Mixed Race Studies

Growing, Faltering, Changing, Growing: Lessons From Kay WalkingStick

The New York Times
2018-06-07

Holland Cotter, Co-chief Art Critic

Kay WalkingStick’s “New Mexico Desert,” 2011, in which bands of Navajo patterning float across scrub land and mesas as if surveying and protecting them. National Museum of the American Indian

MONTCLAIR, N.J. — An artist’s career retrospective, if shaped with care, is more than a look at a life of labor. It’s also a record of contingent lives, cultural changes and a political passage in time. This is true of “Kay WalkingStick: An American Artist,” an era-spanning survey of this 83-year-old painter at the Montclair Art Museum here. Yet what powers the chronologically arranged show, first and last, is the personal: the sense it gives of one worker growing, changing, faltering, then growing and changing more.

Born in 1935 in Syracuse, Ms. WalkingStick was the child of a biracial marriage: “Syracuse Girl Weds Cherokee Indian” was the headline on the report of her parents’ wedding in the local newspaper. As it turned out, she saw little of her father over the years, though her mother, Scottish-Irish by descent, made a point of instilling pride in her daughter’s Native American heritage.

Ms. WalkingStick studied painting in college, and as a young wife and mother in suburban New Jersey in the 1960s, she continued to paint, keeping a close eye on what was happening in Manhattan. Among the earliest pieces in the show, from 1971, are two crisp, Pop-ish silhouette images in bright colors of female nudes. The artist herself was the model, and feminism — or at least the loosened-up spirit of it — a spur…

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Small Country

Hogarth (an imprint of Penguin Random House UK)
2018-06-07
92 Pages
144mm x 222mm x 21mm
Hardback ISBN: 9781784741594
eBook ISBN: 9781473547957

Gaël Faye, Sarah Ardizzone (Translator)

Burundi, 1992. For ten-year-old Gabriel, life in his comfortable expat neighbourhood of Bujumbura with his French father, Rwandan mother and little sister, Ana, is something close to paradise. These are happy, carefree days spent with his friends sneaking cigarettes and stealing mangoes, swimming in the river and riding bikes in the streets they have turned into their kingdom. But dark clouds are gathering over this small country, and soon their peaceful idyll will shatter when Burundi and neighbouring Rwanda are brutally hit by war and genocide.

A haunting and luminous novel of extraordinary power, Small Country describes a devastating end of innocence as seen through the eyes of a young child caught in the maelstrom of history. It is a stirring tribute not only to a time of tragedy, but also to the bright days that came before it.

DePaul among first to offer critical ethnic studies graduate program

DePaul University Newsline
Chicago, Illinois
2018-05-31

Nicole Ross, Executive Communications Assistant

Laura Kina, Vincent DePaul professor in the College of Liberal Arts and Social Sciences, left, and Alexis Beamon, graduate assistant. Kina is the director of the Critical Ethnic Studies MA program and is a visual artist whose research and teaching focuses on Asian American and mixed race history and representation. (DePaul University/Jeff Carrion)

At this year’s TEDxDePaulUniversity, Whitney Spencer encouraged the audience to question societal norms with her talk, Reimagining the Intellectual. A first-year graduate student in DePaul’s Critical Ethnic Studies program, Spencer highlighted that America’s understanding of what it means to be “an intellectual” is limited by preconceived racial stereotypes.

“As a first-generation college graduate, I aim to critique the construction of black intellectual ‘lack,’ disrupt restrictive ideologies and encourage the intellectual practices of black people,” Spencer says. “I’m continuing to explore this work as a CES graduate student at DePaul.”

DePaul University’s College of Liberal Arts and Social Sciences is among the first in the nation to offer a Master of Arts in Critical Ethnic Studies, which supports the study of such topics by providing an advanced analysis of race and ethnicity. Founded in 2015, the program’s second cohort will graduate this June.

With Chicago as a classroom, students like Spencer examine the systematic marginalization of racial minorities within an urban context as well as the global implications of these structures. This includes a look at how groups use art, culture, political organization and other forms of social expression to respond and counter these forces.

“The program is interdisciplinary and intersectional – pulling from existing courses like women’s and gender and international studies,” says Laura Kina, professor of art, media and design and director of the Critical Ethnic Studies program. “This allows us to look at subjects in a comparative framework.”

Kina first noticed DePaul’s need and opportunity for such a master’s program several years ago. “I helped found the Critical Mixed Race Studies conference at DePaul in 2010, which garnered a lot of attention from the community – so much so that it eventually expanded into its own association,” Kina says. “Around 2011, other faculty members and I started crafting the master’s program to build upon our existing African America and black Diaspora and Latin American and Latino studies programs.”…

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The Existence of the Mixed Race Damnés: Decolonialism, Class, Gender, Race

Rowman & Littlefield
June 2018
160 pages
Trim: 6 x 9
Hardback ISBN: 978-1-78660-615-0
eBook ISBN: 978-1-78660-616-7

Daphne V. Taylor-Garcia, Assistant Professor of Ethnic Studies
University of California, San Diego

The Existence of the Mixed Race Damnés is an interdisciplinary and intersectional study of the mixed-race subject in the Americas and the rise of oppositional consciousness with a consideration of not only race, but also colonialism. Daphne V. Taylor-Garcia examines the construction of race, gender, and class in coming to an oppositional consciousness as a Spanish colonial subject in the Americas. Spanning the early foundations of knowledge production about colonial/racial subjects and connecting to contemporary debates on Latinxs and racialization, the book takes up the terms through which first-person perceptions of precarity and class, mixed-race existence, and gendered power relations are constructed. The Existence of the Mixed Race Damnés ends with a response to the current scepticism towards organizing as people of color through a decolonial redefinition of the damnés that centers a critique of anti-black racism and colonial relations.

Table of Contents

• Introduction
• 1. The Spatiality of the Damnés
• 2. Visible Race and the Legacy of the Sistema de Castas
• 3. The Semiotics of Gender in Colonial/Renaissance Knowledge Production
• 4. Taking Action as the Damnés
• Conclusion
• Bibliography
• Index

Narrative of the Life and Adventures of Henry Bibb, An American Slave, Written by Himself

University of North Carolina Press
June 2018 (Originally published in 1849)
156 pages
6 x 9, 18 halftones
Paperback ISBN: 978-1-4696-4758-6

Henry Bibb (1815-1854)

A DocSouth Book, Distributed for the University of North Carolina at Chapel Hill Library

Henry Bibb (1815-1854) was born to an enslaved woman named Mildred Jackson in Shelby County, Kentucky. His father was a state senator who never acknowledged him. His narrative documents his persistent attempts to escape to freedom, beginning at age ten, offering an insider’s view of the degradation and varieties of slavery as well as its bitter legacies within families. Having finally settled in Detroit in 1842, Bibb joined the abolitionist lecture circuit and lived the rest of his days as a well-known African American activist who believed that Canada might offer a haven for the formerly enslaved.

Bibb’s autobiography, Narrative of the Life and Adventures of Henry Bibb, An American Slave, was published in 1849. Scholars have pointed out that Bibb’s narrative has several distinguishing features among the larger body of slave narratives. Unusually, Bibb survived enslavement in the Deep South and later described it, and his narrative offers documentation of African folkways including conjuring and an account of Native American slaveholding practices as well. Henry Bibb was above all resilient and determined to achieve freedom for himself and others. Unwilling to abandon those he loved, he risked recapture several times to free them from enslavement, too. In the small span of his thirty-nine years he would live to be reunited with three of his brothers who had fled to Canada.

Exposure to Biracial Faces Reduces Colorblindness

Personality and Social Psychology Bulletin
First published 2018-06-06
DOI: 10.1177/0146167218778012

Sarah E. Gaither, Assistant Professor of Psychology
Duke University, Durham, North Carolina

Negin R. Toosi, Diversity Researcher
Israel Institute of Technology, Haifa, Israel

Laura G. Babbitt, Researcher
Department of Psychology
Tufts University, Medford, Massachusetts

Samuel R. Sommers, Director of the Undergraduate Program; Professor of Psychology
Tufts University, Medford, Massachusetts

Across six studies, we demonstrate that exposure to biracial individuals significantly reduces endorsement of colorblindness as a racial ideology among White individuals. Real-world exposure to biracial individuals predicts lower levels of colorblindness compared with White and Black exposure (Study 1). Brief manipulated exposure to images of biracial faces reduces colorblindness compared with exposure to White faces, Black faces, a set of diverse monoracial faces, or abstract images (Studies 2-5). In addition, these effects occur only when a biracial label is paired with the face rather than resulting from the novelty of the mixed-race faces themselves (Study 4). Finally, we show that the shift in White participants’ colorblindness attitudes is driven by social tuning, based on participants’ expectations that biracial individuals are lower in colorblindness than monoracial individuals (Studies 5-6). These studies suggest that the multiracial population’s increasing size and visibility has the potential to positively shift racial attitudes.

Read or purchase the article here.

Adventures in Black and White

2Leaf Press
2018-05-28 (originally published in 1960)
324
Paperback ISBN: 978-1-940939-77-3
eBook ISBN: 978-1-940939-89-6

Philippa Duke Schuyler (1931-1967)

Edited and with a critical introduction by:

Tara Betts, Lecturer
University of Illinois, Chicago; Chicago State University

Adventures in Black and White, a memoir-travelogue, was first published by world-renown child prodigy Philippa Duke Schuyler in 1960. In this first revised edition of Adventures in Black and White since its initial publication, scholar Tara Betts provides a critical introduction to this updated volume, including minor edits, and annotations of the original text. Recognized as a prodigy at an early age, Schuyler was heralded as America’s first internationally-acclaimed mixed race celebrity. Her father, a conservative African American journalist, and her mother, a white Texan heiress, dedicated Schuyler’s development to the cause of integration with the claim that racial mixing could produce a superior hybrid human, a claim that Schuyler resisted, but would nonetheless hurl her into a destructive identity crisis that consumed her throughout her life. When the transition from child prodigy to concert pianist proved challenging in America, like many black performers before her, she went abroad during the 1950s for larger audiences. Schuyler’s witnessing first-hand the dissemblage of European colonies in Africa and the Middle East, is the focus of Adventures in Black and White. Luckily, this narrative connects the twenty-first century to right after the Harlem Renaissance, and the prelude to the forthcoming Civil Rights Movement at a time when interracial identity was just becoming part of a public conversation in America. As Schuyler begins to write about Africa—”the homeland of her ancestors”—readers can begin to understand how the young musician would eventually find her way as an author and a journalist, and the books that followed.

Pondering My Black, Biracial and Multiracial Identity Post Hurricane Maria

Multiracial Media: Voice of the Multiracial Community
2018-05-27

Sarah Ratliff

I have been writing from the Biracial and Multiracial perspective since I co-authored the book, Being Biracial: Where Our Secret Worlds Collide in 2015. Being Biracial is an anthology of essays from either Multiracial people or parents of mixed race kids.

In my essay I wrote about being the product of a Black and Japanese mother and a White (German, Dutch and Irish) father who were married in New York City in 1960.

I wrote about my experiences being “light, bright and clearly half White” while being raised to self-identify as Black, and of course, having to explain for the elevendy millionth time why I self-identified this way. I shared moments of complete vulnerability and isolation because I grew so frustrated trying to explain that being Black isn’t just about complexion but lived experiences as well…

Read the entire article here.

Tangled Roots: Real Life Stories from Mixed Race Britain

Tangled Roots
2015-12-11
205 pages
ISBN: 978-0993482403

Edited by:

Katy Massey

12% of UK households are mixed race. These are our stories.

The Tangled Roots book brings together over 30 writers to answer the question: What is life like for mixed families in Britain today?

Five leading authors—Bernardine Evaristo MBE, Sarfraz Manzoor, Charlotte Williams OBE, Diana Evans and Hannah Lowe—together with 27 members of the public tell the story of their mixed lives with heart-breaking honesty, humour and compassion.

A French-Rwandan Rap Star Turned Novelist From Burundi

The New York Times
2018-05-29

Tobias Grey

“Small Country,” by Gaël Faye, is about a boy, living in Burundi during the war between the Hutus and Tutsis, who loses his innocence in spite of desperately wanting to cling onto it. Elliott Verdier for The New York Times

PARIS — “It felt like an injustice to me,” said the rapper and novelist Gaël Faye, about having to leave civil-war-torn Burundi in 1995 to come live in France. Mr. Faye, who was 13 at the time, had to contend with the shock of a new culture and moving with his younger sister into the cramped space of his mother’s apartment in Versailles.

Months went by without unpacking his suitcases. “When I went to school I used to take what I needed and put it back afterward,” the 36-year-old author said in a recent interview in Paris. “I’d convinced myself that any day my father would ring up and tell us that the war had ended and we could come back. But the war ended up lasting until 2005 by which time I was an adult.”

In his first novel, “Small Country” — a huge hit in France when it was published in 2016 and where it sold 700,000 copies — Mr. Faye wrote with a rare and subtle yearning about his youthful escapades in and around Bujumbura, the capital of Burundi. It has now been translated from French into English by Sarah Ardizzone and is being released by Hogarth on June 5.

“Small Country,” which in its original language shares the title of one of Mr. Faye’s most popular songs, “Petit Pays,” is told from the perspective of Gabriel, a 10-year-old boy with a French father and a Rwandan mother (the same mixed-race parentage as Mr. Faye). He is part of a gang of young boys sneaking beers in cabaret bars and stealing mangoes from local gardens to sell on the black market…

Read the entire article here.