Mixed Race Studies

The Chevalier de Saint-Georges: Virtuoso of the Sword and the Bow

Pendragon Press
March 2006
566 pages
ISBN: 9781576471098

Gabriel Banat

The Chevalier de Saint-Georges, born Joseph Bologne, was the son of an African slave and a French plantation owner on the island of Guadeloupe. The story of his improbable rise in French society, his life as a famous fencer, celebrated violinist-composer and conductor, and later commander of a colored regiment in the French Revolution, should, on the facts alone, gladden the heart of the most passionate romance novelist. Yet, the information disseminated about this illustre inconnu is found in an extravagant nineteenth-century novel, which contains more fiction than fact. Unfortunately, many of the author’s flights of fancy have found their way into serious works about Saint-Georges. Gabriel Banat has set about systematically dispelling the confusion, for the real story is easily as fascinating as any flight of fancy. Gabriel Banat has been a professional violinist all his life; recitalist and member of the New York Philharmonic, he has systematically scoured the violin repertory for interesting and even unknown music. He came across the works of St. Georges and was fascinated by the freshness and charm of these 18th-century compositions. Eventually, he edited a critical edition of all the violin music and, inevitably, began a systematic investigation into the life of this intriguing and multifaceted individual, utilizing archives of the French Land Army, official clippings and untapped personal diaries of St. Georges’ contemporaries. Banat is the author of an authoritative monograph on St. Georges in the Black Music Research Journal.

Gabriel Banat has been a professional violinist all his life: recitalist and member of the New York Philharmonic, he has systematically scoured the violin repertory for interesting and even unknown music. He is the author of an authoritative monograph on St. Georges in the Black Music Research Journal.

Table of Contents

List of Illustrations ix
Acknowledgments xii
Preface xiv
Necrology xviii
Chapter 1 The Island 1
Chapter 2 Joseph 5
Chapter 3 The Trial 12
Chapter 4 A Fugitive Family 22
Chapter 5 The Bologne Plantation 27
Chapter 6 People ¿of Color¿ 37
Chapter 7 Return to France 40
Chapter 8 Paris 46
Chapter 9 The Prodigy 54
Chapter 10 Too Many Blacks 67
Chapter 11 The Chevalier de Saint-Georges 76
Chapter 12 A Young Man About Town 90
Chapter 13 Virtuoso 97
Chapter 14 Gossec 113
Chapter 15 The New Bow 119
Chapter 16 Composions- Quartets and Concertos 125
Chapter 17 Gluck and Marie Antoinette 140
Chapter 18 Concertos andSymphonie Concertantes 159
Chapter 19 TheOpéra Affair 177
Chapter 20 Ernestine 193
Chapter 21 Mme. de Montesson
Chapter 22 Mme. de Montalembert
Chapter 23 L¿Amant Anonyme
Chapter 24 Le Concert des Amateurs
Chapter 25 The Grand Orient of France
Chapter 26 Le Concert Olympique
Chapter 27 Le Palais-Royal
Chapter 28 London
Chapter 29 The Gathering Storm
Chapter 30 The Bastille
Chapter 31 Revolution
Chapter 32 An Orléans Conspiracy?
Chapter 33 Return to London
Chapter 34 Lille
Chapter 35 The National Guard
Chapter 36 La Légion Saint-Georges
Chapter 37 Regicide
Chapter 38 The Great Terror
Chapter 39 Too Many Colonels
Chapter 40 Paris 1795
Chapter 41 Saint Domingue
Chapter 42 Coda-Finale
Epilogue
Epitaphs for those who survived Saint-Georges 456
Appendix: Dramatis Personae
Works List
Discography
List of Documents
Bibliography
Index

List of Illustrations

Fig. 1.1 Map of Guadeloupe xix
Fig. 2.1 View of Basse-Terre, ca. 1750 7
Fig. 2.2 ¿Squares¿ of sugar cane, Bailiff 9
Fig. 5.1 Plantation with view on La Suffrière 30
Fig. 7.1 Custom Records of Passengers arriving in Bordeaux, Aug. 2, 1753 41
Fig. 7.2 Port of Bordeaux, 1753 42
Fig. 8.1 Mme. de Pompadour 49
Fig. 8.2 49 rue St. André des Arts today 52
Fig. 10.1 The Saint-Georges Guard 70
Fig. 11.1 Equestrian statue of Louis XV 79
Fig. 11.2 Chamber music at a musical salon 88
Fig. 12.1 ¿Winter¿ from Les quatre saisons 94
Fig. 12.2 The Italian style of fencing 95
Fig. 13.1 One of Les vingt-quatre violons du Roi 99
Fig. 13.2 Leopold Mozart and his two children 107
Fig. 13.3 English Tea in the Salon of the Four Mirrors 108
Fig. 13.4 Portrait of Saint-Georges at 22 111
Fig. 14.1 François Joseph Gossec 114
Fig. 14.2 L¿Hôtel de Soubise 115
Fig. 15.1 Leopold Mozart, 1756 121
Fig. 15.2 The evolution of the bow 122
Fig. 16.1 Title page of Saint-Georges¿ second set of quartets 130
Fig. 17.1 Maria Antoinette at her spinet in Vienna 145
Fig. 17.2 Christoph Willibald Gluck 147
Fig. 17.3 Marie Antoinette in 1777, Versailles 151
Fig. 18.1 George Polgreen Bridgetower 168
Fig. 19.1 La petit loge at the Opéra in the Palais-Royal 179
Fig. 19.2 Mlle.La Guimard in Le Navigateur 185
Fig. 19.3 Papillon de la Ferté 189
Fig. 20.1 Choderlos de Laclos 195
Fig. 20.2 Théatre Italien in 1777 198
Fig. 21.1 Mme. de Genlis 206
Fig. 21.2 Mme. de Montesson 208
Fig. 21.3 The Duke of Orléans and his son 210
Fig. 23.1 Title page of L¿Amant Anonyme 238
Fig. 24.1 Title page of the D¿Ogny catalogue 246
Fig. 24.2 Saint-Georges¿ quartets listed in the D¿Ogny catalogue 247
Fig. 25.1 Philippe, Duke of Chartres with his family 253
Fig. 26.1 Masonic initiation ceremony 260
Fig. 26.2 The Palais-Royal before its reconstruction 262
Fig. 27.1 ¿Prinny,¿ George, Prince of Wales 277
Fig. 27.2 Philippe, Duke of Orléans 278
Fig. 28.1 Henry Angelo 284
Fig. 28.2 Le Chevalier D¿Éon in his uniform 288
Fig. 28.3 Mlle. La Chevalière D¿Éon in 1783 288
Fig. 28.4 Cartoon of St. George and D¿Éon 293
Fig. 28.5 Fencing match at Carlton House 297
Fig. 29.1 Burning of the Opera House, 1781 307
Fig. 29.2 Palais-Royal after reconstruction 308
Fig. 30.1 Mme. de Genlis as ¿Governor¿ of Philippe¿s children 315
Fig. 30.2 Giovanni Baptista Viotti 317
Fig. 30.3 Louis XVI inaugerating the opening session of the Estates-General 320
Fig. 30.4 Desmoulins haranguing the people 324
Fig. 30.5 Fall of the Bastille
Fig. 31.1 Mrs. Grace Dalrymple Elliott 327
Fig. 32.1 March of the Paris Poissardes, 1789 334
Fig. 32.2 Cartoon of Lafayette kicking Philippe 340
Fig. 33.1 Mr. Angelo¿s Fencing Academy 342
Fig. 34.1 Session at the Jacobin Club, Paris, 1792 363
Fig. 35.1 General Dillon¿s body being burned in Lille 368
Fig. 36.1 Hussar of the Légion St. Georges 374
Fig. 36.2 The battle of Jemappes, 1792 378
Fig. 36.3 Trooper of the 13th regiment of the Chasseurs à cheval, 1793 383
Fig. 37.1 Execution of Louis XVI, 1793 386
Fig. 37.2 Bust of General Dumouriez 388
Fig. 37.3 Arrest of the Commissioners and the Minister of War by Dumourez 397
Fig. 38.1 General Thomas Alexandre Dumas 403
Fig. 38.2 Danton on his way to the guillotine 409
Fig. 38.3 The Feast of the Supreme Being 410
Fig. 38.4 ¿The Last Tumbrel¿ 411
Fig. 40.1 Invasion of the Assembly by the Sans-Culottes 428
Fig. 40.2 Post-Thermadorian manners, 1795 432
Fig. 40.3 Theresa Tallien ¿Our Lady of Thermador¿
Fig. 41.1 Toussaint Louverture, c.1800 444
Fig. 41.2 Map of Saint-Domingue 445

Racial Passing

Ohio State Law Journal
Ohio State University Michael E. Moritz College of Law
Vol. 62: 1145 (2001)
Frank R. Strong Law Forum Lecture

Randall Kennedy, Michael R. Klein Professor of Law
Harvard Law School

I. Passing: A Definition

Passing is a deception that enables a person to adopt certain roles or identities from which he would be barred by prevailing social standards in the absence of his misleading conduct. The classic racial passer in the United States has been the “white Negro”: the individual whose physical appearance allows him to present himself as “white” but whose “black” lineage (typically only a very partial black lineage) makes him a Negro according to dominant racial rules. A passer is distinguishable from the person who is merely mistaken—the person who, having been told that he is white, thinks of himself as white, and holds himself out to be white (though he and everyone else in the locale would deem him to be “black” were the facts of his ancestry known). Gregory Howard Williams was, for a period, such a person. The child of a white mother and a light-skinned Negro man who pretended to be white, Williams assumed that he, too, was white. Not until he was ten years old, when his parents divorced, did Williams and his brother learn that they were “black” according to the custom by which any known Negro ancestry makes a person a Negro. Williams recalls vividly the moment at which he was told of his “new” racial identity:

I never had heard anything crazier in my life! How could Dad tell us such a mean lie? I glanced across the aisle to where he sat grim-faced and erect, staring straight ahead. I saw my father as I had never seen him before. The veil dropped from his face and features. Before my eyes he was transformed from a swarthy Italian to his true self—a high-yellow mulatto. My father was a Negro! We were colored! After ten years in Virginia on the white side of the color line, I knew what that meant. When he held himself out as white before learning of his father’s secret, Williams was simply mistaken. When he occasionally held himself out as white after learning the “true” racial identity of his father, Williams was passing. In other words, as I define the term, passing requires that a person be self-consciously engaged in concealment. Such a person knows about his African American lineage—his black “blood”—and either stays quiet about it, hoping that silence along with his appearance will lead observers to perceive him as white, or expressly asserts that he is white (knowing all the while that he is “black” according to ascendant social understandings).

Estimates regarding the incidence of passing have varied greatly. Walter White claimed that annually “approximately 12,000 white-skinned Negroes disappear” into white society. Roi Ottley asserted that there were five million “white Negroes” in the United States and that forty to fifty thousand passed annually. Professor John H. Burma’s estimates were considerably lower. He posited that some 110,000 blacks lived on the white side of the color line and that between 2,500 and 2,750 passed annually. Given its secretive nature, no one knows for sure the incidence of passing. It is clear, however, that at the middle of the twentieth century, large numbers of African Americans claimed to know people engaged in passing…

Read the entire article/lecture here.

Beyond White Ethnicity: Developing a Sociological Understanding of Native American Identity Reclamation

Lexington Books (an imprint of Rowman & Littlefield)
October 2006
262 pages
Cloth: 0-7391-1393-3 / 978-0-7391-1393-6
Paper: 0-7391-1394-1 / 978-0-7391-1394-3

Kathleen J. Fitzgerald, Professor of Sociology
University of New Orleans, New Orleans, Louisiana

Through qualitative analysis of individuals, Kathleen J. Fitzgerald studies the social construction of racial and ethnic identity in Beyond White Ethnicity. Fitzgerald focuses on Native Americans, who despite a previously unacknowledged and uncelebrated background, are embracing and reclaiming their heritage in their everyday lives. Focusing on the purpose, process, and problems of this reclamation, Fitzgerald’s research provides an understanding of these issues. She also exposes how institutional power relations are racialized and how race is a social and political construction, and she helps us understand larger cultural transformations. This insightful collection of research sparks the interest of those who study sociology, anthropology, and cultural studies.

Table of Contents

1. Reclaimer Narratives: Exposing the Duality of Structure in Identity Formation
2. Challenging White Hegemony: Reclaimers and the Culture Wars
3. Reclaimer Practices: Religion, Spirituality, Language, Family, and Food
4. “If It Looks Like a Duck”: Physical Appearance and Reclaimer Identity
5. “Wanna-bes” and “Indian Police”: The Battle Over Authenticity

Rethinking inclusion and exclusion: the question of mixed-race presence in late colonial India

University of Sussex Journal of Contemporary History
Issue Five
2002
pp. 1-22

Satoshi Mizutani

This article examines the ambivalent meanings of mixed-race presence in late colonial India (from the mid-nineteenth to the mid-twentieth centuries). In doing so it contributes insights for pursuing the theme of inclusion and exclusion in the historiography of imperialism and colonialism. Studies on the imperial politics of inclusion and exclusion have not fully explicated the complex intersections between colonial exclusion and the metropolitan bourgeois hierarchy. We still tend, rather habitually, to mould our analytic categories, according to the coloniser/colonised dichotomy. This is not at all to imply that the analytic and empirical weight of this dichotomy should be downplayed: rather, it means that the coloniser/colonised axis itself stands in need of being re-considered.

The post-Independent historiography of colonial India has attended to the internal ordering of the colonised society, so as to evaluate the correlation between colonialist exclusion and nationalist inclusion, and to research the multiplicities of racial, class, gender and caste subordination under imperialism. In contrast, less attention has been paid to the internal configuration of the coloniser’s society. As Ann Stoler has pointed out, studies of colonial societies have long tended to assume white communities and colonisers as an abstract force, comprising a seamless homogeneity of bureaucratic and commercial agents. But it is possible, as this paper will show, to challenge this conventional view in ways that address the important imbrications of ‘racial’, class and gender identities.

This paper assesses the imperial significance of mixed-race identity in order to show that the imperial formation of ‘whiteness’ was predicated on the metropolitan order of class as well as the bipolar conceptualisation of racial difference. It will seek to demonstrate how the heterogeneous subjects of British society (men, women, middle or working classes, children, as well as ‘mixed bloods’) were differentially included in, or excluded from, the imperial body politic. Pointing to this internal differentiation, however, should not be taken as an end in itself.  Rather, it should be done as a step to show how the internal hierarchies of British society had repercussions on external relations with the colonised. In other words, the analysis of the internal composition of the coloniser’s society in this paper will not be intended as a way of replacing the coloniser/colonised dichotomy, but, on the contrary, will be meant as a means precisely to re-consider it from another vantage point…

Read the entire article here.

Visceral Cosmopolitanism: Gender, Culture and the Normalisation of Difference

Berg Publishers
September 2007
224 pages, bibliog., index
Paperback ISBN: 9781845202439
Hardback ISBN: 9781845202422
Ebook ISBN: 9781847883438

Mica Nava, Professor of Cultural Studies
University of East London

Cultural theorist Mica Nava makes an original and significant contribution to the study of cosmopolitanism by exploring everyday English urban cosmopolitanism and foregrounding the gendered, imaginative and empathetic aspects of positive engagement with cultural and racial difference.

By looking at a wide range of texts, events and biographical narratives, she traces cosmopolitanism from its marginal status at the beginning of the twentieth century to its relative normalisation today. Case studies include the promotion of cosmopolitanism by Selfridges before the first world war; relationships between white English women and ‘other’ men—Jews and black GIs—during the 1930s and 1940s; literary, cinematic and social science representations of migrants in postcolonial Britain; and Diana and Dodi’s interracial romance in the 1990s. In the final chapter, the author draws on her own complex family history to illustrate the contemporary cosmopolitan London experience.

Scholars have tended to ignore the oppositional cultures of antiracism and social inclusivity. This groundbreaking study redresses this imbalance and offers a sophisticated account of the uneven history of vernacular cosmopolitanism.

Table of Contents

List of figures
Acknowledgements

I. INTRODUCTION
Chapter 1 – Cosmopolitanism, Everyday Culture and Structures of Feeling: The Intellectual Framework of the Book

II. COSMOPOLITANISM AND COMMERCIAL CULTURE 1910s-1920s
Chapter 2 – The Allure of Difference: Selfridges, the Russian Ballet and the Tango
Chapter 3 – ‘The Big Shop Controversy’: Ideological Communities and the Chesterton-Selfridge Dispute

III. DIFFERENCE AND DESIRE IN 1930s-1940s
Chapter 4 – The Unconscious and Others: Inclusivity, Jews and the Eroticisation of Difference
Chapter 5 – White Women and Black Men: The Negro as Signifier of Modernity in Wartime Britain

IV. COSMOPOLITANISM IN POSTCOLONIAL BRITAIN
Chapter 6 – Thinking Internationally, Thinking Sexually: Race in Postwar Fiction, Film and Social Science
Chapter 7 – Princess Diana and Dodi Al Fayed: Romance, Race and the Reconfiguration of the Nation

V. CONCLUSION: ACTUALLY EXISTING COSMOPOLITANISM
Chapter 8 – A Love Song to our Mongrel Selves: Cosmopolitan Habitus and the Ordinariness of Difference

Bibliography
Index

The Libertine Colony: Creolization in the Early French Caribbean

Duke University Press
May 2005
408 pages
19 b&w photographs
Cloth ISBN: 0-8223-3453-4, ISBN13 978-0-8223-3453-8
Paperback ISBN: 0-8223-3465-8, ISBN13 978-0-8223-3465-1

Doris Garraway, Associate Professor of French
Northwestern University

Presenting incisive original readings of French writing about the Caribbean from the inception of colonization in the 1640s until the onset of the Haitian Revolution in the 1790s, Doris Garraway sheds new light on a significant chapter in French colonial history. At the same time, she makes a pathbreaking contribution to the study of the cultural contact, creolization, and social transformation that resulted in one of the most profitable yet brutal slave societies in history. Garraway’s readings highlight how French colonial writers characterized the Caribbean as a space of spiritual, social, and moral depravity. While tracing this critique in colonial accounts of Island Carib cultures, piracy, spirit beliefs, slavery, miscegenation, and incest, Garraway develops a theory of “the libertine colony.” She argues that desire and sexuality were fundamental to practices of domination, laws of exclusion, and constructions of race in the slave societies of the colonial French Caribbean.

Among the texts Garraway analyzes are missionary histories by Jean-Baptiste Du Tertre, Raymond Breton, and Jean-Baptiste Labat; narratives of adventure and transgression written by pirates and others outside the official civil and religious power structures; travel accounts; treatises on slavery and colonial administration in Saint-Domingue; the first colonial novel written in French; and the earliest linguistic description of the native Carib language. Garraway also analyzes legislation—including the Code noir—that codified slavery and other racialized power relations. The Libertine Colony is both a rich cultural history of creolization as revealed in Francophone colonial literature and an important contribution to theoretical arguments about how literary critics and historians should approach colonial discourse and cultural representations of slave societies.

Table of Contents

• Illustrations
• Preface
• Introduction: Creolizaton in the Old Regime Chapter One: Border of Violence, Border fo Desire: The French and the Island Caribs
• Chapter Two: Domestication and the White Noble Savage
• Chapter Three: Creolization and the Spirit World: Demons, Violence, and the Body
• Chapter Four: The Libertine Colony: Desire, Miscegenation, and the Law
• Chapter Five: Race, Reproduction, and Family Romance in Saint-Domingue
• Conclusion
• Notes
• Works Cited
• Index

Crossing the Line: Racial Passing in Twentieth-Century U.S. Literature and Culture

Duke University Press
July 2000
272 pages
12 b&w photographs
Cloth ISBN: 0-8223-2479-2, ISBN13: 978-0-8223-2479-9
Paperback ISBN: 0-8223-2515-2, ISBN13: 978-0-8223-2515-4

Gayle Wald, Professor of English
George Washington University

As W. E. B. DuBois famously prophesied in The Souls of Black Folk, the fiction of the color line has been of urgent concern in defining a certain twentieth-century U.S. racial “order.” Yet the very arbitrariness of this line also gives rise to opportunities for racial “passing,” a practice through which subjects appropriate the terms of racial discourse. To erode race’s authority, Gayle Wald argues, we must understand how race defines and yet fails to represent identity. She thus uses cultural narratives of passing to illuminate both the contradictions of race and the deployment of such contradictions for a variety of needs, interests, and desires.

Wald begins her reading of twentieth-century passing narratives by analyzing works by African American writers James Weldon Johnson, Jessie Fauset, and Nella Larsen, showing how they use the “passing plot” to explore the negotiation of identity, agency, and freedom within the context of their protagonists’ restricted choices. She then examines the 1946 autobiography Really the Blues, which details the transformation of Milton Mesirow, middle-class son of Russian-Jewish immigrants, into Mezz Mezzrow, jazz musician and self-described “voluntary Negro.” Turning to the 1949 films Pinky and Lost Boundaries, which imagine African American citizenship within class-specific protocols of race and gender, she interrogates the complicated representation of racial passing in a visual medium. Her investigation of “post-passing” testimonials in postwar African American magazines, which strove to foster black consumerism while constructing “positive” images of black achievement and affluence in the postwar years, focuses on neglected texts within the archives of black popular culture. Finally, after a look at liberal contradictions of John Howard Griffin’s 1961 auto-ethnography Black Like Me, Wald concludes with an epilogue that considers the idea of passing in the context of the recent discourse of “color blindness.”

Wald’s analysis of the moral, political, and theoretical dimensions of racial passing makes Crossing the Line important reading as we approach the twenty-first century. Her engaging and dynamic book will be of particular interest to scholars of American studies, African American studies, cultural studies, and literary criticism.

Table of Contents

• Preface
• Acknowledgments
• Introduction: Race, Passing, and Cultural Representation
• 1. Home Again: Racial Negotiations in Modernist African American Passing Narratives
• 2. Mezz Mezzrow and the Voluntary Negro Blues
• 3. Boundaries Lost and Found: Racial Passing and Cinematic Representation, circa 1949
• 4. “I’m Through with Passing”: Postpassing Narratives in Black Popular Literary Culture
• 5. “A Most Disagreeable Mirror”: Reflections on White Identity in Black Like Me
• Epilogue: Passing, “Color Blindness,” and Contemporary Discourses of Race and Identity
• Notes
• Bibliography
• Index

Sex, Segregation, and the Sacred after Brown

The Journal of American History
Volume 91, No. 1
June 2004
pp. 119–144

Jane Dailey, Associate Professor of American History
University of Chicago

The religious history of the civil rights movement is strangely one-sided. “God was on our side,” the activists have said, and scholars have tended to agree. But the opponents of civil rights also used religion in their cause. Jane Dailey argues that historians have underestimated the role of religion in supporting segregation as well as in dismantling it. Viewing the civil rights movement as a contest over Christian orthodoxy helps explain the arguments made by both sides and the strategic actions they took. Dailey examines the connections among antimiscegenation anxiety, politics, and religion to reveal how deeply interwoven Christian theology was in the segregation ideology that supported the discriminatory world of Jim Crow.

…This article explores how religion served as a vessel for one particular language crucial to racial segregation in the South: the language of miscegenation. It was through sex that racial segregation in the South moved from being a local social practice to a part of the divine plan for the world. It was thus through sex that segregation assumed, for the believing Christian, cosmological significance. Focusing on the theological arguments wielded by segregation’s champions reveals how deeply interwoven Christian theology was in the segregationist ideology that supported the discriminatory world of Jim Crow. It also demonstrates that religion played a central role in articulating not only the challenge that the civil rights movement offered Jim Crow but the resistance to that challenge…

…Although rebutted at the time and later, Ariel’s argument remained current through the middle of the twentieth century, buttressed along the way by such widely read books as Charles Carroll’s The Negro a Beast (1900) and The Tempter of Eve (1902), both of which considered miscegenation the greatest of sins. Denounced for its acceptance of separate creations, The Negro a Beast was nonetheless enormously influential. Recalling the door-to-door sales campaign that brought the book to the notice of whites across the South, a historian of religion lamented in 1909 that “during the opening years of the twentieth century it has become the Scripture of tens of thousands of poor whites, and its doctrine is maintained with an appalling stubbornness and persistence.” In this tradition, miscegenation—or, more commonly, amalgamation or mongrelization—was the original sin, the root of all corruption in humankind.

The expulsion from Paradise did not solve the problem of miscegenation. By the time of Noah race mixing was so prevalent that, in the words of one civil rights–era pamphleteer, “God destroyed ‘all flesh’ in that part of the world for that one sin. Only Noah was ‘perfect in his generation’ … so God saved him and his family to rebuild the Adamic Race.” That perfection did not last long, however; according to some traditions, the cursed son of Ham, already doomed to a life of servitude, mixed his blood with “pre-Adamite negroes” in the Land of Nod. Again and again God’s wrath is aroused by the sin of miscegenation, and the people feel the awful weight of his punishment: Sodom and Gomorrah were destroyed for this sin, as was the Tower of Babel, where, in a failed effort to protect racial purity, God dispersed the peoples across the globe. King Solomon, “reputed to be the wisest of men, with a kingdom of matchless splendor and wealth was ruined as a direct result of his marrying women of many different races,” and the “physical mixing of races” that occurred between the Israelites and the Egyptians who accompanied Moses into the wilderness “resulted in social and spiritual weakness,” leading God to sentence the Exodus generation to die before reaching the Promised Land. For evidence that the God of Noah remained as adamantly opposed to racial mixing as ever, white southern believers could look back a mere fifteen years to the Holocaust. The liquidation of six million people was caused, D. B. Red explained in his pamphlet Race Mixing a Religious Fraud (c. 1959), by the sexual “mingling” of the Jews, who suffered what Red represents as God’s final solution to the miscegenation problem: “Totally destroy the people involved.” Here, surely, was proof that segregation was “divine law, enacted for the defense of society and civilization…

Read the entire article here.

The Age of Jim Crow

W. W. Norton & Company
October 2008
434 pages
5.4 × 8.2 in
Paperback ISBN 978-0-393-92758-0

Jane Dailey, Associate Professor of American History
University of Chicago

America’s racial history has been marked by both hard-won progress and sudden reversals of fortune.

In The Age of Jim Crow, Jane Dailey introduces readers to a fascinating collection of documents on race and segregation in America that were created between the end of the Civil War and the emergence of the Civil Rights Movement a century later.  Organized around two themes, Dailey highlights the role of law in creating, maintaining, and — ultimately — helping to undo segregation.   She also traces the effects of interracial sex and marriage as they shaped the era of Jim Crow.  The Age of Jim Crow focuses throughout on sexuality and gender politics as they play out across the legal, social and economic, political, and cultural arenas.

View the Table of Contents here.

Between Totem And Taboo: Black Man, White Woman in Francographic Literature

University of Exeter Press
2001
292 pages
Hardback ISBN: 9780859896498
BIC Code: 1HFD, 2ADF, 3JF, 3JH, 3JJ

Roger Little

Between Totem and Taboo picks its way judiciously through a minefield of prejudice, myth and stereotypes.  It is the first book to explore the literary representation by authors black and white, male and female, of interracial relations between France and her former territories in West Africa through the special nexus of the white woman and the black man.

Presented as a text-based chronological exploration of the relationship from 1740 to the present day, it reveals how racism distorted such relations for a quarter of a millennium.  It will fascinate anyone seriously interested in Black studies, Women’s studies and Postcolonial studies, who will find in it not only many unknown or unconsidered texts but a new angle of approach to their research.  All quotations are in French and English.

Roger Little was Professor of French (1776) at Trinity College Dublin until his retirement in 1998. He has an outstanding record of scholarship in French and francophone writing, with particular interests in sub-Saharan Africa and the Caribbean. His academic work has mainly concentrated on modern French poetry and the representation of Blacks in Francographic literature. He has edited several volumes of Textes littéraires for University of Exeter Press. The French government has conferred upon him the rank of Chevalier de l’Ordre National du Mérite and he has been awarded the Prix de l’Académie française: médaille de vermeil du rayonnement de la langue française.

Table of Contents

• Acknowledgements
• Some Key Dates
• Introduction: Between Totem and Taboo
• 1. Eighteenth-century Enwhitenment
• 2. From Taboo to Totem
• 3. Traditions and Transitions
• 4. Opposite genders, Opposite Agendas
• 5. The French Empire Writes Back
• 6. Struggles for Independence
• 7. The Freedom to Choose
• 8. Liberty and Licence
• 9. Full Circle
• Conclusion: Beyond Difference and Indifference
• Notes
• Select Bibliography
• Index