Mixed Race Studies

White: The Biography of Walter White, Mr. NAACP

The New Press
Fall 2002
496 pages
Trim: 6 1/8 x 9 1/4
Hardcover ISBN: 978-1-56584-773-6

Kenneth R. Janken, Professor, African and Afro-American Studies
University of North Carolina, Chapel Hill

A publishing landmark, the first biography of the man who brought the NAACP to national prominence

From his earliest years, Walter White was determined to transcend the rigid boundaries of segregation-era America. An African American of exceptionally light complexion, White went undercover as a young man to expose the depredations of Southern lynch mobs. As executive secretary of the NAACP from 1931 until his death in 1955, White was among the nation’s preeminent champions of civil rights, leading influential national campaigns against lynching, segregation in the military, and racism in Hollywood movies.

White is portrayed here for the first time in his full complexity, a man whose physical appearance enabled him to negotiate two very different worlds in segregated America, yet who saw himself above all as an organization man, “Mr. NAACP.” Deeply researched and richly documented, White’s biography provides a revealing vantage point from which to view the leading political and cultural figures of his time—including W.E.B. DuBois, Eleanor Roosevelt, and James Weldon Johnson—and an unrivaled glimpse into the contentious world of civil rights politics and activism in the pre–civil rights era.

Walter White and Passing

Du Bois Review: Social Science Research on Race
Volume 2, Issue 1 (2005)
pages 17-27
DOI: 10.1017/S1742058X05050034

Kenneth R. Janken, Professor, African and Afro-American Studies
University of North Carolina, Chapel Hill

Walter White, the blond, blue-eyed Atlantan, was a voluntary Negro, that is, an African American who appears to be White but chooses to live in the Black world and identify with its experiences. He joined the NAACP national leadership in 1918 as assistant secretary and became secretary in 1931, serving at this post until his death in 1955. His tenure was marked by an effective public antilynching campaign and organizational stability and growth during the Depression years and by controversy over his leadership style. For him, posing as a Caucasian—and then telling all who would listen about his escapades—had three interrelated purposes. First, he developed inside information about mob psychology and mob violence, publicity of which was critical to the NAACP’s campaign against lynching. Second, White hoped to show Whites in particular the fallacy of racial stereotyping and racial categorization. Third, by emphasizing the dangers he courted—and even embellishing on them—he enhanced his racial bona fides at key times when his Black critics called into question his leadership.

Mammy versus mulatta: A rhetorical analysis of the act of passing and the influence of controlling images in Fannie Hurst’s “Imitation of Life”

Arizona State University
May 2010
189 pages
Publication Number: AAT 3407107
ISBN: 9781109743265

Allison Parker

A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy

Fannie Hurst’s 1933 novel, Imitation of Life, and the two movies that followed in 1934 and 1959, address the issue of racial passing in a way that no text ever has before. The theme of Imitation of Life is imitation, and as a result, it lends itself to a discussion of race performativity. Imitation of Life is the first text to juxtapose the mammy character with the tragic mulatto character, and this makes it conducive to studying the category of race and how race performativity functions. In addition, instead of focusing exclusively on passing, this analysis focuses more specifically on the way that resistance to (or condemnation of) passing, mainly through the power of confession, produces a specific mode of performativity.

Each of the versions of Imitation of Life is analyzed separately in order to use the specific version of the text to examine not only how the mores of the time affect the outcome of the story to contextualize each story within its respective time period, but also to examine how each of the characters is constructed in order to evaluate the relationships between black and white women living in the same household. The focus is on the specific features of the mammy and the mulatto characters–their history, their attributes, and their significant features, in order to understand how they work in context and to understand their significance in terms of race performativity. Finally, an examination of the category of race in terms of performative reiteration is presented. Scenes from the book and the two films are scrutinized in an attempt to provide a vehicle to understand the means by which racial norms function. These sections work together to examine the condemnation of passing in Imitation of Life through the lens of race as a speech act. Imitation of Life is a passing narrative that is a crucial text for assisting theorists in understanding the complicated features of race performativity.

TABLE OF CONTENTS

• PREFACE
• CHAPTER 1 REVIEW OF LITERATURE
  • Introduction and Scope
  • Theoretical Approach
  • Organization of Research
  • Concluding Remarks
• CHAPTER 2 THE 1933 NOVEL
  • Fannie Hurst: Racial Activist
  • Hurston and Hurst
  • The Conflicts in Imitation of Lite
  • A Warning for Ambitious Womem
  • Aunt Jemima: The Most Famous Mammy
  • The Influence of Zora Neale Hurston
  • Delilah—the Ultimate Mammy
  • Peola—the Tragic Mulatto
  • Peola’s Passing
  • Critical Reception and Debate
• CHAPTER 3 THE 1934 FILM
  • The Plot Thickens
  • The Embodiment of Miscegenation
  • From Page to Screen
  • The Subservient Mammy Stereotype Continues
  • An Updated Bea
  • An Updated Peola
  • Critical Reception
  • Hurston, Hughes, Morrison, and hooks Respond
• CHAPTER 4 THE 1959 FILM
  • Lana’s Imitation of Life
  • Colorblind Casting?
  • Imitation in Imitation of Life
  • Starring Sarah Jane
  • The Rhinelander Case
  • Controlling Images
• CHAPTER 5 RACE PERFORMATIVITY
  • Austin, Derrida, Butler, and Performativity
  • Foucault and Confession
  • Assumptions of Whiteness and the Contradictions of Race
  • Judith Butler and Imitation of Life
  • The Punishment for Passing
  • Mammy Versus Mulatto
  • Conclusion
• WORKS CITED

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Neither White Nor Black: The Mulatto Character in American Fiction

New York University Press
1978
280 pages
ISBN-10: 0814709966; ISBN-13: 978-0814709962
9 x 6 x 1 inches

This book is out of print.

Judith R. Berzon

The mulatto character has captured the imagination of American novelist in every period of our literature.  For American writers, the mulatto has long signified a “marginal man,” caught between two cultures and between the boundaries of the American caste system. As such, the mulatto’s biological and psychological responses to his status—attraction and repulsion to both the white an non-white castes—have frequently been fictionalized.

Neither White Nor Black is the first comprehensive study of the mulatto character in American fiction.  It is interdisciplinary in approach, drawing from literature, history, sociology, psychology and biology, and assessing the influence of racist ideology, social mythology and historical reality upon the portrayal of the mulatto character.  Dr. Berzon examines how the self-concepts of mixed-blood characters are affected by black-white mythology and explores the roles mulattoes have played in American culture.  Among the 19th an 20th-century black and white authors examined here are Mark Twain, William Faulkner, Robert Penn Warren and John A. Williams.

In Part I of the book, Dr. Berzon provides an introduction to the historical, sociological and scientific backgrounds of the fiction; an overview of the novels; and a discussion of the most prevalent sterotype—“the tragic mulatto.”  Part II defines and illustrates the forms of adjustment to marginality.  Each chapter is organized around a specific mode of adjustment—passing for white, becoming a member of the black bourgeosie, working as leader of his/her race, and failing to achieve identification with either the white or black group.  In the Postscript, Dr. Berzon examines three novels of the 1970s by important black authors—John A. Williams, Ernest J. Gaines, and John Oliver Killens.  Her study is enriched by the recently published but crucial historical scholarship such as Roll, Jordan Roll by Eguene Genovese, White Over Black by Winthrop Jordan, an The Black Image in the White Mind by George Fredrickson, as well as the earlier work by Addison Gayle Jr., The Black Aesthetic.

In Neither White Nor Black, Dr. Berzon reveals the recurring themes in the portrayal of the mulatto character throughout several periods of the 19th and 20th-century American history.  Central to the portrayal of the mulatto during all these periods is the quest for identity, and Dr. Berzon, through her illuminating analysis, provides her readers, whether students of Black studies, American studies, Southern history, literature, or intellectual history, with an essential understanding of that quest and of the role of the mulatto in American society.

Life on the Color Line: The True Story of a White Boy Who Discovered He Was Black

Plume, an imprint of Penguin
February 1996
304 pages
5.35 x 7.95in
Paperback ISBN: 9780452275331
ePub eBook ISBN: 9781440665813
Adobe eBook ISBN: 9781440665813

Gregory Howard Williams, President
University of Cincinnati

Awards

• Los Angeles Times Book Prize
• Friends of American Writers Award: Nominee
• Melcher Book Award: Nominee

A stunning journey to the heart of the racial dilemma in this country.

Table of Contents

1. Acknowledgments
2. The Open House Cafe
3. The Midas Touch
4. “Captain of My Soul”
5. Rooster
6. Learning How to Be Niggers
7. Bob and Weave
8. “Saved”
9. Hustling
10. Politics and Race
11. The Color Line
12. Accept the Things I Cannot Change
13. Choices
14. Go for It!
15. Big Shoulders
16. Persistence
17. Teammates
18. “Born in the Wilderness and Suckled by a Boar”
19. State of Indiana v. Gregory H. Williams
20. Mike: Like a Moth to Flames
21. Tottering Kingdoms and Crumbling Empires
22. Your Truly Mother

Family Histories of ‘Passing’ from Black to White Documented in Book

Diverse: Issues in Higher Education
2011-09-06

Katti Gray

In the summer of 1993, as American-born Daniel Sharfstein registered Blacks to cast their first ballot in race-riven South Africa, he volunteered alongside a South African woman, who professed to be as authentically African as any other Black. This, she told then college student Sharfstein, despite her family’s decades-old designation as Coloured, a mixed-race label that elevated her clan above Blacks in the old White-run government’s hierarchy of peoples.
 
Though being Coloured insulated her from brutalities apartheid reserved for the so-called purely Black, she was, physically, hard to distinguish from the Black activists who had dominated the anti-apartheid movement, said Dr. Sharfstein, now 38 and a Vanderbilt University law professor. She was dark-skinned, and wore her hair Afrocentrically-braided.
 
That her family would choose to be misclassified racially was both fascinating and bewildering, Sharfstein said. “I came home and was immediately interested in the question of whether the same thing had happened here,” said Sharfstein, who holds a law degree from Yale, and a degree in history, literature and Afro-American studies from Harvard.
 
His book, The Invisible Line: Three American Families and the Secret Journey from Black to White, is the outgrowth of parallels Sharfstein drew between apartheid’s racial distortions and those of his own native land.
 
With this nation’s state-by-state variations on how many drops of Black blood legally made a person Black as both a backdrop and core of the 395-page tome, Sharfstein explores the human, financial and ephemeral costs of morphing from an imposed Blackness—notwithstanding one’s light skin, aquiline facial features and straight hair—to live as White…

…Cape Cod, Mass., is where Isabel Wall Whittemore’s forebears ended up.
 
“Until I read [Sharfstein’s] book, I didn’t realize that, in my mom’s day, 1/16 [of Black blood] was considered Colored,” said Whittemore, 74, now residing in Hickory Flat, Miss., with her oldest daughter Lisa Colby. “To tell you the truth… I’ve always gone as Caucasian. I had no reason not to. I’d love to know what I should be calling myself now, but it doesn’t matter to me either way… Race isn’t important.”
 
Roughly a decade before the February 2011 release of Sharfstein’s book, a homework assignment for Colby’s daughter revealed their place on the branches of O.S.B. Wall’s family tree. “I’ve met a lot of cousins who I didn’t know,” Colby said. “I, myself, think this is great … in terms of the history. My great, great-grandfather was able to come up from being a slave to being a lawyer.”
 
Not everyone who’s learned of their ties to Wall has been so effusive. One informed Sharfstein that “he’d become more racist since learning about his descent than ever before,” Sharfstein said. “Initially, he was so intent on maintaining his White identity—and nothing makes you more ‘White’ than hating Black people. That’s my inference.”…

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To Be Suddenly White: Literary Realism and Racial Passing

University of Missouri Press
2006
296 pages
6 1/8 x 9 1/4
ISBN: 978-0-8262-1619-9

Steven J. Belluscio, Associate Professor of English
Borough of Manhattan Community College, City University of New York

To Be Suddenly White explores the troubled relationship between literary passing and literary realism, the dominant aesthetic motivation behind the late-nineteenth and early-twentieth-century ethnic texts considered in this study. Steven J. Belluscio uses the passing narrative to provide insight into how the representation of ethnic and racial subjectivity served, in part, to counter dominant narratives of difference.

To Be Suddenly White offers new readings of traditional passing narratives from the African American literary tradition, such as James Weldon Johnson’s The Autobiography of an Ex-Coloured Man, Nella Larsen’s Passing, and George Schuyler’s Black No More. It is also the first full-length work to consider a number of Jewish American and Italian American prose texts, such as Mary Antin’s The Promised Land, Anzia Yezierska’s Bread Givers, and Guido d’Agostino’s Olives on the Apple Tree, as racial passing narratives in their own right. Belluscio also demonstrates the contradictions that result from the passing narrative’s exploration of racial subjectivity, racial difference, and race itself.

When they are seen in comparison, ideological differences begin to emerge between African American passing narratives and “white ethnic” (Jewish American and Italian American) passing narratives. According to Belluscio, the former are more likely to engage in a direct critique of ideas of race, while the latter have a tendency to become more simplistic acculturation narratives in which a character moves from a position of ethnic difference to one of full American identity.

The desire “to be suddenly white” serves as a continual point of reference for Belluscio, enabling him to analyze how writers, even when overtly aware of the problematic nature of race (especially African American writers), are also aware of the conditions it creates, the transformations it provokes, and the consequences of both. By examining the content and context of these works, Belluscio elucidates their engagement with discourses of racial and ethnic differences, assimilation, passing, and identity, an approach that has profound implications for the understanding of American literary history.

Charles Waddell Chesnutt and the Solution to the Race Problem

Negro American Literature Forum
Volume 3, Number 2 (Summer, 1969)
pagess 52-56

June Socken

Charles Waddell Chesnutt, the first American Negro short story writer and novelist of recognized professional quality, squarely faced the problem of Negro-White relations in America.   Although his short story “The Wife of His Youth” (1898) and his novel The Marrow of Tradition (1901) have been credited as bold treatments of the race issue, particularly miscegenation, all of the implications of Chesnutt’s fiction have not been explored. The Negro’s acceptance of the white man’s culture as well as the identity crisis of the mulatto are two crucial themes that have not received adequate attention. Chesnutt’s non-fictional writings, in which he stated quite forthrightly that total assimilation was the only solution to the race problem, have not been studied at all.   The following pages will attempt to describe and explore some of the perceptive, and still relevant, ideas put forth by Charles Chesnutt.

Born in Cleveland in 1858, but raised and educated in North Carolina, Chesnutt was the prototype of the self-made man. Fair skinned, he consciously identified himself as a Negro and became a teacher and then principal of a colored school in North Carolina. Later, he trained himself to become a stenographerand lawyer; at the age of twenty-five, he moved back to Cleveland. His hometown, he believed, judged men according to their merit ana not their color. Chesnutt always wanted to become a writer but practiced stenography and law so as to earn a living, thus providing himself with the means to write.   His plan worked, and by 1900, Chesnutt was devoting himself largely to writing. However, the novels he produced during the 1900-1905 period did not sell sufficient copies to allow him to remain a full-time writer.   He had to return to stenography after 1905 in order to earn a living.

Miscegenationwas the dominant theme in Chesnutt’s fiction. However, white audiences and critics who repeatedly discussed this fact failed to appreciate that Chesnutt was satirizing the mulattoes, his major characters, as well as the intolerant whites.He mocked the light-skinned Negroes’ aping of white man’s habits; he poked fun at the mulattoes who imitated all of the white American’s fashions and prejudice The protagonists in Chesnutt’s stories “A Matter of Principle” and “The Wife of His Youth,” for example, formed an exclusive society called the Blue Vein society (the members being so light that you could see the blue veins in their faces.); the purpose of the group was to remove themselves from the mass of black men and to create a mulatto aristocracy. This first group of assimilated Americans, Chesnutt seemed to be saying, still believed in the superiority of the white man’s value system; they had not broken out of the cultural restraints sufficiently to recognize that the white man’s value; were not American or human values. The mulattoes lauded whiteness and deplored blackness because they lived in a white society that did so.   They believed, based upon their experience, that the only way to advance was to become whiter; the thought that two races, one black and one white, could live side by side harmoniously was beyond their vision of possibilities.

Chesnutt’s reproof of his mulatto characters was often gentle, but nevertheless, firm.   The rich mulatto restaurateur in “A Matter of Principle” lost the opportunity to marry his daughter to a substantial Negro Congressman who was light skinned (and therefore an appropriate match) because of a case of mistaken identity; the restaurateur thought that a black-skinned Negro bishop was the Congressman, and thus hurriedly prevented the meeting between the suitor and his…

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Rena’s Two Bodies: Gender and Whiteness in Charles Chesnutt’s The House Behind the Cedars

Studies in the Novel
Volume 43, Numbers 1 (Spring 2011)
pages 38-54
E-ISSN: 1934-1512 Print ISSN: 0039-3827

Melissa Ryan, Associate Professor of English
Alfred University, Alfred, New York

In a letter thirty years after The House Behind the Cedars was published, Charles Chesnutt referred to the novel as his “favorite child,” because its protagonist, Rena Walden, “was of ‘mine own people’. Like myself, she was a white person with an attenuated streak of dark blood, from the disadvantages of which she tried in vain to escape, while I never did” (An Exemplary Citizen 257). That he should refer to his character in such personal terms, so many years later, suggests that Rena functioned as his imagined second self, offering a way for him to try out in fiction what he chose not to do in life. Able but not willing to pass, he sent Rena across the color line in his stead. But while there is nothing unusual about such a relationship between author and protagonist, it is interesting that he cast himself as a tragic mulatta. In other words, in this tale of passing he is in some sense himself crossdressed.

Despite this provocative possibility, there has been little critical exploration of gender issues in the novel. At its most basic level, it is a love story whose fundamental conflict, as many critics have observed, is that between natural affection and unnatural law. Given this framework, perhaps Chesnutt’s treatment of gender roles seems to be so conventional as to merit scant attention; his tragic heroine may strike readers as insufficiently complex, a flat character whose femininity is shaped by the demands of sentimental fiction and the limitations of the masculine imagination. A closer look, however, suggests that there is more to be said. Gender difference is central not only to the plot but also to the larger questions of identity Chesnutt pursues, both in this novel and in tales of the color line like “Her Virginia Mammy” and “The Wife of His Youth.” Taken…

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Exploring Grays in a Black-and-White World

Miller-McCune
2011-07-19

Julia M. Klein

Two new books explore the intersection of race and identity in America by investigating families whose biracial members might—or might not—“pass” as white.

Defining racial identity in the United States has always been a fraught enterprise, involving shifting intersections of law, custom, class, ancestry and choice. Physical appearance and money have mattered, but so have family history and community attitudes—and not always in the ways we might suspect.

Two intriguing new books—Daniel J. Sharfstein’s The Invisible Line: Three American Families and the Secret Journey from Black to White and Julie Winch’s The Clamorgans: One Family’s History of Race in America—underline the fluidity of racial categories over nearly three centuries of American history. And, thanks to legal records and other archival evidence, they offer illuminating detail about precisely how—and often why—individuals circumvented or manipulated these categories.

The destabilization of racial identity begins with a fact: Sexual relationships between blacks and whites, both romantic and coercive, have existed since the earliest days of slavery. Edward Ball’s National Book Award-winning 1998 volume, Slaves in the Family, recounted his search for descendants of slaves owned by his family of South Carolina planters—and his discovery that some of them were his cousins. A decade later, Annette Gordon-Reed imaginatively reconstructed the lives of the mixed-race Hemings family and their ties to Thomas Jefferson in her 2009 Pulitzer Prize-winning The Hemingses of Monticello: An American Family…

Read the entire review of the books here.