Mixed Race Studies

Miss Anne in Harlem: The White Women of the Black Renaissance

HarperCollins Publishers
2013-09-10
544 pages
Trimsize: 6 x 9
Hardcover ISBN: 9780060882389; ISBN10: 0060882387
eBook ISBN: 9780062199126; ISBN10: 0062199129

Carla Kaplan, Stanton W. and Elisabeth K. Davis Distinguished Professor of American Literature
Northeastern University, Boston, Massachusetts

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed “Miss Anne.”

Sexualized and sensationalized in the mainstream press—portrayed as monstrous or insane—Miss Anne was sometimes derided within her chosen community of Harlem as well. While it was socially acceptable for white men to head uptown for “exotic” dancers and “hot” jazz, white women who were enthralled by life on West 125th Street took chances. Miss Anne in Harlem introduces these women—many from New York’s wealthiest social echelons—who became patrons of, and romantic participants in, the Harlem Renaissance. They include Barnard College founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. Wood, and novelist Fannie Hurst—all women of accomplishment and renown in their day. Yet their contributions as hostesses, editors, activists, patrons, writers, friends, and lovers often went unacknowledged and have been lost to history until now.

In a vibrant blend of social history and biography, award-winning writer Carla Kaplan offers a joint portrait of six iconoclastic women who risked ostracism to follow their inclinations—and raised hot-button issues of race, gender, class, and sexuality in the bargain. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan’s formidable work remaps the landscape of the 1920s, alters our perception of this historical moment, and brings Miss Anne to vivid life.

“The United States of the United Races” w/ Dr. Greg Carter

Mixed Race Radio
Blog Talk Radio
2013-09-25, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

Greg Carter, Associate Professor of History
University of Wisconsin, Milwaukee

On Today’s episode of Mixed Race Radio we will meet Professor Greg Carter, author of The United States of the United Races: A Utopian History of Racial Mixing. Professor Carter currently serves as the Associate Professor, Department of History at the University of Wisconsin at Milwaukee. He studied at the University of Texas at Austin where he received his Ph.D. in 2007.

Besides receiving several prestigious awards including, the Graduate School Research Council Award (University of Wisconsin-Milwaukee 2009) and the Campus Reading Seminar Award (University of Wisconsin System Institute for Race and Ethnicity 2008), Professor Carter is teaching some of the coolest courses in a college setting. He continues to present some very intriguing discussions that explore the mixed race experience in media and he does this while remaining involved in the History Caucus, Minority Scholars Committee and several other committees which he actually chairs.

“Each of the seven chapters in The United States of the United Races explores how tensions in our history have revised themselves in every period since the early republic. This book presents the career of an idea through time more so than the biographies of particular writers, orators, or activists. This unified approach shows that in every period, an optimistic stance has been as central to the American conversation on race as the pessimist. Because antipathy towards mixture is so established, and because they have no formal connection to predecessors, each critic of the dominant position must re-create the position in new ways.”

Today, we will discuss Professor’s Carter’s book,  The United States of the United Races: A Utopian History of Racial Mixing and engage our listeners in a discussion centered on the history of positive ideas about racial mixing in the U.S. as well as Critical Mixed Race Studies as a field.

Rising Road: A True Tale of Love, Race, and Religion in America

Oxford University Press
2010-02-16
352 Pages
15 b/w photos
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780195379792
Paperback ISBN: 9780199794454

Sharon Davies, Professor of Law; Gregory H. Williams Chair in Civil Rights and Civil Liberties; Director of the Kirwan Institute for the Study of Race and Ethnicity
Ohio State University, Moritz College of Law

It was among the most notorious criminal cases of its day. On August 11, 1921, in Birmingham, Alabama, a Methodist minister named Edwin Stephenson shot and killed a Catholic priest, James Coyle, in broad daylight and in front of numerous witnesses. The killer’s motive? The priest had married Stephenson’s eighteen-year-old daughter Ruth to Pedro Gussman, a Puerto Rican migrant and practicing Catholic.

Sharon Davies’s Rising Road resurrects the murder of Father Coyle and the trial of his killer. As Davies reveals with novelistic richness, Stephenson’s crime laid bare the most potent bigotries of the age: a hatred not only of blacks, but of Catholics and “foreigners” as well. In one of the case’s most unexpected turns, the minister hired future U.S. Supreme Court Justice Hugo Black to lead his defense. Though regarded later in life as a civil rights champion, in 1921 Black was just months away from donning the robes of the Ku Klux Klan, the secret order that financed Stephenson’s defense. Entering a plea of temporary insanity, Black defended the minister on claims that the Catholics had robbed Ruth away from her true Protestant faith, and that her Puerto Rican husband was actually black.

Placing the story in social and historical context, Davies brings this heinous crime and its aftermath back to life, in a brilliant and engrossing examination of the wages of prejudice and a trial that shook the nation at the height of Jim Crow.

Table of Contents

• Introduction
• 1. The Best Laid Plans
• 2. A Parish to Run
• 3. Until Death Do Us Part
• 4. A City Reacts
• 5. A Killer Speaks
• 6. The Building of a Defense
• 7. The Engines of Justice Turn
• 8. Black Robes, White Robes
• 9. Trials and Tribulations
• 10. A Jury’s Verdict
• Epilogue

Creole Culture: Identity and Race in the Bayou Country

Kreol Magazine
October-December 2013, Issue 7
pages 42-45

Christophe Landry

Louisiana is what many have come to refer to as the northern-most point of Latin America, where créolité, a Latin-based people, culture and consciousness, emerged early in the 1700s. From its earliest stages, the international melting pot of cultures that came to simmer along Louisiana’s bayous linked Louisiana Creoles with three continents in a global market economy including the Indian Ocean.

When the French crown ceded Louisiana to the Company of the Indies in 1717, Nantes (France), Goree (Senegal), Port-Louis (Mauritius), Saint-Denis (La Reunion) and New Orleans, became intimately related. For instance, between 1721 and 1745, 3,818 slaves were transported from Senegambia to Louisiana with roughly equal numbers destined for the Mascareigne Islands. In addition, Bretons, Picards and Normands came to represent the largest Francophone elements in early French Louisiana and in the French Indian Ocean islands. Not surprisingly, in Louisiana and in the Mascareignes, virtually the same Creole language developed, the first lengthy written examples of which date back to 1745 in Mauritius and 1748 in Louisiana.

As early as 1710, native-born Louisianians of Latin culture self-identified as Créole. Slave and free, tan, brown, yellow and fair have used Creole to differentiate themselves from Anglophones in North America. Where Spanish, Creole, and French languages were spoken and Catholicism practiced in Colonial Louisiana, people were sure to define themselves as Creole. This distinction between Américain and Créole became more pronounced after 1812 when Louisiana officially became an American state, and continued after the Civil War when Anglophone America’s binary racial system came to play a more immediate role in the socioeconomic destiny of Louisianians…

Read the entire article here or here.

‘Making a Non-White America’

inside: CSUF News
California State University, Fullerton
2009-08-18

Mimi Ko Cruz

Allison Varzally’s Book About California’s Ethnic History Wins National Award

Interracial marriages and other ties in diverse communities throughout California during the formative years of the 20th century are explored in Allison Varzally’s book, “Making a Non-White America: Californians Coloring outside Ethnic Lines, 1925-1955.”

Published by University of California Press, Varzally’s book has won the Immigration and Ethnic History Society’s 2009 Theodore Saloutos Memorial Award in American Immigration History.

The award, which comes with $1,000, is presented for the book judged best on any aspect of the immigration history of the United States.

Varzally, assistant professor of history, said the honor “is exciting recognition from an organization that I admire.

“Some of my favorite books in the field have won this award,” she said.

Varzally, of Los Angeles, uses the voices from oral histories she conducted to weave a scholarly interpretation on the state’s history. She touches on World War II, the Zoot suit riots, discriminatory laws, segregation, class, politics, religion, work and education.

The book’s cover features a picture of Sugar Pie De Santo, a Filipina-black woman who grew up in San Francisco’s Fillmore District in the 1940s.

De Santo, Varzally said, “creatively and selectively borrowed from her parents’ cultures, enjoyed her blended family background and became a famous musician.”…

Read the entire article here.

Cane River: A Novel

Grand Central Publishing
2001
560 pages
5-1/4″ x 8″
Paperback ISBN-13: 9780446678452

Lalita Tademy

The “New York Times” bestseller and Oprah’s Book Club Pick—the unique and deeply moving epic of four generations of African-American women based on one family’s ancestral past.

Making a Non-White America: Californians Coloring outside Ethnic Lines, 1925-1955

University of California Press
April 2008
318 pages
Paperback ISBN: 9780520253452
E-Book ISBN: 9780520941274

Allison Varzally, Associate Professor of History
California State University, Fullerton

On the cover: Future R&B singer Sugar Pie DeSanto in San Francisco’s Fillmore District (circa 1940s)

Winner of the 2009 Theodore Saloutos Memorial Award, Immigration and Ethnic History Society

What happens in a society so diverse that no ethnic group can call itself the majority? Exploring a question that has profound relevance for the nation as a whole, this study looks closely at eclectic neighborhoods in California where multiple minorities constituted the majority during formative years of the twentieth century. In a lively account, woven throughout with vivid voices and experiences drawn from interviews, ethnic newspapers, and memoirs, Allison Varzally examines everyday interactions among the Asian, Mexican, African, Native, and Jewish Americans, and others who lived side by side. What she finds is that in shared city spaces across California, these diverse groups mixed and mingled as students, lovers, worshippers, workers, and family members and, along the way, expanded and reconfigured ethnic and racial categories in new directions.

Contents

• Illustrations
• Acknowledgments
• Introduction
• 1. California Crossroads
• 2. Young Travelers
• 3. Guess Who’s Joining Us for Dinner?
• 4. Banding Together in Crisis
• 5. Minority Brothers in Arms
• 6. Panethnic Politics Arising from the Everyday
• Conclusion
• Notes
• Bibliography
• Index

Chinese Mixed Race in Transnational Comparison (Sawyer Seminar IV)

University of Southern California
Dana and David Dornsife College of Letters, Arts and Sciences
Center for Japanese Religions and Culture
University Park Campus
Doheny Memorial Library (DML), Room: 110C
2013-09-27, 13:00-17:00 PDT (Local Time)

USC Conference Convenors:

Duncan Williams, Associate Professor of Religion
University of Southern California

Brian C. Bernards, Assistant Professor of East Asian Languages and Cultures
University of Southern California

Velina Hasu Houston, Associate Dean for Faculty Recognition and Development, Director of Dramatic Writing and Professor
University of Southern California

PRESENTERS:

“At the Fringes of the Color Line: Re-Examining the One-Drop Rule Through the Transpacific Crossings of Chinese-White Biracials, 1912-1942”

Emma J. Teng, T.T. and Wei Fong Chao Professor of Asian Civilizations and Associate Professor of Chinese Studies
Massachusetts Institute of Technology

“Crossing Boundaries, Claiming a Homeland: Chinese Mexicans’ Transpacific Journeys and the Quest to Belong”

Julia María Schiavone-Camacho, Assistant Professor of History
University of Texas, El Paso

“Sino-Tibetan Hybridity and Ethnic Identity Perception in China”

Patricia Schiaffini, Assistant Professor of Chinese
Southwestern University, Georgetown, Texas

Presented by the Center for Japanese Religions and Culture’s “Critical Mixed-Race Studies: A Transpacific Approach” Andrew W. Mellon Foundation John E. Sawyer Seminars Series at the University of Southern California.

For more information, click here.

Purchasing Whiteness in Colonial Latin America

Not Even Past: “The past is never dead. It’s not even past.” —William Faulkner
Department of History
University of Texas at Austin
2013-09-18

Ann Twinam, Professor of History
University of Texas, Austin

The castas, or mixed race populations, suffered numerous forms of discrimination in colonial Latin America, but in practice pardos and mulatos could still achieve some social mobility.  A rare few, by the mid eighteenth century, were able to petition the Spanish crown through a process known as the gracias al sacar, to purchase whiteness…

Read the entire article here.

Mexico, From Mestizo to Multicultural

Vanderbilt University Press
2007-06-29
254 pages
7in x 10in
60 Illustrations
Paperback ISBN: 9780826515391
Hardback ISBN: 9780826515384

Carrie C. Chorba, Associate Professor of Spanish
Claremont McKenna College, Claremont, California

In Mexico, the confluence of the 1992 Quincentennial commemoration of Columbus’s voyages and the neo-liberal sexenio, or presidency, of Carlos Salinas de Gortari spurred artistic creations that capture the decade like no other source does. In the 1990s, Mexican artists produced an inordinate number of works that revise and rewrite the events of the sixteenth-century conquest and colonization. These works and their relationship to, indeed their mirroring of, the intellectual and cultural atmosphere in Mexico during the Salinas presidency are of paramount importance if we are to understand the subtle but deep shifts within Mexico’s national identity that took place at the end of the last century.

Throughout the twentieth century, the post-revolutionary Mexican State had used mestizaje as a symbol of national unity and social integration. By the end of the millennium, however, Mexico had gone from a PRI-dominated, economically protectionist nation to a more democratic, economically globalizing one. More importantly, the homogenizing, mestizophile national identity that pervaded Mexico throughout the past century had given way to official admission of Mexico’s ethnic and linguistic diversity–or ‘pluriculture’ according to President Salinas’s 1992 constitutional revision.

This book is the first interdisciplinary study of literary, cinematic, and graphic images of Mexican national identity in the 1980s and ’90s. Discussing, in depth, writings, films, and cartoons from a vast array of contemporary sources, Carrie C. Chorba creates a social history of this important shift.