Mixed Race Studies

History 328: American Mixed Blood

Oberlin College
Department of History
Fall 2009

Pablo Mitchell, Eric and Jane Nord Associate Professor of History and Comparative American Studies
Oberlin College

From the coyote and the half-breed to the “tragic” mulatto, people of mixed ethnic and racial heritage occupy a conflicted and controversial place in American history. This course will chart the histories of people of mixed heritage from the colonial period to the present, exploring the relationship between the historical experiences of mixed heritage and broader trends in American history including slavery, imperialism, legal transformation, and changing cultural patterns. We will also consider current social theories of hybridity and mestizaje.

Required Texts:

Haunted by Empire: Geographies of Intimacy in North American History, Ann Stoler, ed., selected essays
Martha Hodes, The Sea Captain’s Wife: A True Story of Love, Race, and War in the Nineteenth Century
Earl Lewis, Heidi Ardizzone, Love on Trial: An American Scandal in Black and White
Renee Christine Romano, Race Mixing: Black-White Marriage in Post-War America
Jane M. Gaines, Fire and Desire: Mixed-Race Movies in the Silent Era
Susan Koshy, Sexual Naturalization: Asian Americans and Miscegenation
Joel Williamson, New People: Miscegenation and Mulattoes in the United States
Karen Leonard, Making Ethnic Choices: California’s Punjabi Mexican Americans
Lauren Basson, White Enough to be American? Race Mixing, Indigenous People, and the Boundaries of State and Nation

White Negro Communities: Too White To Be Black And Too Black To Be White

Johnathon Odell: Discovering Our Stories
2010-07-25

John Odell

Yvonne Bivins had to make a choice very few Americans have forced upon them.  She could live as a black woman or a white woman.

Yvonne’s ancestry is enmeshed with the Knights of Jones County [Mississippi]. She was born into one of the so-called “White Negro” communities that sprang up after the Civil War all over through the Piney Woods. These communities grew up around Piney Woods plantations, actually no bigger than farms. There’s Six Town and Soso and Sheeplow. Her community is called Kelly Settlement and located few miles miles outside of Laurel.

Hold on to your hats and I’ll tell you how Kelly Settlement came into existence.  John Kelly, an early petitioner in Mississippi Territory, purchased 640 acres on the Leaf River. His son, Green Kelly had a liaison with a slave named Sarah. Sarah had children by her white master, by a white neighbor and by another slave on the farm. That made three sets of children, a total of eleven.

This may surprise you. It sure did me. But according to Yvonne, it was not an uncommon practice for Piney Woods slave owners, perhaps because of the intimacy created by these modest estates that demanded close-quarters living, to provide for all their offspring, regardless of color. We just don’t hear about it. Newt Knight was vilified not because he sired darker offspring, but because he refused to deny them…

Read the entire article here.

Quadroon Balls functioned as a form of entertainment but also served a meeting space for its participants to enter into plaçage/sexual relationships. It was at these dances that free young women of color, guided by their mothers, charmed their way into the hearts and pockets of Louisiana’s white males. At the balls, quadroon women “show their accomplishments in dancing and conversation to the white men.” Upon finding a quadroon to his liking, a man would negotiate with the quadroon woman’s mother. If both mother and daughter were satisfied with his financial and social ranking, she would be “placed” as his placée. According to literary traveler George William Featherstonhaugh,

When one of them [a quadroon] attracts the attention of an admirer, and he is desirous of forming a liaison with her, he makes a bargain with the mother, agrees to pay her a sum of money, perhaps 2000 dollars, or some sum in proportion to her merits, as a fund upon which she may retire when the liaison terminates. She is now called “une placée;” those of her caste who are her intimate friends give her fetes, and the lover prepares “un joli appartement meuble.”

 Each quadroon had a “value” which “depended on the attractiveness of the subject, the fairness of her complexion, and her mother’s ability to show her off against the competition.” This “value” was derived through negotiations between the quadroon’s mother and the white suitor. If an agreement was reached, the quadroon would become a concubine or placée for the white man in exchange for financial support for the woman. These exchanges frequently meant that the quadroon woman would receive housing, a sum of money, and promised financial support for any children that would come from these relationships. The “price” for a quadroon varied, but could be as much as $2,000. Often times, the quadroon woman would be set up in an apartment (“un joli appartement meuble”) located on Ramparts Street in New Orleans that was rented by the white gentleman for their use. These plaçage relationships could last for weeks, months, years, and, much less frequently, a life-time. In these exchanges, sexual exploitation by both parties is particularly noticeable; the quadroon exploited the pocketbook and the man exploited her body.

Quadroon women who participated in the balls had been groomed from early childhood by their mothers to take advantage of this unique opportunity to become the exploiters, using their bodies, beauty and assumed exotic sexuality to enter into contracts with wealthy white men. Monique Guillory discusses this exchange that gives women some power when she states, “Through this strategic commodification of the quadroon body, which I have called the commercial, women of color seized an opportunity beyond the confines of slavery to set the price for their own bodies.” These quadroon women chose to use their bodies as leverage to raise their own social status above the “negro” slave and the dark-skinned free people of color. This population of women became agents who exploited themselves and white men in an effort to transcend the racist system of antebellum Louisiana.

Noël Voltz, “Black Female Agency and Sexual Exploitation: Quadroon Balls and Plaçage Relationships” (PhD dissertation, Ohio State University, 2008).

Righteous Fathers, Vulnerable Old Men and Degraded Creatures: Southern Justices on Miscegenation in the Antebellum Will Contest

Tulsa Law Review
Volume 40 (2005)
pages 699-

Bernie D. Jones, Associate Professor of Law
Suffolk University

Although scholars have long addressed the role of legislators and local elites in policing the color line between black and white, antebellum jurists hearing will contests also played a special role, different from the roles they played in miscegenation prosecutions, but just as effective, nonetheless. State court justices, who heard cases involving bequests to the putative slave children of slaveholding elite men, exercised their power to police by deciding when the color line had been breached. In those cases, miscegenation between white men and slave women or free women of color was not the problem, however. Instead, the color line was breached in those cases when white men recognized and accorded slave women and their mixed-race children status through manumission and property. Official recognition by white relatives meant access to whiteness. Black personal freedom, combined with access to money and land, were threats to the social order of slavery and white supremacy. Free blacks were deemed uncontrollable and arrogant, particularly when they had money. They were perceived as a bad influence upon the bonded. In the eyes of many jurists, wealthy free black status was to be denied at all costs, for the benefit of the white social order, and the white relatives or creditors seeking to establish their claim to the decedent’s estate.

In this article, I explore the attitudes of antebellum jurists towards slavery, miscegenation, and the transfer of property from elite white men to black slave women, free women of color, and their mixed-race children, as found in antebellum will contests. This article is a historical study, in which I do a case-by-case analysis and categorization of the language used by state high court justices of the South in describing the white men who left wills that gave property to black women and their children. Although these cases have been studied by historians and legal scholars in other contexts, reading these cases for the purpose of discovering judicial narratives on miscegenation has not been the focus on inquiry. As a result, scholarship on the full flavor of judicial responses to slavery is missing.

Read the entire article here.

The Long Shadow of the Civil War: Southern Dissent and Its Legacies [Book Review]

Civil War Book Review
Summer 2010

Michael Perman, Professor of History and Research Professor of Humanities
University of Illinois, Chicago

Family and Dissent in the South during and after the Civil War

Bynum, Victoria E. The Long Shadow of the Civil War: Southern Dissent and Its Legacies. Chapel Hill: University of North Carolina Press, 2010.

Victoria Bynum’s new book expands on her 2002 study, The Free State of Jones: Mississippi’s Longest Civil War, because it supplements the resistance against the Confederate government in southern Mississippi with two other similar revolts, one in east Texas and the other in central North Carolina. The outcome is not a longer book but a very compact volume of just 148 pages of text that presents, to a wider audience than most scholarly monographs, the little-known story of this local opposition to the Confederacy. Bynum then proceeds to show that, after the war, these same three pockets of resistance generated a pattern of dissidence that continued throughout the last decades of the nineteenth century and into the twentieth. This “long shadow of the Civil War” consisted of a tradition of dissent that passed through several generations within the families and communities that were involved in these three initial anti-Confederate insurgencies.

…The people who engaged in these overt acts of resistance were, according to Bynum, non-slaveholding farmers who lived outside the plantation areas of their states and who increasingly resented the conflict as “a rich man’s war and a poor man’s fight” that was also perceived as “a slaveowners’ war and a non-slaveowners’ fight.” Moreover, these rebels came from the same local communities and were even related to each other. As kinfolk, they banded together, with the women playing a major role in the resistance, protecting their families and communities from Confederate threats to their livelihood and shielding their male kin who were of draft-age. A third characteristic was their independent spirit and their nonconformist behavior. One of the most prominent of them, Newt Knight, lived openly with his racially-mixed family and their offspring, defiantly unconventional conduct that is described in some detail in the book’s sixth and final chapter…

…Victoria Bynum’s interest in Anna Knight is especially understandable, since one of her fields is women’s history and her first book was Unruly Women: The Politics of Social and Sexual Control in the Old South (1992). In fact, two chapters of the six in The Long Shadow of the Civil War focus on women, while a third deals with women and race. Chapter two emphasizes the part played by women, primarily in the Quaker Belt, within the resistance against the Confederacy. Not only did women support this dangerous defiance but they acted on their own in many aspects of it, in particular harboring deserters and encouraging their sons to refuse to enlist. Chapter six is about “The Women of the Knight Family” and it explores the very complicated and independent maneuvers that these mixed-race women employed to deal with the conventions of race and gender in the Jim Crow South. And lastly, chapter three examines the resistance in North Carolina’s Quaker Belt that was mounted during the post-war period of Reconstruction against the former Confederates and the Ku Klux Klan who were determined to remove the Republicans from control of their state and to restore the freedmen to the subordinate position they had endured as slaves. In this contest, black women in particular challenged attempts to control their autonomy especially their sexuality, even defending themselves in court, a remarkable development so soon after emancipation…

Read the entire review here.

The Code Noir (French language: The Black Code) was a decree passed by France’s King Louis XIV in 1685. The Code Noir defined the conditions of slavery in the French colonial empire, restricted the activities of free Negroes, forbade the exercise of any religion other than Roman Catholicism, and ordered all Jews out of France’s colonies. The code has been described by Tyler Stovall as “one of the most extensive official documents on race, slavery, and freedom ever drawn up in Europe.”

…2 of the 60 articles, the document specified that:

• married free men will be fined for having children with their slave concubines, as will the slave concubine’s master. If the man himself is the master of the slave concubine, the slave and child will be removed from his ownership. If the man was not married, he should then be married to the slave concubine thus freeing her and the child from slavery (art. 9)
• children between a male slave and a female free woman are free; children between a female slave and a free man are slaves (art. 13)

Read all 60 articles (in French) here.

Wikipedia

Searching for the authentic Red-Black self: Depictions of African-Native subjectivity in literature, visual art, and film

University of California, Berkeley
2005
235 pages
AAT 3186996
ISBN: 9780542292071

Sarita Nyasha Cannon, Associate Professor of English
San Francisco State University

In this dissertation, I explore representations of a largely invisible multiracial group: people of Native American and African-American descent. Relying upon the two theoretical frameworks of cultural studies and multiculturalism outlined in Chapter 1, I analyze texts from various genres in order to understand the construction of Black-Red subjectivity. In Chapter 2, I examine the 1848 slave narrative/native autobiography The Life of Dr. Okah Tubbee. Written by a mulatto who passed as the son of a Choctaw chief in order to escape the slavery, this text exemplifies the performative possibilities of autobiography as well as Tubbee’s simultaneous rejection of Blackness and embrace of stereotypical ideas of Indian-ness. In Chapter 3, I look at another figure that straddles African American and Native American cultures, the fictional character of Rayona in Michael Dorris’ 1988 novel A Yellow Raft in Blue Water. Like Tubbee, Rayona negotiates various identities. However, rather than being a somewhat tragic trickster figure who rejects Blackness as Tubbee does, Rayona is able to embrace her multiple subject positions in a variety of contexts. In Chapter 4, I focus on visual representations of African-Native Americans in the sculpture of African-Chippewa artist Edmonia Lewis and in the portraits of African-Choctaw photographer Valena Broussard Dismukes. I argue that despite Lewis’ familiarity with Native culture, she deploys stereotypes about American Indians in an attempt to gain a mainstream audience. Dismukes, on the other hand, creates portraits of contemporary Black Indians who can express their mixed heritage on their own terms. Finally, in Chapter 5, I explore two contemporary documentary films that reflect two opposite narratives of the history of Black-Native subjectivity. Steven Rich Heape’s film Black Indians celebrates people with African-Native heritage and elevates them to a special status. On the other hand, Long Lance, a documentary about a mixed-race man’s rejection of the one-drop rule and his fabrication of various Native American identities, emphasizes the tragic nature of “passing.” Implicit within my exploration of these cultural representations of Black Indians is the elusive quest for racial or cultural “authenticity,” a problematic goal that often unconsciously panders to an essentialized notion of identity. In their attempts to render authentic images of Blacks, Native Americans, and Black-Native Americans, these authors and artists often reinscribe stereotypes about these groups and thus reinforce the very racial and social hierarchies they intend to question.

Purchase the dissertation here.

The Silence of Miss Lambe: Sanditon and Fictions of ‘Race’ in the Abolition Era

Eighteenth-Century Fiction
Volume 18, Issue 3 (Spring 2006)
pages 329-353

Sarah Salih, Professor of English
University of Toronto

Although it would be difficult to argue that Sanditon (1817) is “historical” in any immediately obvious sense, it is nonetheless clear that the social history of England is central to Jane Austen’s last, unfinished text. Critics appear to agree that the novel, which, as Warren Roberts points out, was written during a period of social turbulence in England, reflects anxieties about the shift from one socio-economic structure to another. Once a fishing village and agricultural community, Sanditon has been “perverted” into a resort, a “sandy town,” where the sea is an exploitable resource and invalidism is a social activity engaged in by characters who are “urban, rootless, irresponsible and self-indulgent.” As Tony Tanner puts it, “[Sanditon is] a little parable of change—supersession, supplanting, and substitution.” These are certainly accurate characterizations, and yet the majority of the novel’s commentators overlook what Edward Said would call its “geographical problematic,” the fact that the seaside resort is dependent on economic resources from outside—from other areas of England, and, it seems, from England’s Caribbean colonies. I am referring to Miss Lambe, Austen’s only “brown” character—so briefly invoked and so tantalizingly incomplete. Certainly, Miss Lambe does not take up much of Sanditon’s eleven and a half chapters, and as my title suggests, she never utters a word. All the same, the characters’ allusions to the “West India” contingent, along with Miss Lambe’s presence in the text, certainly warrant closer critical attention than they have hitherto received.

Read the entire article here.

Illegal fictions : white women writers and the miscegenated imagination 1857-1869 (E. D. E. N. Southworth, Louisa May Alcott, Rebecca Harding Davis, Lydia Maria Child)

Indiana University
2000

Katharine Nicholson Ings, Associate Professor of English
Manchester College, North Manchester, Indiana

This dissertation examines how popular nineteenth-century white women writers depicted interracial romance in their fiction. I focus on E. D. E. N. Southworth, Louisa May Alcott, Rebecca Harding Davis, and Lydia Maria Child, authors who composed what I call illegal fictions, largely neglected works that explored the possibilities of interracial unions between blacks and whites. These authors, all abolitionists, denounce slavery in their works while simultaneously reflecting upon the limitations of the feminine roles that they were expected to play in society.

I approach their fictions through three critical lenses: racial theory, sentimental narrative theory, and biography to determine the implications of the hybrid individual, national, and textual identities present in the narratives and in the authors’ lives. On the one hand, these illegal fictions attempt to negotiate the tension between white women and black men and women, each of whom strove to be recognized as citizens. On the other hand, their fictions point to how the idea of miscegenation literally a mixing of races informed the creativity of these women authors during the years spanning the Civil War. At the imaginative level the authors offer visions of either a successful or failed multicultural America; at the generic level they engage in a blending of forms: slave narrative merges with the sentimental novel to initiate a dialogue between African and Caucasian American literary traditions.

Login at HKU to read the dissertation here.

Robert Stafford of Cumberland Island: Growth of a Planter

University of Georgia Press
1995
376 pages
Illustrated
Trim size: 6 x 9
Paperback ISBN: 978-0-8203-1738-0

Mary R. Bullard

Society, politics, agriculture, and mixed-race unions in a coastal Georgia planter community

Robert Stafford of Cumberland Island offers a rare glimpse into the life and times of a nineteenth-century planter on one of Georgia’s Sea Islands. Born poor, Robert Stafford (1790-1877) became the leading planter on his native Cumberland Island. Specializing in the highly valued long staple variety of cotton, he claimed among his assets more than 8,000 acres and 350 slaves.

Mary R. Bullard recounts Stafford’s life in the context of how events from the Federalist period to the Civil War to Reconstruction affected Sea Island planters. As she discusses Stafford’s associations with other planters, his business dealings (which included banking and railroad investments), and the day-to-day operation of his plantation, Bullard also imparts a wealth of information about cotton farming methods, plantation life and material culture, and the geography and natural history of Cumberland Island.

Stafford’s career was fairly typical for his time and place; his personal life was not. He never married, but fathered six children by Elizabeth Bernardey, a mulatto slave nurse. Bullard’s discussion of Stafford’s decision to move his family to Groton, Connecticut—and freedom—before the Civil War illuminates the complex interplay between southern notions of personal honor, the staunch independent-mindedness of Sea Island planters, and the practice and theory of racial separation.

In her afterword to the Brown Thrasher edition, Bullard presents recently uncovered information about a second extralegal family of Robert Stafford as well as additional information about Elizabeth Bernardey’s children and the trust funds Stafford provided for them.