as black women and as women religious. Strengthened by their spiritual fervor, the sisters defied the inferior social status white society ascribed to them and the ambivalence the Catholic Church demonstrated toward them. They successfully persevered in dedicating themselves to spiritual practice in the Roman Catholic tradition and their mission to educate black children during the era of slavery.

Racism faced by black nuns in America called ‘dangerous memory’

Crux: Taking the Catholic Pulse
2016-08-18

Andrew Nelson, Catholic News Service

In early American history black women could be accepted into orders of nuns only if they could “pass for white,” and later they faced significant racial prejudice. Despite all that, they became role models for the black community in America and served as spiritual leaders.

ATLANTA – Black women desiring to serve a life devoted to the Catholic faith were not welcomed by religious communities with anti-black acceptance requirements from the early 19th century to the middle of the 20th century, said historian Shannen Dee Williams.

Those who could gain admittance faced discrimination from their fellow sisters, she added.

“Black sisters matter, but they constitute a dangerous memory for the church,” said Williams, assistant professor of history at the University of Tennessee at Knoxville.

She was joined by Sister Anita Baird, a Daughter of the Heart of Mary, and Sister Dawn Tomaszewski, general superior of the Sisters of Providence, on an Aug. 12 panel discussing racism in religious life at the assembly of the Leadership Conference of Women Religious in Atlanta.

Williams’ upcoming book is called “Subversive Habits: Black Nuns and the Long Struggle to Desegregate Catholic America.” It was the subject of her doctoral dissertation at Rutgers University…

Read the entire article here.

Study finds bias, disgust toward mixed-race couples

UW Today
2016-08-17

Deborah Bach

Interracial marriage has grown in the United States over the past few decades, and polls show that most Americans are accepting of mixed-race relationships.

A 2012 study by the Pew Research Center found that interracial marriages in the U.S. had doubled between 1980 and 2010 to about 15 percent, and just 11 percent of respondents disapproved of interracial marriage.

But new research from the University of Washington suggests that reported acceptance of interracial marriage masks deeper feelings of discomfort — even disgust — that some feel about mixed-race couples. Published online in July in the Journal of Experimental Social Psychology and co-authored by UW postdoctoral researcher Caitlin Hudac, the study found that bias against interracial couples is associated with disgust that in turn leads interracial couples to be dehumanized…

Read the entire article here.

Books in Brief: Nonfiction

The New York Times
1997-10-26

Douglas A. Sylva

The New Colored People: The Mixed-Race Movement in America.
By Jon Michael Spencer.
New York University, $24.95.

Many members of minority groups have long argued that society must recognize and accept an individual’s racial identity for that individual to enjoy feelings of self-esteem. Ironically, however, the very success of this message threatens the black community, since many people traditionally considered black now think of themselves as multiracial or of mixed race. Some even demand the right to define themselves this way on government documents. In ”The New Colored People,” Jon Michael Spencer takes on the difficult task of explaining, from a civil-rights perspective, why government should refuse to recognize such a category. Spencer, who teaches American studies and music at the University of Richmond, worries that new classifications will sap the black community of skill and vigor. He also fears that Federal relief funds for blacks will dwindle if their officially registered population declines. Whether or not he is correct, this type of argument entails a plea to put aside the desire for recognition and self-esteem for the greater good of the community…

Read the entire review here.

‘You look like the help’: the disturbing link between Asian skin color and status

Fusion
2016-08-25

Mari Santos
Toronto, Ontario, Canada

Outside a hotel lobby in Toronto earlier this year, an elderly Asian woman stopped my mother and me to ask what time a tour bus would be arriving. Then, the woman asked in broken English: “Are you Philippine?”

“Yes,” my mom replied.

“Ahh, you look Korean!” the woman exclaimed. My mother graciously thanked her.

I darted my eyes, offended and confused at the implication that looking Korean over Filipino should somehow be taken as a compliment. Later I asked my mother: “Why did you thank her?”

“I don’t know,” she admitted sheepishly…

Read the entire article here.

Toronto Film Review: ‘Barry’

Variety
2016-09-10

Owen Gleiberman, Chief Film Critic

Devon Terrell in Barry. Courtesy of TIFF

Set in 1981, a canny and absorbing drama paints a highly convincing portrait of Barack Obama when he was a 20-year-old college student in New York, still piecing together who he was.

In the movie world, there is often a fine line between coincidence and karma. It’s not really all that hard to fathom how two filmmakers, within a year of each other, could each come up with the notion of making a kind of snapshot biopic about the young Barack Obama. Yet the fact that both movies are emerging near the tail-end of the Obama presidency is surely no accident. The time has come to take stock, and Obama, at the twilight of his leadership, with eight years of policy and scrutiny, controversy and (yes) celebrity behind him, is ripe for the kind of mythological intimacy that the movies, perhaps uniquely, can provide.

“Southside With You,” the Sundance hit that was released into theaters just two weeks ago, is a deft and observant talkathon that turns Barack and Michelle Obama’s first date into a touching political spin on “Before Sunrise.” The Barack of that movie, which is set on a single day in 1989, is still finding his way, but he’s already a precocious young version of the Obama we know: impeccable and confident, a fusion of insight and arrogance and clarity and empathy, speaking in those rolling information-age cadences.

The Barack Obama we meet in “Barry,” on the other hand (a movie set eight years earlier), is a very different sort of cat, a young man you feel you scarcely know at all, because he doesn’t totally know himself — which turns out to be the theme of the movie. As played by the canny Australian actor Devon Terrell, he’s not even Barack yet, he’s just Barry, rolling with the punches, a slightly gawky handsome angular dude with a fringe of Afro and a way of falling into pensive trances when he’s chain-smoking. Terrell nails the clipped vibe of awareness, and a youthful version of the stare, to an uncanny degree. His Barry is reasonably self-possessed, with a lot of ideas, but he doesn’t have a clue as to how they fit together. He’s not the talkative lawyer-professor we’re used to. He’s tentative, his brashness weighed down by hidden doubts…

Read the entire review here.

Scotland’s national poet writes for those who’ve been asked ‘where are you from?’

PBS NewsHour
2016-09-08

Jackie Kay is Scotland’s first black national poet. Adopted as a child, much of her poetry and prose speaks to her own experience of not feeling entirely welcome in her own country. “I wrote the poems that I wanted to read and I wrote about the experiences that I wanted to find,” she says. Jeffrey Brown reports.

JUDY WOODRUFF: Now a Scottish literary talent whose work on identity and belonging, among other themes, has helped propel her to a unique role and a popular writer there.

Jeffrey Brown has our profile.

JACKIE KAY, Scottish Poet & Novelist: “And this is my country, says the fisherwoman from Jura. Mine, too, says the child from Canna and Iona. Mine, too, says the Brain family. And mine, says the man from the Polish deli.”

JEFFREY BROWN: Jackie Kay wrote her poem “Threshold” for the Scottish Parliament and a special guest, Queen Elizabeth.

JACKIE KAY: Let’s blether some more about doors, revolving doors and sliding doors.

JEFFREY BROWN: In the wake to of the recent Brexit vote to leave the European Union, it was a plea to keep doors and the country open to the outside world. As Scotland’s new national poet, Kay made it personal.

JACKIE KAY: Scotland’s changing faces — look at me!

I like the idea of trying to change the face of Scotland. But, traditionally, when somebody thinks of somebody Scottish, they see a white man with red hair in a kilt and a — and they don’t see me.

JEFFREY BROWN: Jackie is the adopted daughter of John and Helen Kay. Her birth mother Scottish. Her father was then a Nigerian student studying in Scotland.

JACKIE KAY: I was an illegitimate child. And being picked to be a national poet is probably a pretty legitimate thing.

(LAUGHTER)

JEFFREY BROWN: I will say…

Watch the interview here.

4 Ways Parents Can Support Their Mixed Race Children

Everyday Feminism
2016-01-05

Jennifer Loubriel

According to my mom, when my brother was around four or five, my Black (African-American) paternal grandfather put a plate of rice and beans in front of him.

My brother immediately burst into tears and asked, “Why do the beans look like that?” and then refused to eat. My brother’s problem was that my grandfather hadn’t given him traditional Puerto Rican arroz con gandules, but rather white rice and black-eyed peas.

My mom always says that my brother continued to cry and ask, “Why are the beans looking at me?”

The story goes that my grandfather got upset and said, “This is Black food! You’re Black! This is our people’s food!” My brother continued to cry, saying over and over again that he was Puerto Rican, and he wanted real rice and beans. Although I don’t personally remember this happening, I think about this story a lot…

Read the entire article here.

Luck O’ the Irish: Black Artists from the Emerald Isle

SoulTrain.com
2016-03-17

Rhonda Nicole, Managing Editor

U2 graced us with one of the greatest songs in the history of music, “Still Haven’t Found What I’m Looking For,” and spammed everyone’s Apple devices with an album many never asked for (2014’s Songs of Innocence). Sinéad O’Connor teased as she sang “I Want Your (Hands On Me),” teared up as she crooned “Nothing Compares 2 U,” and tore up a photo of the pope. The Cranberries begged to let it “Linger,” while Hozier pleaded “Take Me to Church” (interestingly, O’Connor did as well, although it was a completely different song). Scan any pop or rock radio station, and you’re bound to hear a tune or two from Irish musical acts. The Corrs, The Frames, Enya, and countless others have dominated the American musical landscape for decades, becoming as essential a part of popular music experience as your standard issue garage band-turned Grammy darling.

Whereas other European countries have gifted us with a rather diverse cadre of acts of color—British artists like Omar Lye-Fook, Corinne Bailey Rae, Lianne La Havas, Estelle, and Brand New Heavies; Ben l’Oncle Soul, Les Nubians, and Corneille from France; and Belgium’s Zap Mama, Jean-Louis Daulne, and Technotronic’s Ya Kid K (by way of the Democratic Republic of Congo), Ireland, not all that surprisingly, hasn’t produced nearly as many. According to the 2006 Irish census, just around 1% of the country’s population self-identified as black. Still, black actors, athletes, writers, and politicians have made an impact on Irish culture, be they Irish-born or immigrants from various parts of Africa and the Caribbean. And black Irish musicians, though perhaps not as readily recognizable here in the U.S., are equally as notable as their British and French counterparts…

Read the entire article here.