Mixed Race Studies

The Catholic Church and the Formation of Metis Identity

Past Imperfect
Volume 9 (2001)
pages 65-87

Jacinthe Duval

This essay explores the relationship between the Roman Catholic Church and the Metis in the Red River colony in the nineteenth century. It demonstrates how missionaries, via their intellectual artifacts, have been responsible for shaping popular contemporary images of Metis culture. In analyzing the writings of missionaries, this paper also notes the ambiguity with which these individuals viewed Metis society. Priests steeped in European ecclesiastical and national values who hoped the Metis might form the basis of a new Francophone prairie society viewed some mixed-blood cultural practices as inimical to this end. From the perspective of the missionaries, the tantalizing familiarity of the French, Catholic aspect of the Metis contrasted jarringly with their ‘alien’ indigenous cultural and economic traits. As such, the Metis represented both a promise and a threat to the nation-building project. Although Metis identity has been stamped with the official seal of the church, the contradictions missionaries saw in this culture offer a promising avenue for the exploration of the complex processes of identity formation.

Read the entire article here.

Moya `Tipimsook (“The People Who Aren’t Their Own Bosses”): Racialization and the Misrecognition of “Métis” in Upper Great Lakes

Ethnohistory
Volume 58, Number 1 (Winter 2011)
pages 37-63
DOI: 10.1215/00141801-2010-063

Chris Andersen, Associate Professor of Native Studies
University of Alberta

Scholars have long noted the central place of racialization in the last five centuries of colonial rule and likewise the crossracial encounters and eventual colonial intimacies regulated in its shadow. In the conceptual terrain posted by these demarcations, this article explores how, in the absence of extensive documentation on historical self-ascriptions, contemporary ethnohistorians examining upper Great Lakes fur trade settlements have attempted to come to terms with the historical social ontologies that long preceded official attempts to regulate them. Specifically, we examine the racialized logics governing the retrofitting of these settlements as “métis” and “Métis” and, secondarily, the recent creep of juridical logics into ethnohistorical conversations. Rather than challenging ethnohistorical conclusions that these settlements were/are Métis, this article challenges how they are ethnohistorically imagined as such, and in doing so it appeals for a Métis “counter-ethnohistory” alternatively anchored in an analytics of peoplehood.

Mixed Race in the Seminole Nation

Ethnohistory
Volume 58, Number 1 (Winter 2011)
pages 113-141
DOI: 10.1215/00141801-2010-066

Kevin Mulroy, Associate University Librarian
University of California, Los Angeles

Phil Wilkes Fixico

This is a story of two hidden identities. It focuses on the family history of Phil Wilkes Fixico (aka Philip Vincent Wilkes and Pompey Bruner Fixico), a contemporary Seminole maroon descendant of mixed race who lives in Los Angeles. Phil is one-eighth Seminole Indian, one-quarter Seminole freedman, one-eighth Creek freedman, one-quarter Cherokee-freedman, and one-quarter African-American-white. His family history records that his paternal grandfather was the offspring of a Seminole Indian woman and a Seminole freedman, but that this “intermarriage” was kept secret from the Dawes Commission and the boy was enrolled as a “fullblood” Indian. This one union and the subsequent history of the family tell us a great deal about relations between Seminoles and freedmen in the Indian Territory and Oklahoma and about status and identity issues among individuals of mixed race within American society. With tragic irony, Phil’s parents also hid the identity of his biological father, echoing the story of his grandfather. Sensing family secrets and lies, young Phil experienced an identity crisis. Eventually discovering his father’s identity and his family history, Phil turned his life around. He has embraced his mixed-race heritage, connected with the Seminole maroon communities in Oklahoma, Texas, and Mexico, and become a creative and energetic tribal historian.

Read or purchase the article here.

The Seminole Freedmen: A History
 
University of Oklahoma Press
2007
480 pages
6″ x 9″
Hardcover ISBN: 9780806138657

Kevin Mulroy, Associate University Librarian
University of California, Los Angeles

Captures the distinct identity and history of the Seminole maroons

Popularly known as “Black Seminoles,” descendants of the Seminole freedmen of Indian Territory are a unique American cultural group. Now Kevin Mulroy examines the long history of these people to show that this label denies them their rightful distinctiveness. To correct misconceptions of the historical relationship between Africans and Seminole Indians, he traces the emergence of Seminole-black identity and community from their eighteenth-century Florida origins to the present day.

Arguing that the Seminole freedmen are neither Seminoles, Africans, nor “black Indians,” Mulroy proposes that they are maroon descendants who inhabit their own racial and cultural category, which he calls “Seminole maroon.” Mulroy plumbs the historical record to show clearly that, although allied with the Seminoles, these maroons formed independent and autonomous communities that dealt with European American society differently than either Indians or African Americans did.

Mulroy describes the freedmen’s experiences as runaways from southern plantations, slaves of American Indians, participants in the Seminole Wars, and emigrants to the West. He then recounts their history during the Civil War, Reconstruction, enrollment and allotment under the Dawes Act, and early Oklahoma statehood. He also considers freedmen relations with Seminoles in Oklahoma during the twentieth and early twenty-first centuries.

Although freedmen and Seminoles enjoy a partially shared past, this book shows that the freedmen’s history and culture are unique and entirely their own.

We Know Who We Are: Metis Identity in a Montana Community

University of Oklahoma Press
2006
304 pages
6″ x 9″
Illustrations: 8 b&w illus., 5 tables
Hardcover ISBN: 9780806137056

Martha Harroun Foster, Associate Professor of History
Middle Tennessee State University, Murfreesboro

They know who they are. Of predominantly Chippewa, Cree, French, and Scottish descent, the Métis people have flourished as a distinct ethnic group in Canada and the northwestern United States for nearly two hundred years. Yet their Métis identity is often ignored or misunderstood in the United States. Unlike their counterparts in Canada, the U.S. Métis have never received federal recognition. In fact, their very identity has been questioned.

In this rich examination of a Métis community—the first book-length work to focus on the Montana Métis—Martha Harroun Foster combines social, political, and economic analysis to show how its people have adapted to changing conditions while retaining a strong sense of their own unique culture and traditions.

Despite overwhelming obstacles, the Métis have used the bonds of kinship and common history to strengthen and build their community. As Foster carefully traces the lineage of Métis families from the Spring Creek area, she shows how the people retained their sense of communal identity. She traces the common threads linking diverse Métis communities throughout Montana and lends insight into the nature of Métis identity in general. And in raising basic questions about the nature of ethnicity, this pathbreaking work speaks to the difficulties of ethnic identification encountered by all peoples of mixed descent.

Read a preview here.

A shameful history: Nowhere People: How International Race Thinking Shaped Australia’s Identity [Book Review]

The Lancet
Volume 366, Issue 9495 (October 2005)
page 1428
DOI: 10.1016/S0140-6736(05)67586

Caroline de Costa, Professor of Obstetrics and Gynaecology; Director of the Clinical School
James Cook University School of Medicine, Cairns Campus, North Queensland, Australia

Nowhere People: How International Race Thinking Shaped Australia’s Identity
Henry Reynolds
Viking, 2005
Pp 204. ISBN-0-670-04118-1

A few years ago my daughter, a poised young woman, found herself in a large rural Australian town she did not know well. She sought directions from an older white woman who, glancing briefly at her appearance, gave the required information, but in the slow and careful tones one might use for the mentally impaired. This incident annoyed but did not surprise my daughter; my husband is of Sri Lankan origin, and all of our six children, of varying hues and facial features, have at times been taken to be of mixed Aboriginal descent in rural Australia, and know something of the experience that can go with this.

So it was with great personal interest that I opened Henry Reynolds’ impressive study of the history of people of “mixed-race” in the 19th and 20th centuries in all those countries where colonists confronted people of different colour and physiognomy. As a 21st-century medical practitioner well aware that we are all one species, I was dismayed to find how much medical practitioners and scientists had contributed to repressive legislation and social engineering, both in Australia and elsewhere…

Read the entire article here.

A Mixed Race: Ethnicity in Early America, edited by Frank Shuffelton (Oxford University Press, 1993) [Review]

African American Review
Volume 29, Number 1 (Spring 1995)
pages 149-152

Raymond F. Dolle, Associate Professor of English
Indiana State University

A Mixed Race extends the recent work of ethnographic critics, such as James Clifford (The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art [1988]), and such literary critics as Werner Sollors (Beyond Ethnicity: Consent and Descent in American Culture [1986]) and William Boelhower (Through a Glass Darkly: Ethnic Semiosis in American Literature [1987]). These critics have argued that ethnicity is not located solely in an essential cultural identity, continuity, or tradition, and that texts should not be understood as mimetic descriptions of an essential, unchanging ethnic difference (even though that is often the pretense of these texts). Rather, the center of ethnicity should be seen as a dynamic relation between cultural groups, and their texts as orchestrations of multivocal exchanges among these groups as they transform themselves (the hegemonic group included) in the process of confronting others. Thus, ethnicity is performance, a group’s continually changing self-understanding in relation to a changing larger world, a struggle for control over narratives, values, and the self. Furthermore, this process of ethnicity is carried on by means of signs and codes that are generated by the groups to negotiate relationships with other hostile or accommodating groups. So, to understand more fully the ethnic foundation of our culture, we must recognize ethnic semiosis in colonial texts. Such clarifying views have enabled the scholars in this volume to consider the circumstances, rhetorical negotiations, and representation of ethnic formation in early America…

Read the entire article here.

Nowhere People

Penguin Books Australia
January 2005
300 pages
Paperback ISBN-13:9780143001911

Henry Reynolds, Emeritus Associate Professor of History and Politics
James Cook University, Australia

‘That’s how at six at night on 11 May 1928 I stopped being a Yanyuwa child and became a nowhere person… Motherless, cultureless and stuck in a government institution because my mother was Aboriginal and my father was not. I ceased to be an Aboriginal but I would never be white. I was not something bad, shameful, called a half-caste.’—Hilda Jarman Muir

In the nineteenth and twentieth centuries, people of mixed Aboriginal and European ancestry—half-castes—were commonly assumed to be morally and physically defective, unstable and degenerate. They bore the brunt of society’s contempt, and the remobal of their children created Australia’s stolen generations.

Nowhere People is a history of beliefs about people of mixed race, both in Australia and overseas. It explores the concept of racial purity, eugenics, and the threat posed by miscegenation. Award-winning author Henry Reynolds also tells for the first time of his own family’s search for the truth about his father’s ancestry, and gives a poignant account of the contemporary predicament facing people of mixed heritage.

Dominica in Brooklyn

The New York Times
2011-01-13

Carol Vogel, Art Reporter

The Brooklyn Museum has acquired an 18th-century painting by Agostino Brunias, a little-known London-based Italian artist. Around 1764 the British government sent Brunias to the West Indies to document one of that empire’s newest colonies, Dominica. Depicting two richly dressed mulatto women on a walk accompanied by their mother and children—all members of the island’s colonial elite—the painting also shows eight African servants on a sugar plantation.

“We have a large West Indian community,” said Richard Aste, the museum’s curator of European art. “When I saw it, it just screamed Brooklyn. We were looking for something from the 18th century, and we didn’t have anything like this.”

Mr. Aste first saw the painting in Paris in September at the booth of the London gallery Robilant & Voena at the Biennale des Antiquaires. The dealers had bought it from Sotheby’s after the painting failed to sell at auction a year ago. It had belonged to Jayne Wrightsman, a collector and a longtime trustee of the Metropolitan Museum of Art.

While the Brooklyn Museum will not say what it paid for the painting, Sotheby’s was estimating it would bring $200,000 to $300,000. The museum has titled the canvas “Free Women of Color With Their Children and Servants in a Landscape,” and it will go on view on March 7.

Brooklyn Museum Acquires 18th Century Painting by Agostino Brunias Depicting Colonial Elite

artdaily.org: The First Art Newspaper on the Net
2011-01-18

Agostino Brunias (Italian, ca. 1730-1796), Free Women of Color with their Children and Servants in a Landscape, ca. 1764-1796, Oil on canvas, 2010.59, Gift of Mrs. Carll H. de Silver in memory of her husband, and gift of George S. Hellman, by exchange.

BROOKLYN, NY.—The Brooklyn Museum has acquired, by purchase from the London gallery Robilant + Voena, Agostino Brunias’s (1730-1796) painting Free Women of Color with Their Children and Servants in a Landscape, (circa 1764-96), a portrait of the eighteenth-century mixed-race colonial elite of the island of Dominica in the West Indies. Brunias, a London-based Italian painter, left England at the height of his career to chronicle Dominica, then one of Britain’s newest colonies in the Lesser Antilles. [The painting will go on view 2001-03-07.]

The painting depicts two richly dressed mixed race women, one of whom was possibly the wife of the artist’s patron. They are shown accompanied by their mother and their children, along with eight African servants, as they walk on the grounds of a sugar plantation, one of the agricultural estates that were Dominica’s chief source of wealth. Brunias documents colonial women of color as privileged and prosperous. The two wealthy sisters are distinguished from their mother and servants by their fitted European dresses…

Read the entire article here.