Mixed Race Studies

From Slave Ship to Harvard: Yarrow Mamout and the History of an African American Family

Fordham University Press
May 2012
310 pages
6 x 9
25 Black and White Illustrations
Hardcover ISBN: 9780823239504

James H. Johnston, Lawyer and Writer
Washington, D.C.

From Slave Ship to Harvard is the true story of an African American family in Maryland over six generations. The author has reconstructed a unique narrative of black struggle and achievement from paintings, photographs, books, diaries, court records, legal documents, and oral histories. From Slave Ship to Harvard traces the family from the colonial period and the American Revolution through the Civil War to Harvard and finally today.

Yarrow Mamout, the first of the family in America, was an educated Muslim from Guinea. He was brought to Maryland on the slave ship Elijah and gained his freedom forty-four years later. By then, Yarrow had become so well known in the Georgetown section of Washington, D.C., that he attracted the attention of the eminent American portrait painter Charles Willson Peale, who captured Yarrow’s visage in the painting that appears on the cover of this book. The author here reveals that Yarrow’s immediate relatives—his sister, niece, wife, and son—were notable in their own right. His son married into the neighboring Turner family, and the farm community in western Maryland called Yarrowsburg was named for Yarrow Mamout’s daughter-in-law, Mary “Polly” Turner Yarrow. The Turner line ultimately produced Robert Turner Ford, who graduated from Harvard University in 1927.

Just as Peale painted the portrait of Yarrow, James H. Johnston’s new book puts a face on slavery and paints the history of race in Maryland. It is a different picture from what most of us imagine. Relationships between blacks and whites were far more complex, and the races more dependent on each other. Fortunately, as this one family’s experience shows, individuals of both races repeatedly stepped forward to lessen divisions and to move America toward the diverse society of today.

Contents

• Introduction
• 1. Yarrow Mamout. a West African Muslim Slave
• 2. Tobacco and the Importation of a Labor Force
• 3. Welcome to America
• 4. Slavery and Revolution
• 5. Yarrow of Georgetown
• 6. The Portraits: Peale, Yarrow, and Simpson
• 7. Free Hannah, Yarrow’s sister
• 8. Nancy Hillman, Yarrow’s Niece
• 9. Aquilla Yarrow
• 10. Mary “Polly” Turner Yarrow
• 11 Aquilla and Polly in Pleasant Valley
• 12. Traces of Yarrow
• 13. Unpleasant Valley
• 14. Freedom
• 15. From Harvard to Today
• Epilogue: Guide to the Yarrows’ and Turners’ World Today
• Notes
• Bibliography
• Acknowledgments
• Index

Bengali Harlem and the Lost Histories of South Asian America

Harvard University Press
2012-11-19
320 pages
6-1/8 x 9-1/4 inches
15 halftones, 2 maps, 4 tables
Hardcover ISBN: 9780674066663

Vivek Bald, Assistant Professor of Writing and Digital Media
Massachusetts Institute of Technology

In the final years of the nineteenth century, small groups of Muslim peddlers arrived at Ellis Island every summer, bags heavy with embroidered silks from their home villages in Bengal. The American demand for “Oriental goods” took these migrants on a curious path, from New Jersey’s beach boardwalks into the heart of the segregated South. Two decades later, hundreds of Indian Muslim seamen began jumping ship in New York and Baltimore, escaping the engine rooms of British steamers to find less brutal work onshore. As factory owners sought their labor and anti-Asian immigration laws closed in around them, these men built clandestine networks that stretched from the northeastern waterfront across the industrial Midwest.

The stories of these early working-class migrants vividly contrast with our typical understanding of immigration. Vivek Bald’s meticulous reconstruction reveals a lost history of South Asian sojourning and life-making in the United States. At a time when Asian immigrants were vilified and criminalized, Bengali Muslims quietly became part of some of America’s most iconic neighborhoods of color, from Tremé in New Orleans to Detroit’s Black Bottom, from West Baltimore to Harlem. Many started families with Creole, Puerto Rican, and African American women.

As steel and auto workers in the Midwest, as traders in the South, and as halal hot dog vendors on 125th Street, these immigrants created lives as remarkable as they are unknown. Their stories of ingenuity and intermixture challenge assumptions about assimilation and reveal cross-racial affinities beneath the surface of early twentieth-century America.

For more information, visit the Bengali Harlem website here.

Table of Contents

• Author’s Note
• Introduction: Lost in Migration
• 1. Out of the East and into the South
• 2. Between Hindoo and Negro
• 3. From Ships’ Holds to Factory Floors
• 4. The Travels and Transformations of Amir Haider Khan
• 5. Bengali Harlem
• 6. The Life and Times of a Multiracial Community
• Conclusion: Lost Futures
• List of Abbreviations
• Notes
• Acknowledgments
• Index

Travel Light Travel Dark

Bloodaxe Books
2013-06-30
96 pages
216 x 138 mm
Paperback ISBN: 9781852249915

John Agard

John Agard has been broadening the canvas of British poetry for the past 35 years with his mischievous, satirical fables which overturn all our expectations. In this new symphonic collection, Travel Light Travel Dark, Agard casts his unique spin on the intermingling strands of British history, and leads us into metaphysical and political waters. Cross-cultural connections are played out in a variety of voices and cadences. Prospero and Caliban have a cricket match encounter, recounted in calypso-inspired rhythms, and in the long poem, “Water Music of a Different Kind,” the incantatory orchestration of the Atlantic’s middle passage becomes a moving counterpoint to Handel’s Water Music.

Travel Light Travel Dark brings a mythic dimension to the contemporary and opens with a meditation on the enigma of colour. Water often appears as a metaphoric riff within the fabric of the collection, as sugar cane tells its own story in “Sugar Cane’s Saga” and water speaks for itself in a witty debate with wine, inspired by the satirical tradition of the goliards, wandering clerics of the Middle Ages.

The Victorian Reinvention of Race: New Racisms and the Problem of Grouping in the Human Sciences

Routledge
2010-06-23
248 pages
Paperback ISBN: 978-0-415-65278-0
Hardback ISBN: 978-0-415-88125-8
eBook ISBN: 978-0-203-84498-4

Edward Beasley, Associate Professor of History
San Diego State University

In mid-Victorian England there were new racial categories based upon skin colour. The ‘races’ familiar to those in the modern west were invented and elaborated after the decline of faith in Biblical monogenesis in the early nineteenth century, and before the maturity of modern genetics in the middle of the twentieth. Not until the early nineteenth century would polygenetic and racialist theories win many adherents. But by the middle of the nineteenth century in England, racial categories were imposed upon humanity. How the idea of ‘race’ gained popularity in England at that time is the central focus of The Victorian Reinvention of Race: New Racisms and the Problem of Grouping in the Human Sciences.

Scholars have linked this new racism to some very dodgy thinkers. The Victorian Reinvention of Race examines a more influential set of the era’s writers and colonial officials, some French but most of them British. Attempting to do serious social analysis, these men oversimplified humanity into biologically-heritable, mentally and morally unequal, colour-based ‘races’. Thinkers giving in to this racist temptation included Alexis de Tocqueville when he was writing on Algeria; Arthur de Gobineau (who influenced the Nazis); Walter Bagehot of The Economist; and Charles Darwin (whose Descent of Man was influenced by Bagehot). Victorians on Race also examines officials and thinkers (such as Tocqueville in Democracy in America, the Duke of Argyll, and Governor Gordon of Fiji) who exercised methodological care, doing the hard work of testing their categories against the evidence. They analyzed human groups without slipping into racial categorization. Author Edward Beasley examines the extent to which the Gobineau-Bagehot-Darwin way of thinking about race penetrated the minds of certain key colonial governors. He further explores the hardening of the rhetoric of race-prejudice in some quarters in England in the nineteenth century – the processes by which racism was first formed.

Contents

1. Introduction – Reinventing Racism
2. Tocqueville and Race
3. Gobineau, Bagehot’s Precursor
4. The Common Sense of Walter Bagehot
5. Bagehot Rewrites Gobineau
6. Darwin and Race
7. Argyll, Race, and Degeneration
8. Frederick Weld and the Unnamed Neighbours
9. By Way of a Conclusion – Arthur Gordon

Afroargentines

The Argentina Independent
2007-03-23

Laura Balfour

As a descendant of two slaves, Maria Lamadrid has a hard time biting her tongue when airport officials think her Argentine passport is not real because ‘there are no blacks in Argentina’.
 
And that was in 2002.
 
The 25th of March marks the landmark 200th anniversary of the 1807 Abolition of the Slave Trade Act. Though the trade continued after this date, it marked the beginning of the end of the transatlantic trafficking of Africans.
 
Ms Lamadrid is fighting to alter the common belief that all blacks who live in Argentina are foreigners. In 1997 she founded Africa Vive, a non-governmental organisation that defends the rights of African descendants. Today, she claims, there are 2m Afroargentines in Argentina.
 
Ms Lamadrid and Miriam Gomez, a history professor at the University of Buenos Aires, have dedicated themselves wholly to the NGO’s cause because “there is so much to do and very few people to do it.”…

…Africa Vive has requested that a separate category for African descendants be reintroduced in the 2010 census. Ms Lamadrid said the most frustrating thing is that there used to be one: 1887 was the final year that Afroargentines were recognised in the census; the results showed that 2% of the residents of Buenos Aires were of African descent at that time. She added that indigenous people, who have also suffered discrimination, have their own category because they have more support…

Read the entire article here.

The reawakening of Afro-Argentine culture

Global Post
2009-08-30

Anil Mundra

Descendants of slaves are starting to assert their identity but it’s not easy in South America’s whitest country.

BUENOS AIRES — “Liberty has no color” read the signs held outside a Buenos Aires city courthouse. “Arrested for having the wrong face,” and “Suspected of an excess of pigment,” said others. And more to the point: “Enough racism.”
 
A black street vendor was allegedly arrested without cause or proper procedure earlier this year, prompting this August hearing of a habeas corpus appeal. But leaders of the Afro-Argentine community say this moment goes beyond any particular man or incident, calling it a watershed case that brings to trial the treatment of blacks in Argentina.
 
“It’s not about this prosecutor or that police officer, but rather an institutionally racist system,” said Malena Derdoy, the defendant’s lawyer.
 
Argentina is generally considered the whitest country in South America — 97 percent, by some counts — possibly more ethnically European than immigrant-saturated Europe. There was once a large Afro-Argentine presence but it has faded over the epochs. Now, for the first time in a century and a half, Argentine descendants of African slaves are organizing and going public to assert their identity…

…At the beginning of the 1800s, black slaves were 30 percent of the population of Buenos Aires, and an absolute majority in some other provinces. The first president of Argentina had African ancestry, and so did the composer of the first tango. Even the word “tango,” like many other words common in the Argentine vocabulary, has an African root; so do many beloved foods, including the national vices of the asado barbecue and dulce de leche.
 
The abolition of slavery was a slow process that spanned the better part of the 19th century. At the same time, under the government’s explicit and aggressive policy of whitening the race — to replace “barbary” with “civilization,” in the famous phrase of the celebrated president Sarmiento — Afro-Argentines were inundated by European immigration, the largest such influx in the Americas outside of the United States. Blacks had dwindled to only 1.8 percent of Buenos Aires by the 1887 census, after which their category was replaced with more vague terms like “trigueno” — “wheaty.”

“It’s part of Argentine common sense that there are no blacks, that their entire culture had disappeared toward the end of the 1800s,” said anthropologist Pablo Cirio. “That’s all a lie.”…
 
…The survey was performed with help from the national census bureau and World Bank funding, at the urging of local Afro-Argentine activists who hoped to have the “Afro-descendant” category re-inserted into the Argentine census in 2010 and count themselves as a distinct segment of the populace after a century missing. Soon afterward, DNA tests of blood samples in several Buenos Aires hospitals bolstered the pilot census’ result with a very similar percentage of genes traceable to Africa. Moreover, a much higher number — about 10 percent — was obtained by testing mitochondrial DNA, which traces maternal ancestry. This is consistent with the historical conjecture that many black men were lost after being sent to the frontlines of 19th-century wars, and Afro-Argentines assimilated into the white population when the
remaining women mixed with the hordes of European males who had come to Argentina to work…

Read the entire article here.

‘The Black Count,’ A Hero On The Field, And The Page

Weekend Edition Saturday
National Public Radio
2012-09-15

Scott Simon, Host

Tom Reiss, Author

The Black Count: Glory, Revolution, Betrayal,and the Real Count of Monte Cristo. By Tom Reiss, 432 pp. Crown Publishers. Hardback ISBN: 978-0-307-38246-7.

Gen. Thomas-Alexandre Dumas was one of the heroes of the French Revolution — but you won’t find a statue of him in Paris today.

He led armies of thousands in triumph through treacherous territory, from the snows of the Alps to the sands of Egypt, and his true life stories inspired his son, Alexandre Dumas, to write The Count of Monte Cristo and The Three Musketeers.

How did the son of a Haitian slave and a French nobleman become Napoleon’s leading swordsman of the Revolution, then a prisoner, and finally almost forgotten — except in the stories of a son who was not even 4 years old when his father died?

“I like to think of him as history’s ultimate underdog,” says author Tom Reiss. His new book, The Black Count: Glory, Revolution, Betrayal and the Real Count of Monte Cristo, uncovers the real life that inspired so many fictional heroes.

“He’s a black man, born into slavery, and then he rises higher than any black man rose in a white society before our own time,” Reiss tells NPR’s Scott Simon. “He became a four-star general and challenges Napoleon, and he did it all 200 years ago, at the height of slavery.”…

Read the entire article here. Listen to the interview (00:06:56) here.

Indian Lords, Hispanic Gentlemen: The Salazars of Colonial Tlaxcala

The Americas
Volume 69, Number 1, July 2012
pages 1-36
DOI: 10.1353/tam.2012.0060

Peter B. Villella, Assistant Professor of History
University of North Carolina, Greensboro

In 1773, a Mexico City expert in gold embroidery named don José Mariano Sánchez de Salazar Zitlalpopoca petitioned for a license to operate his own shop and take on apprentices. As handling precious metals was politically and economically sensitive, such professions were by law exclusive, open only to those of proven character, standing, and reputation—qualities understood to be inherited by blood. Thus, to establish his sufficiency for the license don José called forth witnesses to his family’s honor, reputation, and good lineage.

Genealogical and character investigations were common in the early modern Spanish world, part of the required process for those seeking access to elite institutions and associations. Among other indicators of high social status, aspirants often cited noble ancestors in Spain, both real and invented, as proof of their blood quality. Yet don José was not Spanish and could not credibly establish such a pedigree. Instead, he hired a scribe in the primarily Nahuatl-speaking city of Tlaxcala, east of Mexico City, to consult its noble registry (becerro) and confirm that he was descended from don Bartolomé Citlalpopoca, a Tlaxcalan leader at the time of the Spaniards’ arrival two and a half centuries earlier (Figure 1).

The scribe also reported that subsequent generations of Salazars, up to and including don José’s own brother, had served honorably with the Tlaxcalan cabildo, or municipal governing council. Finally, lest his indigenous origins raise suspicions among Spanish officials, the petitioner also submitted copies of royal decrees explicitly equating the legal status and rights of caciques, the hereditary lords in America’s native communities, with those of Spain’s hidalgos, gentlemen who enjoyed the privileges of minor nobility. “I am a cacique,” don José concluded, and “caciques are . . . eligible for all the ecclesiastical and secular employments and dignities customarily conferred upon the hidalgos of Castile, and can participate in any communities that require nobility.” Satisfied, the overseer confirmed that don José was indeed “a cacique Indian of the Tlaxcaltecos,” and, following a successful practical examination, the viceroy certified him as a master goldworker. Ironically, upon conferring his new rights, they required him to swear that he would never accept non-Spanish apprentices.

Don José was not the first of his family to find success in a social and professional realm normally reserved for Spaniards and creoles (American-born Spaniards). Nor was he the first cacique to gain access to the privileges of Spanish hidalgos, which was not entirely unusual by the end of the eighteenth century. Yet the Salazars of Tlaxcala stand out, inasmuch as their participation in the elite institutions of New Spain did not entirely replace the political offices they held and the historical identities they proclaimed as Tlaxcalan aristocrats. That is, they were not creoles boasting (as some did) of distant and mostly abstract cacica great-grandmothers. Rather, they were both caciques and hidalgos, performing each role simultaneously: Nahua nobles living as Novohispanic gentlemen, Tlaxcalan aristocrats wielding intellectual, political, and legal authority within the Spanish empire.

The Salazars belonged to a handful of families in central Mexico that had managed to escape the general decline of the Mesoamerican hereditary elite by the eighteenth century. The late-colonial plight of the indigenous nobility was such that in…

The Third Musketeer

The New York Times
2012-09-14
 
Leo Damrosch, Ernest Bernbaum Professor of Literature, Emeritus
Harvard University

The Black Count: Glory, Revolution, Betrayal,and the Real Count of Monte Cristo. By Tom Reiss, 432 pp. Crown Publishers. Hardback ISBN: 978-0-307-38246-7.

In the 1790s, the son of an aristocratic white father and a black slave woman became a charismatic French general who for a time rivaled Napoleon himself, and afterward languished in an Italian dungeon. His story inspired the novel “The Count of Monte Cristo,” written by his son, Alexandre Dumas, who also drew upon his father’s adventures in “The Three Musketeers.” Posterity remembers this son as Dumas père, to distinguish him from Alexandre Dumas fils, also a writer, whose novel “La Dame aux Camélias” was the source for Verdi’s “La Traviata.” But the general was the first of the three Alexandres (he preferred to be known as Alex), and in “The Black Count,” Tom ­Reiss, the author of “The Orientalist,” has recovered this fascinating story with a richly imaginative biography.

Despite Reiss’s extensive research, the count remains a somewhat remote figure, since his contemporaries usually described him in conventional superlatives. The chief source of information is a highly romanticized memoir by his son, who was not yet 4 when he died, and who idealized him, in Reiss’s words, as “the purest, noblest man who ever lived.” Still, such language seems deserved. General Dumas was majestically tall (“his proportions were those of a Greek hero”), a crack swordsman and horseman (“looking like a centaur”), utterly fearless, generous to subordinates and a loving husband and father. He was also exceptionally good-looking, though the portraits that survive are less spectacular than the majestic Adonis depicted in the book’s cover illustration.

Dumas was born in 1762 at the western end of Saint-Domingue, the colony that is now Haiti. Remarkably, the French Empire guaranteed protection and opportunities to people of mixed race, and when the boy’s father brought him to France at the age of 14 he was able to receive a first-rate education and later to join the army. He never cared much for his feckless father, however, and took the name Dumas from his slave mother, about whom very little is known…

Read the entire review here.

The Fate of the Afro-Turks: Nothing Left But the Colour

Qantara.de
Bonn, Germany
2012-08-27

Ekrem Eddy Güzeldere (Translated from the German by Michael Lawton)

The Afro-Turks, whose ancestors came to the Ottoman Empire as slaves in the nineteenth century, are still struggling for recognition. Now, though, their desire to assimilate into the wider society has become greater than their desire to maintain their own identity.

A banner with the text “Sixth Spring Festival” hangs across the street near the park in Cirpi, a small village about 20 kilometres away from Bayindir, a regional centre south-east of Izmir. Such festivals have become common in Anatolia, with hundreds of them occurring between March and May every year.

But in Cirpi, it’s something special. The Sixth Spring Festival is really the Sixth Festival of the Calf, the traditional celebration of the Afro-Turks, which they’ve been celebrating since the nineteenth century in and around Izmir, formerly known as Smyrna.
 
In 1924, the Turkish republic banned the celebration, and it was not until 2007 that the event could be re-established by the Association of Afro-Turks. The first five annual festivals were modest affairs, but the sixth turned into a big event with 400 participants. They’ve not yet slaughtered a calf though…

…Alev Karakartal, is an Afro-Turk woman who now lives in Istanbul. Speaking at a conference there in early June 2012, she described the strategy with which many Afro-Turks confront discrimination. “By entering into mixed marriages,” she said, “Afro-Turks try to have lighter-skinned children, so that eventually their colour will disappear altogether.” But Olpak responds, “We have nothing else left aside from the colour. There’s nothing left culturally any more.”
 
When Karakartal, who is herself of mixed descent, asked her parents about her origins, the answer was always, “We are Turks and Muslims,” and that roots weren’t important…

Read the entire article here.