Mixed Race Studies

Crossing the Color Line: Narratives of Passing in American Literature

St. Mary’s College of Maryland
English 400.01
Fall 2008

Christine Wooley, Assistant Professor of English
     
This course will consider representations of passing (and thus also miscegenation) in nineteenth- and twentieth-century U.S. culture. While passing has often been depicted-and dismissed-as an act of racial betrayal, more recent criticism has suggested that we view these depictions of racial transgression and deception in more complicated ways. In this class, we will analyze various narratives centered around passing and miscegenation as sites through which we can better examine-and understand-the construction of racial identities in particular historical and political contexts. We will ask whether or not narratives about passing and miscegenation challenge the stability of racial categories. Likewise, we will pay close attention to how such narratives also engage issues of class, ethnicity, and gender. Syllabus may include works by authors such as Harriet Wilson, William Wells Brown, Lydia Maria Child, Frances Harper, William Dean Howells, Pauline Hopkins, Mark Twain, Charles Chesnutt, Kate Chopin, James Weldon Johnson, Nella Larsen, George Schuyler, Toni Morrison, and Philip Roth. In addition, this class will also draw on a selection of historical and legal documents, current critical works on race, and films such as The Jazz Singer and Imitation of Life.

Crossing the Color Line: Racial Passing in American Literature

Wesleyan University
AMST 322 / ENGL 319
Fall 2015

Amy Cynthia Tang, Assistant Professor of English

Narratives of racial passing having long captivated readers and critics alike for the way in which they provocatively raise questions about the construction, reinforcement, and subversion of racial categories. This course will consider several examples of the “literature of passing” as it has been established as a category within African American literature alongside more ambiguously classified 20th-century narratives of ethnic masquerade and cultural assimilation as a way of exploring how literary and film texts invoke, interrogate, and otherwise explore categories of race, gender, class, and sexual identity.

Key texts will include James Weldon Johnson’s The Autobiography of an Ex-Colored Man, Nella Larsen’s Passing, Douglas Sirk’s film Imitation of Life, Richard Rodriguez’s memoir Hunger of Memory, Chang-Rae Lee’s novel A Gesture Life, and Philip Roth’s novel The Human Stain.

Trans-American Modernisms: Racial Passing, Travel Writing, and Cultural Fantasies of Latin America

University of Southern California
August 2009
311 pages

Ruth Blandón

Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (ENGLISH)

In my historical examination of the literary works of Nella Larsen, William Carlos Williams, Langston Hughes, James Weldon Johnson, Jessie Redmon Fauset, and Carl Van Vechten, I investigate U.S. modernists’ interest in Latin America and their attempts to establish trans-American connections. As they engage with and write about countries such as Brazil, Puerto Rico, the Dominican Republic, Cuba, Costa Rica, and Venezuela as utopian spaces, these writers often tend to relegate Latin America to the status of a useful trope, one that allows them to negotiate a variety of identitarian and sexual anxieties.

The domestic political landscape that informs the desire for migration to the Latin Americas—whether real or fantastical—in the early twentieth century leads to Johnson’s depiction of the savvy and ambitious titular character in his first and only novel, Autobiography of an Ex-Coloured Man, to Van Vechten’s, Larsen’s, and Fauset’s fantastical Brazil in their respective Nigger Heaven, Passing, and Plum Bun. Hughes’s translation of Cuban poet Nicolás Guillén’s poetry illustrates his straddling of national and color lines through the translation of language. These writers react to Jim Crow laws, one-drop rules, and color lines in their connections to and fantasies of the Latin Americas. What then of writers who make similar trans-American connections and constructions, but who write from a space of relative privilege, however resistant they are to that privilege? Consider William Carlos Williams, who negotiates the pressures of assimilation in the United States as he attempts to assert his Afro Puerto Rican and Anglo Dominican heritages. Although Williams is commonly recalled as an “all-American” poet, his works betray his constant attempts to harness three perpetually shifting and overlapping identities: that of a son of immigrants, of a first generation “American,” and of a son of the Americas.

The trans-American connections I reveal span the fantastical to the truly cross-cultural. In placing United States modernism and the Harlem Renaissance within a larger hemispheric context, I shift our sense of U.S. modernism in general, but also of the Harlem Renaissance’s place within U.S. modernism in particular.

Table of Contents

• Dedication
• Acknowledgments
• List of Figures
• Abstract
• Introduction
• Chapter One:
  • Reading, Misreading, and Language Passing in James Weldon Johnson’s The Autobiography of an Ex-Coloured Man and Along This Way
  • Blackness under the law
  • James Weldon Johnson’s Along This Way
  • The Autobiography of an Ex-Coloured Man
  • Conclusion
• Chapter Two:
  • Brazilian Schemes and Utopian Dreams in Nella Larsen’s Passing, Jessie Redmon Fauset’s Plum Bun, and Carl Van Vechten’s Nigger Heaven
  • Historical Context
  • From Liberia to Brazil—A Change of Venue
  • Carl Van Vechten’s Nigger Heaven
  • Jessie Fauset’s Plum Bun, “Home,” and Brazil
  • Larsen’s Passing and Brazil as Utopia/Dystopia
  • Conclusion: Utopia vs. Brazilian Reality
• Chapter Three:
  • All-American Me: William Carlos Williams’s Construction and Deconstruction of the Self
  • Cultural Context—Casta and Passing
  • Blurring Cultural Boundaries: “Only the whites of my eyes were affected.”
  • The Specter of Blackness: “I had visions of being lynched…”
  • In The American Grain: “I am—the brutal thing itself.”
  • Translation: “El que no a vista Sevilla, […] no a vista maravilla!”
  • Conclusion: “I’ll keep my way in spite of all.”
• Chapter Four:
  • “Look Homeward Angel Now”: Travel, Translation, and Langston Hughes’s Quest for Home
  • Langston Hughes in Mexico and Cuba—1907-1948: Mexico
  • Cuba
  • Langston Hughes and Nicolás Guillén in Spain
  • Translation, Analogy, and the “I”
  • Of Poetry, Jazz, Son, and Rumba
  • The Translations
  • Conclusion: Translating, Travel, and “Home”
• Bibliography

List of Figures

• Figure 1: James Weldon Johnson, photographed by Carl Van Vechten in 1932.
• Figure 2: “Les Demoiselles d’Avignon.” Pablo Picasso, 1907.
• Figure 3: “Noire et Blanche.” Man Ray, 1926.
• Figure 4: “Blues.” Archibald Motley, 1929.
• Figure 5: “An Idyll of the Deep South.” Aaron Douglas, 1934.
• Figure 6: Bessie Smith, photographed by Carl Van Vechten, 1936.
• Figure 7: Billie Holiday, photographed by Carl Van Vechten, 1949.
• Figure 8: The Williams Family
• Figure 9: “De Español y Mulata; Morisca.” [“From Spaniard and Mulatto, Morisca.”] Miguel Cabrera, 1763.
• Figure 10: “De Mestizo y d India; Coyote.”[“From Mestizo and Indian, Coyote.”] Miguel Cabrera, 1763.
• Figure 11: William Carlos Williams, circa 1903.
• Figure 12: Elena Hoheb Williams
• Figure 13: Langston Hughes
• Figure 14: Diego Rivera with Frida Kahlo, photographed by Carl Van Vechten, 1932.
• Figure 15: Nicolás Guillén

Read the entire dissertation here.

“I Was Black When It Suited Me; I Was White When It Suited Me”: Racial Identity in the Biracial Life of Marguerite Davis Stewart

Journal of American Ethnic History
Volume 26, Number 4, Women’s Voices, Ethnic Lives through Oral History (Summer, 2007)
pages 24-49

A. Glenn Crothers
University of Louisville, Louisville, Kentucky

Tracy E. K’Meyer, Associate Professor of History
University of Louisville, Louisville, Kentucky

Sitting onthe rooftop restaurant of the fictional Drayton Hotel in Chicago, Irene Redfield, the occasional “passer” and protagonist of Nella Larsen’s Passing, is suddenly swept with panic when she notices another woman—ostensibly a white woman—staring at her. “Did that woman, could that woman, somehow know that here before her very eyes on the roof of the Drayton sat a Negro?” Redfield asked herself. “No,” she concludes after some time, “the woman sitting there staring couldn’t possibly know” because a light-skinned woman like herself was usually mistaken “for an Italian, a Spaniard, a Mexican, or a gipsy.” Despite her assurance, Redfield still was troubled by the experience. She “felt, in turn ” Larsen writes, “anger, scorn, and fear slide over her.” Larsen’s fiction, based in the reality of African American life in the 1920s, provides a clear portrait of what sociologist F. James Davis has called “the agony of passing,” the fear of exposure by both the white and black communities. Fast forward to the end of the twentieth century, when in contrast to Larsen’s fearful passer Irene, such popular figures as Tiger Woods celebrate their mixed-race backgrounds and when the U.S. Census, which, as one sociologist puts it, “counts what the nation wants counted,” offers such individuals the opportunity to reject old categories and self-identify as “other.”

Marguerite Davis Stewart’s life spanned the decades between these two poles of racial experience, between tension-wrought “passing” and the embrace of multiracial identities. About the same time Larsen was envisioning the scene at the fictional Drayton Hotel, Stewart and her mother, light-skinned, African American women from Louisville, Kentucky, were staying at an all-white hotel in French Lick, Indiana. Brought to the hotel by a white man who loved Stewart’s mother, Stewart, a child at the time, remembered no sense of panic, no sense of fear in this environment. “Any time my people wanted to do what they wanted to do, they did what they damned [well] pleased,” including…

The Anatomy of Grey: A Theory of Interracial Convergence

College of Law Faculty Scholarship
Paper 74
January 2008
56 pages

Kevin Maillard, Associate Professor of Law
Syracuse University

Janis L. McDonald, Professor of Law
Syracuse University

This article offers a theory of racial identity divorced from biological considerations. Law fails to recognize the complexity of racial performance and identity, thus categorically simplifying a perceived polarity of black and white. Ground-breaking scholarship addressing racial boundaries, as written by Randall Kennedy, Elizabeth Bartholet, and Angela Onwuachi-Willig, generally focuses on the enduring legacy of race discrimination. We approach these boundaries from a different angle—whites who become “less white.” We bring together the challenges of passing and adoption to offer a theory of fluid racial boundaries.

Transracial adoption provides one viable channel to discuss the possibilities of white-to-black racial identity transformation. By confronting the meaning of white identity in relation to their black surroundings, adoptive parents may engage along a continuum of what we term “interracial convergence.” Parents who adopt transracially potentially face some of the pressures of being black in the United States. The Interethnic Placement Act forbids the consideration of race in adoption placements, but white adoptive parents nevertheless receive sharp criticism from black social workers for lacking the ability to teach “survival skills” necessary for the child’s racial identity development. We argue, alternatively, that it creates a grey space where racial convergers—adoptive parents and racial passers—can challenge the stability of racial boundaries.

TABLE OF CONTENTS

• I. Introduction
• II. Invisible Racial Connections
  • A. Racial Defection
  • B. Racial Intentions And Performance
  • C. The Performativity Of Passing
• III. White Racial Identity Development
  • A. Colorblindness
  • B. Willful Racial Ignorance
• IV. White Parents: Black Children: Racial Performativity
• V. Transformative White Identity: Interracial Convergence
  • A. The Pre-Encounter Stage
  • B. Encounter and Disorientation
    • a) Initial Racial Disorientation
    • b) Awareness of Repetitive Racial Incidents
    • c) Reckoning with Privilege
  • C. Augmenting a White Racial Identity
• VI. Conclusion: Interracial Convergence

I. INTRODUCTION

In 1998, Boston city authorities terminated the eleven-year employment of two firefighters who had falsified their employment applications. Twin brothers, Philip and Paul Malone, transformed themselves from white to black on their applications in order to benefit from a federal diversity program. Although their family had identified as white for three successive generations, the brothers claimed their black ancestry from their maternal great-grandmother. They relied on the traditional, although controversial rule in law and social practice of hypo-descent, or the “one-drop” rule, to justify their status. A hearing officer held that the twin brothers, who had lived most of their lives as white, “willfully and falsely identified themselves as black in order to receive appointments to the department.” The officer based her determination of their racial identity on three criteria: visual observation of facial features, documentary evidence, and social reputation of the families. Under this test, the Malones failed to qualify as “black.” In a different case, a Pennsylvania social service agency failed to approve a potential adoption placement for Dante, a biracial black/white child, with his white foster parents, Victor and Mary Jane DeWees. Before the family accepted Dante as a foster child Mrs. DeWees expressed to a social worker that she preferred a white child because she “did not want people to think that [she] or her daughter were sleeping with a black man.” The social service agency based their denial on the DeWees’ negative racial attitudes, which they believed conflicted with Dante’s best interests. In return, the foster parents argued that their views had changed in the two years that they fostered Dante and they were ready to “accept [him] as any other child.” Nevertheless they did not view race as important to Dante’s upbringing: they informed the social worker that race had “no impact” on the self-esteem and identity of minority children, and refused “to manufacture black friends.” Challenging the relevance of the child’s racial identity, Mr. and Mrs. DeWees brought suit against the agency in federal court.

Both Malone and DeWees demonstrate the inherent difficulties of rigid racial categorization. The two forms of racial subversion we examine here, passing and transracial adoption, effectively question the rigidity of racial boundaries. While passing facilitates the secret transference of racial membership, adoption across the color line compels an open form of interracial kinship. Both require a journey into unfamiliar racial territory which reorients racial identity from a biological status to a performative measurement based on the choices made by the individuals involved…

…Both cases present potential situations where transracial adoption and racial passing intersect in some ways. Passing, for those persons born as white, means confronting unearned racial privilege inherited at birth. This article seeks to expand on traditional discussions of passing by offering a theory of racial identity divorced from biological considerations. Law fails to recognize the complexity of racial performance and identity, thus categorically simplifying a perceived polarity of black and white. While the majority of passing scholarship focuses on the enduring legacy of white supremacy, much less work focuses on whites relinquishing the trappings of race privilege—whites who become “less white.” This discourse, as it stands, lacks a rigorous examination of the ways that whites might join this destabilization of racial boundaries…

…This Article proceeds in four parts. Section One addresses traditional racial “passing,” where necessary subterfuge and identity performance undermined socially identified and controlled racial divisions. In this cautious challenge to the biological essence of white identity, passers expose the different ways that white identities could be performed. Section Two introduces the continuum of white identity development, beginning with a “pre-encounter,” stage of racial awareness. The section examines the contributing role of colorblindness and racial recklessness in supporting the existence of a pre-encounter stage. Section Three introduces the application of interracial convergence into the transracial adoption debate as it relates to considerations of the child’s need to develop a healthy black racial identity. Recent changes in federal adoption law require a colorblind placement process, which eliminates scrutiny of the racial attitudes of the adoptive parents. The DeWees parents, despite their deliberate ignorance of their foster child’s racial needs, might have been approved under these new interpretations of the law. Section Four identifies the potential stages of a transformative white identity for adoptive parents. Our model identifies stages that progress from a colorblind, preencounter stage, followed by a disorienting racial encounter stage, to various stages that recognize the role of white privilege, progressing toward a stage of interracial convergence and, perhaps, a new, transformative white identity…

Read the entire paper here.

Passing, segregation, and assimilation: How Nella Larsen changed the “Passing” novel

University of Texas, El Paso
December 2010
105 pages
Publication Number: AAT 1483825
ISBN: 9781124390468

Vivian Maguire

A Thesis Presented to the Faculty of the Graduate School of The University of Texas at El Paso in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of English

In 1929, Nella Larsen wrote Passing, a novel that delves into the lives of two African-American women living in segregated society. Passing portrays the reunion of two childhood friends, Clare Kendry and Irene Westover. The relationship between Irene and Clare is at first one of fascination, as the two have lifestyles that intrigue one another. Things quickly start to change however, when Irene concludes that Clare and her husband Brian are having an affair. Irene’s suspicious attitudes toward Clare become hostile and she is more determined than ever to prevent Clare from joining her social circle and perhaps, from taking her place in black society. The novel takes an unexpected turn with a confrontation between John Bellew and Clare. She mysteriously falls to her death through an open window with Irene standing nearby. Clare’s demise is further muddled with a plethora of thoughts that run through Irene’s mind at the time, making her the lead suspect in Clare’s sudden death. Clare’s death is never resolved, leaving that event, like many others in the novel, open for interpretation. Irene, who prides herself on her honesty, has the most befuddled interpretation of how Clare died at the end of the story.

What makes Passing such an extraordinary novel is not only that it avoids the traditional conventions of the passing novel, which are typically concerned with the dire effects of leaving one’s race behind, but it calls those conventions into question. Clare does not redeem herself by returning to the black community; she dies, and possibly at the hands of a woman who was supposed to support her according to racial laws. The reader is compelled to sympathize with Clare while wondering what is wrong with Irene. The answer to that question is of course that Irene subscribes to the very ideas about race and ethics that the majority of Americans were invested in at that time. These racial edicts became far more pressing than the lives of individuals themselves, which Larsen recognized and set out to challenge.

Larsen’s Passing is important because it captures the subtlety and nuance of race relations and identity at this point in American history in a way that other novels of the time failed to do. Larsen did this by using the established genre of the passing novel to create a depiction that draws the reader’s focus to a point deeper than the act of passing itself, and directs it toward the more difficult underlying questions about race relations and racial identity. In the next chapter I will look at the social environment that surrounded the passing phenomenon. I will discuss what social analysts and early authors of passing texts identified as motivations behind passing and examine what Nella Larsen felt actually led individuals to do so. Ultimately I will address what Nella Larsen argues all along: individuals cannot fit into social roles designated by racial categories, and the resulting tension leads to unwarranted racial violence.

In my second chapter, I will address two authors who influenced Nella Larsen to change the traditional passing novel. I will describe how one author, Charles Chesnutt, inspired Larsen to change the traditional passing figure in order to demonstrate that the race problem was not in passing, but adhering to racial constructs. The second author, James Weldon Johnson, inspired Larsen with his satirical take on passing, and motivated her to further challenge the racial restrictions on American society.

In chapter three, I will explore how Larsen uses mirrors, an unreliable narrator, and ambiguous situations to comment on the futile and dangerous affect segregation and assimilation had on American culture. Her use of an untrustworthy, but racially loyal heroine helped to reveal the pitfalls in allowing an entire civilization to be divided by racial and social roles. Finally, I will look at two authors who succeeded Larsen, adopting her position on Americans’ dependency on racial and social roles, and what is lost in succumbing to assimilation. The first author I will discuss, Ralph Ellison, writes a novel that seemingly is not about passing at all, yet his exploration of assimilation illustrates that there is little difference between passing and assimilation to meet social expectations when both require performance and the severing of one’s identity. The second author, Danzy Senna, directly addresses both assimilation and passing as the same with a heroine that passes and assimilates at different intervals in order to avoid discrimination. Neither author offers a solution to the passing problem. Their message resembles Larsen’s in that though race is imagined, society’s dependence on racial divisions is not. To live separately from race is difficult, but possible, and worthwhile in the search for identity.

Table of Contents

• Table of Contents
• Introduction
• Crossing the Line: Nella Larsen’s Take on Transcending Racial Boundaries
• Shroud of Ethics: Nella Larsen and the Traditional Passing Novel
• Mirror on the Wall: What Nella Larsen’s Ambiguous Novel Reveals About Passing
• Passing in Time: Nella Larsen’s Impact on the Passing Novel
• Epilogue
• Endnotes
• Works Cited
• Curriculum Vita

Introduction

In 1892, Homer Plessy, a man who was seven-eighths white and one-eighth black, was forcibly removed and then jailed for sitting in the whites-only section of a railroad car in Louisiana. Plessy disputed these events in the Supreme Court in 1896, where he argued that his black ancestry was imperceptible, and that he was by all definitions a white person. The Supreme Court ruled that Plessy’s exclusion from the white railroad car was not a violation of the equal protection clause of the Fourteenth Amendment because while the amendment was created to ensure that all men are treated equally, it was never intended to eliminate social distinctions based on color.

However little a percentage of his ancestry was black, it was that percentage that mattered. Despite Plessy’s white appearance, the state of Louisiana viewed him as black and treated him accordingly, illustrating the illogicality of racial lines and the laws created to guard them. This left individuals who, like Plessy, were visibly white, but by definition still black, to either accept their position in society as inferior or to escape such oppressive markers by passing for white.

In 1929, Nella Larsen wrote Passing, a novel that delves into the lives of two African-American women living in segregated society. Passing portrays the reunion of two childhood friends, Clare Kendry and Irene Westover. The two had lost touch when Clare’s father died and Clare was forced to move in with her two white and racist aunts. When they meet again, Irene is living in Harlem with her two children and her husband, who practices medicine. Clare has married a successful businessman, John Bellew. Clare’s husband however, is a white racist who is unaware that Clare is in fact black. At first glance, the title Passing appears to refer to the lifestyle that Clare has chosen. However, she decides early in the novel that she would like to rejoin black society and no longer cares for racial pretenses. Irene, who Clare has adopted as her guide into the black community, treats Clare with civility. Yet all the while, she is resentful of Clare’s cavalier attitude and wishes to prevent her reentry into the black community. In the novel, Irene’s identity will come into question, as she wears a particular visage for society while masking her true thoughts and feelings…

Purchase the thesis here.

The passing of Charles Chesnutt: Mining the white tradition

Wasafiri
Volume 13, Issue 27
pages 5-10
DOI 10.1080/02690059808589583

Sarah Meer, Lecturer of English
Univeristy of Cambridge

In May 1880, the young Charles Chesnutt confided to his diary his ambition to write a book. Its object would be ‘not so much the elevation of the colored people’—the concern of most late nineteenth century reformers, both white and black—‘as the elevation of the whites,’; for he considered it was ‘the unjust spirit of caste’, rather than the moral or economic or educational conditions of blacks which lay behind racial inequities in America. Chesnutt’s focus on white Americans as the problem would be accompanied by a particular methodology. He did not propose ‘a fierce indiscriminate onslaught; not an appeal to force, … (for) the subtle almost indefinable feeling of repulsion toward the negro, which is common to most Americans …, cannot be taken by assault’. Instead, ‘their [garrison) must be mined, and we will find ourselves in their midst before they think it’. This metaphor, of the secret operation which carries the writer silently into the enemy’s camp, is a peculiarly apt one for Chesnutt’s writing. His first book would not be published until 1899 but the two collections of stories which came out that year, The Conjure Woman and The Wife of His Youth, were both as subtle and as determined to make his point as the image suggests. In those books too, and in a subsequent novel, The Marrow of Tradition, Chesnutt would often appear to be taking his stand on enemy ground and revisiting fictions which were themselves part of the problem. Chesnutt not only took white authors as his models but seemed at times to seek out genres particularly associated with that ‘feeling of repulsion toward the negro’ which he believed so prevalent.

In a sense Chesnutt’s literary tactics reflected his own anomalous position in a society obsessive about racial boundaries. The son of free North Carolina blacks, Chesnutt was probably also the grandson, on both sides, of white men. His appearance was pale enough to ‘pass‘ for white, though it was an option he rejected. Physically ‘white’ to the eyes of the unacquainted, culturally ‘white’ in his education and tastes, Chesnutt was nonetheless black historically; in the place he inherited in America’s rigidly stratified society. Chesnutt’s writing addressed his country’s racial inequality and its slave-owning history but formally it continued to resemble the ‘white’ tradition of writing on the subject…

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Jean Toomer and Politics (Session 465)

Modern Language Association
127th MLA Annual Convention
2012-01-05 through 2012-01-08
Washington State Convention Center
Seattle, Washington

A Special Session
Saturday, 2012-01-07, 12:00-13:15 PST (Local Time)
Room 6A, WSCC

Presiding:

Gino Pellegrini, Adjunct Assistant Professor of English
Pierce College, Woodland Hills, California

Speakers:

Barbara Clare Foley, Professor of English and American Studies
Rutgers University, Newark

Gino Pellegrini, Adjunct Assistant Professor of English
Pierce College, Woodland Hills, California

Charles Scruggs, Professor of English
University of Arizona

Belinda Wheeler, Assistant Professor of English
Paine  College, Augusta, Georgia

This roundtable will focus on the 2011 edition of Jean Toomer’s Cane, edited by Rudolph Byrd and Henry Louis Gates, Jr., and in particular on the editors’ provocative new thesis that Toomer was a Negro who chose to pass for white. Presenters will confront, examine, and discuss Byrd and Gates’s thesis.

For more information, click here.

The Measurement of Negro “Passing”

American Journal of Sociology
Volume 52, Number 1 (July, 1946)
pages 18-22

John H. Burma

Older and popular methods of estimating the number of Negroes who pass over into the white group are no longer to be credited. Considerable misconception exists concerning passing itself, which is more frequently temporary and opportunistic than permanent and complete. In the absence of scientifically accurate counts, the lower estimates of passing are probably more reliable.

Whenever a minority group is oppressed or is the subject of discrimination, some individual members attempt to escape by losing their identity with the minority and becoming absorbed into the majority. In the United States the Negro is such a minority group. In many cases a foreigner may become indistinguishable in a country by adopting the language, customs, and dress of that country. This technique, of

TABLE 1: native whites of native parentage, by Age Groups, for 1900 and 1910

Ages		Populations		Increase or Descrease
1900	1910	1900	1910
0-4…	10-14	5,464,881	5,324,283	-140,589
5-9…	15-19	5,174,220	5,089,055	-85,165
10-14…	20-24	4,660,390	4,682,922	+22,532
15-19…	25-29	4,234,953	4,049,074	-185,879
20-24…	30-34	3,805,609	3,401,601	-404,008

course, avails the Negro little because of his high visibility.

Being a Negro in America is not just a biological matter, it is a legal and social matter as well. It has been declared, by law, how much Negro heredity makes one a Negro; and because of the determination to prevent the infusion of Negro blood into the white group, the law frequently decreed that a person of one thirty-second, one sixty-fourth, or “any discernible amount” of Negro blood was a Negro. This meant that many persons who were legally Negro had so much white blood that they were, biologically, indistinguishable from whites. This, in turn, led to a considerable number of “white Negroes” being mistaken for legal whites and being treated as such. Some of this group, we have long been aware, simply went where they were not personally known and became a permanent part of the white group.

This passing of the legal Negro for white has been well known for over one hundred and fifty years. What we have not been able to ascertain accurately was the number of these legal Negroes who passed as white. This lack of concrete knowledge did not, of course, prevent considerable speculation and opinionated estimates. By the very secrecy which must involve passing, its investigation is almost insuperably hindered, and seldom, if ever, have estimates agreed.

The first, and by far the most widely known, effort to arrive at an unbiased estimate of the number of legal Negroes who have more or less permanently passed into the white group was made by Hornell Hart rather incidentally to a study of migration. His method of analysis was a breakdown of the census returns for native whites of native parentage, by age groups. The reasoning involved hinges on the fact that this group cannot increase. Emigration might logically decrease it, as would deaths, but there should be no increases. Yet, as is seen by Table 1, Hart found a marked increase. In fact, the group who had been between…

Read or purchase the article here.

Daniel Sharfstein, “The Invisible Line: Three American Families and the Secret Journey from Black to White” Penguin, 2011

New Books in African American Studies
Discussions with Scholars of African Americans about their New Books
2011-11-01

Vershawn Young, Associate Professor of English
University of Kentucky

Daniel Sharfstein’s The Invisible Line: Three American Families and the Secret Journey from Black to White (Penguin Press, 2011) is the latest and perhaps best book in the growing genre of neo-passing narratives. The Invisible Line easily rests between Philip Roth’s The Human Stain and Blis Broyard’s One Drop, though it is different and in ways richer than both. Part American history, part legal analysis (Sharfstein is a legal scholar), part ethnographic study, it is a wholly gripping and exquisitely written narrative that tracks the racial passing of three black families over several centuries, leading us right up to their living “white” descendents today. You will certainly learn a lot about the history of race in the United States from The Invisible Line and, if you’re like me, you won’t be able to put it down.

Download the interview here. (00:57:52.)