Mixed Race Studies

Thomas and Sally

Marin Theater Company
Mill Valley, California
September 28-October 22 (2017) | World Premiere

By Thomas Bradshaw

An explosive world premiere by a 2017 PEN Award winner, Thomas and Sally gets up close and personal with founding father Thomas Jefferson and Sally Hemings, the enslaved woman who mothered six of his children. Playwright Thomas Bradshaw takes us behind the scenes—and into the beds—of American history with the Hemings-Jeffersons and the rock stars of the Revolution: Ben Franklin, John & Abigail Adams & the Marquis de Lafayette!

Mr. Bradshaw’s writing has been influenced by the research of many historical experts on the Jefferson and Hemings families, but the world of this play is completely his own:

“Thomas and Sally is a work of historical fiction. You may recognize many of the names in this play, but others are pure invention. History is highly malleable and subject to interpretation. This is my attempt to explore the essence of these characters and the world they lived in. This is a play, and I am playing with history. I hope you enjoy.”

Thomas Bradshaw’s plays have been produced at regional theaters in NYC as well as in Europe. He is currently working on commissions from the Goodman Theatre, Manhattan Theatre Club, and the Foundry Theatre, as well as developing a TV series for HARPO and HBO. He is the recipient of a 2009 Guggenheim Fellowship, the 2010 Prince Charitable Trust Prize, the 2012 Award from the Foundation for Contemporary Arts, and this year’s PEN award for an Emerging American playwright.

For more information, click here.

An Octoroon

Woolly Mammoth Theater
641 D Street, NW
Washington, D.C. 20004
Telephone: 202-393-3939

2017-07-17 through 2017-08-06

By Branden Jacobs-Jenkins
Directed by Nataki Garrett

Last year’s most talked-about, most unforgettable production is returning to Woolly for a limited three-week run: An Octoroon by new MacArthur “Genius Grant”-winner Branden Jacobs-Jenkins!

A plantation on the brink of foreclosure. A young gentleman falling for the part-black daughter of the estate’s owner. An evil swindler plotting to buy her for himself. Meanwhile, the slaves are trying to keep things drama-free, because everybody else is acting crazy.

An Octoroon, Jacobs-Jenkins’ Obie-winning riff on a 19th century melodrama that helped shape the debate around the abolition of slavery, is an incendiary adaptation. Part period satire, part meta-theatrical middle finger, it’s a provocative challenge to the racial pigeonholing of 1859—and of today.

Featuring company members Shannon Dorsey, Jon Hudson Odom, and Erika Rose

Two and a half hours, with one intermission

For more information, click here.

Passing for White

Barrington Stoke
2017-05-11
112 pages
Paperback ISBN: 978-1-78112-681-3

Tanya Landman

She must pose as a master to make herself free.

It’s 1848 in the Deep South of America. Rosa is a slave but her owner is also her father and her fair skin means she can ‘pass for white’. With the help of Benjamin, her husband, she disguises herself as a young white man – and Benjamin’s master. In this guise, the two of them must make their way out of the South, avoiding those they have encountered before and holding their nerve over a thousand miles to freedom.

Inspired by the amazing true story of Ellen and William Craft, this is a powerful tale of danger, injustice and unimaginable courage.

Information for Adults: This book has a dyslexia-friendly layout, typeface and paperstock so that even more readers can enjoy it. It has been edited to a reading age of 8.

It features a removable ‘super-readable’ sticker.

Read the first chapter here.

Sally Hemings wasn’t Thomas Jefferson’s mistress. She was his property.

The Washington Post
2017-07-07

Britni Danielle

The room at Monticello where Sally Hemings is believed to have lived. (Norm Shafer/For The Washington Post)

Archaeologists at Thomas Jefferson’s Virginia plantation, Monticello, are unearthing the room where Sally Hemings is believed to have lived, allowing for a new way to tell the story of the enslaved people who served our third president. The excavation has once again reminded us that 241 years after the United States was founded, many Americans still don’t know how to reconcile one of our nation’s original sins with the story of its Founding Fathers.

Just before the Fourth of July, NBC News ran a feature on the room, setting off a spate of coverage about the dig. Many of these stories described Hemings, the mother of six children with Jefferson, as the former president’s “mistress.” The Inquisitr, the Daily Mail, AOL and Cox Media Group all used the word (though Cox later updated its wording). So did an NBC News tweet that drew scathing criticism, though its story accurately called her “the enslaved woman who, historians believe, gave birth to six of Jefferson’s children.” The Washington Post also used “mistress” in a headline and a tweet about Hemings’s room in February.

Language like that elides the true nature of their relationship, which is believed to have begun when Hemings, then 14 years old, accompanied Jefferson’s daughter to live with Jefferson, then 44, in Paris. She wasn’t Jefferson’s mistress; she was his property. And he raped her…

Read the entire article here.

Fighting for Black Lives in Colombia: ‘The People Do Not Give Up, Damn It’

The Root
2017-07-01

Lori S. Robinson

iStock

Editor’s note: This story is the first in a three-part series looking at the fight for rights of black people in Colombia. This first piece explores the history of Afro-Colombians and the impact of the recently ended war with the FARC. Subsequent stories will examine the current political environment. 

Black activism started in Colombia when Africans arrived in chains.

Spaniards were early kingpins in the trans-Atlantic slave trade, first importing kidnapped Africans into what was then New Granada in the 1520s—a century before the British brought this epic crime against humanity to North America.

Concentrated along the country’s Pacific coast, enslaved people were forced to do agricultural labor and, primarily, to mine gold. This region became majority black during colonial times. It still is…

…Colombia never had legal segregation after slavery, like the United States. The national narrative of Colombia, like most of Latin America, has been that inequality is economic, not racial, and that significant racial mixing throughout the country’s history proves that racism doesn’t exist. According to Perea, Colombians have gone so far as to say that “racism was solely an expression of North American culture.”

Meanwhile, the largest numbers of black Colombians have been isolated, abandoned by their own government, without educational or employment opportunities, living in poverty…

Read the entire article here.

Longtown Descendants Breathe New Life Into Historic Mixed-Race Community

WOSU Public Media
WOSU Radio
Columbus, Ohio
2017-05-31

Jerry Kenney

Kaiser family reunion at Longtown. Kaiser Family

In southwest Ohio, about a mile from the Indiana state line, a long-forgotten town with a special place in African American history is struggling to be reborn.

Longtown was established nearly 200 years ago in what is now Greenville. The settlement grew into a thriving mixed-race community and a major stop on the Underground Railroad.

Now, descendants of those pioneering settlers are working to bring Longtown back to life for others to experience.

Longtown’s Founding

In 1818, James Clemens, a freed slave from Rockingham County, Virginia, settled in Darke County, Ohio, with his wife Sophia Sellers and their five children, and began to farm.

“They were the sons and daughters of slave masters,” says historian and Longtown descendant Roane Smothers.

Smothers says some slave owners not only acknowledged the children they bore with slaves but also provided them with financial support. Such was the case with James and Sophia, who purchased land in Ohio with the help of Sellers’ father, he says…

Read the entire article here. Listen to the story (00:05:45) here.

Privileging Kinship: Family and Race in Eighteenth-Century Jamaica

Early American Studies: An Interdisciplinary Journal
Volume 14, Number 4, Fall 2016
pages 688-711
DOI: 10.1353/eam.2016.0025

Daniel Livesay, Assistant Professor of History
Claremont McKenna College, Claremont, California

During the long eighteenth century, elite free people of color in Jamaica petitioned the government for exemptions to some of the island’s laws against those with African ancestry. In making these appeals, they highlighted advanced social and financial positions that put them above the average Jamaican of color. But perhaps most important, these petitions noted familial relations to white men on the island. These kinship connections were central in determining if a free person of color was deserving enough to receive “privileged” rights. In bestowing these privileges, Jamaican officials demonstrated that one’s racial status on the island was determined, in part, by familial linkages to white colonists. Although only a fraction of mixed-race Jamaicans gained these legal exemptions, the practice nevertheless reveals how important family relation was in constructing racial identities, even in a place built on racialized oppression and slavery.

Heroines of the Haitian Revolutions

Public Books
2017-04-28

Laurent Dubois, Professor of Romance Studies and History and the Director of the Forum for Scholars & Publics
Duke University, Durham, North Carolina

What is the role of an artist in the face of political repression? What is the place of culture in the midst of injustice and terror? Haitian writer Marie Vieux-Chauvet (1916–1973), author of powerful novels representing the experience of living under the Duvalier dictatorship, confronted such questions throughout her life.

One of Vieux-Chauvet’s earliest novels, Dance on the Volcano (1957), just published in a new English translation, does so by journeying back to the world of plantation slavery and of the Haitian Revolution. The novel is woven around the life of a real historical figure, Minette, a free woman of African descent who overcame the racial barriers of the time to become a star singer on the colonial stage. It focuses on Minette’s struggle to find both an artistic and a political voice, using her story as a crossroads through which to explore broader questions about art, sexuality, politics, and revolutionary change.

Because of her background, Minette’s presence onstage was always a risk, and her voice a weapon. Born in 1767, she was mentored by a white actress in Port-au-Prince, the colony’s capital. In 1780, Minette performed onstage for the first time. Vieux-Chauvet dramatizes the scene of her debut by imagining the terror the young girl must have felt as she stared out at the crowd: rows and rows of white faces looking up at her, expectantly. As the violin strikes its first chord, Minette opens her mouth but no sound comes out…

Read the entire article here.

Afro-Latin America and the Black Pacific: An Interview with Sherwin K. Bryant

Black Perspectives
2017-04-22

Yesenia Barragan, Postdoctoral Fellow in the Society of Fellows
Dartmouth College, Hanover, New Hampshire

This month I interviewed Sherwin K. Bryant about his work on the Black Pacific and Afro-Andes. Bryant is Associate Professor of African American Studies and History at Northwestern University and serves as the Director of the Center for African American History. As an historian of colonial Afro-Latin America and the Atlantic/Pacific Worlds, Bryant works at the intersections of cultural, legal, social history and political economy, with an emphasis upon Black life in the Kingdoms of New Granada and Quito (what is now modern Colombia and Ecuador). Dr. Bryant’s book, Rivers of Gold, Lives of Bondage: Governing through Slavery in Colonial Quito offers the first serious treatment in English of slavery and slave life in colonial Quito and challenges the narrower conceptualization of slavery as primarily an economic demand. He is currently working on two new book-length projects. The first charts the history of Black subjectivities along Colombia and Ecuador’s Pacific littoral while the second develops a history of slave life within the contraband slave routes that ran through Panama and New Granada before the era of free trade. Follow him on Twitter @sherwinkbryant.

Yesenia Barragan: As you explain in Rivers of Gold, the Kingdom of Quito had a relatively small enslaved population in comparison to the more familiar cases in the Atlantic world and has thus been overlooked in the historiography of slavery in the Americas. What insights can we gain by examining the history of colonial Afro-Quito?

Sherwin K. Bryant: Until the last two decades, the African diaspora to Spanish America received scant attention compared to the US, Brazil, and the British and French Caribbean. This was due in part to a scholarly reading of slavery through labor, the plantation complex, and an emphasis on numbers. These approaches caused previous scholars to underestimate the socio-political impact of slavery and Black life throughout much of Latin America.

Another enduring challenge to the study of Blackness in Latin America is found in the national myths and master narratives that diminish the importance of Black life, and those that deny and devalue the scale of Black populations and the extent of their on-going persecution. Rather than account for the full scope of Black life, these nations have preferred narratives of mestizaje, or race mixture, marginalizing Blacks and their contributions to the nation. To some degree and for some time now, scholars colluded in this elision, privileging studies of slavery as an institution, or race mixture and social climbing. Consequently, the writing of Spanish America’s Black history was fraught, episodic, and belated relative to the flourishing studies on Indigenous populations and women since the advent of social history in the 1970s and 80s. Finally, a US-centric approach to African American history and the prominence of the Atlantic basin in diaspora studies contributed to these omissions…

Read the entire interview here.

The Secret Life of Bacon Tait, a White Slave Trader Married to a Free Woman of Color

Louisiana State University Press
March 2017
224 pages
5.50 x 8.50 inches
no illustrations
Hardcover ISBN: 9780807165218

Hank Trent

Historians have long discussed the interracial families of prominent slave dealers in Richmond, Virginia, and elsewhere, yet, until now, the story of slave trader Bacon Tait remained untold. Among the most prominent and wealthy citizens of Richmond, Bacon Tait embarked upon a striking and unexpected double life: that of a white slave trader married to a free black woman. In The Secret Life of Bacon Tait, Hank Trent tells Tait’s complete story for the first time, reconstructing the hidden aspects of his strange and often paradoxical life through meticulous research in lawsuits, newspapers, deeds, and other original records.

Active and ambitious in a career notorious even among slave owners for its viciousness, Bacon Tait nevertheless claimed to be married to a free woman of color, Courtney Fountain, whose extended family were involved in the abolitionist movement and the Underground Railroad. As Trent reveals, Bacon Tait maintained his domestic sphere as a loving husband and father in a mixed-race family in the North while running a successful and ruthless slave-trading business in the South. Though he possessed legal control over thousands of other black women at different times, Trent argues that Tait remained loyal to his wife, avoiding the predatory sexual practices of many slave traders. No less remarkably, Courtney Tait and their four children received the benefits of Tait’s wealth while remaining close to her family of origin, many of whom spoke out against the practice of slavery and even fought in the Civil War on the side of the Union.

In a fascinating display of historical detective work, Trent illuminates the worlds Bacon Tait and his family inhabited, from the complex partnerships and rivalries among slave traders to the anxieties surrounding free black populations in Courtney and Bacon Tait’s adopted city of Salem, Massachusetts. Tait’s double life illuminates the complex interplay of control, manipulation, love, hate, denigration, and respect among interracial families, all within the larger context of a society that revolved around the enslavement of black Americans by white traders.