Mixed Race Studies

We got diversity all wrong!!!

Dirty Movies: Your platform for thought-provoking cinema
2017-03-30

Victor Fraga, Writer and Publisher
London, United Kingdom

Brigitte Mira and El Hedi ben Salem in Fear Eats the Soul (1974)

Liberals like myself like to embrace and demand diversity, but we often come up with flawed arguments; Fassbinder has taught me that this can backfire with catastrophic consequences – Victor Fraga reflects on the 1974 classic ‘Fear Eats the Soul‘, as the film reaches UK cinemas

Diversity is not as straight-forward as it seems. We liberals like to think that it is a mandatory requirement for a multicultural, modern and sophisticated society. Yet we often come up with arguments that only serve to perpetuate the most reactionary and short-sighted rhetoric. For example, during the Brexit debate, the discussion around immigrants was almost inevitably linked to their financial and social contribution, something along the lines: “EU citizens have been paying taxes for years, they don’t claim benefits, and so on”. This is a dangerous fallacy.

It’s as if our tolerance of foreigners was entirely contingent on money and, to a lesser extent, social functionality (“they are our nurses, our train drivers, etc”). We have thereby stripped tolerance of its fundamentally altruistic nature. It’s as if we suddenly decided that tolerance has nothing to do with kindness, hospitality or high-mindedness. I have learnt from Rainer Werner Fassbinder’s 1974 classic Fear Eats the Soul (which is out in cinemas this weekend) that this is a very serious mistake with very pernicious ramifications. Tolerance founded upon economic/ vested interests will develop into an ulcer and kill…

Read the entire article here.

Piya on race, identity and ticking boxes

Out in the Open with Piya Chattopadhyay
CBC Radio
2017-03-27

Piya Chattopadhyay, Host

Piya and her daughter

A month after Rachel Dolezal was propelled into the public spotlight in 2015, the American writer Ta-Nehisi Coates’ book Between the World and Me came out.

It’s essentially a letter to his son about the bleak realities of being black in America today.

And like one of those memories that seem so present, so real you can almost touch them, I clearly recall my white husband coming home, after he finished reading Ta-Nehisi’s book.

He was standing on our back porch, and he asked me how I — a woman of Indian heritage, a woman who is undeniably brown — felt about our biological kids, who are biracial, but look outwardly white…

Read the story here. Listen to the story (00:03:42) here.

Mestizos Come Home! Making and Claiming Mexican American Identity

University of Oklahoma Press
2017
336 pages
Illustrations: 8 color illus.
6″ x 9″
Hardcover ISBN: 9780806157191

Robert Con Davis-Undiano, Neustadt Professor and Presidential Professor of English
University of Oklahoma

Uruguayan writer Eduardo Galeano has described U.S. and Latin American culture as continually hobbled by amnesia—unable, or unwilling, to remember the influence of mestizos and indigenous populations. In Mestizos Come Home! author Robert Con Davis-Undiano documents the great awakening of Mexican American and Latino culture since the 1960s that has challenged this omission in collective memory. He maps a new awareness of the United States as intrinsically connected to the broader context of the Americas. At once native and new to the American Southwest, Mexican Americans have “come home” in a profound sense: they have reasserted their right to claim that land and U.S. culture as their own.

Mestizos Come Home! explores key areas of change that Mexican Americans have brought to the United States. These areas include the recognition of mestizo identity, especially its historical development across the nineteenth and twentieth centuries; the re-emergence of indigenous relationships to land; and the promotion of Mesoamerican conceptions of the human body. Clarifying and bridging critical gaps in cultural history, Davis-Undiano considers important artifacts from the past and present, connecting the casta (caste) paintings of eighteenth-century Mexico to modern-day artists including John Valadez, Alma López, and Luis A. Jiménez Jr. He also examines such community celebrations as Day of the Dead, Cinco de Mayo, and lowrider car culture as examples of mestizo influence on mainstream American culture. Woven throughout is the search for meaning and understanding of mestizo identity.

A large-scale landmark account of Mexican American culture, Mestizos Come Home! shows that mestizos are essential to U.S. national culture. As an argument for social justice and a renewal of America’s democratic ideals, this book marks a historical cultural homecoming.

Mixed-race student researches media diversity

The Daily Texan
Austin, Texas
2017-03-31

Sydney Mahl

Photo Credit: Pedro Luna | Daily Texan Staff

The most stressful part about standardized testing for Rachel Malonson wasn’t the test itself­ — it was bubbling in her race beforehand.

“I wished I could select black and white but since I couldn’t, I just picked black because I’m not about to select ‘other,’” journalism and broadcasting senior Malonson said. “That wouldn’t identify me well at all.”…

Read the entire article here.

CALL FOR PAPERS | Mixed Race in Asia and Australasia: Migrations, Mobilities and Belonging

Asia Research Institute
Seminar Room
AS8 Level 4, 10 Kent Ridge Crescent, Singapore 119260
National University of Singapore @ KRC
2017-10-12 through 2017-10-13

2017-02-01

CALL FOR PAPERS DEADLINE: 1 APRIL 2017

The topic of mixed race, often overlooked by researchers because of its connection with discredited notions of ‘race’, has recently come into its own as a result of recognition of the unique and diverse experiences of those who challenge monolithic racial categories. Interest in DNA testing to determine the global scale of one’s ancestry is becoming increasingly popular, demonstrating the ubiquity of mixedness. A number of publications from the USA and the UK and growing interest internationally (King-O’Riain et al, 2014; Edwards et al, 2012), as well as an increasing social network presence (www.mix-d.org; www.intermix.org.uk; mixedrootsstories.com; www.mixedsingle.com; www.mixedracestudies.org) and media representation, signal the importance of this growing phenomenon. This workshop seeks to extend knowledge about mixedness in the Australasian and Asian region through a range of collaborative endeavours.

People of mixed race are often seen as either ‘marginal’ (in terms of culture, psychology and community) or as the vanguard of an integrated, post-racial, cosmopolitan world (Edwards et al. 2012). Such dichotomies ignore the complex lived reality of being mixed (‘passing’, having ‘multiracial’ identities, feeling one race while looking like another etc.). The lived experience of being ‘mixed’ is strongly influenced by political and social context, and thus cross-national and cross- cultural comparison is vital.

In many countries in Asia, racial, ethnic and cultural mixing has a long history, and narratives around mixed race have developed in vastly different ways. From established identities such as Anglo-Indians in India, Eurasians in Singapore and Peranakans in Southeast Asia, to newer identities such as Hafus in Japan, and indeed those without named identifiers, individuals of mixed heritage have diverse experiences. These experiences have been shaped by a range of historical circumstances (colonial versus more peaceful intercultural engagements), political contexts (monarchies, democracies, authoritarian dynasties), and by the type of mixedness (e.g. European, Chinese, Indian, Japanese; indigenous), as well as different levels of political, cultural and social acceptance. ‘Racial purity’ is seen as desirable in some Asian countries, particularly those with less colonial baggage, often leading to the marginalisation of those of mixed backgrounds.

For the workshop, key themes of interest include:

• How collective and individual narratives of ‘old’ hybrid identities are changing in relation to hierarchies of belonging between and within racial identities and new migration flows.
• How mixed race identities are negotiated, adapted, or lived at interrelated spatial scales such as family/home, ethnic community, national, and virtual space.
• How meanings of mixed-descent identities change (e.g. are abandoned, reworked or replenished) across generations.
• How culture and race are negotiated in the development of mixed race identities.
• How policy and classificatory structures impact the formation of mixed race communities.

SUBMISSION OF PROPOSALS

Submissions should include a title, an abstract of no more than 250 words and a brief biography including name, institutional affiliation, and email contact. Please note that only previously unpublished papers or those not already committed elsewhere can be accepted. By participating in the workshop, you agree to participate in the future publication plans (special issue/journal) of the organizers. The organizers will provide hotel accommodation for three nights and a contribution towards airfare for accepted paper participants (one author per paper).

Please submit your proposal, using the provided proposal template to Ms Tay Minghua at minghua.tay@nus.edu.sg by 1 April 2017. Notifications of acceptance will be sent out by the end of May.

WORKSHOP CONVENERS

Professor Brenda S.A. Yeoh
Asia Research Institute, and Department of Geography, National University of Singapore
E-mail: geoysa@nus.edu.sg

Ms Kristel Acedera
Asia Research Institute, National University of Singapore
E-mail: arikafa@nus.edu.sg

Contact Person(s)
Tay Minghua

For more information, click here.

China has an irrational fear of a “black invasion” bringing drugs, crime, and interracial marriage

Quartz
2017-03-30

Joanna Chiu

Feeling it in Guangzhou. (Reuters/James Pomfret)

Beijing—Earlier this month in Beijing, amid the pomp of China’s annual rubber-stamp parliament meetings, a politician proudly shared with reporters his proposal on how to “solve the problem of the black population in Guangdong.” The latter province is widely known in China to have many African migrants.

“Africans bring many security risks,” Pan Qinglin told local media (link in Chinese). As a member of the Chinese People’s Political Consultative Conference, the nation’s top political advisory body, he urged the government to “strictly control the African people living in Guangdong and other places.”

Pan, who lives in Tianjin near Beijing—and nowhere near Guangdong—held his proposal aloft for reporters to see. It read in part (links in Chinese):

“Black brothers often travel in droves; they are out at night out on the streets, nightclubs, and remote areas. They engage in drug trafficking, harassment of women, and fighting, which seriously disturbs law and order in Guangzhou… Africans have a high rate of AIDS and the Ebola virus that can be transmitted via body fluids… If their population [keeps growing], China will change from a nation-state to an immigration country, from a yellow country to a black-and-yellow country.”

On social media, the Chinese response has been overwhelmingly supportive, with many commenters echoing Pan’s fears. In a forum dedicated to discussions about black people in Guangdong on Baidu Tieba—an online community focused on internet search results—many participants agreed that China was facing a “black invasion.” One commenter called on Chinese people (link in Chinese) not to let “thousands of years of Chinese blood become polluted.”

The stream of racist vitriol online makes the infamous Chinese TV ad for Qiaobi laundry detergent, which went viral last year, seem mild in comparison. The ad featured a Asian woman stuffing a black man into a washing machine to turn him into a pale-skinned Asian man…

…Paolo Cesar, an African-Brazilian who has worked as a musician in Shanghai for 18 years and has a Chinese wife, said music has been a great way for him to connect with audiences and make local friends. However, his mixed-race son often comes home unhappy because of bullying at school. Despite speaking fluent Mandarin, his classmates do not accept him as Chinese. They like to shout out, “He’s so dark!”…

Read the entire article here.

William Ellis: The Former Slave Who Became a Mexican Millionaire

Houston Matters
Houston, Texas
2017-03-29

Guillermo Eliseo was a wealthy Mexican banker and broker who lived in New York City in the early 20th Century.

But, Eliseo had a secret. He was actually born into slavery on a cotton plantation in southern Texas, and his real name was William Ellis.

Maggie Martin talks with historian and author Karl Jacoby, who wrote a book about Ellis. It’s called The Strange Career of William Ellis: the Texas Slave Who Became a Mexican Millionaire.

Jacoby talks about why Ellis made the move to Mexico, the ways his secret life cut him off from his family and the lessons from his life.

Listen to the interview here (00:09:05).

Trevor Noah: What’s the “Middle” Between White Supremacy and Equality for All?

Son of Baldwin 
2016-12-07

Son of Baldwin (Robert Jones, Jr)

[IMAGE DESCRIPTION: Trevor Noah dressed in a suit, seen from the chest up, smiling.]

I respect Trevor Noah.

I respect the position he finds himself in and his attempts at trying to find common ground. It’s hard when your loyalties are split and so you have a particular, if peculiar, idea of where the “middle” is.

What I’ll need Noah to explain to me is this: What is the middle between white supremacy and equality for all? And does whatever that middle is benefit white supremacy or equality?

One of the things I dislike about Noah’s perspective is how it misrepresents false equivalence as balance.

I know that when it comes to racial matters, some people feel that they can “see it from both sides” and, therefore, “know the answer is in the middle.” If black people in the United States were in power equal to that of white people; if the laws and institutions and education and media dipped in favor of black people as much as it does white people, then there might be an actually middle to arrive at.

But you cannot start from a place where the scales are tipped in favor of one group and treat it as though the scale is level. Your answer will always be incorrect when your starting equation has one of the variables wrong…

Read the entire article here.

Jordan Peele Scares America

The Ringer
2017-03-09

Sean Fennessey, Editor-in-Chief

(Jaya Nicely)

After the amazing success of his directorial debut, ‘Get Out,’ the ‘Key and Peele’ star sits down for a conversation about how he pulled off his daring horror-satire, the lie of a post-racial society, and what comes next

Get Out broke out. One year ago, if someone had told you that a movie about a black guy visiting the home of his white girlfriend’s parents for a summer weekend — starring an unknown lead and Marnie from Girls — would become the unmitigated Hollywood success story of the young year, you might tell that person to, well, get out. But that is exactly what Jordan Peele, the 38-year-old sketch star best known for Comedy Central’s Key and Peele, has accomplished with his directorial debut.

After just two weeks of release, the movie has already earned more than 18 times its reported $4.5 million budget and ignited a new kind of conversation about race, the pitfalls of white liberalism, and what it really means to make a horror movie in 2017. Peele, who also wrote the movie, sat down for a podcast conversation about how he did it and what comes next. This is a condensed and edited version of that conversation…

Listen to the interview (00:38:05) here. Download the interview here.

As Get Out shows, love isn’t all you need in interracial relationships

The Guardian
2017-03-27

Iman Amrani

‘In Get Out, Peele successfully challenges the way the parents and their friends pride themselves on not being racist, while also objectifying the young man both physically and sexually.’ Photograph: Justin Lubin/Universal Pictures

Jordan Peele’s film has provoked discussion of issues about race and relationships that often remain too sensitive or uncomfortable to explore

This year marks the 50th anniversary of the 1967 US supreme court decision in the Loving v Virginia case which declared any state law banning interracial marriages as unconstitutional. Jeff Nichols’s recent film, Loving, tells the story of the interracial couple at the heart of the case, which set a precedent for the “freedom to marry”, paving the way also for the legalisation of same-sex marriage.

Loving isn’t the only recent film featuring an interracial relationship. A United Kingdom is based on the true story of an African prince who arrived in London in 1947 to train as a lawyer, then met and fell in love with a white, British woman. The film tells the tale of love overcoming adversity, but I wonder whether these films are missing something.

I can understand how, at the moment, with the backdrop of rising intolerance in Europe and the United States, it’s tempting to curl up in front of a triumphant story of love conquering all, but I grew up in an interracial household and I know that it’s not as simple as that…

Read the entire article here.