Mixed Race Studies

The Black Female Mathematicians Who Sent Astronauts to Space

Mental Floss
2015-11-24

A. K. Whitney

Katherine Johnson at NASA Langley Research Center in 1971. (Source NASA)

Today, November 24, President Barack Obama awards the Presidential Medal of Freedom, considered the nation’s highest civilian honor, to 17 men and women. Among them is 97-year-old retired African-American NASA mathematician Katherine G. Johnson, selected for her contributions to the space program, starting with the Mercury missions in the ‘50s and early ‘60s, through the Apollo moon missions in the late ’60s and early ‘70s, and ending with the space shuttle missions in the mid ’80s. Among other things, she calculated the trajectories of America’s first manned mission into orbit and the first Moon landing.

Awarding Johnson this well-deserved honor doesn’t just shine a spotlight on a single black female STEM pioneer. It also illuminates an obscure but important piece of history. Johnson was just one of dozens of mathematically talented black women recruited to work as “human computers” at the Langley Memorial Research Laboratory in the ‘40s and ‘50s.

They were so named because before machines came along, they crunched the numbers necessary for figuring out everything from wind tunnel resistance to rocket trajectories to safe reentry angles.

In fact, all of Langley’s hundreds of “human computers,” whether black or white, were women. It was an era when, as Johnson put it, “the computer wore a skirt.”…

Read the entire article here.

NASA Mathematician Receives Medal of Freedom

NBC News
2015-11-25

Katherine G. Johnson calculated the flight path for the first American mission to space. The 97-year-old was one of 17 Americans who received the Presidential Medal of Freedom Tuesday.

President Obama Names Recipients of the Presidential Medal of Freedom

Office of the Press Secretary
The White House
Washington, D.C.

2015-11-16

WASHINGTON, DC – Today, President Barack Obama named seventeen recipients of the Presidential Medal of Freedom. The Presidential Medal of Freedom is the Nation’s highest civilian honor, presented to individuals who have made especially meritorious contributions to the security or national interests of the United States, to world peace, or to cultural or other significant public or private endeavors. The awards will be presented at the White House on November 24th.

President Obama said, “I look forward to presenting these 17 distinguished Americans with our nation’s highest civilian honor. From public servants who helped us meet defining challenges of our time to artists who expanded our imaginations, from leaders who have made our union more perfect to athletes who have inspired millions of fans, these men and women have enriched our lives and helped define our shared experience as Americans.”

The following individuals will be awarded the Presidential Medal of Freedom:…

Katherine G. Johnson

Katherine G. Johnson is a pioneer in American space history. A NASA mathematician, Johnson’s computations have influenced every major space program from Mercury through the Shuttle program. Johnson was hired as a research mathematician at the Langley Research Center with the National Advisory Committee for Aeronautics (NACA), the agency that preceded NASA, after they opened hiring to African-Americans and women. Johnson exhibited exceptional technical leadership and is known especially for her calculations of the 1961 trajectory for Alan Shepard’s flight (first American in space), the 1962 verification of the first flight calculation made by an electronic computer for John Glenn’s orbit (first American to orbit the earth), and the 1969 Apollo 11 trajectory to the moon. In her later NASA career, Johnson worked on the Space Shuttle program and the Earth Resources Satellite and encouraged students to pursue careers in science and technology fields…

Image of Katherine Johnson at NASA Langley Research Center in 1980. (Source: NASA)

Read the entire press release here.

Q&A with Miriam Jiménez Román

Los Afro-Latinos: A Blog Following the Afro-Latino Experience
2012-03-30

Kim Haas

In February, Latina magazine listed “6 Afro-Latinas Who Are Changing the World.” Naturally, Miriam Jiménez Román was second on the list.

Her work as a writer, professor and head of the Afro-Latin@ Forum has educated the world about the Afro-Latin experience and made her an authority on the subject. Her latest work, The Afro-Latin@ Reader: History and Culture in the United States, has been hailed for critics for its diverse portrait of Black Latinos in America.

Jiménez sat down to speak with Los Afro-Latinos about the book, Afro-Latinos in the media and bridging the gap between African Americans and Latinos.

Los Afro-Latinos: Why did you publish The Afro-Latin@ Reader?

Miriam Jiménez Román: After the 2000 Census was released [the mainstream media], basically posed Latinos and African-Americans in a Black vs. Brown dynamic. And it gave the sense that the [United States] was evolving into this post racial state and we didn’t really have to talk about race anymore. Latinos didn’t have a concern about race because the Census says Latinos, the largest minority group, can be of any race and this is a demonstration of overcoming race in [the United States]. My co-editor [Juan Flores] and I and a number of other people were appalled by that kind of analysis.

First, we’re not in a post racial state. Race is still a very important part of how all of us – globally – live our lives. African-Americans and Latinos need to get together, create change that will benefit not just Latinos and African-Americans but all people of color…

Read the entire interview here.

Academia and the Identity of Mixed-Race Women

Ain’t I A Woman Collective
2015-11-10

Nicola Codner
Leeds, Yorkshire, United Kingdom

Image: Vox Efx

I am a 35-year old mixed race woman (Black Jamaican, Nigerian and White British), born and living in Leeds, Yorkshire the UK and I recently completed a counselling diploma. As part of the work I had to do to achieve my diploma I had to do a great deal of work around examining my racial and cultural identity. It was also part of the course requirements that I had to do 20 hours of personal counselling.

I didn’t know it when I started the diploma but I had a massive amount of work that I needed to do around exploring my identity as a mixed race woman. This emerged when I started my personal counselling. I began to realise I had a lot of unresolved feelings around past experiences of racism and the lack of understanding and acknowledgement I had met as a mixed race female. I also needed to look at issues to do with race within my family as well as ancestral baggage…

Read the entire article here.

Race and the Modern Exotic: Three ‘Australian’ Women on Global Display

Monash University Publishing
October 2011
180 pages
Paperback ISBN: 9781921867125
eBook ISBN: 9781921867132

Angela Woollacott, Manning Clark Professor of History
The Australian National University

Annette Kellerman, Rose Quong and Merle Oberon were internationally successful ‘Australian’ performers of the first half of the twentieth century. Kellerman was a swimmer, diver, lecturer, and silent-film star, Quong an actor, lecturer and writer who forged a career in London and New York, and Oberon one of the most celebrated film stars of the 1930s and 1940s, first in London and then Hollywood.

Through her international vaudeville performances and film roles, Kellerman played with the quasi-racial identity of South Sea Islander. Quong built a career based on her own body, through a careful appropriation of Orientalism. Her body was the signifier of her Chinese authenticity, the essentialist foundation for her constructed, diasporic Chinese identity. The official story of Oberon’s origins was that she was Tasmanian. However, this was a publicity story concocted at the beginning of her film career to mask her lower-class, Anglo-Indian birth. Despite anxious undercurrents about her exoticism, Australians were thrilled to claim a true Hollywood star as one of their own.

These three women performers created newly modern, racially ambiguous Australian femininities. Racial thinking was at the core of White Australian culture: far from being oblivious to racial hierarchies and constructions, Australians engaged with them on an everyday basis. Around the world, ‘Australian’ stars represented a white-settler nation, a culture in which white privilege was entrenched, during a period replete with legal forms of discrimination based on race. The complex meanings attached to three successful ‘Australian’ performers in this period of highly articulated racism thus become a popular cultural archive we can investigate to learn more about contemporary connections between race, exoticism and gender on the global stage and screen.

The legend of Merle

The Age
Docklands, Victoria, Australia
2002-08-21

Merle Oberon (1943)

She was one of the most glamorous stars of the 1930s and ’40s. A screen siren with smouldering looks, exotic features and almond-shaped eyes. Merle Oberon was described as graceful and hauntingly beautiful.

On her ascent, in 1939, she captivated the world in the box office Hollywood hit, Wuthering Heights, playing Cathy opposite Laurence Olivier as Heathcliff.

From the other side of the globe, Tasmanians glowed with pride. Oberon, according to a biography that read like a Hollywood film script, had been born in Hobart, the daughter of an upper-class white colonial family. She left Tasmania for India after her distinguished father died in a hunting accident, and was raised there by aristocratic godparents.

If Errol Flynn was the island state’s favourite son, Merle Oberon was its treasured daughter. In 1978, the Hobart Town Hall hosted a function attended by well-known local identities to welcome her back. Decades later, Tasmanians proudly recount stories and anecdotes about the hometown girl who blazed her way to Hollywood. Only Oberon wasn’t born in Tasmania. She was Anglo-Indian…

Read the entire article here.

Saskatchewan artist Leah Dorion features Métis women in stunning exhibit

CBC News
2015-11-08

Visual artist Leah Dorion said this painting is dedicated to Catherine Beaulieu Bouvier from Fort Providence, N.W.T. (Eric Anderson/CBC)

Country Wives and Daughters of the Country: Métis Women of This Land at the Affinity Gallery

Visual artist Leah Marie Dorion grew up in Prince Albert, proud of her Métis heritage, but she always wondered why Métis women were never represented in textbooks.

Now, Dorion’s doing something about it with her new exhibit of acrylic paintings and crafts.

“I have created paintings and dedicated them to specific Métis women of history,” Dorion told Saskatchewan Weekend host Eric Anderson. “These women I felt never really had a visual presence in the history books. There is a lot of oral history of these women and their contributions.”

It’s called Country Wives and Daughters of the Country: Métis Women of This Land…

Read the entire article here.

Eslanda: The Large and Unconventional Life of Mrs. Paul Robeson

Yale University Press
2013-01-08
424 pages
64 b/w illus.
6 1/8 x 9 1/4
Cloth ISBN: 9780300124347

Barbara Ransby, Professor, Gender and Women’s Studies, African American Studies & History
University of Illinois, Chicago

• Won Honorable Mention for the 2013 Southern California Book Festival, in the Biography/Autobiography category, sponored by JM Northern Media LLC.
• Won an Honorable Mention for the 2013 New England Book Festival given by the JM Northern Media Family of Festivals, in the Biography/Autobiography Category.
• Selected as a Choice Outstanding Academic Title for 2013 in the North America Category.
• Won a Honorable Mention for the 2014 Los Angeles Book Festival in the Biography/Autobiography Category.

Eslanda “Essie” Cardozo Goode Robeson lived a colorful and amazing life. Her career and commitments took her many places: colonial Africa in 1936, the front lines of the Spanish Civil War, the founding meeting of the United Nations, Nazi-occupied Berlin, Stalin’s Russia, and China two months after Mao’s revolution. She was a woman of unusual accomplishment—an anthropologist, a prolific journalist, a tireless advocate of women’s rights, an outspoken anti-colonial and antiracist activist, and an internationally sought-after speaker. Yet historians for the most part have confined Essie to the role of Mrs. Paul Robeson, a wife hidden in the large shadow cast by her famous husband. In this masterful book, biographer Barbara Ransby refocuses attention on Essie, one of the most important and fascinating black women of the twentieth century.

Chronicling Essie’s eventful life, the book explores her influence on her husband’s early career and how she later achieved her own unique political voice. Essie’s friendships with a host of literary icons and world leaders, her renown as a fierce defender of justice, her defiant testimony before Senator Joseph McCarthy’s infamous anti-communist committee, and her unconventional open marriage that endured for over 40 years—all are brought to light in the pages of this inspiring biography. Essie’s indomitable personality shines through, as do her contributions to United States and twentieth-century world history.

Halle Berry and the Myth of the Black Man-Eating Bitch

For Harriet
2015-11-06

Kelly Davis
Brookyln, New York

I have a complicated relationship with Halle Berry. I have admired her work, mainly Losing Isaiah and Introducing Dorothy Dandridge. She inspired my haircut senior year of college, not long after she won her history-making Academy Award. She is beautiful—unbelievably beautiful, virtually keeping the same physique for over 20 years. She has stood for me, and women like me, in places we were previously forbidden—on the covers of high-fashion magazines, and the podiums of the world’s most exclusive awards. And yet, when I think of her and her body of work, I am mostly nonplussed.

I recognize that every barrier she has broken and every challenge she has surmounted as a Black woman has been facilitated by her proximity to whiteness. Her bone structure, frame, and facial features make her “good enough” to occupy spaces where other Black actresses have been historically disallowed. She is classically beautiful. She has worked hard to be where she is, but, as with all actresses, appealing to white male gaze gives to a leg up over the competition. Her inclusion has often meant the exclusion of other phenotypically Black girls who have more melanin and more talent…

…The myth of the Man-eating Bitch has a long and storied history, especially for Black and mixed-raced women. Since the days of Thomas Jefferson, brown girls like Sally Hemings have been repeatedly cast as irresistible harlots whose sexual wiles render men incapable of making sound decisions. White women can get away with this. We all found it entertaining and encouraging on Sex and the City’s Samantha Jones, but on Black women it’s filthy, tragic, pitiful, and reviled. Imagine the conversations that would commence if Being Mary Jane was on NBC instead of BET. Let’s think about the disgust that filled the blogosphere over Annalise Keating’s undesirability on How to Get Away with Murder. We all know the deal…

Read the entire artcle here.