Mixed Race Studies

What Obama’s Trip To Havana Revealed About Race In Cuba And The U.S.

African American Intellectual History Society
2016-05-04

Devyn Spence Benson, Assistant Professor of History and African and African American Studies
Louisiana State University

During his groundbreaking visit to Havana last month, President Barack Obama suggested that the embrace of U.S.-style democracy and capitalism would “help lift up” Cubans of African descent. Following the speech, former Cuban President Fidel Castro reminded Obama that the Cuban Revolution had already eliminated racial discrimination in the 1960s.

The contemporary state of racial inequality casts doubt on both men’s assertions: black and brown North-American youth still face police brutality (murder), voter suppression, and low graduation rates, while Afro-Cubans have less access to the emerging tourist sector than ever before. “Democracy” or “socialism”—despite the propaganda and good intentions of our leaders—does not naturally uplift people of African descent.

The symbolism of a black U.S. president eating at one of Havana’s few black-owned restaurants and talking about Afro-Cuban access to the new economy should be celebrated. Missed, though, was the opportunity to reestablish coalitions and activism between people of African descent in both countries. Instead, debates about which country had been most successful in battling racism abounded. Similar to previous interactions between Cuba and the United States, this event showed how both countries invoke celebratory histories that reinforce national racial mythologies, rather than the controversial present…

Read the entire article here.

Paperback Row

Book Review
The New York Times
2016-04-29

Joumana Khatib

Seven new paperbacks to check out this week…

…A CHOSEN EXILE: A History of Racial Passing in American Life, by Allyson Hobbs. (Harvard University, $16.95.) People who chose to “pass” were intentionally clandestine and left few clues of their histories, but here, Hobbs, a historian at Stanford, delves into the fraught history of African-Americans who passed as white in the 19th and 20th centuries, with a focus on the black families and identities that were left behind…

Read the entire article here.

Loyal Southerners – a presentation by Marvin T. Jones

Rock Creek Nature Center
5200 Glover Road, N.W.
Washington, D.C. 20015
Saturday, 2016-05-07, 09:30-11:00 EDT (Local Time)

Marvin T. Jones, Executive Director
Chowan Discovery Group

The story of the most famous of Southern Unionists, Newton Knight (left) will be screened on film. It stars Mathew McConaughey and Gugu Mbatha-Raw. Release date is June 24.

Very little has been told and much has been suppressed about Southerners who defended the Union during the Civil War. On June 24, the release of the movie The Free State of Jones brings to the public the best known story of resisters to the Confederacy. In preparation for the movie’s release, Marvin T. Jones of Chowan Discovery will present an overview of loyal southern groups who operated from North Carolina’s Winton Triangle area to Texas including Jones’ Newton Knight and his Knight Company…

For more information, click here.

At Yale, a Right That Doesn’t Outweigh a Wrong

The New York Times
2016-04-29

Glenda Elizabeth Gilmore, Peter V & C Vann Woodward Professor of History, African American Studies, and American Studies
Yale University, New Haven, Connecticut

NEW HAVEN — Yale made a grievous mistake this week when it announced that it would keep the name of an avowed white supremacist, John C. Calhoun, on a residential college, despite decades of vigorous alumni and student protests. The decision to name residential colleges for Benjamin Franklin and Anna Pauline Murray, a black civil rights activist, does nothing to redeem this wrong.

It is not a just compromise to split the difference between Calhoun and Murray; there should be no compromise between such stark contrasts in values. The decision to retain the Calhoun name continues the pain inflicted every day on students who live in a dormitory named for a man distinguished by being one of the country’s most egregious racists.

To be sure, there’s something noteworthy about the contrast between these two figures who now sit across campus from each other. Although they lived in different centuries, Calhoun in the 19th, and Murray in the 20th, in many ways, she lived in — and fought against — the world that he built.

Calhoun, a Yale graduate, congressman and the seventh vice president of the United States, owned dozens of slaves in Fort Hill, S.C. Murray grew up in poverty in Durham, N. C., as the granddaughter of an enslaved woman. Calhoun championed slavery as a “positive good”; Murray’s great-grandmother was raped by her slave master. Calhoun profited immensely from the labor of the enslaved people on his plantation; Murray was a radical labor activist in Harlem during the Great Depression…

Read the entire article here.

The Man Who Stole Himself: The Slave Odyssey of Hans Jonathan

University of Chicago Press
2016
264 pages
8 color plates, 49 halftones
6 x 9

Gísli Pálsson, Professor of Anthropology
University of Iceland

The island nation of Iceland is known for many things—majestic landscapes, volcanic eruptions, distinctive seafood—but racial diversity is not one of them. So the little-known story of Hans Jonathan, a free black man who lived and raised a family in early nineteenth-century Iceland, is improbable and compelling, the stuff of novels.

In The Man Who Stole Himself, Gisli Palsson lays out Jonathan’s story in stunning detail. Born into slavery in St. Croix in 1784, Jonathan was brought as a slave to Denmark, where he eventually enlisted in the navy and fought on behalf of the country in the 1801 Battle of Copenhagen. After the war, he declared himself a free man, believing that not only was he due freedom because of his patriotic service, but because while slavery remained legal in the colonies, it was outlawed in Denmark itself. Jonathan was the subject of one of the most notorious slavery cases in European history, which he lost. Then, he ran away—never to be heard from in Denmark again, his fate unknown for more than two hundred years. It’s now known that Jonathan fled to Iceland, where he became a merchant and peasant farmer, married, and raised two children. Today, he has become something of an Icelandic icon, claimed as a proud and daring ancestor both there and among his descendants in America.

The Man Who Stole Himself brilliantly intertwines Jonathan’s adventurous travels with a portrait of the Danish slave trade, legal arguments over slavery, and the state of nineteenth-century race relations in the Northern Atlantic world. Throughout the book, Palsson traces themes of imperial dreams, colonialism, human rights, and globalization, which all come together in the life of a single, remarkable man. Jonathan literally led a life like no other. His is the story of a man who had the temerity—the courage—to steal himself.

Contents

• Prologue: A Man of Many Worlds
• I. The Island of St. Croix
  • “A House Negro”
  • “The Mulatto Hans Jonathan”
  • “Said to Be the Secretary”
  • Among the Sugar Barons
• II. Copenhagen
  • A Child near the Royal Palace
  • “He Wanted to Go to War”
  • The General’s Widow v. the Mulatto
  • The Verdict
• III. Iceland
  • A Free Man
  • Mountain Guide
  • Factor, Farmer, Father
  • Farewell
• IV. Descendants
  • The Jonathan Family
  • The Eirikssons of New England
  • Who Stole Whom?
  • The Lessons of History
• Epilogue: Biographies
• Timeline
• Acknowledgments
• Photo Catalog
• Notes
• Bibliography
• Index

Made Black

Jersey City Theater Center
Merseles Studios
339 Newark Avenue, 2nd Floor
Jersey City, New Jersey
Saturday, 2016-05-07 20:00-23:00 EDT (Local Time)

JCTC New Play Reading presents Schwarz Gemacht (Made Black) a cutting-edge, controversial play exploring race and identity through one of the most overlooked subcultures of the 20th century – mixed-race black German citizens during the 1930’s. This uniquely provocative work by Alexander Thomas, is on research and true stories of the people caught between two worlds in one of the most racially conflicted eras in history. Schwarz Gemacht (Made Black) premiered in Berlin at the English Theater of Berlin last year, then at the 2015 New Black Fest at The Lark, receiving a rave Playbill review by Olivia Clement: “Set in 1938 in Berlin, the play is centered on an Afro-German actor and his encounter with an African-American musician and activist that leads to questions about identity and the treatment of people of color both in Germany and in the United States.”

For more information, click here.

“One Drop of Love”: The Keynote Performance for the Mixed Heritage Conference at UCLA

University of California, Los Angeles
James West Alumni Center
325 Westwood Plaza
Los Angeles, California 90095
Saturday, 2016-04-30 14:30-16:00 PDT (Local Time)

Join us for some or all of this enlightening and affirming conference. One Drop will start at 2:30 pm in the James West Alumni Center.

TICKETS: FREE and open to the public!

We remain so very grateful for your continued support and look forward to sharing One Drop with you.

For more information, click here. To RSVP, click here.

Legal Codes and Talking Trees: Indigenous Women’s Sovereignty in the Sonoran and Puget Sound Borderlands, 1854-1946

Yale University Press
2016-04-26
352 pages
23 b/w illus.
6 1/8 x 9 1/4
Cloth ISBN: 9780300211689

Katrina Jagodinsky, Assistant Professor of History
University of Nebraska

Katrina Jagodinsky’s enlightening history is the first to focus on indigenous women of the Southwest and Pacific Northwest and the ways they dealt with the challenges posed by the existing legal regimes of the nineteenth and twentieth centuries. In most western states, it was difficult if not impossible for Native women to inherit property, raise mixed-race children, or take legal action in the event of rape or abuse. Through the experiences of six indigenous women who fought for personal autonomy and the rights of their tribes, Jagodinsky explores a long yet generally unacknowledged tradition of active critique of the U.S. legal system by female Native Americans.

Color Lines: Sex, Race, and Body Politics in Pre/Colonial Ghana

Indiana University, Bloomington
Center for Research on Race and Ethnicity in Society
Schuessler Institute for Social Research
1022 E. 3rd Street
Maple Room, IMU
Bloomington, Indiana 47405
Thursday, 2016-04-28, 16:00-17:30 EDT (Local Time)

Carina Ray, Associate Professor of African and Afro- American Studies
Brandeis University, Waltham, Massachusetts

CRRES Speaker Series, Spring 2016

Drawing on her recently published book about interracial sexual relationships in colonial Ghana and her new research on how indigenous historical actors in this region of West Africa have thought about and constructed blackness as a symbolic, somatic, and political signifier, Ray’s talk explores how race catalyzed social and political change even in areas of Africa without large settler colonial populations. Centering Ghana in her talk Ray argues that race, rather than ethnicity alone, has powerfully shaped the historical landscape of a continent that has for centuries been at the heart of the West’s racializing discourses.

Carina Ray is an associate professor of African and Afro-American Studies at Brandeis University. A scholar of race and sexuality; comparative colonialisms and nationalisms; migration and maritime history; and the relationship between race, ethnicity, and political power, Carina’s research is primarily focused on Ghana and its diasporas. She is the author of Crossing the Color Line: Race, Sex, and the Contested Politics of Colonialism in Ghana (Ohio University Press, 2015) and co-editor of Navigating African Maritime History (with Jeremy Rich) and Darfur and the Crisis of Governance in Sudan: A Critical Reader (with Salah Hassan). Her articles have appeared in The American Historical Review, Gender and History, and Historical Reflections/Reflexions Historiques. Carina is currently working on her new book project, Somatic Blackness: A History of the Body and Race-Making in Ghana.

For more information, click here.

Envisioning the United States in the Latin American myth of ‘racial democracy mestizaje’

Latin American and Caribbean Ethnic Studies
Published online 2016-04-12
DOI: 10.1080/17442222.2016.1170953

Tanya Katerí Hernández, Professor of Law
Fordham University, The Jesuit University of New York

Transnational comparison is relevant both to how racial hierarchy is obscured and elucidated. This Essay traces how the Latin American ‘racial democracy mestizaje’ depiction of the US as blind to racial mixture and color distinctions mistakenly misrepresent the Southern Jim Crow history as the only US experience of racism. It suggests that, in turn, such a limited frame for comparison cloaks not only the more extensive terrain of racism in the United States that is separate from the Jim Crow reality but also parallels to the Latin American context. Moreover, the circumscribed view of US racism adversely affects those who critique the ‘racial democracy mestizaje’ myth of Latin American post racialism. This is because the standard Latin American story of US racial history hinders the ability to fully countermand the attack that portrays racial justice activists as inappropriately applying overly restrictive US binary perspectives on race. With the fuller explication of the complete US racial history, and its contemporary manifestations, it will not be so easy to dismiss the comparisons of racial subordination across the Americas, as the imperialist imposition of ill-fitting US notions of race.

Read or purchase the article here.