Author Talk and Book Signing: Bob Luke

Posted in History, Live Events, Media Archive, Passing, United States, Women on 2011-10-19 03:31Z by Steven

Author Talk and Book Signing: Bob Luke

National Portrait Gallery
Bookstore
Eighth and F Streets NW
Washington, D.C.
2011-10-19, 18:00-19:00 EDT (Local Time)

Bob Luke discusses and signs copies of The Most Famous Woman in Baseball: Effa Manley and the Negro Leagues. Manley’s life played out against the backdrop of the Jim Crow years, when discrimination forced most of Newark’s blacks to live in the Third Ward, where prostitution flourished, housing was among the nation’s worst, and only menial jobs were available. Manley and the Eagles gave African Americans a haven, Ruppert Stadium. She was a force of nature—and, as Bob Luke shows, one to be reckoned with. From 1936 to 1948, she ran the Negro league Newark Eagles, which her husband, Abe, owned for roughly a decade. Because of her business acumen, commitment to her players, and larger-than-life personality, she would leave an indelible mark not only on baseball but also on American history.

For more information, click here.

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The Most Famous Woman in Baseball: Effa Manley and the Negro Leagues

Posted in Books, History, Media Archive, Monographs, Passing, United States, Women on 2011-10-18 22:14Z by Steven

The Most Famous Woman in Baseball: Effa Manley and the Negro Leagues

Potomac Books, Inc.
March 2011
256 pages
6″ x 9″; 26 B&W Images; Notes; Suggested Reading; Appendix; Index
Cloth ISBN: 978-1-59797-546-9

Bob Luke

Never one to mince words, Effa Manley once wrote a letter to sportswriter Art Carter, saying that she hoped they could meet soon because “I would like to tell you a lot of things you should know about baseball.”

From 1936 to 1948, Manley ran the Negro league Newark Eagles that her husband, Abe, owned for roughly a decade. Because of her business acumen, commitment to her players, and larger-than-life personality, she would leave an indelible mark not only on baseball but also on American history.

Attending her first owners’ meeting in 1937, Manley delivered an unflattering assessment of the league, prompting Pittsburgh Crawfords owner Gus Greenlee to tell Abe, “Keep your wife at home.” Abe, however, was not convinced, nor was Manley deterred. Like Greenlee, some players thought her too aggressive and inflexible. Others adored her. Regardless of their opinions, she dedicated herself to empowering them on and off the field. She meted out discipline, advice, and support in the form of raises, loans, job recommendations, and Christmas packages, and she even knocked heads with Branch Rickey, Bill Veeck, and Jackie Robinson.

Not only a story of Manley’s influence on the baseball world, The Most Famous Woman in Baseball vividly documents her social activism. Her life played out against the backdrop of the Jim Crow years, when discrimination forced most of Newark’s blacks to live in the Third Ward, where prostitution flourished, housing was among the nation’s worst, and only menial jobs were available. Manley and the Eagles gave African Americans a haven, Ruppert Stadium. She also proposed reforms at the Negro leagues’ team owners’ meetings, marched on picket lines, sponsored charity balls and benefit games, and collected money for the NAACP.

With vision, beauty, intelligence, discipline, and an acerbic wit, Manley was a force of nature—and, as Bob Luke shows, one to be reckoned with.

Table of Contents

  • Introduction
  • 1. The Lady Makes a Splash
  • 2. The Manleys Come to Baseball
  • 3. Abe Trades Brooklyn for Newark
  • 4. Effa Steps Up
  • 5. Effa Comes Into Her Own
  • 6. Fireworks
  • 7. Cobbling Together a Lineup
  • 8. War Comes to Newark
  • 9. The Eagles Adapt to the War
  • 10. Branch Rickey Drops the Color Bar
  • 11. A Reunited Team
  • 12. Striving for Respectability
  • 13. Effa’s Life After the Eagles
  • Epilogue
  • Appendix
  • Acknowledgments
  • Notes
  • Index
  • Suggested Readings
  • About the Author
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Chica da Silva: A Brazilian Slave of the Eighteenth Century

Posted in Biography, Books, Brazil, Caribbean/Latin America, History, Media Archive, Monographs, Slavery, Women on 2011-10-16 05:45Z by Steven

Chica da Silva: A Brazilian Slave of the Eighteenth Century

Cambridge University Press
January 2009
348 pages
228 x 152 mm; 0.6kg
Hardback ISBN: 9780521884655

Júnia Ferreira Furtado, Professor of Modern History
Federal University of Minas Gerais, Brazil

Júnia Ferreira Furtado offers a fascinating study of the world of a freed woman of color in a small Brazilian town where itinerant merchants, former slaves, Portuguese administrators and concubines interact across social and cultural lines. The child of an African slave and a Brazilian military nobleman of Portuguese descent, Chica da Silva won her freedom using social and matrimonial strategies. But her story is not merely the personal history of a woman, or the social history of a colonial Brazilian town. Rather, it provides a historical perspective on the cultural universe she inhabited, and the myths that were created around her in subsequent centuries, as Chica de Silva came to symbolize both an example of racial democracy and the stereotype of licentiousness and sensuality always attributed to the black or mulatta female in the Brazilian popular imagination.

  • Explores issues of slavery, racial distinction, gender, social mobility, and local colonial policy
  • Draws on a wide range of sources, including major archives in Brazil and Portugal, as well as literature on the colonial period in Portuguese and English
  • For scholars in Atlantic history, African diaspora, slavery, gender, and Latin American history

Read the beginning of the introduction here.

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What being mixed race has taught me

Posted in Articles, Identity Development/Psychology, Women on 2011-10-10 03:40Z by Steven

What being mixed race has taught me

MsAfropolitan: the cosmopolitan African woman
2011-01-26

Minna Salami

It’s a shame that we black people are the ones that analyse and debate race and racism the most. If society was as post-racial as some try to claim, then I believe that it is white people that should be analysing and debating the effects racism has had on the world, whilst black people should be discussing how to heal from the effects racism has had on us…
 
…First of all let me say, in the simplest of summaries, that I think that race is a fallacy, a social and scientific construct, developed by mid-century europeans to justify a financial venture.
 
Nevertheless, racial profiling is now part of our culture so there’s no use denying it. Although I would argue that mixed race people who want to constitute another race are adding another layer to the madness. After all we may accept that racial divides exist, but we can’t build new truths from something that was untrue to start with. But as I’ve said before, we mixed race people have issues. Either way, racial constructions may now appear to be fact, but that’s because people of similar melanin count share similar social experiences.
 
And it is in this light, not in the ‘one-drop-rule’ light, that I am black. That is to say, people with my particular skin tone and genetic make up share the same ancestral history with those with two African or diaspora parents. We share the history of slavery, oppression and colonization. This history is a shared legacy of the black experience…

Read the entire article here.

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But Don’t Call Me White: Mixed Race Women Exposing Nuances of Privilege and Oppression Politics

Posted in Books, Identity Development/Psychology, Media Archive, Monographs, Social Work, United States, Women on 2011-10-10 01:35Z by Steven

But Don’t Call Me White: Mixed Race Women Exposing Nuances of Privilege and Oppression Politics

Sense Publishers
September 2011
258 pages
Hardback ISBN: 978-94-6091-692-2
Paperback ISBN 978-94-6091-691-5

Silvia Cristina Bettez, Assistant Professor of Cultural Foundations
School of Education
University of North Carolina, Greensboro

Highlighting the words and experiences of 16 mixed race women (who have one white parent and one parent who is a person of color), Silvia Bettez exposes hidden nuances of privilege and oppression related to multiple positionalites associated with race, class, gender and sexuality. These women are “secret agent insiders” to cultural Whiteness who provide unique insights and perspectives that emerge through their mixed race lenses.  Much of what the participants share is never revealed in mixed—White/of color—company.  Although critical of racial power politics and hierarchies, these women were invested in cross-cultural connections and revealed key insights that can aid all in understanding how to better communicate across lines of cultural difference.

This book is an invaluable resource for a wide range of activists, scholars and general readers, including sociologists, sociologists of education, feminists, anti-oppression/social justice scholars, critical multicultural educators, and qualitative researchers who are interested in mixed race issues, cross cultural communication, social justice work, or who simply wish to minimize racial conflict and other forms of oppression.

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‘The White Wife Problem’: Sex, Race and the Contested Politics of Repatriation to Interwar British West Africa

Posted in Africa, Articles, Caribbean/Latin America, History, Law, Media Archive, Social Science, United Kingdom, Women on 2011-10-07 02:35Z by Steven

‘The White Wife Problem’: Sex, Race and the Contested Politics of Repatriation to Interwar British West Africa

Gender & History
Volume 21, Issue 3 (November 2009)
pages 628–646
DOI: 10.1111/j.1468-0424.2009.01567.x

Carina E. Ray, Associate Professor of African and Afro- American Studies
Brandeis University, Waltham, Massachusetts

Based on archival research in Ghana and Britain, this article documents the sustained but failed attempts of working-class West African seamen to repatriate to the colonies with their European wives during the interwar years. Colonial authorities crafted policies to prevent these couples from making British West Africa home because they feared that the presence of European women living ‘in native fashion’ with their African husbands would destabilise colonial race relations. After discussing the origins of this policy in the context of the 1919 race riots that swept Britain’s port cities, the article draws on the case of a West African man married to a German woman to illuminate how concerns about race, sex, gender, nationality and class informed the politics of repatriation to British West Africa during the interwar years.

[Excerpted from the chapter of the same name in the anthology, Homes and Homecomings: Gendered Histories of Domesticity and Return]

As the First World War came to a close, ‘black’ men from Britain’s overseas colonies and their white wives and lovers came to embody the fears and anxieties that gripped Britain’s economically depressed port cities. Black men were accused of taking jobs from white British men and stealing ‘their’ women. White women who partnered with black men were cast as depraved and immoral traitors, who selfishly prioritised their own sexual and material desires above the good of the nation. Working-class inter-racial couples became targets of abuse on the increasingly tense streets of Britain’s port cities and, when a series of violent race riots swept through the ports in the summer of 1919. they were largely blamed for their outbreak.  White mobs, ranging in size from a few hundred to several thousand, indiscriminately attacked black men, harassed and assaulted their white partners, and destroyed the multiracial settlements they called home. In the wake of the riots, some of these couples attempted to leave their hostile environs for the British colonies, especially in West Africa and the West Indies, where many of the men in question came from. Their desire to take up residency overseas, however, led lo the immediate implementation of a policy which I call the ‘policy of prevention’, designed to keep European women married to working-class black men out of the colonies. This was especially the case for British West Africa and marked an important shift from the prewar period, when colonial social conventions and their attendant racial taboos were the primary mechanisms that, at the very least, kept European women and black men from openly liaising with one another. During the interwar period, state power was also used to ensure that the West African colonies were kept free of such couples.

While the origins of the policy of prevention are to be found in the immediate aftermath of the 1919 race riots, it continued to guide colonial authorities’ decision-making processes throughout the interwar years. By and large, it was West African men who were domiciled in Britain and married to white British women that sought in the decision-making processes of colonial authorities. It also demonstrates that in contrast to settler colonial regimes, in places like Southern Rhodesia and South Africa, the administered colonies of British West Africa stopped short of implementing the most draconian forms of sexual segregation through the use of anti-miscegenation laws and barbaric extralegal measures such as lynching. Rather, to keep the colonies free of all but a handful of wealthy inter-racial couples, colonial authorities used a combination of strategies, including denying passports to the white wives of working-class African men, refusing to pay the cost of their passage to West Africa, and classifying them as ‘undesirable immigrants’ under the provisions of the colonies’ Immigration Restriction Ordinance. While not the focus of this chapter, these strategics were complemented by earlier but comparatively less vigilant efforts on the part of colonial administrators to bring an end to the far more frequent occurrence of sexual relationships between European colonial officers and African women through the use of official anti-concubinage circulars during the early twentieth century.’ This in turn helps to underscore the importance of paying attention to the spectrum of colonial anxieties that accompanied the gendered, racial and spatial configurations of mixed race couples, as well as the forms (illicit, casual, marital) their relationships took. Indeed, if we are to use panic and bureaucratic strong-arming as yardsticks, preventing European officers from cohabiting with African women was a far less pressing issue than keeping lawfully married working-class black men and white women out of the colonies.

Reflecting on the deep-seated anxieties surrounding the existence of inter-racial unions between black men and white women during the interwar years in Britain, Lucy Bland usefully suggests that, if we are to fully understand the complexity of inter-racial relationships during this period, we must undertake the difficult work of documenting the voices of the ‘women and men who negotiated their personal and sexual relationships in the face of a barrage of both official and cultural hostility’, while paying particularly close attention to ‘their experiences, the impact of prejudice upon them, and their strategies of survival and support’. Foregrounding their experiences in our analysis of the colonial archive provides a more complete view of the various worlds these couples were attempting to negotiate. Laura Tabili has done just this by charting the thwarted struggles of a handful of British and mixed-race British-Somali women to make the British Protectorate of Somaliland their home in the face of the exclusionary practices of colonial authorities who believed that the presence of these women living intimately among ‘native’ populations posed a ‘threat to colonial, racial and gendered hierarchies, and British credibility’. In what follows, I also take up Bland’s mandate and in so doing provide a broader historical context, indeed the precedent for understanding Tabili’s work on British Somaliland, by looking at the history of mixed-race couples who sought to make home in British West Africa during the interwar years.

Riots, repatriation and the policy of prevention

Although black communities and mixed marriages in Britain long predate the First World War. during the war itself increasing numbers of black seamen came to its ports from different parts of the world to fill the labour vacuum in the shipping industry that resulted from the drafting of white British men into the military. The majority of these seamen originated from Britain’s colonies in the West Indies and West Africa, as well as from India, the British Somaliland Protectorate and Aden. While seamen from India, known as tascars, had always made up a significant number of the colonised labour hired on British vessels, the contracts they were hired under greatly restricted their ability to reside in Britain; as a result, settlement rates were highest among seamen from the West Indies. West Africa, Somaliland and Aden. Ethnic settlement patterns differed from port to port; for instance, Liverpool was inhabited’ mostly by West Indians and West Africans, while Cardiff had a higher percentage of men from Aden and Somaliland. At the close of the war, most of these men, along with considerable numbers of demobilised soldiers from Ihe colonies, remained in the country’s seafaring districts. Together, they competed with white British men for an increasingly limited number of maritime jobs.

Economic hardship in the ports, created by the post-war depression and racialiscd job competition within the shipping industry, offers a compelling explanation of the underlying cause of the riots. In Jacqueline Jenkinson’s study of the 1919 riots, she examines a series of smaller riots between January 1919 and the outbreak of major rioting in June and finds that in each of the cases racial violence was a direct result of competition over jobs. Moreover, the initial incidence of racial violence that led to the outbreak of rioting in Liverpool in June was attribuied to tensions between black seamen and white foreign labour, in this case Scandinavians, who were in direct competition with each other for jobs not already taken by white British seamen. Yet it was the notion that black men were consorting with white women that garnered the most attention from the press, local and national authorities, as well as everyday observers. The ‘sex problem’, as one newspaper dubbed it. became a primary explanatory framework for understanding, and in many cases rationalising, the impetus behind the riots. The attention given to the ‘sex problem’ by contemporary observers, including policy makers, suggests that, in addition to job competition, anxieties over race and sex played an important role in the move towards proposing repatriation as an appropriate solution to the social and economic problems deemed responsible for the riots. Indeed, within days of the major outbreak of violence in June, local and national authorities began drawing up plans to repatriate black men to the colonics in an attempt to restore calm and order (and more specifically, racial order) to the port cities. The Colonial Office, however, feared that if the repatriations were handled inappropriately, they would cause instability by returning disgruntled men to the colonies. Disturbances had already broken out in Sierra Leone as early as July 1919 over the ill-treatment of black men in the British ports.” How much more unrest could be expected if the victims of the riots, many of whom had participated in the war effort, were forcibly returned to the colonies?

Anxious about the stability of the West African colonies, the Colonial Office not only insisted that the repatriation scheme be voluntary, it was also equally adamant that the white wives of ‘natives’ should be prevented at all costs from going to West Africa with their husbands. In fact, rioting had barely come lo a stop in June 1919, and the Colonial Office had already decided to refuse repatriation facilities to black men who insisted on returning with their white wives. Given that the men in question had no funds to repatriate themselves, let alone their wives, by refusing to pay passage fees, British authorities effectively made it impossible for black men who desired joint repatriation to return lo the colonies with their white wives. On 30 July 1919, this policy was solidified during a meeting at the Ministry of Labour, which had assumed responsibility for Ihe repatriation scheme. At the special insistence of the Colonial Office, the Ministry of Labour instructed the local committees responsible for facilitating the scheme in the seven main ports (Salford, Liverpool, Cardiff, Glasgow, Hull, South Shields and London), not to repatriate black men with their white wives. As one Colonial Office adviser later put it, the ‘white wife problem’ was, as the phrase suggests, particular to white women. This is underscored by the fact that the government agreed to pay the cost of repatriating the few black men, like Joseph Queashie from the Gold Coast, who were married lo black women. It is difficult to ascertain the exact number of West Africans and their white wives who were adversely affected by this policy, but the statistical information available suggests that their numbers were by no means negligible. In a survey conducted by the Liverpool Police shortly after the riots, a total of 188 men from British West Africa were identified as residing in Liverpool. The police, however, suspected that the actual number was much higher and suggested that the lower number reported was the result of ‘an exodus of negroes from the city to inland towns since the question of repatriation arose’ and added that ‘those who have not left are probably in hiding’. As Table 1 indicates, of the 188 West African men identified, twenty-one were married, eighteen of these to white women resident in Liverpool and three to African women who resided in West Africa. Of the eighteen men married lo white women, eleven were willing t0 be repatriated back to West Africa with their white wives.

The willingness of 50 per cent of married West Africans to accept repatriation compared to 47 per cent of single West Africans indicates that the authorities were wrong in believing that marriage to white women created ties to the metropole that could not be broken as easily as those of single men. Rather, it was the authorities” policy of prevention that kept these men in Britain because it barred them from returning to the colonies with their wives. Thus, if we are to understand fully the range of different imperatives that shaped the unwillingness of West Africans to be repatriated and ultimately led to the schemes’ widely recognised failure, we must acknowledge that, in addition to unsatisfactory remuneration packages and Ihe desire, indeed the right to remain in Britain, for some West Africans the policy of prevention was also a major factor. A representative from the Local Government Board said as much when he expressed his belief that “the white wife constituted a big difficulty.” The Colonial Office’s refusal to repatriate West Africans with their white wives contrasts sharply with its concession to allow black men from other parts of the British Empire, namely West Indians, to return home with their white wives at the…

Read or purchase the article here.

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White Women and Men of Colour: Miscegenation Fears in Britain after the Great War

Posted in Articles, History, Media Archive, Social Science, United Kingdom, Women on 2011-10-07 02:29Z by Steven

White Women and Men of Colour: Miscegenation Fears in Britain after the Great War

Gender & History
Volume 17, Issue 1 (April 2005)
pages 29–61
DOI: 10.1111/j.0953-5233.2005.00371.x

Lucy Bland, Professor of Women’s Studies and Sociology
London Metropolitan University

This article examines miscegenation fears in Britain in the period after World War I, noting three dominant discourses: that miscegenation leads inevitably to violence between white and black men (focusing on the 1919 race riots), that these relationships involve sexual immorality (analysing the 1920 ‘Black Horror on the Rhine’, a case involving a white woman, a Chinese man and drugs and a trial of a white woman for killing her Egyptian husband) and that miscegenation has ‘disastrous’ procreative consequences. It is suggested that miscegenation stood as one British boundary marker, separating the nationally acceptable and the nationally threatening. The parties concerned–the ‘primitive’ man of colour, the white woman of a ‘low type’ and the ‘misfit’ offspring–were each pathologised in terms of their deviant sexuality. Yet interracial relationships did not decrease, quite the contrary. The move in Britain towards a more racially mixed community began in the years after the Great War, when certain white women made choices against the norms of respectable femininity.

Read or purchase the article here.

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Black Welsh Identity: the unspeakable speaks.

Posted in Articles, Autobiography, Media Archive, United Kingdom, Women on 2011-10-06 01:06Z by Steven

Black Welsh Identity: the unspeakable speaks.

British Broadcasting Corporation
North West Wales
2006-05-30

Isabel Adonis, Writer and Artist

Isabel Adonis was born in London and brought up in Llandudno, the Sudan and Nigeria. She spent 21 years in Bethesda before returning to Llandudno. She helped found Timbuktu, a new international arts and literary journal.

This piece won the best article award for 2002 in New Impact magazine.

“I am a woman. When I look in the mirror I see a woman. When other people look at me they see a woman. I know what a woman is and I am one. Once when I was a child, in Africa, I had my hair cut very short and the other children started calling me ‘El Walad’ – The Boy. It was very distressing, but I didn’t start feeling like a boy, and the children wouldn’t have been teasing me if they had really thought I was one.

If anyone asks me what it feels like to be a woman, I’m stuck for an answer. There doesn’t seem to be any other thing for it to be like or unlike; it feels normal, natural, un-problematic. It doesn’t feel like anything at all: – what does it feel like to be human?…

…I am Welsh. My mother was born and brought up in North Wales, speaking Welsh. I have lived most of my life in Wales. When I look in the mirror I see brown skin and African features. When other people look at me they see an exotic, a foreigner.

If anyone asks me what it feels like to be a black Welsh woman, I’m stuck for an answer. It doesn’t feel like anything at all; it feels like being human. I am my natural colour, and I live in my natural home, no problem.

But as soon as I step out of the front door, there is a problem. Most of the people who meet me are thrown into confusion and conflict. They like to think of themselves as being tolerant, accepting, unprejudiced etc. so they try to treat me as normal although their senses scream out that I am different. They try to be sensitive, avoid the word ‘black’, avoid the subject that is always on their minds. Many prefer to avoid me if possible, they find it a strain…

Read the entire essay here.

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Stories and survival’: An Interview with Jackie Kay

Posted in Articles, Literary/Artistic Criticism, Media Archive, United Kingdom, Women on 2011-10-06 00:39Z by Steven

Stories and survival’: An Interview with Jackie Kay

Wasafiri
Volume 25, Issue 4, 2010
pages 19-22
DOI: 10.1080/02690055.2010.510366

Maggie Gee

Jackie Kay has had a glittering career as a writer of poetry, fiction and drama for both adults and children. She was born in Edinburgh, Scotland in 1961 to a Scottish mother and a Nigerian father. She was adopted by a white couple at birth and was brought up in Glasgow. Her first collection of poetry, The Adoption Papers (1991), explored the experience of adoption and won a Scottish Arts Council Book Award and the Saltire Society Scottish First Book of the Year Award. Subsequent poetry books include Other Lovers (1993), Off Colour (1998), Life Mask (2005) and Darling (2007). Her bold and original short stories are collected as Why Don’t You Stop Talking (2002) and Wish I Was Here (2006). Her work has been widely anthologised and she has written drama for stage, radio and television. Her first novel, Trumpet, published in 1998, was awarded the Guardian Fiction Prize. Jackie Kay lives in Manchester and is a Professor of Creative Writing at Newcastle University. In 2006, she was awarded an MBE for services to literature. Jackie Kay’s memoir, Red Dust Road: An Autobiographical Journey, which she discusses in the following interview, was published in May of this year.

Read the entire article here.

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Red and White: Miss E. Pauline Johnson Tekahionwake and the Other Woman

Posted in Articles, Canada, Literary/Artistic Criticism, Media Archive, Native Americans/First Nation, Women on 2011-10-04 05:30Z by Steven

Red and White: Miss E. Pauline Johnson Tekahionwake and the Other Woman

Women’s Writing
Volume 8, Issue 3 (2001)
pages 359-374
DOI: 10.1080/09699080100200140

Anne Collett, Associate Professor of English Literature
University of Wollongong, Australia

This essay examines the dramatised conflictual relationship between “Red” and “White” selves in the performed and literary body of “half-blood” poet, Pauline Johnson Tekahionwake. “Half-blood”, as opposed to the more common but derogatory “half-breed”, was the term used by Pauline to indicate the divisive, yet ultimately creative, potential of the marriage between settler and indigenous cultures in the new Canadian nation of the 1890s and early twentieth century of which she herself was representative. Pauline Johnson’s understanding and representation of that dynamic relationship is charted through an analysis of selected short stories drawn from this period, including “A Red Girl’s Reasoning”, “As It Was in the Beginning” and “My Mother”.

“Forget that I was Pauline Johnson, but remember always that I was Tekahionwake, the Mohawk that humbly aspired to be the saga singer of her people.” [I] Ernest Thompson Scion, admirer and friend, recalls these words in introduction to a collection of Tekahionwake’s stories. Miss E. Pauline Johnson Tekahionwake was perhaps most famous in England and the USA as “The Iroquois Princess” and “poet advocate” for the “Red” people of America’s First Nations, but to Canadians she was also a beloved representative and cultured lady of their new confederacy. The daughter of an English gentlewoman and a Mohawk chief was not allowed to forget that she was Tekahionwake, even had she wanted to, but (contrary to her final request recalled by Seton) neither did she forget, nor allow others to forget, that she was Pauline Johnson. Her “half-blood” inheritance was the signature of her stage and literary career. Although better known during the last decade of the nineteenth century and first decade of the twentieth as a performance poet, she was also the author of many stories, published primarily, but not exclusively, for an audience of women and children. A number of these stories not only served to educate the settler population in the ancient civilisation and living culture of the indigenous…

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