Mixed Race Studies

Love, Liberation, and Escaping Slavery: William and Ellen Craft in Cultural Memory

University of Georgia Press
2015-05-15
136 pages
8 b&w photos
Trim size: 6 x 9
Hardcover ISBN: 978-0-8203-3802-6
Paper ISBN: 978-0-8203-4724-0
Ebook ISBN: 978-0-8203-4832-2

Barbara McCaskill, Associate Professor of English and co-director of the Civil Rights Digital Library
University of Georgia

How William and Ellen Craft’s escape from slavery, their activism, and press accounts figured during the antislavery movement of the mid-1800s and Reconstruction

he spectacular 1848 escape of William and Ellen Craft (1824–1900; 1826–1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his “master’s” devoted slave valet; both traveled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts’ activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts’ only book, their memoir, Running a Thousand Miles for Freedom, published in 1860.

Yet as this study of key moments in the Crafts’ public lives argues, the early print archive—newspapers, periodicals, pamphlets, legal documents—fills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences’ changing reactions to them. By discussing such events as the 1878 court case that placed William’s character and reputation on trial, this book also invites readers to reconsider the Crafts’ triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early American print culture.

A Language of Our Own: The Genesis of Michif, the Mixed Cree-French Language of the Canadian Métis

Oxford University Press
1997-06-05
336 pages
1 linecut, 5 maps
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780195097115
Paperback ISBN: 9780195097122

Peter Bakker, Associate professor
Department of Aesthetics and Communication
Aarhus University, Aarhus, Denmark

The Michif language—spoken by descendants of French Canadian fur traders and Cree Indians in western Canada—is considered an “impossible language” since it uses French for nouns and Cree for verbs, and comprises two different sets of grammatical rules. Bakker uses historical research and fieldwork data to present the first detailed analysis of this language and how it came into being.

A True History Full of Romance: Mixed marriages and ethnic identity in Dutch art, news media, and popular culture (1883–1955) by Marga Altena (review)

Journal of Colonialism and Colonial History
Volume 15, Number 3, Winter 2014
DOI: 10.1353/cch.2014.0039

Eveline Buchheim, Researcher
NIOD Institute for War, Holocaust and Genocide Studies, Amsterdam, The Netherlands

Altena, Marga, A True History Full of Romance: Mixed Marriages and Ethnic Identity in Dutch Art, News Media, and Popular Culture (1883-1955) (Amsterdam: Amsterdam University Press, 2012).

Even before the Second World War, cases of interracial unions had been recorded in the Netherlands, but the greater part of the Dutch public in the late nineteenth and early twentieth centuries still considered these bonds extraordinary. If the possibility of such unions crossed the minds of common Dutch citizens at all, they were mainly associated with colonial life in the Dutch East Indies. Although certainly not unambiguous aspects of colonial life, mixed unions were part and parcel of the Dutch colonial experience. Even in this colonial context, however, unions of White women with Indigenous men were extremely unusual. A European woman who entered such a marriage excluded herself from the community of Europeans. In the Netherlands itself, the term “mixed marriages” was used during this period primarily to refer to unions either outside the individual’s social class or with spouses of a different religious background, an important distinguishing feature in strongly “pillarized” Dutch society. In her book, Altena presents three cases of Dutch White women who, against all odds, married men of color. They did so in a period when it was still quite unusual and—perhaps as a result of this uniqueness—all three of the analyzed marriages figured prominently in the news. The unions were also represented in other cultural media expressions such as fiction. This gives Altena the opportunity to analyze how ethnic identity was constructed in Dutch media from various angles.

Altena’s first case concerns the marriage of Frederick Taen, the son of a Chinese father and an English mother, to the Dutch woman Mia Cuypers. It is interesting to note that Taen’s partial European roots were apparently completely lost in the public representation. Was this something Taen did on purpose? He might have deemed Chinese roots favorable for his business trade. Cuypers was the daughter of a famous Dutch architect, P.J.H. Cuypers, known among other works for building the Rijksmuseum. The artistic background of the bride and the affluence of the groom made the union interesting enough to be represented in several instances of cultural expression. Mia Cuypers was a special woman in other respects as well; she went against the grain multiple times, first by marrying Frederick Taen, then by divorcing him, and, later, by not totally denying the misalliance.

The second case is the marriage of Johanna van Dommelen and Angus Montour (Twanietanekan), also known as American Horse, in 1906, the bride an unmarried mother from The Hague, the groom a Mohawk widower from eastern Canada. Altena analyzes the press coverage in both countries. She makes it very clear that for both the bride and the groom their union had several advantages, and shows how they used the media attention to improve their lives.

The last case that Altena describes is that of the marriage between Marie Borchert and Joseph Sylvester in 1928, in the town of Hengelo. Borchert was the daughter of a well-to-do local family, Sylvester a salesman and entertainer. This couple clearly orchestrated their public performance. This is understandable partly because of how Sylvester earned a living. The case gets really interesting when Altena recalls how the couple used press coverage to raise awareness among their fellow citizens about the use of Black stereotypes.

By analyzing the three marriages on the basis of how they figured in the public domain, Altena wanted to investigate the representation of ethnic identity in Dutch culture between 1883 and 1955. Altena’s period of research seems rather arbitrary, and primarily relates to events in the personal lives of the three couples. Taen and Cuypers met in 1883 at the International Colonial and Export Trade Exhibition in Amsterdam. The year 1955 marks Joseph Sylvester’s death. In her analysis, Altena focuses on the micro-histories and does not pay much attention to the influence of the spirit of the age under investigation. Her paragraph on the historical and sociocultural context provides a broad outline, but does not really elaborate on the appraisal or disapproval of foreigners in relation to larger historical events. There is no special attention paid to the changing colonial relationship between the Dutch East Indies and the Netherlands of the late nineteenth and early…

Critical Mixed-Race In Transnational Perspective: The US, China, And Hong Kong, 1842-1943

Center for East Asian Studies
Lathrop East Asia Library, Room 224
Stanford University
518 Memorial Way, Stanford, California
Thursday, 2015-01-15, 16:15-17:30 PST (Local Time)

Emma Teng, T.T. and Wei Fong Chao Professor of Asian Civilizations
Massachusetts Institute of Technology

This paper will examine the intersection of Sinophone Studies and Critical Mixed-Race Studies (CMRS) – two new and critical paradigms of inquiry – as productive forces in reshaping Chinese Studies beyond the old Area Studies model. My work analyzes the evolving discourses on mixed-race as well as the lived experiences of Eurasians in China, Hong Kong, and the US during the era between 1842 and 1943, and thus lies at the intersection of these two emergent and dynamic fields. Through my research on transnational Chinese-Western mixed families I aim to expand the horizons of Critical Mixed-Race Studies, which has been dominated by the study of black-white interracialism. I ask how a transpacific comparative approach might shift the theoretical frameworks for critical race and ethnic studies by challenging the presumed universality of US-centric models. At the same time, I aim to expand the horizons of “Chinese” studies, asking how mixed-race or transracial hybrid identities contest racially bounded, Han Chinese-centric definitions of Chineseness.

For more information and to RSVP, click here.

“The Christened Mulatresses”: Euro-African Families in a Slave-Trading Town

The William and Mary Quarterly
Volume 70, Number 2, April 2013
pages 371-398
DOI: 10.5309/willmaryquar.70.2.0371

Pernille Ipsen, Assistant Professor
Department of Gender and Women’s Studies, Department of History
University of Wisconsin, Madison

“MULATRESSE Lene”—or Lene Kühberg, as she is also called in the Danish sources—grew up and lived in a social world created by the Atlantic slave trade. Her name suggests that she was a daughter of slave traders—a Ga woman and a Danish man—and in the 1760s she was cassaret (married) to Danish interim governor and slave trader Frantz Joachim Kühberg. She lived in a European-style stone house in Osu (today a neighborhood in Accra) on the Gold Coast, and she was both racially and culturally Euro-African. The color of her skin and her name alone would have made it clear to everyone who met her that she was related to Europeans, but her clothes would also have marked her difference, and she may even have worn little bells and ornamental keys to show her heritage and connections. European travel writers described how Euro-African women on the Gold Coast who wore such little bells jingled so much that they could be heard at a great distance. Through their Euro-African heritage and marriages to European men, Euro-African women such as Lene Kühberg occupied a particular and important position as intermediaries in the West African slave trade.

Daughters of the Trade: Atlantic Slavers and Interracial Marriage on the Gold Coast

University of Pennsylvania Press
January 2015
288 pages
6 x 9 | 17 illus.
Cloth ISBN: 978-0-8122-4673-5
Ebook ISBN: ISBN 978-0-8122-9058-5

Pernille Ipsen, Assistant Professor
Department of Gender and Women’s Studies, Department of History
University of Wisconsin, Madison

Examining five generations of marriages between African women and European men in a Gold Coast slave trading port, Daughters of the Trade uncovers the vital role interracial relationships played in the production of racial discourse and the increasing stratification of the early modern Atlantic world.

Severine Brock’s first language was Ga, yet it was not surprising when, in 1842, she married Edward Carstensen. He was the last governor of Christiansborg, the fort that, in the eighteenth century, had been the center of Danish slave trading in West Africa. She was the descendant of Ga-speaking women who had married Danish merchants and traders. Their marriage would have been familiar to Gold Coast traders going back nearly 150 years. In Daughters of the Trade, Pernille Ipsen follows five generations of marriages between African women and Danish men, revealing how interracial marriage created a Euro-African hybrid culture specifically adapted to the Atlantic slave trade.

Although interracial marriage was prohibited in European colonies throughout the Atlantic world, in Gold Coast slave-trading towns it became a recognized and respected custom. Cassare, or “keeping house,” gave European men the support of African women and their kin, which was essential for their survival and success, while African families made alliances with European traders and secured the legitimacy of their offspring by making the unions official.

For many years, Euro-African families lived in close proximity to the violence of the slave trade. Sheltered by their Danish names and connections, they grew wealthy and influential. But their powerful position on the Gold Coast did not extend to the broader Atlantic world, where the link between blackness and slavery grew stronger, and where Euro-African descent did not guarantee privilege. By the time Severine Brock married Edward Carstensen, their world had changed. Daughters of the Trade uncovers the vital role interracial marriage played in the coastal slave trade, the production of racial difference, and the increasing stratification of the early modern Atlantic world.

Table of Contents

• Maps
• Introduction. Severine’s Ancestors
• Chapter 1. Setting Up
• Chapter 2. A Hybrid Position
• Chapter 3. “What in Guinea You Promised Me”
• Chapter 4. “Danish Christian Mulatresses”
• Chapter 5. Familiar Circles
• Epilogue. Edward Carstensen’s Parenthesis
• Notes
• Note on Sources
• Bibliography
• Index
• Acknowledgments

Reflections on Black German History

Arriving In The Future: Black German Stories of Home and Exile
2015-01-10

Asoka Esuruoso & Philipp Khabo Koepsell

“Unsere Geschichte nicht erst nach 1945 begann. Vor unseren Augen stand unsere Vergangenhait, die eng verknupft ist mit der kolonialien und nationalsozialistischen deutschen Geschichte.” Our history did not begin after 1945. Before our eyes stands our past, closely bound with colonial and national socialist German history.

–Farbe bekennen: Afro-deutsche Fraunen auf den Spuren ihrer Geschichte (Showing Our Colors: Afro German Women Speak Out)

For centuries people of African descent have been born and raised in Germany. The Black experience in Germany has been documented for over 300 years with the first known research on the African experience in Germany presented in Latin by the West African scholar Anton Wilhelm Amo, in his dissertation “The Rights of Moors in Europe” (De jure Mauro in Europa) written in 1729. He was a Ghanaian brought to Germany in 1703 ‘as a present’ form the Dutch West India Company to count Anton Ulrich von Wolfenbuttel. The count despite all expectations would eventually send Amo to the University of Halle to receive and education in Enlightenment philosophy where Amo would later teach before being appointed a member of the State Council of the Prussian crown by Fredrick William I. Amo was not alone. There are records of Black African legions being brought to Germany by Julius Caesar. Many Africans were shipped to Germany as “tokens” by German merchants during the Middle Ages. More would arrive during Germany’s colonial period, many of their own independent agency as the son’s of wealthy and powerful African families. French African solders would be stationed on German soil after the First World War only to be followed by the African American solders who would be stationed there after the Second. Students from the African Diaspora would study at German Universities. Countless refugees, asylum seekers, immigrants, professors, academics, scientists, artists, writers, workers, performers, and more, much more from the African Diaspora would come to live, work, study, and be born upon Germany’s soil. Yet despite their presence Afro German stories are still unnoticed within Germany’s dominant society and literature and stereotypical clichés continue to dominate images of the Black Diaspora within greater German society…

Read the entire article here.

Carl N. Degler, Scholarly Champion of the Oppressed in America, Dies at 93

The New York Times
2015-01-10

Sam Roberts, Urban Affairs Correspondent

For four decades, as a Stanford University scholar, a Pulitzer Prize-winning author and a commentator who envisioned a future that did not repeat the mistakes of the past, Carl N. Degler endeavored to remedy American myopia.

“Virtually from the beginning,” Professor Degler once lamented, “Americans have seen themselves outside history, as a people constituting a nation of the future.”

Delving into overlooked corners of history, he illuminated the role of women, the poor and ethnic minorities in the nation’s evolution and was embraced as a feminist and defender of affirmative action. He explored the 19th century American South; compared race relations in the United States and Brazil; and traced a revival of biological Darwinism in debates over human behavior.

He died on Dec. 27 at 93 in Palo Alto, Calif., his wife, Therese, confirmed.

As an emeritus professor of American history at Stanford, Professor Degler encouraged his students to pursue less traveled intellectual paths, as he had with his book “Neither Black Nor White,” which was awarded a Pulitzer Prize for history in 1972. In it he compared the origins and legacy of slavery in the United States and Brazil…

Read the entire obituary here.

Say It Loud, I’m Coloured and I’m Proud

The Root
2013-10-08

Lindsay Johns

Not black, not African: One man says it’s not easy being “Coloured” in South Africa.

Editor’s note: The spelling of the ethnic term “Coloured,” used within the context of South African history and culture, reflects the writer’s preference.

(The Root) — I know what you’re probably thinking, and to be honest, I don’t blame you. You probably took one look at the title of this piece and thought to yourself, “Hmmm, what kind of misguided individual, brainwashed by self-hate into a feeble attempt at reclaiming the oppressor’s language, would write a thing like that?” Regressive. Jarring. Distasteful, even. A deliberately provocative throwback to the demeaning racial abuse of the Jim Crow era, painfully evocative of segregated water fountains, restaurants, the backs of buses and despicable “Colored Only” signage.

Let me swiftly disabuse you of any such notion. Yes, you read the title correctly. Coloured and proud is what I am. And what’s more, I didn’t put my hands up to make inverted comma signs around the word, as if asking for special dispensation for the benefit of the politically correct brigade, whose knee-jerk reaction is to see it as an intrinsically bad word, without wholly understanding its usage or history in a broader, global context. I’m certainly not trying to be needlessly provocative but instead am trying to make a serious point. Just hear me out before you rush to judge or, worse still, take offense.

Let me make it very clear. I know full well that in an American or a British context, the term “colored” (or “coloured”) is an outdated and undeniably pejorative epithet. On that we are in wholehearted agreement. So you’ll be relieved to hear that I’m not using it in that context; nor would I ever.

My family are Coloured from Cape Town in South Africa. And here’s the rub: In a South African context, “Coloured” is a wholly acceptable word. But, pray tell, I hear you ask, what exactly do I mean by “Coloured”? I can almost hear the confusion in your voice. That’s another word for “black,” right? Or do I mean “light-skinned”? Or does it mean “mixed-race”? In fact, it can mean all and none of the above…

Read the entire article here.

The New Creole Movement

Jambalaya Magazine & Clothing
2015-01-08

Julia Dumas

There is a movement brewing. It is a movement with a mission to reclaim Louisiana Creole culture.

Many Louisianians have been scarred by a painful past full of racism and colorism. Darker people were banned from claiming Creole heritage, if unable to pass the brown paper bag test. Lighter Creoles of Color who closely identified with their African roots consciously chose not to claim Creole heritage, as a means not to seem separate. This left an impression that the only true Creoles were of primarily European descent. Our internal struggle with race and color has done a great injustice to us as a people.

As many Louisiana Creoles migrate across the country and the world, we have discovered how truly unique our culture is. I believe this is why there is a cultural revival brewing. We proudly live our culture, but refuse to name it. Before we can all proudly reclaim our Creole heritage, we must first answer some basic questions…

Read the entire article here.