Mixed Race Studies

Defining racism in S. Korea

AsiaOne
2014-09-05

The Korea Herald/Asia News Network

“We apologise, but due to Ebola virus we are not accepting Africans at the moment.”

This is what a bar in Itaewon, a popular area for expats and tourists in Seoul, publicly posted in front of its property last month.

The statement triggered thousands of angry comments online, both from expats and locals ― especially after the public learned of reports that the bar admitted a white person from South Africa, while banning almost all dark-skinned individuals, regardless of their nationalities.

The incident is likely to get attention from Mutuma Ruteere, the UN special rapporteur on racism. Ruteere is scheduled to visit Seoul later this month to monitor the situation of racial discrimination and xenophobia in Korea and will file a report to the UN Human Rights Council next year.

The incident is one of the growing number of racism cases in the country ― Asia’s fourth-biggest economy, a key manufacturing powerhouse in the region, as well as the producer of hallyu.

While the nation’s immigrant population continues to rise, Korean racism ― both structural and internalized ― is becoming a growing concern to the international community.

Complex nature of racism in Korea

Korean racism, however, must be understood differently from its Western cousin, experts say.

It is a complex product of the country’s colonial history, postwar American influence and military presence, rapid economic development as well as patriotism that takes a special pride in its “ethnic homogeneity,” according to professor Kim Hyun-mee from Yonsei University…

…Korean racism also contains internalized white supremacy, Kim added. “After the Korean War, Korea became a country with US military presence. At the same time, it was exposed to American popular culture, including Hollywood films, and was influenced by their representation of visible minorities,” Kim said.

“We need to note that interracial marriage was legally banned in (parts of) the US until 1967. The very first children who were sent overseas for foreign adoption in 1954 from Korea were mixed-race children born to African-American soldiers and Korean women.”

Internalized white supremacy can be seen even in today’s TV shows in Korea, according to a local NGO Women Migrants Human Rights Center of Korea.

When a Korean person is married to a (white) citizen of Western country, his or her family is referred as a “global family” with a positive connotation by hosts on TV programs, while families consisting of a Korean man married to a woman from a Southeast Asian country is called a “multicultural family,” a term that is rather stigmatizing and discriminatory among Koreans, the NGO wrote in a report to be submitted to UN Rapporteur Ruteere.

Racially insensitive programming on Korea’s national broadcasting networks have also emerged as a problem. In February, national broadcaster KBS aired three Korean comedians, dressed as “Africans” by wearing a curly wig and painting their faces black, in a segment in its comedy show “Gag Concert.” The programme received a criticism from expats here, saying that it was racist and extremely inappropriate…

Read the entire article here.

Sociology of Race and Ethnicity will publish its first issue in January 2015!

The Section on Racial and Ethnic Minorities, the American Sociological Association (ASA), along with Sage, will open the submission portal for the new journal, Sociology of Race and Ethnicity, which will publish its first issue in January 2015!

The official journal of ASA’s Section for Racial and Ethnic Minorities, Sociology of Race and Ethnicity will publish the highest quality, cutting-edge sociological research on race and ethnicity regardless of epistemological, methodological, or theoretical orientation. While the study of race and ethnicity has derived from a broad and deep tradition of interdisciplinarity, sociology indeed has often been at the forefront of scholarly understanding of the dynamics of race and ethnicity; yet, there exists no journal in sociology devoted to bringing together this important theoretical, empirical, and critical work. Sociology of Race and Ethnicity will provide a fulcrum upon which sociologically-centered work will swing as it also seeks to provide new linkages between the discipline of sociology and other disciplines and areas where race and ethnicity are central components.

Sociology of Race and Ethnicity, published four times per year, is devoted to publishing the finest cutting-edge, critical, and engaged public sociological scholarship on race and ethnicity.

Each issue will be organized around a core group of original research articles. Depending on the length of the articles, each issue will have approximately three or four of these articles. Original articles, of 8,000 to 10,000 words, will represent rigorous sociological research in the sociology of race and ethnicity, broadly conceptualized, methodologically varied, and theoretically important pieces. The journal will also include a section that will feature original research and pedagogical application pieces devoted to the teaching of race and ethnicity–“Race and Ethnicity Pedagogy”–as well as Book Reviews and a section on Books of Note.

We are currently welcoming submissions of:

• Regular length journal articles (8,000-10,000 words)
• Shorter pieces on race and ethnicity pedagogy (1,500 words)

The journal’s co-editors, associate editors, and editorial board members are committed creating a high quality outlet for the most important work in the sociology of race and ethnicity, through timely and constructive peer reviews, careful and engaging editorial decision-making, as well as drawing from all epistemological, theoretical, and methodological perspectives and approaches.

Subscription Information:

Individual articles are available for immediate purchase online (See View Full-Text icon above). Print copies of individual issues can be purchased by contacting the SAGE Journals Customer Service department journals@sagepub.com 1-800-818-7243.

If you are eligible for non-standard pricing please contact Journals Customer Service department journals@sagepub.com 1-800-818-7243 for a price quote.

For more information, click here. For submission guidelines, click here.

Advanced Topics in Asian American Studies; The Multiracial Experience in the US (AAST498Y)

University of Maryland
Fall 2014

Lawrence Davis

Course will focus on multiracial (“mixed race”) identity and how the experiences of multiracial people contribute to our broader understanding of racial identity and formation. Course draws on literature and research produced by and about multiracial people. In addition, students will access the topic through comment boards, live chat sessions, podcasts, and multimedia. Readings and other course materials have been selected to challenge and grow students’ understandings of race and mixed race. Also offered as AMST418W.

The Privilege of White Hispanic: Leaving Out the Rest

Latino Voices
The Huffington Post
2014-09-09

César Vargas, Writer, director, activist

People talk so much about Latinos denying their Blackness, but bring up the term “white Latino” and you will see an extreme reaction, visceral attack from white Latinos themselves. Tactics such as (and I’m pretty sure you’ve read this a lot from racist Americans): Stop talking about race, Latinos aren’t racist, white and Black Latinos are still treated the same, your language is divisive. They love to pretend they don’t enjoy privileges afforded to them when they identify as Latino or Hispanic.

Embracing Latino or Hispanic has not benefitted Indigenous folks, Chicanos or Afro-Latinos because it has been robbed from the rest of us by white Latinos for their own agenda: money and political powers with brands, sponsors, the government, publications, grants, you name it.

We are here to demand to be included in Latinoness and not just with a label so we can be targeted for political and monetary gain: with positions in the government, with positions as brand ambassadors, with positions in both the film industry and TV networks. With jobs…

Read the entire article here.

GUEST COLUMN: Brazil’s solution on race relations differs from U.S.

The Tuscaloosa News
Tuscaloosa, Alabama
2014-09-13

Larry Clayton, Professor of History Emeritus
University of Alabama

I had a friend from the Dominican Republic who came to the University of Alabama and Stillman College on a joint Fulbright appointment years ago. He was a well-known and respected poet and writer in his own land and, after a few months, he remarked to me, “Larry, I didn’t realize I was a black until I came to this country!”

The question of race, such a painful and rancorous illness in American society, has not played out the same in other countries with similar historical backgrounds.

A few years ago, Carl Degler wrote a Pulitzer Prize-winning study titled “Neither Black nor White: Slavery and Race Relations in Brazil and the United States.” His theme was summarized in the phrase the “mulatto escape hatch.” Degler compared the role of race in the histories of Brazil and the U.S.

Degler was curious: Why was Brazil thought to be a “racial democracy” of sorts, while the United States was fighting its way out of segregation? Both countries had had large African slave populations — Brazil’s much larger than America’s — both had emancipated the slaves in the 19th century, both were functioning republics and both were colonized by European settlers. So, why such different racial trajectories?

The difference was the “mulatto escape hatch,” or the ability of people of mixed races in Brazil to rise up and integrate across Brazilian society without their color or background being held against them…

Read the entire article here.

Monica Pearson Show with Fanshen Cox

Monica Pearson Show
KISS 104FM, Atlanta
Atlanta, Georgia
2014-09-14

Monica Pearson, Host

Fanshen Cox DiGiovanni, Award-Winning Actress, Producer and Educator
“One Drop of Love”

Listen Fanshen Cox DiGiovanni’s radio interview with Emmy Winner Monica Pearson on KISS 104 FM in Atlanta here (00:34:47). Download the interview here.

One-Woman Multimedia Show ONE DROP OF LOVE Comes to The Fox Theatre, 9/21

BroadwayWorld.com Atlanta
2014-07-10

The Fox Theatre is presenting One Drop of Love on Sunday, September 21 at 3 PM and 7 PM in the Fox Theatre’s Egyptian Ballroom. The show is a multimedia solo performance exploring family, race, love, pain and a path towards reconciliation. Monica Pearson, an active community leader and influencer, will moderate the discussion following both shows. Tickets are $25 and are available for purchase now at www.FoxTheatre.org, by calling 855-285-8499 or at The Fox Theatre Ticket Office.

LIMITED OFFER: ½ price tickets available on Goldstar!

One Drop of Love is a multimedia one woman show written and performed by the show’s writer/performer Fanshen Cox DiGiovanni and is produced by Ben Affleck and Matt Damon. It incorporates film, photographs and animation to examine how “race” has been constructed in the United States and how it can influence our most intimate relationships. The show will take you on a journey from the 1700s to the present spanning locations through the world as 16 characters facilitate reconciliation between a daughter and her father. Immediately following each performance, Fanshen facilitates a Q&A segment.

“Amazing performance, staging, autobiography, artistry and an amazing meditation on race and examination of America,” stated Ben Affleck, show producer and 2013 Academy Award winning actor. “I am in awe.” For more information on One Drop of Love, visit www.onedropoflove.org.

About Fanshen Cox DiGiovanni: Fanshen Cox DiGiovanni has been featured in the New York Times and on NPR as a spokesperson on using the arts to explore racial identity. She served as a Peace Corps Volunteer in Cape Verde, West Africa, and has designed curricula for and taught English as a Second Language to students from all over the world. She has been honored with the Peace Corps’ Franklin H. Williams Award, and with Peace Corps Fellows and Hollywood Foreign Press Association scholarships. She holds a BA in Spanish and Education, an MA in TESOL, and an MFA in Acting and Performance in Film, TV and Theater. Fanshen is also a proud member of Ensemble Studio Theater/LA Playwrights Unit, and a co-curator of www.MixedRootsStories.org…

For more information, click here. Purchase tickets here ($5.00 discount with promotional access code “LOVE”).

What Audiences Are Saying:

Fanshen Cox’s “One Drop of Love” interweaves the intimacy of personal experience with the larger social and political changes redefining race, gender and the kinship in America. As  important as the performance itself is Fanshen’s sincere interest in, and ability to, connect with her audiences, to link her extremely personal story to other people’s experiences, to be open to their voices even as she is telling her own story. Fanshen offers an insightful, smart, informed, clear-eyed investigation into the complexity of being “mixed” that makes her private journey of keen interest to anyone who crosses cultural or racial boundaries.

– Michele Elam, professor of English, Stanford University

Fanshen’s story is quite incredible, but it is her retelling of it that captures an audience.  I have rarely seen a group of teenagers so rapt with attention to hear the next word.  Her ability to use the personal to build a story about race, family and bridging painful rifts among loved ones and strangers was so potent for these young men and women who grapple with these issues daily.  She is the kind of performer who will inspire people to embrace what makes them different and see it as a strength.

– Randall Arney, Artistic Director, Geffen Playhouse

Wow. “One Drop of Love” is fantastic. Thank you so much for sharing your story and opening up so much thoughtful reflection and discussion about mixed heritage and race — my mind is still buzzing and the audience was so energized.

– Sady Sullivan, Director of Oral History, Brooklyn Historical Society

“One Drop of Love” is beautiful and brave. Cox DiGiovanni’s honesty, insight, dedication, and love are an inspiration. She takes us into the intimate places where family, race, love, and pain intertwine. In this sometimes searing, sometimes funny, and always smart play she shows us both the terrible things we do to those we love and a way forward to a better future.

– Paul Spickard, professor of history at University of California, Santa Barbara

The performance was hands-down the best Choate performance I have ever seen. I’ve seen a lot of white struggle stories, and a lot of black struggle stories, but I don’t think I’ve ever seen a mixed struggle story.

– Zemia Edmondson, student at Choate Rosemary Hall

“One Drop of Love” is an hour of pure magic. Cox DiGiovanni is able to shift through time and space and different characters to explain the racial paradigm in America, and the relationship between her and her father in ways that anyone can understand. I highly recommend this show.

– Steven F. Riley, Owner/Curator www.MixedRaceStudies.org

Wow. Hollywood spends millions on movies and they couldn’t bring me from folded over laughter to tears as easily as Fanshen did. She’s engaging with the audience and honest. One Drop conquers racial issues with honesty and an open heart. Anyone who has ever felt out of place…or had a really crazy (but loving) family will really enjoy this.

– Angela Nissel, co-producer Scrubs; author: Broke Diaries, Mixed; writer on The Boondocks

In “One Drop of Love,” Fanshen Cox DiGiovanni offers a thought-provoking, informative, and moving exploration of race, racism, and what it means to identify as “culturally mixed.”  Her authenticity and humor, as she recounts her complex relationships with her parents and the evolution of her thinking, are deeply engaging. This piece not only educates and prompts discussion about important issues, but also inspires audience members to examine and honor their own struggles with identity.

– Jennifer Zakkai, Education Projects Leader, Geffen Playhouse

One Drop of Love is funny, entertaining and moving.

– Kim Wayans, Actress: Pariah, In Living Color; Writer/Performer: A Handsome Woman Retreats

Join the Greatest Minds Society of Georgia State University for a Discussion on Racial Identity with Playwright Fanshen Cox DiGiovanni of “One Drop of Love“

Georgia State University Speaker’s Auditorium
44 Courtland Street, SE
Atlanta, Georgia 30303
Thursday, 2014-09-18, 13:30-15:30 EDT (Local Time)

Who are you? What’s your identity? Where do you come from? What’s your story? What’s your history?

Fanshen Cox DiGiovanni, Award-Winning Actress, Producer and Educator
“One Drop of Love”

Ashley Uzamere, Undergraduate Student, EVP
Student Goverment Association

George R. Greenidge, Jr., Ph.D. Student
Department of Sociology
President, Greatest Minds Society

Lauren Sudeall Lucas, J.D., Assistant Professor of Law
Georgia State University College of Law

Kyael Moss, Undergraduate Student, Student Senator
Student Goverment Association

Laschonda Pituk, Undergraduate Student
Member, Greatest Minds Society

One drop or two: Mixed-race identity and politics in America with Sharon H. Chang

Rabble Podcast Network
2014-09-09

Charlene Sayo, Co-host

Andrew Sayo, Co-host

Eirene Cloma, Co-host

When Seattle-based researcher and writer Sharon H. Chang wrote an essay that detailed why she tells her mixed-race son that he’s Asian and not white, many readers were surprised —some were downright offended—that she would deny him his “whiteness.” These reactions led Sharon—who herself is mixed-race—to write a follow-up essay aptly titled “Why Mixed with White isn’t White.” Naturally, I had to feature her on MsRepresent: Behind the Face, a Fierce Woman. For this episode, Sharon tackles race, racism, mixed-race identity and the dangers of assuming white privilege when you look anything but.

Listen to interview (00:31:07) here. Download the interview here.

Chinese culture fails to make the grade for today’s mixed-race children

South China Morning Post
Hong Kong, China
2014-09-08

Lijia Zhang, Writer, Journalist, Social Commentator

Lijia Zhang recounts her struggle to instill pride and love of all things Chinese in her daughters

May, my 17-year-old elder daughter, told me the results of her school exams by phone. When there was a pause, she asked: “Are you disappointed?” I shouldn’t have been. Three As and a B were good results.

But the problem was that she got the B in Chinese. And she is half Chinese.

I see it partly as my fault in failing to speak Chinese consistently at home, at least for the time May and her younger sister, Kirsty, spend at my house. The truth is that she’s really interested in the language and, indeed, the Chinese part of her cultural heritage.

A few years back, I took the girls to Bangladesh for a holiday. As soon as we were out of my friend’s guarded complex, we were surrounded by curious locals.

“Where are you from?” they asked the girls. May, the spokeswoman of the two, replied without hesitation: “We are from England.”

After we had settled down in a rickshaw, I said to May: “You were born in Beijing. Save for four years in London, you grew up in China. How does it qualify you as ‘English’?” May blinked her big round eyes. “Well, if I tell people I am Chinese, they wouldn’t believe me.”

True, May doesn’t look very Chinese, with her fair skin and brown hair, especially the way she carries herself. Kirsty, who has a darker complexion and more delicate facial features, looks a little more oriental.

Yet they both fundamentally identify themselves as British, even though they do sometimes describe themselves as “half Chinese and half British”…

Read the entire article here.