Mixed Race Studies

Is There an Identity Beyond Race? Four Case Studies

Michigan Quarterly Review
Volume XLI, Issue 3, Summer 2002

Paula Marantz Cohen, Distinguished Professor of English
Drexel University, Philadelphia, Pennsylvania

Love on Trial: An American Scandal in Black and White. By Earl Lewis and Heidi Ardizzone. New York: W.W. Norton, 2001. Pp. 301. $26.95.

Black, White and Jewish: Autobiography of a Shifting Self. By Rebecca Walker. New York: Riverhead Books, 2001. Pp. 336. $14.

Pearl’s Secret: A Black Man’s Search for his White Family. By Neil Henry. Berkeley: University of California Press, 2001. Pp. 321. $24.95.

The Color of Water: A Black Man’s Tribute to His White Mother. By James McBride. New York: Riverhead Books, 1996. Pp. 228. $23.95 (hb), $14 (pb).

All four books under review here are concerned with telling dramatic tales about singular, real lives. But they are also books about race. They are driven by the larger goal of making the individual story stand for more than itself.

To write something that is true to the distinctiveness of human experience while also being socially and politically illuminating is hard to achieve. Earl Lewis and Heidi Ardizzone’s Love on Trial: An American Scandal in Black and White seems the most successful, perhaps because it is the only book in the group that is not a memoir. Lewis explains in an Afterword that he first stumbled on the subject while working on his dissertation seventeen years earlier, then returned to it when, as a professor at the University of Michigan, he began directing Ardizzone’s doctoral research on interracial identity in the first half of the twentieth century. They eventually decided to collaborate. The long period of gestation as well as the collaborative approach help to account for the book’s judicious tone in telling a story at once private and public, full of subjective elements yet illuminating of its social moment.

Love on Trial takes as its point of departure a sensational news story from the 1920s. Pursuing the story through careful research into court transcripts and newspaper archives, the authors piece together a fascinating narrative in which the personal intersects the social with tragic consequences.

The story centers on the marriage of Alice Jones, a nanny from Westchester, to Leonard “Kip” Rhinelander, a young scion of one of New York’s oldest and richest society families. It seems that the couple met, courted, and married without apparent difficulty until their relationship became publicized by the New York press, probably through the instigation of Leonard’s disapproving father. A scandal erupted when it was alleged that Alice Jones was black—a fact that Leonard subsequently claimed he did not know and which he made the basis for an annulment suit against his wife…

Read the reviews here.

“Little White Lie: A Film about Dual Identity and Family Secrets” with Lacey Schwartz

Taube Center for Jewish Studies
Stanford University
Center For Educational Research (Room 101)
520 Galvez Mall
Stanford, California
2015-10-28, 19:00 PDT (Local Time)

“Between Race and Religion: Contemporary American Jewish Life” series with the Center for Comparative Studies in Race and Ethnicity.

Lacey Schwartz, an American filmmaker, in conversation with Allyson Hobbs, Assistant Professor of American History at Stanford University

Little White Lie tells Lacey Schwartz’s story of growing up in a typical middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity — that is until she discovers that her biological father is actually a black man with whom her mother had an affair. What defines our identity, our family of origin or the family that raises us? Lacey discovers that answering those questions means understanding her parents’ stories as well as her own.

What defines our identity, our family of origin or the family that raises us? How do we come to terms with the sins and mistakes of our parents? Lacey discovers that answering those questions means understanding her parents’ own stories as well as her own. She pieces together her family history and the story of her dual identity using home videos, archival footage, interviews, and episodes from her own life. Little White Lie is a personal documentary about the legacy of family secrets, denial, and redemption.

For more information, click here or here.

Hold Fast to Blackness

Medium
2015-07-29

Chanda Prescod-Weinstein, Assistant Professor of Physics and Astronomy; Core Faculty Member in Women’s Studies
University of New Hampshire

Het Nieuwe Instituut, Rotterdam, Nederland

This is not another essay about how hard it is to be light skinned in a dark man’s world. Why? Because the suggestion that this is a dark man’s world is ridiculous. Unless you’ve had your head up your butt, we quite clearly do not live in a version of the universe where overall it is better to be dark. The reality is that 2Pac was speaking in opposition to mainstream logic when he rapped, “the darker the berry, the sweeter the juice. I say the darker the flesh, the deeper the roots.”

I’m sure there are many light skinned people including those with bi- and multiracial/ethnic families who would complain that 2Pac spoke words of erasure. But to make this complaint is to not acknowledge, plainly, that in fact he is speaking against erasure. To be light skinned, in reality, is to have a choice about what role we play in this process, for or against, constructive or destructive.

I have a Black Caribbean momma and a white Jewish father. My mom’s family hails from Barbados, vaguely of “West African Origin.” We don’t really know where or if maybe we come from somewhere else because identity and language are one of the many things European slave traders and slave owners stole from kidnapped Africans and their descendents. My dad’s family was chased out of the Ukraine and Russia by anti-Jewish pogroms and were Yiddish speaking until it became clear that looking like them and being English speaking was better.

When I was born, my parents were scared to introduce me to my dad’s maternal grandfather. It wasn’t clear whether he would accept a “nigger baby.” This is the first story I know of that clearly delineates the difference between my white father and me. My white father lives in the tent of whiteness: he is accepted as white and is treated as such on the street, in airports, by the police, by shop clerks, by everyone who speaks to and everyone who sees him. My dad lives in a version of the world where who he is is the default and where no one ever had to ask whether he would be excluded by members of his family simply because of his skin color.

It is true that my father has a different experience with the tent of whiteness than his father did in his early years. Born in 1917 in Yiddish-speaking Brooklyn, my Grandpa Norman would have been a dirty Jew to many white non-Jews. But when he died in 1988 Los Angeles, my Grandpa was white with the rest of them. The tent of whiteness expands as people sufficiently European-looking become broadly accepted as, “not-Black, not heading toward Black or any of the other darker kinds.” This expansion is predicated somewhat on the fundamental belief that the darker people are, the more dangerous, deficient and less human they are.

I am dark enough to not live within the tent of whiteness, but I am light enough that many people experience significant confusion when trying to class what level of “not-white, maybe heading toward-Black, deficient” I am. Depending on the year and location, I am a “dirty Arab/Muslim,” a fellow Latina, a Mulatto, a Mizrahi Jew, a half-white person who suspiciously may not be down with Black folks…

Read the entire article here.

Jews in America struggled for decades to become white. Now we must give up whiteness to fight racism.

The Washington Post
2015-09-22

Gil Steinlauf, Senior Rabbi
Adas Israel Congregation, Washington, D.C.

Let’s teach our children that we are, in fact, not white, but simply Jewish.

Adapted from a Rosh Hashanah sermon delivered at Adas Israel Congregation.

This summer, I had a conversation with a young woman about her Jewish identity. She told me how she grew up in a family that was very involved in her synagogue. She went to Jewish day school. She had been to Israel multiple times. But she felt very far from her Jewishness. She simply couldn’t find the relevance of Judaism as she was making her way on her own in the world. I asked her what she did feel passionate about. She told me she has been reading and thinking a lot about racial justice. What moved her was the #BlackLivesMatter movement — how, in light of Ferguson, Charleston and seemingly endless incidents of injustice against black people in our society, she felt a need to grapple with the racism that is so pervasive in this country and how it affects her identity.

“As a white woman,” she said, “as the product of so much white privilege, it makes me all the more angry to see how other white people so blindly and carelessly feed into the racial climate of our society.” “So the fact that you are white makes this issue all the more painful, all the more personal for you?” I asked. “Yes,” she said.

I certainly identified with her angst. I find the reality of American racism unbearable: the legacy of slavery; the institutional discrimination that is so pervasive; the scourge of mass incarceration of black Americans, with its collateral damage on families; the ongoing blight of housing segregation; the role of law enforcement in furthering racist systems and hierarchies; all this, and so much more. My answer to her, and my answer for all American Jews during these Days of Awe, is that finding our true Jewish identity can begin by questioning our whiteness…

Read the entire article here.

Difference of a Different Kind: Jewish Constructions of Race During the Long Eighteenth Century

University of Pennsylvania Press
2014
280 pages
6 x 9
12 illus.
Cloth ISBN: 978-0-8122-4609-4
Ebook ISBN: 978-0-8122-0970-9

Iris Idelson-Shein, Alexander von Humboldt Research Fellow
Martin Buber Professur für Jüdische Religionsphilosophie
Goethe University, Frankfurt am Main

European Jews, argues Iris Idelson-Shein, occupied a particular place in the development of modern racial discourse during the late seventeenth and early eighteenth centuries. Simultaneously inhabitants and outsiders in Europe, considered both foreign and familiar, Jews adopted a complex perspective on otherness and race. Often themselves the objects of anthropological scrutiny, they internalized, adapted, and revised the emerging discourse of racial difference to meet their own ends.

Difference of a Different Kind explores Jewish perceptions and representations of otherness during the formative period in the history of racial thought. Drawing on a wide range of sources, including philosophical and scientific works, halakhic literature, and folktales, Idelson-Shein unfolds the myriad ways in which eighteenth-century Jews imagined the “exotic Other” and how the evolving discourse of racial difference played into the construction of their own identities. Difference of a Different Kind offers an invaluable view into the ways new religious, cultural, and racial identities were imagined and formed at the outset of modernity.

Table of Contents

• Note on Translations and Transliterations
• Introduction
• 1. An East Indian Encounter: Rape and Infanticide in the Memoirs of Glikl Bas Leib
• 2. “And Let him Speak”: Noble and Ignoble Savages in Yehudah Horowitz’s Amudey beyt Yehudah
• 3. Whitewashing Jewish Darkness: Baruch Lindau and the “Species” of Man
• 4. Fantasies of Acculturation: Campe’s Savages in the Service of the Haskalah
• Epilogue. A Terrible Tale: Some Final Thoughts on Jews and Race
• Notes
• Bibliography
• Index
• Acknowledgments

The top 13 Jewish newsmakers of 5775

JTA: Jewish Telegraphic Agency
2015-08-26

Julie Wiener

(JTA) — With the Jewish year winding down, here’s a look back at 13 Jews who repeatedly made the news in 5775. Whether you love them or hate them — or your feelings are purely pareve — it’s hard to deny they had an impact…

…Lacey Schwartz, 38, grew up believing she was a white Ashkenazi Jew, only to discover that her biological father was an African-American man with whom her mother had an affair. In “Little White Lie,” a documentary that screened in major U.S. cities and aired on PBS in March, Schwartz explored her shifting racial identity and what it means to be black — and Jewish — in America. Designated a New York Times Critics’ Pick, the film received favorable reviews overall. Plus, in a year in which high-profile police brutality cases involving black youth and a massacre at a black church have captured the public’s attention, “Little White Lie” has contributed to the larger discussion about race in America…

Read the entire article here.

Does ‘Half Chinese, Half Jewish’ Condemn Me To Being Neither?

Forward
2015-08-21

Rachel E. Gross

When I was four years old, my father introduced me to his colleague, Jing. “Are you Chinese?” I asked, eyeing her shrewdly. “Yes,” she replied. “So am I,” I said. “And shoe-ish, too!”

My father likes to tell this story, I think, because it illustrates my self-assurance: Even at that young age, I knew exactly who I was.

What I didn’t anticipate was that others might have opinions, too. That hit home recently when I wrote a NPR column on being “half-Chinese, half-Jewish.” Suddenly, people on the Internet were dictating my identity to me. “The author is not half Jewish,” one wrote in the comments, citing Orthodox halacha that deems you Jewish only if your mother is. “She is not Jewish at all.” How did he know which of my parents was Jewish? “I Googled her,” he wrote…

Read the entire article here.

Lacey Schwartz didn’t know she was black, but her black friends did

Fusion
2015-08-19

Collier Meyerson

With two white parents and no black family members (save for a dark Sicilian uncle a couple generations removed), Lacey Schwartz was raised thinking she was white. Growing up, Schwartz’s community was predominantly white: her friends, her classes, her summer camp.

But the few black people in Schwartz’s life struck a nerve—and poked holes in the story she told herself and in the story her family told her.

I worked on Schwartz’s documentary Little White Lie, which details her journey from white to black, of being the product of a family secret overloaded with an extramarital affair, love, and betrayal.

During that time, it wasn’t the salacious stuff I was interested in. I wanted to know about how Schwartz came into blackness and who ushered her in. When you don’t grow up with a black parent or in a black community, or even consciously knowing you are black, how do you become black?

I came to learn that the black people in her life made lasting impressions on her—from near and far—even before she had the language or knowledge of her blackness. They pushed her, listened to her, taught and accepted her.

It was black people who always knew Lacey Schwartz was black. No one had the wool over their eyes. So I asked her about it…

Read the entire interview here.

Holocaust Art By A Jew Who Was Black Josef Nassy’s Vision Of Nazi Camps Has Its First U.s. Show Here.

The Philadelphia Inquirer
1989-04-04

Leonard W. Boasberg, Inquirer Staff Writer

There are strength and pathos in the drawings. There are loneliness and community, a sense of the desperation of the individual – the prisoner, the victim – who, in the grasp of malevolent brutality, nevertheless maintains his will to survive.

There are watchtowers and barbed wire and closed gates and prison bars and armed guards, and there are portraits of pensive men who might be anywhere but are, in fact, confined for no crime but their existence.

The works are by Josef Nassy, a black artist of Jewish ancestry, who survived three years of Nazi prison camps during World War II and, in his art, left a lasting record of what he saw and felt.

A collection of Nassy’s works – about 115 paintings, drawings and ink washes – is now on exhibit at the Philadelphia Museum of Judaica, located in the synagogue of Congregation Rodeph Shalom, 615 N. Broad St. The exhibit, titled In the Shadow of the Tower, is the first U.S. public showing of Nassy’s works, which are on a three-year international tour that will take them to Jerusalem; Hamburg, West Germany; Brussels, Belgium; Chicago, and New York…

Read the entire article here.

I’m a Mizrahi Jew. Do I Count as a Person of Color?

Forward
2015-08-10

Sigal Samuel, Deputy Digital Media Editor

Eye of the Beholder: Sigal Samuel has been considered white and non-white, depending on who’s looking. (Image: Martyna Starosta)

Am I a person of color?

You’d think there would be a straightforward answer to a question like that. And for a while, I thought there was. I thought the answer was yes.

When I look at my grandparents — four Mizrahim, or Jews from Arab lands — I see people who were born in India and Iraq and Morocco, who grew up speaking Hindi and Arabic. When I stand in Sephora buying makeup, the shade I choose is closer to “ebony” than to “petal.” When I walk down the street, perfect strangers routinely stop me to ask: “Where are you from? Are you Persian? Indian? Arab? Latina?” When I go through airport security, I always — always — get “randomly selected” for additional screening.

I was pretty sure all this made me a person of color.

And then an acquaintance, who is Jewish and African-American, told me in the course of a casual conversation that no, actually, I don’t count…

Read the entire article here.