Mixed Race Studies

The Tapestry of Walter White’s Contradictions [Book Review]

Sewanee Review
Volume 118, Number 3, Summer 2010
pages lxxxii-lxxxiv
E-ISSN: 1934-421X
Print ISSN: 0037-3052

Sanford Pinsker, Emeritus Professor of English
Franklin and Marshall College, Lancaster, Pennsylvania

Tom Dyja. “Walter White: The Dilemma of Black identity in America”.  The Library of African American Biography.  Lanham, Maryland: Ivan R. Dee Publishsers, 2008.  224 pp.. (hardcover).  ISBN1-56663-766-X / 978-1-56663-766-4.

In the early stages of his campaign for the presidency, many blacks regarded Barack Obama as too “white”; later many whites regarded him as too “black.” To his credit the biracial Obama presented himself as a mainstream American—and, more than that, as an exemplar of the postracial age. He did not play the race card although others, alas, did. No doubt there are still many folks, most of them over sixty, who are as ignorant, as mean-spirited, and as prejudiced as were their forefathers. Racial identity, always complicated, always contentious, is a current that alternates between how people are defined by others and how they define themselves.

The now nearly forgotten Walter White (1893–1955) belongs to an earlier time when lynching was commonplace in the Jim Crow South, and when the National Association for the Advancement of Colored People spent much of its time trying to get federal antilynching laws passed. Because White was fair-skinned—and had blond hair and blue eyes to boot—he could not only “pass” for white, but also play the trickster in the bargain: White would amble into a small southern town, posing as an insurance salesman (which he had, in fact, been for the black-owned Standard Life Insurance Company) and engage the locals in conversation about a recent local lynching. For their part the rednecks were happy to oblige, often bragging about what had occurred in bloodcurdling…

Read or purchase the review here.

An Illuminated Life: Belle da Costa Greene’s Journey from Prejudice to Privilege (review)

Libraries & the Cultural Record
Volume 45, Number 3, 2010
E-ISSN: 1932-9555
Print ISSN: 1932-4855
pages 375-377

Nena Couch, Curator and Professor of Theater
Ohio State University

The life of the librarian seldom is acknowledged beyond the confines of the community in which she or he is active; therefore, Heidi Ardizzone’s biography of Belle da Costa Greene, librarian to J. Pierpont Morgan and first director of the Pierpont Morgan Library, should be a welcome publication. Greene was a widely respected and successful librarian who made significant contributions to the development and refinement of Morgan’s collection until his death and continued her work with his son John “Jack” Pierpont Morgan, Jr. She was actively involved in the establishment of the Morgan Library as a public institution. Her work had national and international impact and as such is worthy of a full-length biography. Enhancing her story is her testing of boundaries: she was a woman in what was a man’s field, and she was of mixed race passing as white. However, Ardizzone’s primary interests are not in Greene’s significant professional accomplishments—although they are touched upon in An Illuminated Life—but in “Belle’s social life and experiences” (10) and in speculation about a woman…

Read the entire review here.

Books: Eight-Anna Girl

Time Magazine
1954-03-29

Bhowani Junction (394 pp.)—John Masters—Viking

In days gone by, when the sun never set on the British Empire, old India hands toted the white man’s burden, and Rudyard Kipling wrote about it in some 35 volumes of prose and poetry. Now that the burden has been lifted, many an old India hand has little to tote but a stiff upper lip. Not so John Masters, exbrigadier of the Indian army. Bounced out of India by Indian independence, he has bounced right back again, figuratively, at least, with a self-imposed burden of Kiplingesque dimensions. The burden: to write 35 novels about the land of purdah and pukka sahibs, covering the rise and fall of British imperial rule. Bhowani Junction is 39-year-old Author Masters’ fourth, and a Book-of-the-Month-Club choice for April. It covers part of the fall.

Three of Bhowani Junction’s, main characters take turns at telling the story, which hangs on the problems of a group Americans know little about. In India, there are many names for them—Anglo-Indians, Eurasians, half-castes, chee-chees, blacky-whites, eight-annas. Victoria Jones, an eight-anna girl, is “the color of dark ivory.” She is a lush beauty with come-hither eyes and a figure that would make an hourglass seem angular. But in 1946. with the British on their way out of India, Victoria’s problem is acute. (“We couldn’t become English, because we were half Indian. We couldn’t become Indian, because we were half English.”)

Read the entire article here.

Blinded By the Light; But Now I See

Western New England Law Review
Western New England College
Volume 20, Issue 2 (1998)
pages 491-504

Leonard M. Baynes, Professor of Law and Inaugural Director of The Ronald H. Brown Center for Civil Rights and Economic Development
St. Johns University

Introduction

In the United States, interracial discrimination is considered the norm. The use of the word “discrimination” brings to mind George Wallace standing in the doorway of the University of Alabama [in 1963] to bar the entry of African American students. It brings to mind slavery. After all, we ostensibly fought the Civil War over slavery and the right to hold Black people as slaves. White against-Black discrimination occupies an almost sacred historical position in our society.

Today, discrimination often comes in more subtle forms, and, of course, White people now claim that they are victims of so-called “reverse discrimination.” Racial discrimination by Whites against Blacks is not the exclusive discrimination paradigm. African American society has its own internal form of discrimination—often light against dark—which sadly was modeled on the White—against-Black paradigm. It was not uncommon for very light-skinned Blacks (sometimes nicknamed the blue vein society because their veins could be seen through their skin) to exclude dark-skinned Blacks from their clubs and activities based on skin color. Other organizations would discriminate based on whether a person’s skin color was lighter than a brown paper bag. Many of these organizations have changed and now include African Americans of a wide rainbow of colors.

These days, discrimination in the African American community is often dual-sided-light versus dark and dark versus light. Spike Lee, in the film School Daze, which takes place on an all Black college campus, underscores this duality and divides the students into two groups: (1) the wannabees (more often light-skinned, and middle class) who are members of fraternities and sororities and (2) the jigaboos (more often dark-skinned, and from lower economic backgrounds) who are often members of Black militant groups. In the film, it was evident that the two groups despised and intimidated each other.

For many Blacks, discussion of this internal discrimination is still a taboo subject. It is understood, but rarely discussed or investigated. But recently, critical race theorists have begun to examine the complex foundation and mechanisms of color-based discrimination. Professor Judy Scales-Trent of State University of New York at Buffalo is the author of the book entitled Notes of a White Black Woman: Race, Color, Community, and Dean Gregory Howard Williams, dean of the Ohio State University College of Law, is the author of the book entitled Life on the Color Line: The True Story of a White Boy Who Discovered He Was Black. Both books are exceptional personal narratives, which allow the reader to examine first-hand, incidents and introspection surrounding color-based discrimination in the United States. Both authors describe many experiences of discrimination that they have encountered within the African American community, as well as by Whites.

Many African Americans are dark enough so that racial recognition is never at issue. Many who are very easily recognized as Black often wonder what it would be like to be so light. Both Scales-Trent and Williams answer that question. They both highlight those unique issues that they encounter as light-skinned African Americans who are so light that they cannot easily be racialized. Both authors contribute to the color analysis by challenging our historical conceptions of race, identity, and racial solidarity. Ultimately, they help us to better understand and address how they have encountered discrimination by both sides. It is also very important to point out that both of these people could have passed as White if they wanted to, but they did not. They chose to stay Black and be involved in the African American community.

In this Book Review, I discuss the law regarding intra-race discrimination based on color. I then discuss excerpts from the books of Professor Scales-Trent and Dean Williams, concluding that it is sometimes difficult to be an African American who is too light…

Read the entire article here.

More Than Black? Multiracial Identity and the New Racial Order [Book Review: Christian]

The Western Journal of Black Studies
Volume 27, Number 4 (2003)
pages 279-280

Mark Christian, Professor & Chair of African & African American Studies
Lehman College, City University of New York

This book comes out the school of thought that advocates for the “multiracial identity” classification in the US. More Than Black? Multiracial Identity and the New Racial Order offers a postmodern analysis of “race” and issues a call for the acknowledgement of what can be deemed the multifaceted racialized heritages of many Black peoples located in the African Diaspora. In this sense the book offers little other than what is largely akeady known. Indeed many peoples of African descent do have claim to other heritages. For example it is broadly accepted now that at least two-thirds of African Americans have some Native American and European heritage. However, it is erroneous to run away with this idea as if it is the sole criteria for establishing a “new racial order” based on what is in fact unlikely to have any impact on white supremacy and its continued dominance over the socially constructed “peoples of color.”…

Read or purchase the book review here.

Race and Multiraciality in Brazil and the United States: Converging Paths? By G. Reginald Daniel. [Book Review]

Ethnic and Racial Studies
Volume 30, Number 6 (November 2007)
pages 1167-1181

Antonio Sérgio Alfredo Guimarães
Department of Sociology, University of Sao Paulo

In his recent comparative study G. Reginald Daniel looks at the convergence in race relations patterns between Brazil and the US with a reasonable amount of historical information extracted from an extensive literature, yet adds almost no empirical research. His narrative takes a descriptive, reading-notes-like mode as he passes over both countries’ history from colonial times to the present, following too closely different authors’ arguments. His metanarrative, the one that ties together his diverse sources, is a Gramscian–Marxist theory of hegemony and race formation borrowed mainly from Omi and Winant (1986), and Hanchard (1994)…

Read or purchase the article here.

Reading between the (Blood) Lines

Southern California Law Review
Volume 83, Number 3 (2010)
pages 473-494

Rose Cuison Villazor, Professor of Law
Hofstra University School of Law

Legal scholars and historians have depicted the rule of hypodescent—that “one drop” of African blood categorized one as Black—as one of the powerful ways that law and society deployed to construct racial identities and deny equal citizenship. Ariela J. Gross’s new book, “What Blood Won’t Tell: A History of Race on Trial in America,” boldly complicates the dominant narrative about hypodescent rules in legal scholarship. On the one hand, “What Blood Won’t Tell” argues that the legal and social construction of race was far more complex, flexible and subject to manipulation than the scholarship regarding the rules about blood distinctions has suggested. On the other hand, “What Blood Won’t Tell” highlights circumstances, both historically and in recent memory, of the ways in which blood distinctions played crucial roles in shaping the identity of people of color, including indigenous peoples. Importantly, “What Blood Won’t Tell” also examines how blood quantum rules relate to contemporary efforts to reassert indigenous peoples’ sovereignty and claims to lands.

This Review highlights the important contributions of “What Blood Won’t Tell” to our understanding of the racial experience of indigenous peoples and the contemporary methods used to remedy the present-day effects of indigenous peoples’ colonial experience. “What Blood Won’t Tell” advances a more robust account of the racialization of people of color through rules about blood differences in at least three ways. First, it places the colonial experience of indigenous peoples within the larger historical contexts of racial subordination and efforts to promote White domination and privilege. Second, it underscores the federal government’s ongoing responsibility to counteract the long-standing effects of its past misdeeds by addressing indigenous peoples’ unresolved claims to lands that have been stolen from them. Third, it allows us to take a careful look at the relationship between blood quantum rules and the right of indigenous peoples to exercise self-determination. Taken together, these three perspectives reveal the immense challenges inherent to remedying the long-term effects of the racialization and colonization of indigenous peoples.

Read the entire article here.

Colonial Proximities: Crossracial Encounters and Juridical Truths in British Columbia, 1871–1921 (review)

Canadian Journal of Law and Society
Volume 25, Number 1, 2010
E-ISSN: 1911-0227 Print ISSN: 0829-3201
DOI: 10.1353/jls.0.0104

Eve Darian-Smith, Professor of Law and Society
University of California, Santa Barbara

Colonial Proximities is a scholarly, innovative, and illuminating exploration of law, race, and society in the British Columbian colonial periphery. It makes a significant contribution to postcolonial studies in its exploration of the complexities of British settler societies’ engagement with racial differences and of the managing of such differences through a range of laws, strategies of governance, and bio-political techniques. Its singular contribution is to bring together colonial histories of European–Native contact and European dealings with the increasing presence of Chinese immigrant populations, along with the growing and unruly classes of “half-breeds.” Because the author links Native studies with migrant studies and reads these two sites of racial engagement as interconnected and mutually constitutive, the analysis presented is rich and deep, filled with the narratives, constructions, and often conflicting ambiguities of race that preoccupied colonial administrators, missionaries, and legal agents in the late nineteenth and early twentieth centuries.

Building upon Mary Louise Pratt’s conceptualization of the “contact zone,” where peoples geographically and historically separated are brought into the same social space and forced to confront their mutual relations, Renisa Mawani underscores the interracial and cross-racial dimensions of the contact zone in British Columbia.

Read or purchase the article here.

The Free State of Jones: Mississippi’s Longest Civil War [Book Review]

H-Net Reviews
2002-01-23

Ethan S. Rafuse, Associate Professor of Military History
United States Military Academy

Victoria E. Bynum.“The Free State of Jones: Mississippi’s Longest Civil War”.  The Fred W. Morrison Series in Southern Studies.  Chapel Hill & London: The University of North Carolina Press, 2001.  xvi + 316 pp. Tables, maps, notes, bibliography, and index. (hardcover).  ISBN 0-878-2636-7.

Race, Gender, and the Contested Memory of the Free State of Jones

In her new book, Victoria E. Bynum demonstrates that our knowledge of Mississippi’s legendary Free State of Jones, like so much else associated with the Civil War that has inspired contention and controversy, has been shaped as much by the agenda of those who have attempted to tell the story as by actual events.  This much is known: in the fall of 1863, in the Piney Woods region of southern Mississippi, Confederate deserters led by Newton Knight organized an anti-Confederate guerrilla band that eventually dominated its community and, according to legend, proclaimed Jones County’s independence from the Confederacy.  To deal with the Jones County rebellion, Confederate authorities dispatched two cavalry expeditions into the region that launched devastating attacks upon, but were unable to completely quell, Knight’s band of deserters.  After the war, members of the Knight Company participated in Reconstruction politics and a mixed-race community emerged with Captain Knight as the focal point…

Read the entire review here.

“It’s a Kind of Destiny″: The Cultural Mulatto in the “New Black Aesthetic” and ‘Sarah Phillips’

The Humanities Review
A Publication of St. John’s University English Department, Jamaica, New York
Volume 6.1 (Fall 2007)
pages 21-28

Habiba Ibrahim, Assistant Professor of English
University of Washington

An Essay

IN “THE NEW BLACK AESTHETIC,” published in Callaloo in 1989, Trey Ellis identifies a rupture between the black aesthetics of previous generations, and the “new” aesthetics of black artists who came of age in a post-integration era. These younger artists, unfettered by concerns over racial authenticity or, more pertinently, black cultural traditions, borrow as easily from white culture as from black, and are therefore what Ellis refers to as “cultural mulattoes.” He writes, “Just as a genetic mulatto is a black person of mixed parents who can often get along fine with his white grandparents, a cultural mulatto, educated by a multi-racial mix of cultures, can also navigate easily in the white world” (235). This easy navigation between black and white worlds is the key distinction between a “new” black aesthetic-which, according to Ellis, encompasses such varied forms as the comedy of Eddie Murphy and Chris Rock, the films of Spike Lee, the jazz of Wynton Marsalis-and older black aesthetic movements, most notably the Black Arts Movement, which often focused on delineating an essential blackness through art and meaning. Ellis proposes that the young black artists who came of age after integration form a black arts movement that constantly challenges what blackness “is.”..

Read the entire article here.