Mixed Race Studies

‘Fühlst du dich als Deutsche oder als Afrikanerin?’: May Ayim’s Search for an Afro-German Identity in her Poetry and Essays

German Life and Letters
Volume 59 Issue 4 (October 2006)
Pages 500-514
DOI: 10.1111/j.1468-0483.2006.00364.x

Jennifer Michaels, Professor of German; Samuel R. and Marie-Louise Rosenthal Professor of Humanities
Grinnell College, Iowa

Until her suicide in 1996, May Ayim was one of the leading voices among Afro-German women and the group’s most prominent poet. In her poetry and essays, she addresses such topics as marginalisation, multiculturalism and identity formation and describes her struggle to live in a society where she encountered racial prejudice and stereotypes. Her texts map the stages in her development from rejecting being black and wishing to be white to affirming her biracial identity, which she came to view as a source of her creativity. In her poetry she not only depicts aspects of the Afro-German experience but also powerfully evokes feelings of abandonment, loneliness, love and death. In this article I will set Ayim’s work into the context of the Afro-German experience and highlight issues that were of particular concern to her.

Read or purchase the article here.

Black Beauty: Aesthetics, Stylization, Politics

Ashgate
March 2009
188 pages
234 x 156 mm
188 pages
Hardback ISBN: 978-0-7546-7145-9
eBook ISBN: ISBN 978-0-7546-9140-2

Shirley Anne Tate, Professor of Sociology
Leeds Beckett University, Leeds, United Kingdom

Previous work discussing Black beauty has tended to concentrate on Black women’s search for white beauty as a consequence of racialization. Without denying either the continuation of such aesthetics or their enduring power, this book uncovers the cracks in this hegemonic Black beauty.

Drawing on detailed ethnographic research amongst British women of Caribbean heritage, this volume pursues a broad discussion of beauty within the Black diaspora contexts of the Caribbean, the UK, the United States and Latin America through different historical periods to the present day. With a unique exploration of beauty, race and identity politics, the author reveals how Black women themselves speak about, negotiate, inhabit, work on and perform Black beauty. As such, it will appeal not only to sociologists, but anyone working in the fields of race, ethnicity and post-colonial thought, feminism and the sociology of the body.

Table of Contents

Introduction
‘Beauty comes from within’: or does it?
Anti-racist aesthetics in the 21st century: the matter of hair
‘Race’, beauty and melancholia: shade
The shame of beauty is its transformative potential
The ‘browning’, straighteners, and fake tan
Hybrid black beauty?
Conclusion: is it all stylization and is there a need for black beauty citizenship?
Appendix
Bibliography
Index

Read the introduction here.

What is beauty?
Writing a book on Black beauty has made me face many challenges. One of these has been unease about knowing just where to start when looking at beauty itself. Should I start with Rastafarianism as a Jamaican or should I start with Ivan Van Sertima’s (1989) Black Women in Antiquity or should I start with the words of Black British women who participated in my research? As you would expect, I suppose, knowing that I am an ethnographer, women’s words are my first port of call. When I asked Ray, a twenty-three-year-old Black ‘mixed race’ British student what Black beauty meant to her she replied:

Black beauty to me is – it’s a tricky question. But I think a really beautiful Black woman or a ‘mixed race’ woman out of them all is the one that has the potential to be stunning. My ideas of Black and beautiful I would say that they originate from my mother’s side of the family also the media probably influenced it. Being at home in Jamaica, what I call home in Jamaica and also even here which has a high Black population and even just within myself as well. Accepting myself as being beautiful I believe was a big step in knowing more about and having ideas on what Black and beautiful are especially from childhood experiences as an example because I grew up in a predominantly white neighbourhood. When I was eleven or twelve I met my best friend and I started to chill with her etc. and go over to Hud and I discovered that my hair, my nose, my lips, my skin colour, everything was actually beautiful and normal if anything above normal standards, normal or better than the norms that I was used to. That is, white straight hair, thin lips you know all that kind of thing, even the colour of the eyes, blue eyes.

With these words Ray orients us to the difficulty of defining once and for all what Black beauty is or could be claimed to be. Instead she points out its complexities when she first says that beauty is about having the potential to be stunning as she makes it clear that beauty is about an appeal to the senses and a judgement is made based on that appeal. For her such judgements have a context in her home in Jamaica, her mother’s family, Black community acknowledgement and acceptance of your beauty, your own acceptance of yourself as beautiful and a continuing uneasy interconnectedness with ideals of white beauty. Black beauty then is lodged in diasporic sociality, sensibilities and processes of transculturation. It is also about racialized aesthetics, the link between the psyche and the social mediated by the surface of the skin and a process of self discovery throughout one’s life…

Borders Book Festival: Where Words Come Alive—Jackie Kay

Harmony Marquee
Melrose, Scotland
2010-06-20, 20:30 BST (Local Time)

Published only days before the festival, Red Dust Road is Jackie Kay’s autobiographical journey.  Adopted by warm-spirited Scottish communists, Jackie has never thought of anyone else as her ‘real’ parents, but meeting her birth father and mother was nevertheless revelatory. This is a wonderfully written, emotional book about biology and destiny, strangers and family, belonging and belief.

For more information, click here.

Red Dust Road: An Autobiographical Journey

Picador an Imprint of PanMacmillan
2010-06-04
304 pages
214mm x 135mm, 0.43 kg
ISBN: 9780330451055

Jackie Kay, Professor of Creative Writing
Newcastle University

‘What makes us who we are? My adoption is a story that has happened to me. I couldn’t make it up.’

From the moment when, as a little girl, she realizes that her skin is a different colour from that of her beloved mum and dad, to the tracing and finding of her birth parents, her Highland mother and Nigerian father, the journey that Jackie Kay undertakes in Red Dust Road is full of unexpected twists, turns and deep emotions.

In a book shining with warmth, humour and compassion, she discovers that inheritance is about much more than genes: that we are shaped by songs as much as by cells, and that our internal landscapes are as important as those through which we move.

Taking the reader from Glasgow to Lagos and beyond, Red Dust Road is revelatory, redemptive and courageous, unique in its voice and universal in its reach. It is a heart-stopping story of parents and siblings, friends and strangers, belonging and beliefs, biology and destiny, and love.

Jackie Kay’s Representation of ‘The Broons’: Scotland’s Happy Family

eSharp
Special Issue: Spinning Scotland: Exploring Literary and Cultural Perspectives (2009)
pages 109-143
ISSN: 1742-4542

Mª del Coral Calvo Maturana
Universidad de Granada

This paper focuses on the contemporary Scottish poet Jackie Kay and the comic strip ‘The Broons’ by studying Jackie Kay’s representation of this family in contrast to its characterisation in the comic strip. This study presents a brief introduction to Jackie Kay and ‘The Broons’ and pays attention to Kay’s referential portrayal of this Scottish family in five of her poems: ‘Maw Broon Visits a Therapist’ (2006a, p.46-47), ‘Paw Broon on the Starr Report’ (2006a, p.57), ‘The Broon’s Bairn’s Black’ (2006a, p.61), ‘There’s Trouble for Maw Broon’ (2005, p.13-14) and ‘Maw Broon goes for colonic irrigation’ (unpublished). Each of the poems will be approached stylistically by using the advantages offered by corpus linguistics methodology; in particular, the program Wordsmith Tools 3.0. (Scott 1999) will help to show the collocation of certain words through concordances…

Read the entire article here.

The Poet as Cultural Dentist: Ethnicity in the Poetry of Jackie Kay

Theory and Practice in English Studies 4 (2005)
Proceedings from the Eighth Conference of British, American and Canadian Studies.
Brno: Masarykova Univerzita
pages 63-67

Pavlína Hácová, Philosophical Faculty
Palacky University, Olomouc

The acclaimed British poet Jackie Kay (born 1961) belongs to the colourful mainstream of recent British poetry. The paper aims to survey the ethnic imagery and consciousness Kay explores in her poems, predominantly with the images of dentistry. Special attention will be paid to the images of cultural significance. A few sample poems will be discussed to demostrate the constant search for identity (inclusion vs. exclusion, assimilation vs. marginalization) and cultural heritage.

…Kay keeps clear-cut the distinction between white and black. In the poem “Pride”, the exploration of identity that is based on the imagery of teeth, leads to concern with nationality. Kay is proud of her mixed Scottish and Nigerian background. She links her African descent to her Scottish nationality as she compares Scottish clans to African tribes – both sharing the pride of their respective cultures:

His [the stranger’s] face had a look
I’ve seen on a MacLachlan, a MacDonnell, a MacLeod,
the most startling thing, pride. (Kay 1998: “Pride”, lines 51-53)

However, Kay does not see the identity of the characters as either black or white. She has stated in an interview: “I consider myself a Scottish writer, in the sense that I am, and I consider myself a black writer, in the sense that I am, and a woman writer, in the sense that I am” (Severin 2002)…

Read the entire paper here.

Jackie Kay (Review of Darling)

Aesthetica Magazine
Issue 19 (2007-10-01)
page 10

Rachel Hazelwood

Jackie Kay is one of the most prolific and insightful poets currently writing in the UK today. At a time when too many people frequently describe the form as being “in decline” and thought of as an “exclusive club”, Kay writes poems that are accessible, yet deeply involved and involving. Her poetry embraces the reader, and at the same time it challenges them to really think about what she is saying. Her work covers weighty themes such as gender, ethnicity, racism and cultural difference, and presents them in ways that leave you marvelling at her command of language, and at the same time feeling as though you have gained valuable insight into subjects fraught with social and emotional complexities. As far as Kay is concerned: “All you need is a way of reading poetry so while you’re listening, you are also reading; and that you listen to poetry like you might listen to a piece of music. You actually don’t need to understand it in the first instance; you’re listening to enjoy and experience language, not to worry about it.  Once you’re past worrying you can actually return again and again to the same poem, and that’s what I think is wonderful about poetry.”

Kay’s latest work, Darling, published in October 2007, brings together into a vibrant new book many favourite poems from her four Bloodaxe collections, The
Adoption Papers, Other Lovers, Off Colour and Life Mask, as well as featuring new work, some previously uncollected poems, and some lively poetry for younger readers…

Read the entire review here.

Black Skins, Black Masks: Hybridity, Dialogism, Performativity

Ashgate Publishing
February 2005
188 pages
234 x 156 mm
Hardback ISBN: 978-0-7546-3641-0

Shirley Anne Tate, Professor of Sociology
Leeds Beckett University, Leeds, United Kingdom

Black Skin, Black Masks: Hybridity, Dialogism, Performativity offers a timely exploration of Black identity and its negotiation. The book draws on empirical work recording everyday conversations between Black women: friends, peers and family members. These conversations are discussed in the light of the work of Homi Bhabha, Stuart Hall, Gerd Baumann, Claire Alexander and others on questions of hybridity, identity, otherness and the development of ‘new ethnicities’. Tate aims to address what she sees as significant omissions in contemporary Black Cultural Studies. She argues that theorists have rarely looked at the process of identity construction in terms of lived-experience; and that they have tended to concentrate on the demise of the essential Black subject, paying little attention to gender.

The book points to a continuation of a ‘politics of the skin’ in Black identities. As such it argues against Bhabha’s claim that essence is not central to hybrid identities. The conversations recorded in the book reveal the ways in which women negotiate the category of Blackness, in what Tate calls a ‘hybridity-of- the-everyday’.

The book introduces a new interpretative vocabulary to look at the ways in which hybridity is orchestrated and fashioned, showing it to be performative, dialogical and dependent on essentialism.

Table of Contents

• Introduction
• Foucault, Bakhtin, ethnomethodology
• Critical ontologies and racialized gender
• Storied hybridity and gendered readings of ‘Race’
• Beyond hybridity: bodily schema and the ‘Third Space’
• Resisting Black skin
• Hybridity, dialogism, performativity
• Fetishizing community: a politics of skin, homes and belonging
• Conclusion; Bibliography
• Index

Don’t tell me who I am

The Guardian
2002-01-12

Libby Brooks, Deputy Comment Editor

Jackie Kay has become used to all kinds of assumptions being made about her identity—literary, national, sexual and familial. The more annoying, because the joy of being a writer is that you can create any persona you like. On the other hand, she does want to stand and be counted. She explains to Libby Brooks

Jackie Kay tells a tale of mistaken identity. “I went to sit down in this chair in a London pub and this woman says, ‘You cannae sit doon in that chair – that’s ma chair.’ I said, ‘Oh, you’re from Glasgow, aren’t you?’ and she said, ‘Aye, how did you know that?’ I said, ‘I’m from Glasgow myself.’ She said, ‘You’re not, are you, you foreign-looking bugger!'” Kay roars delightedly. “I still have Scottish people asking me where I’m from. They won’t actually hear my voice, because they’re too busy seeing my face.” Meanwhile, in Glasgow, her black female friends are stopped in the street and asked if they’re Jackie Kay…

…Born in Edinburgh to a Scottish mother and Nigerian father, Kay herself was adopted by a white couple and brought up in Glasgow. A lesbian – she lives in Manchester with poet Carol Ann Duffy, her own 13-year-old son, Matthew, and Duffy’s daughter, Ella, six – Kay has found her own identities too easily commodified for comfort. “Your characters are fiction, but when you’re a public writer people often try to make them you. Often, they have this real need, which seems to come out of our culture, to relate things back to this big thing called the personality. There’s something discomforting about that gaze being on you because, by writing, you’ve deliberately chosen to put yourself behind the scenes…

…Kay has always read and always written. As a young girl growing up in predominantly white Glasgow, books such as Anne Of Green Gables and the Famous Five series offered her other lives, while writing gave her the chance to create her own. When she was 12, she wrote the 80-page One Person, Two Names in a school jotter, illustrated by a pal, about a girl living in the States who was black but pretended to be white. “It interests me that I still write about the same things,” she notes dryly…

Read the entire article here.

Professor Nikki Khanna to be Featured Guest on Mixed Chicks Chat

Mixed Chicks Chat (The only live weekly show about being racially and culturally mixed. Also, founders of the Mixed Roots Film & Literary Festival) Hosted by Fanshen Cox and Heidi W. Durrow
Website: TalkShoe™ (Keywords: Mixed Chicks)
Episode: #151 – Professor Nikki Khanna
When: Wednesday, 2010-05-05 21:00Z (17:00 EDT, 14:00 PDT)

Nikki Khanna, Associate Professor of Sociology
University of Vermont

Dr. Khanna’s primary areas of specialization include race/ethnic relations and social psychology. Her current research draws from both areas and she is particularly interested in studying biracial and multiracial identity. She studies how people racially identify and how identity is shaped and negotiated through social interactions with others in their day-to-day lives.

Most Recent Publications:

• “’If You’re Half Black, You’re Just Black’: Reflected Appraisals and the Persistence of the One-Drop Rule”. Sociological Quarterly. Volume 51, Number 1 (Winter 2010).
• “Country Clubs and Hip-Hop Thugs: Examining the Role of Social Class and Culture in Shaping Racial Identity.” In Kathleen Korgen‘s (Ed.). Multiracial Americans and Social Class: The Influence of Social Class on Racial Identity. Routledge.

Download the podcast here.