Mixed Race Studies

Incorrigible

Wilfrid Laurier University Press
December 2004
184 pages
ISBN13: 978-0-88920-444-7

Velma Demerson

On a May morning in 1939, eighteen-year-old Velma Demerson and her lover were having breakfast when two police officers arrived to take her away. Her crime was loving a Chinese man, a “crime” that was compounded by her pregnancy and subsequent mixed-race child. Sentenced to a home for wayward girls, Demerson was then transferred (along with forty-six other girls) to Toronto’s Mercer Reformatory for Females. The girls were locked in their cells for twelve hours a day and required to work in the on-site laundry and factory. They also endured suspect medical examinations. When Demerson was finally released after ten months’ incarceration weeks of solitary confinement, abusive medical treatments, and the state’s apprehension of her child, her marriage to her lover resulted in the loss of her citizenship status.

This is the story of how Demerson, and so many other girls, were treated as criminals or mentally defective individuals, even though their worst crime might have been only their choice of lover. Incorrigible is a survivor’s narrative. In a period that saw the rise of psychiatry, legislation against interracial marriage, and a populist movement that believed in eradicating disease and sin by improving the purity of Anglo-Saxon stock, Velma Demerson, like many young women, found herself confronted by powerful social forces. This is a history of some of those who fell through the cracks of the criminal code, told in a powerful first-person voice.

Velma Demerson is a widow, and mother of three children—the first child, the son of her interracial marriage, died at age twenty-six. She has worked throughout her life in a variety of positions, mostly as a secretary for governments (provincial and federal) and lawyers. She is self-educated. This is her first book.

Read an excerpt here.

Pearl’s Secret: A Black Man’s Search for His White Family

University of California Press
May 2001
Paperback ISBN: 9780520227309
321 pages
5-1/2 x 8-1/4 inches, 25 b/w photographs, 2 line illustrations

Neil Henry, Associate Professor of Journalism
University of California, Berkeley

Pearl’s Secret is a remarkable autobiography and family story that combines elements of history, investigative reporting, and personal narrative in a riveting, true-to-life mystery. In it, Neil Henry—a black professor of journalism and former award-winning correspondent for the Washington Post—sets out to piece together the murky details of his family’s past. His search for the white branch of his family becomes a deeply personal odyssey, one in which Henry deploys all of his journalistic skills to uncover the paper trail that leads to blood relations who have lived for more than a century on the opposite side of the color line. At the same time Henry gives a powerful and vivid account of his black family’s rise to success over the twentieth century. Throughout the course of this gripping story the author reflects on the part that racism and racial ignorance have played in his daily life—from his boyhood in largely white Seattle to his current role as a parent and educator in California.

The contemporary debate over the significance of Thomas Jefferson‘s longtime romantic relationship with his slave, Sally Hemings, and recent DNA evidence that points to his role as the father of black descendants, have revealed the importance and volatility of the issue of dual-race legacies in American society. As Henry uncovers the dramatic history of his great-great-grandfather—a white English immigrant who fought as a Confederate officer in the Civil War, found success during Reconstruction as a Louisiana plantation owner, and enjoyed a long love affair with Henry’s great-great-grandmother, a freed black slave—he grapples with an unsettling ambivalence about what he is trying to do. His straightforward, honest voice conveys both the pain and the exhilaration that his revelations bring him about himself, his family, and our society. In the book’s stunning climax, the author finally meets his white kin, hears their own remarkable story of survival in America, and discovers a great deal about both the sting of racial prejudice as it is woven into the fabric of the nation, and his own proud identity as a teacher, father, and black American.

Demystifying the “Tragic Mulatta”: the Biracial Woman as Spectacle

Stanford Black Arts Quarterly
Stanford University
2.3 (Summer/Spring 1997)
Pages 12-14

Stafanie Dunning, Associate Professor and Director of Literature Program
Miami University, Ohio

“You know redbone girls got a problem.” —Cassandra Wilson, Blue Light ‘Til Dawn

“Indigenous like corn, like corn the mestiza is a product of crossbreeding, designed for preservation under a variety of conditions. Like an ear of corn, a female seed-bearing organ—the mestiza is tenacious, tightly wrapped in the husks of her culture.  Like kernels she clings to the cob; with thick stalks and strong brace roots, she holds tight to the earth—she will survive the crossroads.” — Anzaldua, Gloria. “La conciencia de la mestiza: Towards a New Consciousness.” in Making Face, Making Soul, Haciendo Caras: Creative and Critical Perspectives by Feminists of Color. San Francisco: Aunt Lute Books, 1990.

“They had splendid eyes, dark, luminous and languishing; lovely complexions and magnificent hair. — Harper, Francis. Iola Leroy. (Oxford: Oxford UP, 1988) p. 48.

 

To talk about the complexities of subjectivity is to enter into a discussion which necessarily locates itself at the intersection of race, clans, gender and sexuality. When thinking about my own subjective position, I am confronted by constructions that simultaneously identify, name, abridge and abstract me. Sometimes they help guide my thoughts about myself; at other times, they limit my thinking, reducing me to general categories of color, class, and desire. My present task, interrogation of a biracial subject position, is as much a gender discussion as it is a racial one. My investments in this discussion are deep; I am writing theoretically and distantly about myself— looking for truths about biraciality that I recognize in the words of other theorists, hoping to trace for myself and my audience one thread within a complex, unraveling cultural text. I am not interested here with how biracial subjects manage their subjectivites; such an approach inherently positions biraciality as problematic, the historical consideration of which falls beyond the scope of this project. Instead I will explore the way biracial subjectivity is gendered through its construction.

Women are the primary signifiers of miscegenation in literature and film. Likewise, the critical discourse on biraciality foregrounds the “tragic mulatta.” Yet, theorists regularly circumvent the issue of gender and theories lack interrogation of the point at which race and gender meet to sign biraciality. Visibility, i.e. what biracial people “look” like, makes up a significant part of biracial women’s experiences with uniracial onlookers. Moreover, visibility informs biracial women’s response to the uniracial “gaze.”  This paper posits that biraciality is read differently “along gender lines.” While discourses about “mulattos” efface biracial men, biracial women are discursively foregrounded as “exotic.” Effectively, biraciality is inscribed with a specifically female status: the desire of ‘uniracial’ onlookers to exoticize biracial women inform the “gaze” which casts biracial women, “spectacle.”…

Read the entire article here.

On Being Amorphous: Autoethnography, Genealogy, and a Multiracial Identity

Qualitative Inquiry
Volume 9, Number 1 (2003)
pages 20-48
DOI: 10.1177/1077800402239338

Sarah N. Gatson, Associate Professor of Sociology
Texas A&M University

The article is a sociologically informed approach to understanding the author’s own place and identity. Questions of personal identity serve to highlight larger insights about a crucial reality in the United States. The author engages a standpoint at the crux of America’s racial dilemma, combined with a specialization in research on race and ethnicity. First, the interactive and overlapping set of methodologies within which her own narrative of identity fits is discussed. These data are systematically collected and analyzed field notes, historical documents, and the embedded interactions from within a larger culture of literature, scholarship, and popular understandings. The body of the article consists of three examples that she characterizes as confronting her Blackness, confronting her multiracialness, and confronting her Whiteness.

Read or purchase the article here.

Hapa Girl: A Memoir

Temple University Press
March 2007
232 pages
5.5×8.25, 12 halftones
Paper EAN: 978-1-59213-616-2 (ISBN: 1592136168)
Cloth EAN: 978-1-59213-615-5 (ISBN: 159213615X

May-lee Chai

• Named one of the Notable Books in the Kiriyama Prize, 2008
• Honorable Mention at the Gustavus Myers Outstanding Book Awards, 2007

A vivid depiction of the racism suffered by a mixed-race family in rural South Dakota

In the mid-1960s, Winberg Chai, a young academic and the son of Chinese immigrants, married an Irish-American artist. In Hapa Girl (“hapa” is Hawaiian for “mixed”) their daughter tells the story of this loving family as they moved from Southern California to New York to a South Dakota farm by the 1980s. In their new Midwestern home, the family finds itself the object of unwelcome attention, which swiftly escalates to violence. The Chais are suddenly socially isolated and barely able to cope with the tension that arises from daily incidents of racial animosity, including random acts of cruelty.

May-lee Chai’s memoir ends in China, where she arrives just in time to witness a riot and demonstrations. Here she realizes that the rural Americans’ “fears of change, of economic uncertainty, of racial anxiety, of the unknowable future compared to the known past were the same as China’s. And I realized finally that it had not been my fault.”

Table of Contents

Prologue
Chapter 1: The Wearing of the Green
Chapter 2: The Sexy Artist Meets the Boy From New York City
Chapter 3: How to Charm a Mother-in-Law
Chapter 4: California Dreamin’
Chapter 5: The Banana
Chapter 6: The Banana’s Revenge
Chapter 7: Autumn in the Country
Chapter 8: Hunting Season
Chapter 9: The Little Things
Chapter 10: The Closet
Chapter 11: My Last Confession
Chapter 12: Bugs
Chapter 13: The Fall of the Prince
Chapter 14: The Jade Tree
Chapter 15: The Nights of Many Prayers
Chapter 16: What You Don’t Know Can Hurt You
Chapter 17: Stephen King High
Chapter 18: Barbarians
Chapter 19: Glamour Puss
Chapter 20: The Cannibals
Chapter 21: The Fine Art of Denial

Running a Thousand Miles for Freedom or The Escape of William and Ellen Craft from Slavery

Louisiana State University Press
Originally Published: 1860
Published by LSU Press: 1999
120 pages
Trim: 6 x 9
Illustrations: 5 halftones
ISBN-13: 978-0-8071-2320-1 Paper

William Craft

With a Foreword and Biographical Essay by

Richard J. M. Blackett,  Andrew Jackson Professor of History
Vanderbilt University

Husband and wife William and Ellen Craft’s [her mother was a slave and her father was her mother’s owner.] break from slavery in 1848 was perhaps the most extraordinary in American history. Numerous newspaper reports in the United States and abroad told of how the two—fair-skinned Ellen disguised as a white slave master and William posing as her servant—negotiated heart-pounding brushes with discovery while fleeing Macon, Georgia, for Philadelphia and eventually Boston. No account, though, conveyed the ingenuity, daring, good fortune, and love that characterized their flight for freedom better than the couple’s own version, published in 1860, a remarkable authorial accomplishment only twelve years beyond illiteracy. Now their stirring first-person narrative and Richard Blackett’s excellent interpretive pieces are brought together in one volume to tell the complete story of the Crafts.

Ellen Craft

Summary by Monique Pierce of Documenting The South:

Published in 1860, shortly before the start of the Civil War, Running a Thousand Miles for Freedom is the narrative of William and Ellen Craft‘s escape from slavery. Both were born and grew up in Georgia, and they lived in Macon prior to their escape. In December 1848 they devised a plan in which Ellen Craft, who was very light- skinned, would dress as a man and pretend to be a rheumatic seeking better treatment in Philadelphia. William was to accompany her and act as her slave. Relying exclusively on means of public transportation, including trains and steamers, they made their way to Savannah, then to Charleston, Wilmington, North Carolina, Washington, D.C., Baltimore, and Philadelphia, where they arrived on Christmas Day. They then relocated to Boston and sailed for England after the Fugitive Slave Law enabled slave hunters to pursue them even in free states. At the time this work was published, they were living in England with their sons. The narrative includes many anecdotes about slavery and freedom for Blacks and discusses how they were treated in both the South and the North.

Read the entire book in HTML format here.  You may also obtain it here.

Self-made women in a (racist) man’s world: The ‘tragic’ lives of Nella Larsen and Bessie Head

English Academy Review
Volume 25, Issue 1 (May 2008)
pages 66-76
DOI: 10.1080/10131750802099490

Diana Mafe, Assistant Professor of English
Denison University, Granville, Ohio

(Her research aims to situate mixed race studies in a relatively unexplored sub-Saharan African context.)

Nella Larsen, the ‘mystery woman of the Harlem Renaissance,’ and Bessie Head, the famous ‘woman alone,’ are known for their ambiguous origins and their fabrication of personal ‘facts.’This article argues that these mixed race female writers, born under Jim Crow and apartheid respectively, carved out niches in these segregationist societies through the art of self-invention. Because of their precarious positions as ‘mulattas’ in anti-miscegenation worlds, clear parallels are identifiable between Larsen and Head, such as the creation of multiple selves and the realisation of the ‘tragic mulatto‘ stereotype through such characters as Helga Crane in Larsen’s Quicksand (1928) and Elizabeth in Head’s A Question of Power (1973). The representation of the ‘mulatto’ as a tragic figure caught between races is primarily an American literary trope, but both Larsen and the African-born Head evoke this stereotype in their personal and written stories. These two writers also resist labelling, however, by inventing new identities through pseudonyms, autobiographical heroines, and imagined ‘truths.’ This article examines the overt parallels between two mixed race women writers from different generations and continents, initiating crucial dialogue about the development of racial stigmas across cultures and temporalities.

Read or purchase the article here.

Salt-sweat & Tears

Cinnamon Press
March 2007
80 pages
21 x 14 x 0.8 cm
Paperback ISBN 10: 1905614187; ISBN-13: 978-1905614189

Louisa Adjoa Parker

Of Ghanaian-British descent Louisa Adjoa Parker explores issues of identity, belonging, family and relationships in raw, honest, but crafted pieces.

Mulatto Girl

See the mulatto girl walking
down country lanes and fields, her
head held high, her skin the colour
of caramel boiling on the stove.  See her smile
in the knowledge she is not the first
to walk this green and pleasant
countryside, she has history stirring within her limbs
she has Africa’s heat and England’s cold rain
pumping through her blood, her
DNA a beautiful mix of gene pools
scattered across continents.  She is strong.
She show Africa in a way the English hide.
She shows an eighteenth century master’s love for slaves.
She shows a slave’s contempt.
She shows twentieth century people brave enough
to cross a line made of different tones of skin,
to love in spite of hate.

See the mulatto girl walking
down country lanes and fields, her head
held high, her quadroon baby girls
held on her hips, her hair thick and frizzed, lips
half full, there are no
white men dressing her in robes and jewels,
but see her smile, see her sway, as she walks
with her head held high.

Notes of a White Black Woman: Race, Color, Community

Penn State Press
1995
206 pages
6 x 9
cloth: ISBN 978-0-271-01430-2
paper: ISBN 978-0-271-02124-9

Judy Scales-Trent, Floyd H. & Hilda L. Hurst Faculty Scholar, Professor Emerita
State Univerisity of New York at Buffalo Law School

“I remember one time in particular, after the cab I was in crashed into the car in front, then backed into the one behind. A policeman stopped to help.  As he was taking down my name and address, I noticed that he had checked the ‘white’ box.  ‘Officer,’ I said politely, ‘you made an error on your form. I am not white. I am black.’ He gave me a long, bored look, decided not to discuss it, and said, ‘Sure, lady.  If you say so.’ If I say so? If I say so!  As if it were my idea!  I was enraged at his assumption that all of this—the categories, the racial purity laws, the lives that are stomped, mangled, ruined because of those categories and those laws ïwas based on my say-so.  If I said so, we would do away with all of it ïthe sickness and fear, the need to classify as a way to control, the need to make some appear smaller so that others can appear larger. ‘If I say so’ indeed.”

While the “one-drop rule” in the United States dictates that people with any African ancestry are black, many black Americans have white skin.  Notes of a White Black Woman is one woman’s attempt to describe what it is like to be a “white” black woman and to live simultaneously inside and outside of both white and black communities.

Law professor Judy Scales-Trent begins by describing how our racial purity laws have operated over the past four hundred years.  Then, in a series of autobiographical essays, she addresses how race and color interact in relationships between men and women, within families, and in the larger community.  Scales-Trent ultimately explores the question of what we really mean by “race” in this country, once it is clear that race is not a tangible reality as reflected through color.

Scales-Trent uses autobiography both as a way to describe these issues and to develop a theory of the social construction of race.  She explores how race and color intertwine through black and white families and across generations; how members of both black and white communities work to control group membership; and what happens to relations between black men and women when thelayer of color is placed over the already difficult layer of race.  She addresses how one can tell–and whether one can tell–who, indeed, is “black” or “white.”  Scales-Trent also celebrates the richness of her bicultural heritage and shows how she has revised her teaching methods to provide her law students with a multicultural education.

Racially Mixed People in America

SAGE Publications, Inc.
1992
400 pages
Paperback ISBN: 9780803941021

Edited by Maria P. P. Root

Recipient of the Gustavus Myers Center for the Study of Human Rights in the United States 1993 Outstanding Book Award.

America has been the breeding ground of a “biracial baby boom” for the past 25 years. Unfortunately, there has been a dearth of information regarding how racially mixed people identify and view themselves and how they relate to one another. Racially Mixed People in America steadily bridges this gap and offers a comprehensive look at the social and psychological adjustment of mixed-race people, models for identity development, contemporary immigration and marriage patterns, and methodological issues involved in conducting research with mixed-race people, all in the context of America’s mixed race past and present. Including contributions by ethnohistorians, psychologists, and sociologists, this powerful volume will provide the reader a tool for examining ideologies surrounding race, race relations, and the role of social science in the deconstruction of race. Racially Mixed People in America is essential reading for researchers and practitioners in cross-cultural studies, psychology, family studies, sociology, and social work.

Table of Contents

• PART ONE: RACIAL ECOLOGY
  • Within, Between, and Beyond Race — Maria P. P. Root
  • The Illogic of American Racial Categories — Paul R. Spickard
  • The Human Ecology of Multiracial Identity — Robin L. Miller
  • Developmental Pathways — Deborah J. Johnson
  • Toward an Ecological Theoretical Formulation of Race Identity in Black/White Biracial Children
  • Mixed Heritage Individuals — Cookie White Stephan
  • Ethnic Identity and Trait Characteristics
  • The Quiet Immigration — Michael C. Thornton
  • Foreign Spouses of US Citizens, 1945-1985
  • Beauty and the Beast — Carla K. Bradshaw
  • On Racial Ambiguity
• PART TWO: RECOVERING THE MULTIRACIAL PAST
  • Passers and Pluralists G. Reginald Daniel
  • Subverting the Racial Divide
  • Blood Quantum — Terry P. Wilson
  • Native American Mixed Bloods
  • La Raza and the Melting Pot — Carlos A. Fernandez
  • A Comparative Look at Multiethnicity
  • From Dust to Gold Kieu — Linh Caroline Valverde
  • The Vietnamese Amerasian Experience
  • An Invisible Monster — Cynthia L. Nakashima
  • The Creation and Denial of Mixed Race People in America
• PART THREE: WHAT OF THE CHILDREN
  • Back to the Drawing Board Maria P. P. Root
  • Methodological Issues in Research on Multiracial People
  • Identity Development in Biracial Children — James H. Jacobs
  • Between a Rock and a Hard Place — Ana Mari Cauce et al
  • Social Adjustment of Biracial Youth
  • Negotiating Ethnic Identity — Jewelle Taylor Gibbs and Alice M. Hines
  • Issues for Black/White Biracial Adolescents
  • Offspring of Cross-Race and Cross-Ethnic Marriages in Hawaii — Ronald C. Johnson
  • Please Choose One — Christine C. Iijima Hall
  • Ethnic Identity Choices for Biracial Individuals
  • Interracial Japanese Americans — Amy Iwasaki Mass
  • The Best of Both Worlds or the End of the Japanese American Community?
  • Prism Lives Teresa — Kay Williams
  • Identity of Binational Amerasians
  • The Developmental Process of Asserting a Biracial, Bicultural Identity — George Kitahara Kich
• PART FOUR: CHALLENGING THE CENSUS
  • Is Multiracial Status Unique? The Personal and Social Experience — Michael C. Thornton
  • Coloring Outside the Lines — Christine C. Iijima Hall
  • Multicultural Identity and the Death of Stereotypes — Philip Tajitsu Nash
  • Beyond Black and White — G. Reginald Daniel
  • The New Multiracial Consciousness
  • From Shortcuts to Solutions — Maria P. P. Root