Teaching Edith Eaton/Sui Sin Far: Multiple Approaches

Posted in Articles, Asian Diaspora, Literary/Artistic Criticism, Media Archive, Women on 2012-03-22 22:57Z by Steven

Teaching Edith Eaton/Sui Sin Far: Multiple Approaches

Asian American Literature: Discourses & Pedagogies
Volume 1 (2010)
pages 70-78

Wei Ming Dariotis, Associate Professor of Asian American Studies
San Francisco State University

This essay compares pedagogical approaches to teaching the literature of Edith Eaton in two distinct contexts: a course on Asian American Literature and a course on Asian Americans of Mixed Heritage.  This is a comparison of the variant pedagogical approaches in these two different contexts.

Read the entire article here.

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Morgan Goode: On Board with the Future of the Movement

Posted in Articles, Gay & Lesbian, Media Archive, United States, Women on 2012-03-22 00:32Z by Steven

Morgan Goode: On Board with the Future of the Movement

The Bilerico Project
2012-03-21

Amy Andre, Project Contributor

If you haven’t heard of her already, BiNet USA board member Morgan Goode is a name for you to remember. At this year’s Creating Change conference, she co-led a workshop about mixed race issues that brought a crowd that was literally spilling out of the doors. I was in that room, and I saw the current and future leadership of the bi movement—and of the LGBT movement as a whole—sitting in there with me. Specifically, I saw it at the front of the room.

Morgan is a writer and photographer living in Brooklyn. She is a profo-queer and is affiliated with many different LGBT organizations, but her opinions are her own. She tells me that one day she is going to make good on her threat to do a photo project on white tourists photographing homeless people of color. In the meantime, she is an editor-at-large at prettyqueer.com and is also organizing the 6th Annual Amazingly Queer Race for Economic Justice. Her favorite pastimes include subverting the gaze, making people uncomfortably aware of their privilege and petting kitties.

I recently caught up with Morgan to learn more about where she’s going, where the movement is going, and how we can all get on board. Here’s what she had to say.

Amy: What inspired your workshop at Creating Change for mixed race attendees? How did it go for you? Do you plan to do more in the future?

Morgan: Mixed race issues have been on my mind since I can remember but that workshop actually came out of meeting fellow activist Ryan Li Dahlstrom at the 2010 BECAUSE Conference. The conference and the panel obviously focused on bi/pan/fluid issues, but Ryan Li and I really connected around our shared identities as mixed race queers. It wasn’t long before we knew we had to do a workshop that would give mixed race queer and trans folks the opportunity to come together and support each other as activists and allies. I think mixed race queer and trans folks are really hungry for that space to share our experiences and be heard…

Read the entire article here.

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Coloring: An Investigation of Racial Identity Politics within the Black Indian Community

Posted in Anthropology, Dissertations, History, Media Archive, Native Americans/First Nation, United States, Women on 2012-03-19 23:49Z by Steven

Coloring: An Investigation of Racial Identity Politics within the Black Indian Community

Georgia State University
2007
106 pages

Charlene Jeanette Graham

A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts In the College of Arts and Sciences

Historical interconnections between Native Americans and many people of African descent in America created a group of Black Indians whose lineage continues today. Though largely unrecognized, they remain an important racially mixed group. Through analysis using qualitative feminist methodologies, this thesis examines the history and analyzes the narratives of African-Native American females regarding their racial identity and political claims of tribal citizenship. Their socialization, which includes kin keeping, extended families and the sharing of family stories, allows them to claim native ancestry because of the information usually passed down to them from mothers, grandmothers, aunts and other family members. Their culture and identity revealed that Black Indian women have particular attitudes regarding their racial identity. I conclude my investigation with the suggestion that Native and African American studies can be instrumental as an alternative method of studying American race relations and the ways race intersects with gender in the formation of identity politics.

Read the entire thesis here.

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Caroline Bond Day (1889–1948): A Black Woman Outsider Within Physical Anthropology

Posted in Anthropology, Articles, History, Media Archive, United States, Women on 2012-03-19 01:00Z by Steven

Caroline Bond Day (1889–1948): A Black Woman Outsider Within Physical Anthropology

Transforming Anthropology
Volume 20, Issue 1, April 2012
pages 79–89
DOI: 10.1111/j.1548-7466.2011.01145.x

Anastasia C. Curwood, Visiting Fellow
James Weldon Johnson Institute for Race and Difference
Emory University, Atlanta, Georgia

This article examines the significance of Caroline Bond Day’s vindicationist anthropological work on mixed-race families early in the 20th century. Day used the techniques of physical anthropology to demonstrate that mixed-race African Americans were in no way inherently deformed or inferior. Using Day’s published work and unpublished correspondence, I show that her study was noteworthy for two reasons. First, unlike most other anthropologists of her time, but presaging later scholars, she studied her own family and social world, a perspective that both gave her unique data unavailable to others and removed barriers between herself and her subjects. Second, as a mixed-race African American woman, she found herself not only fighting preconceptions about the racial inferiority of African Americans but also serving as a liaison between her research subjects and mainstream, White-dominated physical anthropology. This article argues that Day’s importance as a scholar lies not only in her argument against racial inferiority but also in the outsider-within status that allowed her to make her case within academic anthropology in the early 20th century.

Introduction

Caroline Bond Day (CBD; 1889–1948) was one of the first African American anthropologists to turn her lens on her own people. As a Radcliffe College senior in 1918, she decided to pursue scholarly training in physical anthropology. The African American undergraduate was well aware that anthropologists had long used physical measurements and descriptions to demonstrate the racial inferiority of non-White people, and that many scholars thought the racial mixing of Whites and African Americans would create aberrant, malformed offspring. As a race woman, that is, an advocate for race consciousness and race pride who also experienced the effects of sexism, Day sought to combine the tools of anthropologists and her own social networks to refute the idea of mongrelization.

In 1932, under the supervision of Harvard physical anthropologist Earnest Hooton, Day published her Radcliffe master’s thesis, A Study of Some Negro-White Families in the United States. It showed that the mixture of African Americans and Whites simply yielded children with some characteristics of each race, who were entirely normal. In fact, Day observed, these offspring were often middle-class and lived lives that were very like those of middle-class White people, although in U.S. culture they were regarded as African American. As an outsider within her field, Day adapted the methods of anthropology to her own uses.

Caroline Bond Day reflected the desire of many Black intellectuals, led by her teacher W. E. B. Du Bois, to redirect scholarly and popular ideas about African Americans away from the realm of pathology and stereotype. St. Clair Drake, himself a scholar-activist who spent his career from the 1930s to the 1980s charting African Americans’ experiences of domination, adaptation, and resistance (Harrison 1992:253), called this intellectual tradition of refuting racist and imperialist assertions of Black inferiority “racial vindication” and situated CBD within it (Drake 1980:2, 10; Harrison and Harrison 1999a, 1999b:12). Like many other scholars and social activists of her period, she presented what she thought was the best possible image to the White gaze. In her case, this meant members of the “best families” among Black Americans, most of whom, she demonstrated, had White and, in some cases, Indian ancestry. She had faith that the scientific quantification of race could help with the task that Drake prescribed for Black intellectuals and that John L. Gwaltney would take on 50 years later: “setting the historical record straight” (Baber 1998:198; Gwaltney 1981[1980]xxiv).

This essay contains some preliminary explorations into the intersection of her work and life as a Black woman and anthropologist in the early 20th century. Building on the work of Faye V. Harrison (1992:244) and Hubert B. Ross et al. (1999:40), and drawing on additional archival (CBD Papers) and secondary (Alexander 1999) sources that did not inform those earlier works, this essay documents her early influences, including her relationship with Du Bois and exposure to Franz Boas, and the methodologies with which she later challenged the discipline of anthropology…

Read or purchase the article here.

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Fashioning and Refashioning Marie Laveau in American Memory and Imagination

Posted in Biography, Literary/Artistic Criticism, Louisiana, Media Archive, United States, Women on 2012-03-18 19:58Z by Steven

Fashioning and Refashioning Marie Laveau in American Memory and Imagination

Florida State University
2009
201 pages

Tatia Jacobson Jordan

A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy

Fashioning and Refashioning Marie Laveau in American Memory and Imagination follows the life and literary presence of the legendary figure, Marie Laveau. This female spiritualist lived in antebellum Louisiana from 1801-1881. After her death, her legend has continued to grow as evidenced by her presence in contemporary print and pop culture and the tens of thousands of visitors to her grave in New Orleans every year. Here, I contextualize Laveau in a pre-Civil war America by looking at the African American female in print and visual culture. I trace the beginnings of several tropes in literature that ultimately affect the relevancy of the Laveau figure as she appears and reappears in literature beginning with Zora Neale Hurston’s inclusion of Laveau in Mules and Men. I offer close readings of the appearance of these tropes in Hurston’s Their Eyes Were Watching God, interrogate her connection to Caribbean lore in Tell My Horse, and show the evolution of this figure in several of Hurston’s short stories. I then offer close readings of the refiguring of Laveau in Robert Tallant’s works, Ishmael Reed’s novel The Last Days of Louisiana Red, and Jewell Parker Rhodes’s Marie Laveau trilogy. I intervene with contemporary scholarship by suggesting that novels like Corregidora by Gayl Jones, Mama Day by Gloria Naylor, and The Salt Eaters by Toni Cade Bambara draw not on a general conjure figure, as previously thought, but instead implicitly refashion feminist heroines that resemble Marie Laveau, characters with a circum-Atlantic consciousness that arise from Hurston’s literary legacy.

TABLE OF CONTENTS

  • List of Figures
  • Abstract
  • INTRODUCTION: “Looking for the Join”: Positioning Laveau Lore in American Studies
  • CHAPTER ONE: Historical Context: Nineteenth- and Early Twentieth-Century Print Culture and Literature
  • CHAPTER TWO: “That’s what the old ones said in ancient times and we talk it again”: The Retelling of Laveau in Hurston’s Canon
  • CHAPTER THREE: “Dismissing” Laveau: Male Authorship in the Laveau Canon
  • CHAPTER FOUR: Glimpses of the Ghost: Hurston’s Legacy in Gloria Naylor, Toni Cade Barnbara, and Gayl Jones
  • CHAPTER FIVE: Hearing Voodoo, Writing Voodoo: Cultural Memory in Jewell Parker Rhodes’s Marie Laveau Trilogy
  • CHAPTER SIX: Coda
  • Appendix
  • References
  • Biographical Sketch

LIST OF FIGURES

  • Figure 1: “Marie Laveau,” 1920s; Franck Schneider after George Catlin Courtesy of the Louisiana State Museum
  • Figure 2: The Original Cover of Chesnutt’s The Conjure Woman, 1899
  • Figure 3: “This is a white man’s government,”from Harper’s Weekly, 1868; Library of Congress
  • Figure 4: “‘Well, Missy! Heah we is!'”1913; Library of Congress
  • Figure 5: “Jinnoowine Johnson ticket. ‘Carrying the war into Africa,”‘ 1836; Library of Congress
  • Figure 6: “An Affecting Scene in Kentucky,” 1836; Library of Congress
  • Figure 7: “Children on the Lawn at Brookhill (Nanny Hiding Behind the Children) Courtesy of the Valentine Richmond Historical Center
  • Figure 8: Racist Mammy Postcard 1, 1900; Library of Congress
  • Figure 9: Racist Mammy Postcard 2, 1900; Library of Congress
  • Figure 10: “Mr. T. Rice as the original Jim Crow,” 1832; Sheet Music Cover Illustration
  • Figure 11: Zora Neale Hurston in the Caribbean; Library of Congress
  • Figure 12: Hurston’s Ft. Pierce Chronicle Column circa 1958
  • Figure 13: Cover of Fire!! Literary Magazine, 1926
  • Figure 14: “Voodoo Painting/’ Courtesy of the Robert Tallant Photograph Collection, Louisiana Division, New Orleans Public Library
  • Figure 15: “Marie Laveau,”2007, Courtesy of Artist Holly Sarre

Read the entire dissertation here.

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Paddling Her Own Canoe: The Times and Texts of E. Pauline Johnson (Tekahionwake)

Posted in Biography, Books, Canada, Literary/Artistic Criticism, Media Archive, Monographs, Native Americans/First Nation, Women on 2012-03-16 20:27Z by Steven

Paddling Her Own Canoe: The Times and Texts of E. Pauline Johnson (Tekahionwake)

University of Toronto Press
June 2000
354 pages
Paper ISBN: 9780802080240
Cloth ISBN: 9780802041623

Veronica Strong-Boag, Professor of Women’s History
University of British Columbia

Carole Gerson, Professor of English
Royal Society of Canada at Simon Fraser University

Winner of the Raymond Klibansky Prize, awarded by the Canadian Federation for the Humanities and Social Sciences

Frequently dismissed as a ‘nature poet’ and an ‘Indian Princess’ E. Pauline Johnson (1861-1913) was not only an accomplished thinker and writer but a contentious and passionate personality who ‘talked back’ to Euro-Canadian culture. “Paddling Her Own Canoe” is the only major scholarly study that examines Johnson’s diverse roles as a First Nations champion, New Woman, serious writer and performer, and Canadian nationalist.

A Native advocate of part-Mohawk ancestry, Johnson was also an independent, self-supporting, unmarried woman during the period of first-wave feminism. Her versatile writings range from extraordinarily erotic poetry to polemical statements about the rights of First Nations. Based on thorough research into archival and published sources, this volume probes the meaning of Johnson’s energetic career and addresses the complexities of her social, racial, and cultural position. While situating Johnson in the context of turn-of-the-century Canada, the authors also use current feminist and post-colonial perspectives to reframe her contribution. Included is the first full chronology ever compiled of Johnson’s writing.

Pauline Johnson was an extraordinary woman who crossed the racial and gendered lines of her time, and thereby confounded Canadian society. This study reclaims both her writings and her larger significance.

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Just Between Sisters: Gender, Race, Class, Sexuality, and Relationships of Mixed-Race Women and Girls (AMS) (HRJ) (GEN) (HUM) HUMN 7302

Posted in Course Offerings, Media Archive, United States, Women on 2012-03-14 18:07Z by Steven

Just Between Sisters: Gender, Race, Class, Sexuality, and Relationships of Mixed-Race Women and Girls (AMS) (HRJ) (GEN) (HUM) HUMN 7302

Southern Methodist University
Fall 2012

Evelyn L. Parker, Associate Professor of Practical Theology

In 1967 the US Supreme Court ruled state miscegenation laws unconstitutional. Instituted in 1691, the state laws sought to prevent sexual mixing across racial lines protecting the “purity” of European Americans. Since 1967 the population of mixed-race children has more than tripled. Among the demands of mixed-race people have been new census policy that recognizes various ways of expressing their identity. Additionally, the mixed-race movement has raised awareness about their experiences and inspired the development of Mixed-race Studies in academic settings. Among the many issues of Mixed-race Studies there are questions about female relationships and intersectional questions of race, gender, class, and sexuality that merit examination. The intersectional questions refer to Kimberle Crenshaw’s concept of intersectionality, ways in which race and gender interact to shape the multiple dimensions of black women’s lives. Crenshaw argues that the intersection of racism and sexism operate in black women’s lives in ways that a single dimensional analysis fails to reveal. This course builds on Crenshaw’s concept to explore the various ways race, gender, class and sexuality intersect in shaping the identity of mixed-race women and girls and their relationships with other women and girls. Through the use of novels, memoirs, and film, this course focuses on intersectional and relational questions of first generation African/African Diasporic (black) and European (white) mixed-race women and girls. This course may be applied to the following curricular field concentrations: American Studies, Gender Studies, Human Rights and Social Justice, and Humanities.

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Clara como el Agua

Posted in Caribbean/Latin America, Media Archive, Videos, Women on 2012-03-09 21:25Z by Steven

Clara como el Agua

PBS Online Film Festival
2012-03-05
Duration: 00:12:20

Fernanda Rossi, Director

She’s white. She’s also black. Mostly, she’s rejected.

Clara is the only light-skinned and clear-eyed girl in an all-black neighborhood in Puerto Rico. The children tease her endlessly, telling her that her father is some “gringo” tourist with whom her mother had an affair. However, her grandmother tells her a different story.

Watch Clara como el Agua on PBS. See more from PBS Online Film Festival.

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“Mulatto” women thus embodied white dependency and white power…

Posted in Excerpts/Quotes, Women on 2012-03-07 21:23Z by Steven

People of mixed racial heritage, or “mulattoes,” symbolized the dependence of white men on black labor, both in the field and in the bed. Marked by their very skin color and other features as products of the white-black encounter in the South, mulatto women were obviously white and not-white, like “our white Caroline.” They were products of the long encounter between white exploiters of labor and black sources of labor, productive and reproductive. Their commodification reminded all that, in the South, every child of an enslaved mother was some form of slave laborer, an arrangement that enabled plantation slavery to function. Every enslaved man, woman, and child was a repository of reproductive capital and a source of production. The white political economy of the South would have collapsed without the legal and cultural fictions that assigned the “mulatto” and other children of African women to the created categories “black” and “enslaved.” Women like the “fair maid Martha,” and “the Yellow Girl Charlott” also, in their phenotypes, illustrated the long past of white sexual assault. “Mulatto” women thus embodied white dependency and white power, and offered men the chance to recapitulate and reexamine the past that had produced both white power and mixed-race individuals. Unwillingly, such women introduced a pornographic history, one obscene yet for that very reason more lusted-after, into the parlors, bedrooms, and above all, the markets of the elite white man’s world. They made flesh the years of white men desiring and depending on women (and men) who were supposedly less than civilized, Christian, or even human.

Edward E. Baptist, ““Cuffy,” “Fancy Maids,” and “One-Eyed Men”: Rape, Commodification, and the Domestic Slave Trade in the United States, 1876,” The American Historical Review, (December, 2001).

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“Cuffy,” “Fancy Maids,” and “One-Eyed Men”: Rape, Commodification, and the Domestic Slave Trade in the United States

Posted in Articles, History, Media Archive, Slavery, United States, Women on 2012-03-06 17:00Z by Steven

“Cuffy,” “Fancy Maids,” and “One-Eyed Men”:  Rape, Commodification, and the Domestic Slave Trade in the United States

The American Historical Review
Volume 106, Number 5 (Decenber 2001)
pages 1619-1650 (55 paragraphs)

Edward E. Baptist, Associate Professor of History
Cornell University

In January 1834, the slave trader Isaac Franklin wrote from New Orleans to his Richmond partner and slave buyer, Rice Ballard: “The fancy girl, from Charlattsvilla [Charlottesville], will you send her out or shall I charge you $1100 for her. Say quick, I wanted to see her . . . I thought that an old Robber might be satisfied with two or three maids.” Franklin implied that his partner was holding the young woman, one of many “fancy maids” handled by the firm of Franklin, Armfield, and Ballard, for his own sexual use. Unwilling, the jest implied, to share his enslaved sex objects, Ballard was keeping the desirable Charlottesville maid in Richmond instead of passing her on to his partners so that they might take their turn of pleasure. The joke, and the desire it did not seek to disguise, was business as usual. In this case, the business was a slave-trading partnership, and systematic rape and sexual abuse of slave women were part of the normal practice of the men who ran the firm—and the normal practice of many of their planter customers as well. Franklin, Armfield, and Ballard supplied field hands and carpenters to the raw new plantations of Louisiana, Mississippi, and Arkansas in the 1830s, but they also supplied planters with many a “fancy maid.” In fact, the letter quoted went on to suggest, tongue in cheek, that such women were in such heavy demand that the firm might do better selling coerced sex retail rather than wholesale. Referring to two enslaved women, Franklin mused self-indulgently on the conversion of female labor into slavers’ money: “The old Lady and Susan could soon pay for themselves by keeping a whore house.” Yet what did Franklin indulge most? Was sexual or monetary greed the trump suit in his own decision-making? Perhaps, he continued, in the vein of aggressive sexual banter that pervades the traders’ letters, the partners would rather see the house “located and established at your place, Alexandria, or Baltimore for the Exclusive benefit of the consern&[its] agents.”

Franklin and his colleagues passionately wanted “mulatto” women, and black people generally: as bodies to rape and bodies to sell. If these men were more than mere exceptions in the society in which they lived—and I shall argue that they illustrate that society’s half-denied and half-remembered assumptions about commerce and rape—then the stakes of explaining their desires are high. What sort of society did slaveowning white men create in the antebellum U.S. South? What sorts of ideas and psychological forces cemented their devotion to the supposedly pre-modern institution of racial slavery to a deep involvement in the rapid commercial expansion that reached a peak during the 1830s?

The present essay seeks to explain the ideas about slavery, rape, and commerce embedded in and produced by the passionate desires of Franklin and his partners. For some years, historians interpreting the institutions and ideology of nineteenth-century southern slavery have focused their attentions on explaining slaveholders’ paternalist defenses of their planter institution. Like some of their sources, such histories have often explicitly or implicitly portrayed the domestic slave trade as a contradiction within an otherwise stable system. Recent works have returned the issue of that trade to the forefront, arguing that the commerce in human beings was an inescapable and essential feature of the region’s pre–Civil War society and culture. In the drop of water that is the correspondence between Franklin, Ballard, and their associates, one might perceive a need to push historians’ revisions of the slave South’s whole world further still. Indeed, these men reveal themselves as being so devoted to their picture of the slave trade as a fetishized commodification of human beings that we may need to insist on such a mystification as one of the necessary bases of the economic expansion of the pre–Civil War South. They also assert, especially through their frequent discussions of the rape of light-skinned enslaved women, or “fancy maids,” their own relentlessly sexualized vision of the trade. Finally, the traders insist in accidental testimony that sexual fetishes and commodity fetishism intertwined with such intimacy that coerced sex was the secret meaning of the commerce in human beings, while commodification swelled its actors with the power of rape. Such complexities lead one to wonder if historians might do well to reinterpret the antebellum South—a society in which the slave trade was a motor of rapid geographical and economic expansion—as a complex of inseparable fetishisms…

…The white world’s obsession with black female sexuality began, of course, long before the U.S. domestic slave trade, or even the United States itself. From the beginning of the European-African encounter, attempts to claim that black female bodies were disgusting because they did not obey European gender roles rang hollow. During the seventeenth-century rise of the plantation complex, black women became by law the sexual prey of all white men. Later, would-be patriarchs of the eighteenth century, such as Virginia’s William Byrd II, attempted to exert sexual control over black women as part of wider projects of household and self-dominion. By the nineteenth century, the belief that black women were inherently sexually aggressive, in contrast to allegedly chaste white females, increased their attractiveness to white men, even as white men publicly proclaimed their disgust with African-American women and their love for the pure and passive belle. Many encounters, rather than a single Freudian trauma of infantile sexuality, shaped the complex obsession with black women. Then the rejected black female body returned in the fixation on the fancy maid.

The rise of the domestic slave trade after 1790, as new lands opened up in the South and new demands for plantation produce—namely, cotton—arose in the Atlantic world, created a particular commercialized category of enslaved women that focused white fixations. Within the trade, light-skinned or mulatto “fancy maids” became to many white men the perfect symbols of slavery’s history, while also ensuring that being “a smooth hand with Cuff” helped make one a “one-eyed man.” To men such as the slave traders discussed here, women like the Charlottesville maid evoked a process of power and pleasure, remembered and forgotten in an ambiguous, simultaneous experience parallel to that which characterized the traders’ commodity-fetish relationship to “Cuffy.” Indeed, coercion, the trade, and the pairing of sexual imagery with women of mixed African and European ancestry were always close companions. Northern and British visitors to pre–Civil War New Orleans rarely failed to write about “yellow” women, “fancy maids,” and nearly white octoroons sold as both house servants and sexual companions in the slave trade. Some observers claimed to have knowledge of special auctions at which young, attractive, usually light-skinned women were sold at rates four to five times the price of equivalent female field laborers. Travelers and other writers constantly returned to the simultaneously offensive and exciting sight of coerced interracial sex, especially between white men and light-skinned “fancy” women…

…Yet the specific white focus on “fancy” or obviously mixed-race women relentlessly returns us to the place of history, especially its memory and its understanding, as the remembering that was present in the traders’ sexual fetishes. The exploitation of enslaved women of African and mixed African-European backgrounds was a part of plantation society long before the ideology of sentimental feminine domesticity could have ever unleashed male anxieties. And the same exploitation undoubtedly contributed, in ways not yet sufficiently investigated by cultural historians, to the ideal of the independent master. The traders’ own words remind us that “land pirates” believed that they became “one-eyed men” through the rape of women who symbolized the past, present, and future of slaveowning men. This becoming was a not-so-secret history that mixed anxiety and pleasure, attraction and control. Fancy maids, more than other enslaved women, embodied a history of rape in the pre-emancipation nineteenth-century South, one that reveals white anxieties about dependence on blacks but that allowed white men to assert and reassert their power and control.

People of mixed racial heritage, or “mulattoes,” symbolized the dependence of white men on black labor, both in the field and in the bed. Marked by their very skin color and other features as products of the white-black encounter in the South, mulatto women were obviously white and not-white, like “our white Caroline.” They were products of the long encounter between white exploiters of labor and black sources of labor, productive and reproductive. Their commodification reminded all that, in the South, every child of an enslaved mother was some form of slave laborer, an arrangement that enabled plantation slavery to function. Every enslaved man, woman, and child was a repository of reproductive capital and a source of production. The white political economy of the South would have collapsed without the legal and cultural fictions that assigned the “mulatto” and other children of African women to the created categories “black” and “enslaved.” Women like the “fair maid Martha,” and “the Yellow Girl Charlott” also, in their phenotypes, illustrated the long past of white sexual assault. “Mulatto” women thus embodied white dependency and white power, and offered men the chance to recapitulate and reexamine the past that had produced both white power and mixed-race individuals. Unwillingly, such women introduced a pornographic history, one obscene yet for that very reason more lusted-after, into the parlors, bedrooms, and above all, the markets of the elite white man’s world. They made flesh the years of white men desiring and depending on women (and men) who were supposedly less than civilized, Christian, or even human.

If the presence of “mulattoes” poorly concealed dependence, in both the past and present, on black labor, the presence of fancy maids allowed white men to remember and reassert a sort of control over both past and present. The history of rape, obvious to all, though openly spoken by few, was the remembered meaning of the fetish of the “fancy maid” in the white male mind. Assaults repeated and thus confirmed a history that had produced white men who bought and sold black women and men, and had made mulattoes as well. The historic penis, the one-eyed man, of earlier generations had in fact fathered the fancy maid—creating in the flesh a symbol of the history of coerced sexuality to which white men like the slave traders could return to at will. Like the Freudian fetishisms that do not produce neuroses, this symbolic relationship was the sexualized prose of the slave traders’ world. It worked for them…

Read or purchase the article here.

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