Mixed Race Studies

Racism faced by black nuns in America called ‘dangerous memory’

Crux: Taking the Catholic Pulse
2016-08-18

Andrew Nelson, Catholic News Service

In early American history black women could be accepted into orders of nuns only if they could “pass for white,” and later they faced significant racial prejudice. Despite all that, they became role models for the black community in America and served as spiritual leaders.

ATLANTA – Black women desiring to serve a life devoted to the Catholic faith were not welcomed by religious communities with anti-black acceptance requirements from the early 19th century to the middle of the 20th century, said historian Shannen Dee Williams.

Those who could gain admittance faced discrimination from their fellow sisters, she added.

“Black sisters matter, but they constitute a dangerous memory for the church,” said Williams, assistant professor of history at the University of Tennessee at Knoxville.

She was joined by Sister Anita Baird, a Daughter of the Heart of Mary, and Sister Dawn Tomaszewski, general superior of the Sisters of Providence, on an Aug. 12 panel discussing racism in religious life at the assembly of the Leadership Conference of Women Religious in Atlanta.

Williams’ upcoming book is called “Subversive Habits: Black Nuns and the Long Struggle to Desegregate Catholic America.” It was the subject of her doctoral dissertation at Rutgers University…

Read the entire article here.

CSER W4701 Troubling the Color: Passing, Inter-racial Sex, and Ethnic Ambiguity.

Barnard College
New York, New York
2016-17 Catalogue

Karl Jacoby, Professor of History
Columbia University, New York, New York

Passing, remarked W.E.B. Du Bois in 1929, “is a petty, silly matter of no real importance which another generation will comprehend with great difficulty.”  Yet passing and related phenomena such as intermarriage continue to raise profound challenges to the U.S.’s racial hierarchy.  How does one differentiate the members of one race from another?  What happens when an individual’s background combines several supposed races?  What do such uncertainties suggest as to the stability of race as a concept?  How might racial passing intersect with other forms of reinvention (women passing as men, queers passing as straight, Jews passing as gentiles)?  Is passing, as Langston Hughes once put it, an ethical response to the injustices of white supremacy: “Most Negroes feel that bigoted white persons deserve to be cheated and fooled since the way they behave towards us makes no moral sense at all”?  Or are passers turning their backs on African-American notions of community and solidarity?  Such dilemmas rendered passing a potent topic not only for turn-of-the-century policy makers but artists and intellectuals as well.  The era’s literature and theater referenced the phenomenon, and celebrated cases of racial passing riveted the public’s attention.  This class will address the complex historical, artistic, and cultural issues that passing has raised in American life.

‘An offer of my heart’: A story of black love after the Civil War

The Washington Post
2016-09-08

DeNeen L. Brown, Reporter

One hundred and forty-four years after they were written, the civil rights advocate found the letters in the bottom of an old suitcase, stacked in thin envelopes and tied together by a faded, baby-blue ribbon.

Somebody had preserved them with such care. Laura W. Murphy opened a letter, looked at the date and gasped.

“Who has anything [written] from 1871 in their possession?” she thought.

The handwriting was exquisite, penned by her great-grandfather in ink that flowed from a quill. In all, there were 12 letters, capturing a courtship between a black man and a black woman six years after the end of the Civil War…

Laura W. Murphy reads through letters between her great-grandparents, Mary Rebecca Lee and James W. Hughes, which were exchanged during Reconstruction. (Sarah L. Voisin/The Washington Post)

Read the entire article here.

Spiritualism in Nineteenth-Century New Orleans: The Life and Times of Henry Louis Rey

University Press of Mississippi
January 2017
208 pages
25 b&w illustrations, 1 map, chronology, bibliography, index
6 x 9 inches
Hardcover ISBN-13: 978-1496810083

Melissa Daggett

Modern American Spiritualism blossomed in the 1850s and continued as a viable faith into the 1870s. Because of its diversity and openness to new cultures and religions, New Orleans provided fertile ground to nurture Spiritualism, and many séance circles flourished in the Creole Faubourgs of Tremé and Marigny as well as the American sector of the city. Melissa Daggett focuses on Le Cercle Harmonique, the francophone séance circle of Henry Louis Rey (1831–1894), a Creole of color who was a key civil rights activist, author, and Civil War and Reconstruction leader. His life has so far remained largely in the shadows of New Orleans history, partly due to a language barrier.

Spiritualism in Nineteenth-Century New Orleans focuses on the turbulent years between the late antebellum period and the end of Reconstruction. Translating and interpreting numerous primary sources and one of the only surviving registers of séance proceedings, Daggett has opened a window into a fascinating life as well as a period of tumult and change. She provides unparalleled insights into the history of the Creoles of color and renders a better understanding of New Orleans’s complex history. The author weaves an intriguing tale of the supernatural, of chaotic post-bellum politics, of transatlantic linkages, and of the personal triumphs and tragedies of Rey as a notable citizen and medium. Wonderful illustrations, reproductions of the original spiritual communications, and photographs, many of which have never before appeared in published form, accompany this study of Rey and his world.

On Being a Black Female Math Whiz During the Space Race

The New York Times
2016-09-05

Cara Buckley, Culture Reporter

Katherine Johnson, left, and Christine Darden, two of the former NASA mathematicians in the book “Hidden Figures.” Credit:  Chet Strange for The New York Times

HAMPTON, Va. — Growing up here in the 1970s, in the shadow of Langley Research Center, where workers helped revolutionize air flight and put Americans on the moon, Margot Lee Shetterly had a pretty fixed idea of what scientists looked like: They were middle class, African-American and worked at NASA, like her dad.

It would be years before she learned that this was far from the American norm. And that many women in her hometown defied convention, too, by having vibrant, and by most standards, unusual careers.

Black and female, dozens had worked at the space agency as mathematicians, often under Jim Crow laws, calculating crucial trajectories for rockets while being segregated from their white counterparts. For decades, as the space race made heroes out of lantern-jawed astronauts, the stories of those women went largely untold.

Four of them are the subjects of Ms. Shetterly’s first book, “Hidden Figures,” a history being released on Tuesday by William Morrow. The book garnered an early burst of attention because its movie version, starring Taraji P. Henson, Octavia Spencer and Janelle Monáe, is scheduled for a year-end release and set for an Oscars run. The movie rights were snapped up weeks after Ms. Shetterly sold her book proposal in 2014, and well before she started writing the book in earnest, a disorientingly fast, if exhilarating, turn…

Read the entire article here.

A look at historical multiracial families through the House of Medici

OUPblog: Oxford University Press’s Academic Insights for the Thinking World
2016-09-04

Catherine Fletcher

Catherine Fletcher is author of The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de’ Medici.

The Medici, rulers of Renaissance Florence, are not the most obvious example of a multiracial family. They’ve always been part of the historical canon of “western civilization,” the world of dead white men. Perhaps we should think again. A tradition dating back to the sixteenth century suggests that Alessandro de’ Medici, an illegitimate child of the Florentine banking family who in 1532 became duke of Florence, was the son of an Afro-European woman. Sometimes called Simunetta, she may have been a slave in the household of his grandmother Alfonsina Orsini de’ Medici. The historical sources are elusive, but by pursuing them we can learn much about the history of race.

It’s easy to get the impression that mixed-race families are a new phenomenon. Pew Research Center reported last year that 6.9% of US adults are multiracial, and that the numbers are growing. In Britain the numbers are also growing, though smaller overall (2%) and one in 10 UK couples is of mixed ethnicity.^*

Historical and archaeological research, however, shows that mixed-race families have been around very much longer…

Read the entire article here.

All Mixed Up: What Do We Call People Of Multiple Backgrounds?

Code Switch: Race And Identity, Remixed
National Public Radio
2016-08-25

Leah Donnella

In a country where the share of multiracial children has multiplied tenfold in the past 50 years, it’s a good time to take stock of our shared vocabulary when it comes to describing Americans like me. Jeannie Phan for NPR

It’s the summer of 1998 and I’m at the mall with my mom and my sister Anna, who has just turned 5. I’m 7. Anna and I are cranky from being too hot, then too cold, then too bored. We keep touching things we are not supposed to touch, and by the time Mom drags us to the register, the cashier seems a little on edge.

“They’re mixed, aren’t they?” she says. “I can tell by the hair.”

Mom doesn’t smile, and Mom always smiles. “I have absolutely no idea what you’re talking about,” she says.

Later, in the kitchen, there is a conversation…

…‘Multiracial’ or ‘mixed’?

In light of Hall’s paper, “multiracial” was adopted by several advocacy groups springing up around the country, some of which felt the term neutralized the uncomfortable connotations of a competing term in use at that point: “mixed.”

In English, people have been using the word “mixed” to describe racial identity for at least 200 years, like this 1864 British study claiming that “no mixed races can subsist in humanity,” or this 1812 “Monthly Retrospect of Politics” that tallies the number of slaves — “either Africans or of a mixed race” — in a particular neighborhood.

Steven Riley, the curator of a multiracial research website, cites the year 1661 as the first “mixed-race milestone” in North America, when the Maryland colony forbade “racial admixture” between English women and Negro slaves.

But while “mixed” had an established pedigree by the mid-20th century, it wasn’t uncontroversial. To many, “mixed” invited associations like “mixed up,” “mixed company” and “mixed signals,” all of which reinforced existing stereotypes of “mixed” people as confused, untrustworthy or defective. It also had ties to animal breeding — “mixed” dogs and horses were the foil to pure-breeds and thoroughbreds.

Mixed “evokes identity crisis” to some, says Teresa Willams-León, author of The Sum of Our Parts: Mixed Heritage Asian Americans and a professor of Asian American Studies at California State University. “It becomes the antithesis to pure.”…

Read the entire article here.

Passing in Boston: The Story of the Healy Family

WGBHForum
2014-03-26

Boston College history professor, James O’Toole discusses his newest book Passing for White: Race, Religion, and the Healy Family, 1820-1920, which documents the extraordinary life of the Healy brothers of Boston.

In the mid-1800’s, the Healy brothers of Boston, James, Patrick, and Sherwood, looked like the picture of Catholic success. James was bishop of Portland, Maine; Patrick, president of Georgetown University; and Sherwood, chief supervisor of the building of the Cathedral of the Holy Cross. The Healy’s were not typical members of the Boston Catholic elite, but the children of a multiracial slave couple from Georgia.

When Black Is Brown: The African Diaspora in Mexico

The Museum of African American Art
Baldwin Hills Crenshaw Plaza
Macy’s 3rd Floor
4005 Crenshaw Boulevard
Los Angeles, California 90008
2016-06-05 through 2016-09-18
Opening Reception: 2016-06-05, 14:00-17:00 PDT (Local Time)

WHERE BLACK IS BROWN: The African Diaspora In Mexico opens Sunday, June 5, 2016, with a public reception from 2:00 to 5:00 pm at The Museum of African American Art. The opening will feature a drumming procession of African and Azteca dancers and musicians, a dramatic performance, and a talk and tour by the exhibit’s curator, Dr. Toni-Mokjaetji Humber, Professor Emeritus, Ethnic and Women’s Studies Department, California State Polytechnic University, Pomona.

WHERE BLACK IS BROWN is an innovative, multidimensional project that includes photographs, artifacts, and installations that document the African presence in Mexico from the Ancient Olmecs — Mother Culture of the Americas — through the colonial enslavement period, to contemporary Mexico. In addition to the visual components, Dr. Humber has incorporated educational programs and activities to compliment the exhibit. She will conduct middle and high school tours of the exhibit with activities for students to better understand the culture and historical contributions of African Mexicans.

“Recognition of an African root in the Mexican heritage, both ancient and modern, has been rendered invisible in the ideological consciousness of what it means to be Mexican,” Dr. Humber states. “This research will present a face of Mexico that has been hidden, denied, and disparaged, yet one that is vital to Mexican history and culture.”

The exhibit is designed to further the understanding of African influence and contributions in the Americas and to foster greater understanding among African American, Chicano/Latino, and Indigenous communities about their historical connections and their intermingled sangre (blood) that has produced beautiful and dynamic peoples of the Americas.

For more information, click here.

Voices of Slavery: ‘They Were Saving Me For a Breeding Woman’

This Cruel War: An Evidence-Based Exploration of the Civil War, its Causes and Repercussions
2016-08-25

Virginian Luxuries, artist unknown. c1825.

During 1929 and 1930, an Africa-American scholar named Ophelia Settle Egypt, conducted nearly 100 interviews with former slaves. Working then at Fisk University, she was the first person to ever conduct such a large scale endeavor. Accompanied by Charles Johnson, a black sociologist, she was able to get the former slaves to open up about the waning days of the institution. In 1945, she finally published her Unwritten History of Slavery, which collected thirty-eight transcripts of the interviews. Each account, published anonymously, painted a fuller picture of black slavery in Tennessee and Kentucky, where most of the interviewees had resided.

This first account, entitled “One of Dr. Gale’s ‘Free Niggers’,” is surprisingly candid about the rape of slave women by their owners, as well as other aspects of such relationships.

Just the other day we were talking about white people when they had slaves. You know when a man would marry, his father would give him a woman for a cook and she would have children right in the house by him, and his wife would have children, too. Sometimes the cook’s children favored him so much that the wife would be mean to them and make him sell them. If they had nice long hair she would cut it off and wouldn’t let them wear it long like the white children…

…Then there was old Sam Watkins, – he would ship their husbands (slaves) out of bed and get in with their wives. One man (a slave) said he stood it as long as he could and one morning he just stood out side, and when he (the master) got with his wife (the slave), he just choked him to death. He knew it was death, but it was death anyhow; so he just killed him. They hanged him. There has always been a law in Tennessee that if a Negro kill a white man it means death.

Now, mind you, all of the colored women didn’t have to have white men, some did it because they wanted to and some were forced. They had a horror of going to Mississippi and they would do anything to keep from it. A white woman would have a maid sometimes who was nice looking, and she would keep her and her son would have children by her. Of course the mixed blood, you couldn’t expect much from them…

Read the entire article here.