Mixed Race Studies

The Specter of Sex: Gendered Foundations of Racial Formation in the United States

State University of New York (SUNY) Press
August 2009
323 pages
Hardcover ISBN13: 978-1-4384-2753-9
Paperback ISBN13: 978-1-4384-2754-6

Sally L. Kitch, Distinguished Professor of Women and Gender Studies
Arizona State University

Genealogy of the formation of race and gender hierarchies in the U.S.

Theories of intersectionality have fundamentally transformed how feminists and critical race scholars understand the relationship between race and gender, but are often limited in their focus on contemporary experiences of interlocking oppressions. In The Specter of Sex, Sally L. Kitch explores the “backstory” of intersectionality theory—the historical formation of the racial and gendered hierarchies that continue to structure U.S. culture today. Kitch uses a genealogical approach to explore how a world already divided by gender ideology became one simultaneously obsessed with judgmental ideas about race, starting in Europe and the English colonies in the late seventeenth century. Through an examination of religious, political, and scientific narratives, public policies and testimonies, laws, court cases, and newspaper accounts, The Specter of Sex provides a rare comparative study of the racial formation of five groups—American Indians, African Americans, Latinos, Asian Americans, and European whites—and reveals gendered patterns that have served white racial dominance and repeated themselves with variations over a two-hundred-year period.

“This gracefully written synthesis of existing historical scholarship advances a position that both asserts distinction between ‘race’ and ‘gender’ as categories and privileges the gendered process of racial formation as key to understanding power and hierarchy in the United States. It is perfect for the classroom and will serve as a guide for theorists who need grounding in history.

Table Of Contents

• Acknowledgments
• Introduction: The “Purloined Letter” of Gendered Race
• Part I: Roots As the Twig is Bent
  • 1. “Women are a Huge Natural Calamity”: The Roots of Western Gender Ideology
  • 2. The First Races in Society: Gendered Roots of Race Formation
  • 3. Gendered Racial Institutions: World Slavery and Nationhood
  • Conclusion: From Gender to Race
• Part II: Bodies Whose Too, Too Solid Flesh?
  • 4. The American “Body Shop”: Gendered Racial Formation in the Colonies and New Republic
  • 5. Enslaved Bodies and Gendered Race
  • 6. Sexual Projection and Race: Science, Politics, and Lust
  • Conclusion: Embodying Race
• Part III: Blood “Off Women Com Owre Manhed”
  • 7. Defining, Measuring, and Ranking Racial Blood: The Ungendered Surface
  • 8. Hardly Gender Neutral
  • 9. Gendered Anti-Miscegenation: Laws and Their Interpretation
  • 10. Preserving White Racial Blood: Rape Accusations and Motherhood
  • Conclusion: Miscegenation as Racial Reconciliation?
• Part IV: Citizenship “My Folks Fought for This Country”
  • 11. What is Citizenship?: Gender and Race
  • 12. Engendering Citizenship: Dependency and Sex
  • 13. “No Can Do” Men and Their Others: Dependency and Inappropriate Gender
  • 14. Mixed Race, Suspect Gender: Both White and . . . Whatever
  • Conclusion: Homosexual Citizenship: A Gendered Racial Oxymoron
• Part V: Implications Patterns for a New Bridge
  • 15. Implications for Feminist Theories of Racial Difference and Antisubordination Politics
  • 16. Gender Implications for Theories of Racial Formation
• Conclusion: Interdependence
• Notes
• Index

Taking Assimilation to Heart: Marriages of White Women and Indigenous Men in the United States and Australia, 1887-1937

University of Nebraska Press
2006
278 pages
Illus.
hardcover ISBN: 978-0-8032-1829-1
paperback ISBN: 978-0-8032-2487-2

Katherine Ellinghaus
University of Melbourne

Taking Assimilation to Heart examines marriages between white women and indigenous men in Australia and the United States between 1887 and 1937.  In these settler societies, white women were expected to reproduce white children to keep the white race “pure”–hence special anxieties were associated with their sexuality, and marriages with indigenous men were rare events. As such, these interracial marriages illuminate the complicated social, racial, and national contexts in which they occurred.

This study of the ideological and political context of marriages between white women and indigenous men uncovers striking differences between the policies of assimilation endorsed by Australia and those encouraged by the United States. White Australians emphasized biological absorption, in which indigenous identity would be dissolved through interracial relationships, while white Americans promoted cultural assimilation, attempting to alter the lifestyles of indigenous people rather than their physical appearance. This disparity led, in turn, to differing emphases on humanitarian reforms, education policies, and social mobility, which affected the social status of the white women and indigenous men who married each other.

Shifting from the personal to the local to the transnational, Taking Assimilation to Heart extends our understanding of the ways in which individual lives have been part of the culture of colonialism.

The Mulatta and the Politics of Race

University Press of Mississippi
2004
272 pages
bibliography, index
ISBN: 157806676X (9781578066766)

Teresa C. Zackodnik, Professor of English
University of Alberta, Canada

An analysis of how black women used the mulatta figure to contest racial barriers.

From abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice.

The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the color line.  In the oratory and fiction of black women from the late 1840s through the 1950s, Teresa C. Zackodnik finds the mulatta to be a metaphor of increasing potency.

Before the Civil War white female abolitionists created the image of the “tragic mulatta,” caught between races, rejected by all. African American women put the mulatta to diverse political use.  Black women used the mulatta figure to invoke and manage American and British abolitionist empathy and to contest racial stereotypes of womanhood in the postbellum United States.  The mulatta aided writers in critiquing the “New Negro Renaissance” and gave writers leverage to subvert the aims of mid-twentieth-century mainstream American culture.

The Mulatta and the Politics of Race focuses on the antislavery lectures and appearances of Ellen Craft and Sarah Parker Remond, the domestic fiction of Pauline Hopkins and Frances Harper, the Harlem Renaissance novels of Jessie Fauset and Nella Larsen, and the little-known 1950s texts of Dorothy Lee Dickens and Reba Lee.  Throughout, the author discovers the especially valuable and as yet unexplored contributions of these black women and their uses of the mulatta in prose and speech.

Sweet Liberty: The Final Days of Slavery in Martinique

University of Pennsylvania Press
July 2009
312 pages
6 x 9; 7 illustrations
Cloth ISBN: 978-0-8122-4172-3
Paper ISBN: 978-0-8122-2227-2
Ebook ISBN: 978-0-8122-0356-1

Rebecca Hartkopf Schloss, Associate Professor of History
Texas A & M University

From its founding, Martinique played an integral role in France’s Atlantic empire. Established in the mid-seventeenth century as a colonial outpost against Spanish and English dominance in the Caribbean, the island was transformed by the increase in European demand for sugar, coffee, and indigo. Like other colonial subjects, Martinicans met the labor needs of cash-crop cultivation by establishing plantations worked by enslaved Africans and by adopting the rigidly hierarchical social structure that accompanied chattel slavery.  After Haiti gained its independence in 1804, Martinique’s economic importance to the French empire increased.  At the same time, there arose questions, both in France and on the island, about the long-term viability of the plantation system, including debates about the ways colonists—especially enslaved Africans and free mixed-race individuals—fit into the French nation.

Sweet Liberty chronicles the history of Martinique from France’s reacquisition of the island from the British in 1802 to the abolition of slavery in 1848. Focusing on the relationship between the island’s widely diverse society and the various waves of French and British colonial administrations, Rebecca Hartkopf Schloss provides a compelling account of Martinique’s social, political, and cultural dynamics during the final years of slavery in the French empire. Schloss explores how various groups—Creole and metropolitan elites, petits blancs, gens de couleur, and enslaved Africans—interacted with one another in a constantly shifting political environment and traces how these interactions influenced the colony’s debates around identity, citizenship, and the boundaries of the French nation.

Based on extensive archival research in Europe and the Americas, Sweet Liberty is a groundbreaking study of a neglected region that traces how race, slavery, class, and gender shaped what it meant to be French on both sides of the Atlantic.

Table of Contents

• Introduction: Sweet Liberty: The Final Days of Slavery in Martinique
• 1. “That Your Hearts Will Blossom and Again Become French”: The Early Napoleonic Period
• 2. “Happy to Consider Itself an Ancient British Possession”: The British Occupation of Martinique
• 3. “Your French and Loyal Hearts”: The First Decade of the Restoration
• 4. “In the Colonies, It Is Impossible That a White Would Align Himself With Slaves”: Shifts in Colonial Policy
• 5. “To Ensure Equality Before Those Laws to Free Men, Whatever Their Color”: Changing Ideas of French Citizenship
• 6. “Amelioration of the White Race” and “The Sacred Rights of Property”: The End of Slavery in the French Atlantic
• Conclusion
• List of Abbreviations
• Notes
• Index
• Acknowledgments

Forgetting the Alamo, Or, Blood Memory: A Novel

University of Texas Press
September 2009
198 pages
6 x 9 in.; 1 map
ISBN: 978-0-292-71920-0 (hardcover, no dust jacket)
ISBN: 978-0-292-72128-9 (paperback)

Emma Pérez, Associate Professor and Chair of Ethnic Studies
University of Colorado

This literary adventure takes place in nineteenth-century Texas and follows the story of a Tejana lesbian cowgirl after the fall of the Alamo. Micaela Campos, the central character, witnesses the violence against Mexicans, African Americans, and indigenous peoples after the infamous battles of the Alamo and of San Jacinto, both in 1836. Resisting an easy opposition between good versus evil and brown versus white characters, the novel also features Micaela’s Mexican-Anglo cousin who assists and hinders her progress. Micaela’s travels give us a new portrayal of the American West, populated by people of mixed races who are vexed by the collision of cultures and politics. Ultimately, Micaela’s journey and her romance with a black/American Indian woman teach her that there are no easy solutions to the injustices that birthed the Texas Republic.

This novel is an intervention in queer history and fiction with its love story between two women of color in mid-nineteenth-century Texas. Pérez also shows how a colonial past still haunts our nation’s imagination. The battles of the Alamo and San Jacinto offered freedom and liberty to Texans, but what is often erased from the story is that common people who were Mexican, Indian, and Black did not necessarily benefit from the influx of so many Anglo immigrants to Texas. The social themes and identity issues that Pérez explores—political climate, debates over immigration, and historical revision of the American West—are current today.

Exiles at Home: The Struggle to Become American in Creole New Orleans

Harvard University Press
2009
400 pages
6-1/8 x 9-1/4 inches
19 halftones in 20 p mock insert
Hardcover ISBN: 9780674023512

Shirley Elizabeth Thompson, Associate Professor in American Studies
University of Texas, Austin

New Orleans has always captured our imagination as an exotic city in its racial ambiguity and pursuit of les bons temps.  Despite its image as a place apart, the city played a key role in nineteenth-century America as a site for immigration and pluralism, the quest for equality, and the centrality of self-making.

In both the literary imagination and the law, creoles of color navigated life on a shifting color line. As they passed among various racial categories and through different social spaces, they filtered for a national audience the meaning of the French Revolution, the Haitian Revolution of 1804, the Civil War and Reconstruction, and de jure segregation.

Shirley Thompson offers a moving study of a world defined by racial and cultural double consciousness. In tracing the experiences of creoles of color, she illuminates the role ordinary Americans played in shaping an understanding of identity and belonging.

The Amalgamation Waltz: Race, Performance, and the Ruses of Memory

University of Minnesota Press
2009
248 pages
18 b&w photos | 6 x 9
ISBN: 978-0-8166-5613-4 (paper)
ISBN: 978-0-8166-5612-7 (cloth)

Tavia Nyong’o, Associate Professor of Performance Studies
New York University

Does racial hybridity offer a future beyond racial difference?

At a time when the idea of a postracial society has entered public discourse, The Amalgamation Waltz investigates the practices that conjoined blackness and whiteness in the nineteenth and twentieth centuries. Scrutinizing widely diverse texts—archival, musical, visual, and theatrical—Tavia Nyong’o traces the genealogy of racial hybridity, analyzing how key events in the nineteenth century spawned a debate about interracialism that lives on today.

Deeply interested in how discussions of racial hybridity have portrayed the hybrid as the recurring hope for a distant raceless future, Nyong’o is concerned with the ways this discourse deploys the figure of the racial hybrid as an alibi for a nationalism that reinvents the racist logics it claims to have broken with.  As Nyong’o demonstrates, the rise of a pervasive image of racially anomalous bodies responded to the appearance of an independent black public sphere and organized politics of black uplift.  This newfound mobility was apprehended in the political imaginary as a bodily and sexual scandal, and the resultant amalgamation discourse, he argues, must be recognized as one of the earliest and most enduring national dialogues on sex and sexuality.

Nyong’o tracks the emergence of the concept of the racial hybrid as an ideological modernization of the older concept of the mongrel and shows how this revision brought race-thinking in line with new understandings of sex and gender, providing a racial context for the shift toward modern heterosexuality, the discourse on which postracial metaphors so frequently rely.  A timely rebuttal to our contemporary fascination with racial hybridity, The Amalgamation Waltz questions the vision of a national future without racial difference or conflict.

Table of Contents

• Introduction: Antebellum Genealogies of the Hybrid Future
• 1. The Mirror of Liberty: Constituent Power and the American Mongrel
• 2. In Night’s Eye: Amalgamation, Respectability, and Shame
• 3. Minstrel Trouble: Racial Travesty in the Circum-Atlantic Fold
• 4. Carnivalizing Time: Decoding the Racial Past in Art and Installation
• Conclusion: Mongrel Pasts, Hybrid Futures
• Acknowledgments
• Notes
• Bibliography
• Index

Fathers of Conscience: Mixed-Race Inheritance in the Antebellum South

University Of Georgia Press
February 2009
216 pages
6 x 9 in.
ISBN: 0820332518 (paper), 0820329800 (cloth)

Bernie D. Jones, Associate Professor of Law
Suffolk University

How the courts dealt with wills bequeathing property or freedom to mixed race children.

Fathers of Conscience examines high-court decisions in the antebellum South that involved wills in which white male planters bequeathed property, freedom, or both to women of color and their mixed-race children. These men, whose wills were contested by their white relatives, had used trusts and estates law to give their slave partners and children official recognition and thus circumvent the law of slavery. The will contests that followed determined whether that elevated status would be approved or denied by courts of law.

Bernie D. Jones argues that these will contests indicated a struggle within the elite over race, gender, and class issues-over questions of social mores and who was truly family. Judges thus acted as umpires after a man’s death, deciding whether to permit his attempts to provide for his slave partner and family. Her analysis of these differing judicial opinions on inheritance rights for slave partners makes an important contribution to the literature on the law of slavery in the United States.

Contents

• Preface
• Introduction. Inheritance Rights in the Antebellum South
• Chapter One. Righteous Fathers, Vulnerable Old Men, and Degraded Creatures
• Chapter Two. Slavery, Freedom, and the Rule of Law
• Chapter Three. Justice and Mercy in the Kentucky Court of Appeals
• Chapter Four. Circling the Wagons and Clamping Down: The Mississippi High Court of Errors and Appeals
• Chapter Five. The People of Barnwell against the Supreme Court of South Carolina: The Case of Elijah Willis
• Conclusion. The Law’s Paradox of Property and Power: The Significance of Geography
• Appendix One. Case Indexes
• Appendix Two. Opinions on the Emancipation of Slaves during George Robertson’s Tenure as Chief Justice
• Appendix Three. Supplementary Information Regarding Willis v. Jolliffe
• Notes
• Bibliographic essay
• Index

From Wikipedia: The Tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries. The “tragic mulatto” is an archetypical mixed race person (a “mulatto”), who is assumed to be sad or even suicidal because he/she fails to completely fit in the “white world” or the “black world”. As such, the “tragic mulatto” is depicted as the victim of the society he/she lives in, a society divided by race. Because of society’s reluctance to acknowledge ambiguity in racial classifications, this character is particularly vulnerable…

Generally, the tragic mulatta archetype falls into one of three categories:

• A woman who can “pass” for white attempts to do so, is accepted as white by society and falls in love with a white man. Eventually, her status as a bi-racial person is revealed and the story ends in tragedy.
• A woman appears to be white. It is believed that she is of Greek or Spanish descent. She has suffered little hardship in her life, but upon the revelation that she is mixed race, she loses her social standing.
• A woman who has all the social graces that come along with being a middle-class or upper-class white woman is nonetheless subjected to slavery.

A common objection to this character is that she allows readers to pity the plight of oppressed or enslaved races, but only through a veil of whiteness — that is, instead of sympathizing with a true racial “other,” one is sympathizing with a character who is made as much like one’s own race as possible. The “tragic mulatta” often appeared in novels intended for women, also, and some of the character’s appeal lay in the lurid fantasy of a person just like them suddenly cast into a lower social class after the discovery of a small amount of “black blood” that renders her unfit for proper marriage…

Wikipedia

Please visit the Tragic Mulatto Myth site at the Jim Crow Museum of Racist Memorabilia at Ferris State University.

Comentary by Steven F. Riley

The social stigma of ‘race mixing’ and the social upheaval which it was believed to have caused, was firmly imprinted into the American mindset with the publication of the 1842 anti-slavery short story, The Quadroons by Lydia Maria Child (1802-1880).  Child, a Unitarian abolitionist and women’s rights activist, introduced the world to the archetype that would be known as the ‘Tragic Mulatto’ that would last well into the middle of the 20th century.  There are various trajectories for the ‘Tragic Mulatto’, but generally he (or usually she) is a person of mixed race, who passes for white and in doing so, becomes extremely successful in some endeavor (usually love).  Inevitably, the ‘Tragic Mulatto’ is exposed and rejected by both racial groups, and the story ends — as one might guess — tragically.  Though it was not Child’s intent, the ‘Tragic Mulatto’ archetype was yet another tool (this time literary) used to preserve white hegemony.  It did this by: Firstly reinforcing the notion of  “white purity” that anyone not 100% ‘white’ was not white at all; secondly, further denigrating non-whites by implying that they all somehow secretly wished to be white and escape their lot in life; thirdly, effectively isolating mixed race individuals from both the whites they allegedly “wished to be” and the non-whites they wish to allegedly “wish to flee”; and fourthly, It leveled scorn upon those interracial unions that would bring such “hybrids” into the world.

Mulatto denotes a person with one white parent and one black parent or a person who has both black ancestry and white ancestry.  The term may be perceived as pejorative in some cultures and situations.  Its current usage varies greatly.

The etymology of the term is uncertain. It may be derived from the Portuguese and Spanish word mulato, which itself is derived from mula, mule; from Old Spanish; from Latin mūlus), by analogy with the mule, which is the hybrid offspring of a horse and a donkey…

Wikipedia