Mixed Race Studies

Sono Osato, Japanese-American Ballet Star, Is Dead at 99

The New York Times
2018-12-26

Richard Goldstein

Sono Osato rehearsing a number from the Broadway musical “On the Town” with the show’s choreographer, Jerome Robbins, in 1944. It was one of two hit musicals in which Ms. Osato appeared in the 1940s. Eileen Darby/Graphic House

Sono Osato, a Japanese-American dancer who toured the world with the Ballets Russes de Monte Carlo, performed with the Ballet Theater in New York and then gained acclaim on Broadway in the World War II-era musicals “One Touch of Venus” and “On the Town,” was found dead early Wednesday at her home in Manhattan. She was 99.

Her death was confirmed by her sons, Niko and Antonio Elmaleh.

In the 1930s, Ms. Osato was a groundbreaking presence in Col. Wassily de Basil’s Ballets Russes, the world’s most widely known ballet company. She was the company’s youngest dancer when she joined, at 14; she was also its first performer of Japanese descent…

…Although she was born and raised in the Midwest, Ms. Osato seemed an incongruous choice to play Ivy Smith, billed as the “all-American girl,” in “On the Town.” Her father, Shoji, was a native of Japan, and her mother, Frances, was of French-Irish background…

Read the entire obituary here.

Color Struck: How Race and Complexion Matter in the “Color-Blind” Era

Sense Publishers
2017
218 pages
ISBN Paperback: 9789463511087
ISBN Hardcover: 9789463511094
ISBN E-Book: 9789463511100

Edited by:

Lori Latrice Martin, Associate Professor of Sociology
Louisiana State University

Hayward Derrick Horton, Professor of Sociology
State University of New York, Albany

Cedric Herring, Professor and Director of the Language, Literacy, and Culture (LLC)
University of Maryland, Baltimore County

Verna M. Keith, Professor of Sociology
Texas A&M University

Melvin Thomas, Associate Professor of Sociology
North Carolina State University

Skin color and skin tone has historically played a significant role in determining the life chances of African Americans and other people of color. It has also been important to our understanding of race and the processes of racialization. But what does the relationship between skin tone and stratification outcomes mean? Is skin tone correlated with stratification outcomes because people with darker complexions experience more discrimination than those of the same race with lighter complexions? Is skin tone differentiation a process that operates external to communities of color and is then imposed on people of color? Or, is skin tone discrimination an internally driven process that is actively aided and abetted by members of communities of color themselves? Color Struck provides answers to these questions. In addition, it addresses issues such as the relationship between skin tone and wealth inequality, anti-black sentiment and whiteness, Twitter culture, marriage outcomes and attitudes, gender, racial identity, civic engagement and politics at predominately White Institutions. Color Struck can be used as required reading for courses on race, ethnicity, religious studies, history, political science, education, mass communications, African and African American Studies, social work, and sociology.

Table of Contents

• Introduction / Lori Latrice Martin
• 1. Race, Skin Tone, and Wealth Inequality in America / Cedric Herring and Anthony Hynes
• 2. Mentions and Melanin: Exploring the Colorism Discourse and Twitter Culture / Sarah L. Webb and Petra A. Robinson
• 3. Beyond Black and White but Still in Color: Preliminary Findings of Skin Tone and Marriage Attitudes and Outcomes among African American Young Adults / Antoinette M. Landor
• 4. Connections or Color? Predicting Colorblindness among Blacks / Vanessa Gonlin
• 5. Black Body Politics in College: Deconstructing Colorism and Hairism toward Black Women’s Healing / Latasha N. Eley
• 6. Biracial Butterflies: 21st Century Racial Identity in Popular Culture / Paul Easterling
• 7. Confronting Colorism: An Examination into the Social and Psychological Aspects of Colorism / Jahaan Chandler
• 8. How Skin Tone Shapes Civic Engagement among Black Americans / Robert L. Reece and Aisha A. Upton
• 9. The Complexity of Color and the Religion of Whiteness / Stephen C. Finley and Lori Latrice Martin
• About the Contributors

Chyrstyn Fentroy — First Black Woman To Join Boston Ballet In A Decade — Debuts As Snow Queen In ‘The Nutcracker’

WBUR 90.9 FM
Boston, Massachusetts
2018-11-30

Arielle Gray, Arts Fellow

Lasha Khozashvili and Chyrstyn Fentroy in Mikko Nissinen’s The Nutcracker (Photo by Angela Sterling, courtesy of Boston Ballet)

Artificial snow falls gently from the top of the stage of the Boston Opera House, encasing the space in an ethereal glittering glow. Beneath it dances Chyrstyn Fentroy as the Snow Queen, entwined in an elegant flow of limbs and carefully choreographed steps with the Snow King. The Boston Ballet is rehearsing for its opening night of “The Nutcracker,” the other worldly production based off of E.T.A Hoffman’s novella. Fentroy debuted as the Snow Queen on Thursday evening and will star in the role again on Sunday, Dec. 2.

Fentroy makes a stunning Snow Queen, traversing the stage in a series of light, precise steps. The role is a notable milestone for Fentroy, who has been deeply involved in the world of dance since she was old enough to walk. She tells me she’s the first black female dancer to join the Boston Ballet in the last decade.

Growing up as the daughter of two dancers in Los Angeles, Fentroy spent a lot of time in the dance studio. “’The Nutcracker’ specifically is something that’s kind of been a part of my life forever,” Fentroy told WBUR. “I grew up watching my mom do the Sugarplum Fairy variation and spent so many years in the wings watching performances.”…

Read the entire article here.

white girls reinventing themselves as black women on instagram has to stop

i-D
Vice
2018-11-20

Emma Dabiri

Instagram influencer Emma Halberg has been accused of altering her looks to appear black. She denies the accusations. Images via social media.

As a recent Twitter storm brought attention to social media blackface, Emma Dabiri looks at the cultural history of this racist practice and its links to black women being perceived as sexually available.

Last week a Twitter thread went viral for calling out white girls on Instagram and YouTube, some of them with huge followings, who are seemingly using various methods to transform their faces and bodies so they look “mixed-race” – though some have denied that’s what they’re doing, blaming their change on a propensity to deeply tan. Various media outlets are referring to this as “blackfishing”, but there is another name for it, which more clearly links this practice to its racist past. While “ni**erfishing” sounds like a sport from the good ole days when AMERICA WAS GREAT, when a picnic wasn’t a picnic without a black body swinging in the southern breeze, it is in fact a phenomenon all our own, from the year of our good lord 2018. N**erfishing is this cute lil trick whereby white girls literally reinvent themselves online, on Instagram and Youtube, as “mixed-race” or light-skinned black women. From our complexion to our lips and other facial features, to textured hair and the use of protective styles, weaves and braids — there is little to separate these white women visually from black women…

Read the entire article here.

The 97-Year-Old Park Ranger Who Doesn’t Have Time for Foolishness

Glamour
2011-11-02

Farai Chideya
Photographs by Shaniqwa Jarvis

Photo: Shaniqwa Jarvis  “History has been written by people who got it wrong. But the people who are always trying to get it right have prevailed,” says Reid Soskin, photographed at Rosie the Riveter Park. “If that were not true, I would still be a slave like my great-grandmother.”

As the oldest career National Park Service ranger, Betty Soskin is unabashed about revealing all of America’s history—and her optimism about our future.

What gets remembered is determined by who is in the room doing the remembering,” Betty Reid Soskin likes to say. So she’s made it her singular purpose to always be in the room.

Today that room is the auditorium at the Rosie the Riveter/WWII Home Front National Historical Park in Richmond, California, where—at 97—she’s the oldest person now serving as a permanent National Park Service ranger. She packs the theater three times a week with talks about the Rosies and the typically white narrative about the women who served the war effort, but interweaves her experience as a young black woman in segregated America.

There are a few things you should know about my friend Betty. Barely five feet three inches tall, she is sylphlike and strong. When she walks, she leans slightly forward, as if facing a headwind, and strides with speed and purpose. Betty never planned to be a ranger. She got the job at the young age of 85, after working as a field representative for her California assemblywoman, Dion Aroner. Aroner asked her to sit in on planning meetings for what would become the park, and Betty quickly saw that, if she didn’t speak up, the park would portray a whitewashed version of history. “There was no conspiracy to leave my history out,” she says. “There was simply no one in that room with any reason to know it.” So she sparked additions to the formal narratives: the 120,000 people of Japanese descent placed in internment camps by the government; the 320 sailors and workers, 202 of them black men, who died in the explosions at nearby Port Chicago. “So many stories,” Betty muses, “all but forgotten.”

Working at an all-black union hall during World War II and then briefly in an all-white branch of the Air Force (they didn’t realize she was black when they hired her), Betty saw stories like these firsthand, becoming, as she puts it, “a primary source” from the time. Tom Leatherman, the park’s superintendent, says Betty motivated organizers to bring more people to the table: “Because of Betty, we made sure we had African American scholars review our films and exhibits, but we also made sure we were looking out for other, often forgotten stories—Japanese American, Latino American, American Indian, and LGBTQ narratives—that were equally important.”…

Read the entire article here.

Peace Weavers: Uniting the Salish Coast through Cross-Cultural Marriages

Washington State University Press
2017
290 pages
Illustrations / maps / notes / bibliography / index
Paperback ISBN: 978-0-87422-346-0

Candace Wellman

Peace-weaving marriages between Salish families and pioneer men played a crucial role in mid-1800s regional settlement. Author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four exceptional women she profiles left a lasting legacy in their Puget Sound communities.

Strategic cross-cultural marriages between Coast and Interior Salish families and pioneer men played a crucial role in mid-1800s regional settlement and spared Puget Sound’s upper corner from tragic conflicts. Accounts of the husbands exist in a variety of records, but the native wives’ contributions remained unacknowledged. Combining primary and secondary sources, genealogy, and family memories, author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four women she profiles exhibited exceptional endurance, strength, and adaptability. They ran successful farms and businesses and acted as cultural interpreters and mediators. Although each story is unique, collectively they and other intermarried individuals helped found Puget Sound communities and left a lasting legacy. They were peace weavers.

New $10 bill featuring Viola Desmond goes into circulation next week

CP24
2018-11-12

Alex Cooke, Reporter
The Canadian Press

HALIFAX — A new $10 banknote featuring Viola Desmond’s portrait will go into circulation in a week, just over 72 years after she was ousted from the whites-only section of a movie theatre in New Glasgow, N.S.

The civil rights pioneer and businesswoman is the first Canadian woman to be featured on a regularly circulating banknote, which will also show a map of Halifax’s historic north end, home to one of Canada’s oldest black communities and the site where Desmond opened her first salon.

Irvine Carvery, a prominent member of Halifax’s north end and a former school board chair, said he’s excited that the bill will pay tribute to her, describing the inclusion of a black woman on the note as “a historic moment.”…

Read the entire article here.

Racial Passing and Its Transatlantic Contexts

5 University Gardens
Room 101
University of Glasgow
Glasgow, United Kingdom
Tuesday, 2018-11-20, 17:15Z

Janine Bradbury, Senior Lecturer in Literature
York St John University York, United Kingdom

The Transatlantic Literary Women are excited to be welcoming Dr. Janine Bradbury to Glasgow to give a paper titled: “Racial Passing and Its Transatlantic Contexts”. The talk takes place in room 101, 5 University Gardens at 5.15pm on Tuesday 20th November with drinks and refreshments available from 5. This is a social, friendly gathering. As always, everyone is welcome. Hope to see you there!

During the late nineteenth and early twentieth centuries, an entire literary genre emerged in the United States that revolved around light skinned, mixed race African Americans who ‘fraudulently’ pretended to be or passed for white in order to ‘evade’ racism, prejudice, and segregation. Films like Imitation of Life brought the topic to a national audience and writers as diverse as William Faulkner, Mark Twain, and Langston Hughes featured passing in their works.

Given that the United States has a distinct history of race relations, how do stories about passing ‘work’ beyond these regional and national contexts? And do American stories about passing inspire and hold relevance for writers across the black Atlantic? How is gender and nationhood represented in these works? And what role do women writers play in the history of the passing genre?

This talk explores the phenomenon of ‘passing-for-white’ as represented in the work of transatlantic literary women ranging from Harlem Renaissance writer Nella Larsen to contemporary British writer Helen Oyeyemi and asks why passing continues to inspire women writers across the West.

For more information, click here.

Comparative Racial Politics in Latin America (First Edition)

Routledge
2018-09-04
358 pages
31 B/W Illus.
Paperback: 9781138485303
Hardback: 9781138727021
eBook (VitalSource): 9781315191065

Edited by:

Kwame Dixon, Associate Professor of Political Science
Howard University, Washington, D.C.

Ollie A. Johnson III, Associate Professor of African American Studies
Wayne State University, Detroit, Michigan

Latin America has a rich and complex social history marked by slavery, colonialism, dictatorships, rebellions, social movements and revolutions. Comparative Racial Politics in Latin America explores the dynamic interplay between racial politics and hegemonic power in the region. It investigates the fluid intersection of social power and racial politics and their impact on the region’s histories, politics, identities and cultures.

Organized thematically with in-depth country case studies and a historical overview of Afro-Latin politics, the volume provides a range of perspectives on Black politics and cutting-edge analyses of Afro-descendant peoples in the region. Regional coverage includes Argentina, Brazil, Colombia, Cuba, the Dominican Republic, Ecuador, Haiti and more. Topics discussed include Afro-Civil Society; antidiscrimination criminal law; legal sanctions; racial identity; racial inequality and labor markets; recent Black electoral participation; Black feminism thought and praxis; comparative Afro-women social movements; the intersection of gender, race and class, immigration and migration; and citizenship and the struggle for human rights. Recognized experts in different disciplinary fields address the depth and complexity of these issues.

Comparative Racial Politics in Latin America contributes to and builds on the study of Black politics in Latin America.

Table of Contents

• Introduction: Comparative Racial Politics in Latin America – Black Politics Matter [Kwame Dixon and Ollie A. Johnson III]
• Part 1: History
  • 1. Beyond Representation: Rethinking Rights, Alliances and Migrations: Three Historical Themes in Afro-Latin American Political Engagement [Darién J. Davis]
  • 2. Recognition, Reparations, and Political Autonomy of Black and Native Communities in the Americas [Bernd Reiter]
  • 3. Pan-Africanism and Latin America [Elisa Larkin Nascimento]
• Part 2: The Caribbean
  • 4. Black Activism and the State in Cuba [Danielle Pilar Clealand]
  • 5. Correcting Intellectual Malpractice: Haiti and Latin America [Jean-Germain Gros]
  • 6. Black Feminist Formations in the Dominican Republic since La Sentencia [April J. Mayes]
• Part 3: South America
  • 7. Afro-Ecuadorian Politics [Carlos de la Torre and Jhon Antón Sánchez]
  • 8. In The Branch of Paradise: Geographies of Privilege and Black Social Suffering in Cali, Colombia [Jaime Amparo Alves and Aurora Vergara-Figueroa]
  • 9. The Impossible Black Argentine Political Subject [Judith M. Anderson]
  • 10. Current Representations of “Black” Citizens: Contentious Visibility within the Multicultural Nation [Laura de la Rosa Solano]
• Part 4: Comparative Perspectives
  • 11. The Contours and Contexts of Afro-Latin American Women’s Activism [Kia Lilly Caldwell]
  • 12. Race and the Law in Latin America [Tanya Katerí Hernández]
  • 13. The Labyrinth of Ethnic-Racial Inequality: a Picture of Latin America according to the recent Census Rounds [Marcelo Paixão and Irene Rossetto]
  • 14. The Millennium/Sustainable Development Goals and Afro-descendants in the Americas: An (Un)intended Trap [Paula Lezama]
• Conclusion [Kwame Dixon and Ollie A. Johnson III]

Brown Beauty: Color, Sex, and Race from the Harlem Renaissance to World War II

New York University Press
September, 2018
368 pages
27 illustrations
Cloth ISBN: 9781479875108
Paper ISBN: ISBN: 9781479802081

Laila Haidarali, Assistant Professor of Gender Studies
Queens University, Kingston, Ontario, Canada

Examines how the media influenced ideas of race and beauty among African American women from the Harlem Renaissance to World War II.

Between the Harlem Renaissance and the end of World War II, a complicated discourse emerged surrounding considerations of appearance of African American women and expressions of race, class, and status. Brown Beauty considers how the media created a beauty ideal for these women, emphasizing different representations and expressions of brown skin.

Haidarali contends that the idea of brown as a “respectable shade” was carefully constructed through print and visual media in the interwar era. Throughout this period, brownness of skin came to be idealized as the real, representational, and respectable complexion of African American middle class women. Shades of brown became channels that facilitated discussions of race, class, and gender in a way that would develop lasting cultural effects for an ever-modernizing world.

Building on an impressive range of visual and media sources—from newspapers, journals, magazines, and newsletters to commercial advertising—Haidarali locates a complex, and sometimes contradictory, set of cultural values at the core of representations of women, envisioned as “brown-skin.” She explores how brownness affected socially-mobile New Negro women in the urban environment during the interwar years, showing how the majority of messages on brownness were directed at an aspirant middle-class. By tracing brown’s changing meanings across this period, and showing how a visual language of brown grew into a dynamic racial shorthand used to denote modern African American womanhood, Brown Beauty demonstrates the myriad values and judgments, compromises and contradictions involved in the social evaluation of women. This book is an eye-opening account of the intense dynamics between racial identity and the influence mass media has on what, and who we consider beautiful.