Mixed Race Studies

Black, Red and Proud: An Interview with Radmilla Cody

The Root
2011-02-22

Cynthia Gordy

Radmilla Cody’s crowning as Miss Navajo Nation in 1997 triggered an outcry and a conversation about what it means to be Native American. Now she’s featured in a museum exhibit showing the rarely told history of African-Native Americans.

In a 1920 edition of the Journal of Negro History, Carter G. Woodson observed, “One of the longest unwritten chapters in the history of the United States is that treating of the relations of the Negroes and the Indians.” [See: C. G. Woodson, “Negroes and Indians in Massachusetts,” Journal of Negro History, Volume 5, Number 1 (January 1920).]

“Red/Black: Related Through History,” a new exhibit at Indianapolis’ Eiteljorg Museum of American Indians and Western Art, illuminates this rarely told story. Since the first arrival of enslaved Africans in North America, the relationships between African Americans and Native Americans have encompassed alliances and adversaries, as well as the indivisible blending of customs and culture.

“It’s not received a lot of attention because it’s not the dominant culture’s story, although it’s very important to the dominant culture’s bigger view of the past,” says James Nottage, curator of the exhibit, which includes narratives of enslaved blacks who traveled the Trail of Tears with their Native owners; slaves who intermarried into Native tribes as an escape from bondage; and the largely African-featured members of the Shinnecock tribe of New York, as well as shared traditions in food, dress and music…

…Cody, also the subject of a 2010 documentary, Hearing Radmilla, talked to The Root about growing up both black and Navajo, and how she handles frequent “Wow, you don’t look Indian” comments.

The Root: The experience of having your Miss Navajo Nation reign challenged calls to mind the debate over the Cherokee Freedmen. Is this a common issue across the Native community, of African-Native Americans having trouble finding acceptance?

Radmilla Cody: I grew up having to deal with racism and prejudices on both the Navajo and the black sides, and when I ran for Miss Navajo Nation, that especially brought out a lot of curiosity in people. It’s something that we’re still having to address as black Natives, still having to prove ourselves in some way or another, because at the end of the day, it all falls back to what people think a Native American should look like.

But there’s been many times when people have said to me, “Oh, my great-great-grandmother was an Indian.” I’ll ask them if they know what tribe, and they don’t. It’s very important because in order to be acknowledged as a tribal member, you have to be enrolled. So I can see where Native people are protective about defining who’s a tribal member, and are questioning of people claiming Native ancestry…

…TR: What does that preparation entail, exactly? I understand it’s not a typical pageant.

RC: Basically you’re tested on your knowledge of the Navajo government, the culture, the stories, the songs and the Navajo philosophy of life. You’re tested on butchering a sheep and making fry bread and other traditional foods of the Navajo people. It usually lasts about a week. What separates our pageant from the Miss USA pageant is the bikini—we don’t have a swimsuit category!…

Read the entire article here.

Seven Hours To Burn

Women Make Movies
USA/Canada, 1999
9 minutes
Color/BW, VHS/16mm
Order No. W01699

Shanti Thakur

“A visually expressive personal documentary that explores a family’s history. Filmmaker Thakur mixes richly abstract filmmaking with disturbing archival war footage to narrate the story of her Danish mother’s and Indian father’s experiences. Her mother survives Nazi-occupied Denmark while her father experiences the devastating civil war in India between Hindus and Muslims. Both émigrés to Canada, they meet and marry, linking two parallel wars. Their daughter lyrically turns these two separate histories into a visually rich poem linking past and present in a new singular identity.” Doubletake Documentary Film Festival Catalogue

View the trailer here.

Mixed-Race Celebrities on Race, in their Own Words

Time Magazine: Healthland
2011-02-15

Meredith Melnick, Reporter and Producer

Who Are You?

If biracial and multiracial celebrities have anything in common, it is that they are often asked to explain themselves. That may sound familiar to any person of mixed ancestry for whom questions like “What are you?” and the slightly more delicate “Where are your parents from?” are the norm.

“Historically, racism is equated with segregation, separating people,” says Marcia Alesan Dawkins, a visiting scholar at the Center for the Study of Race and Ethnicity in America at Brown University. “In turn, we think racial progress is racial mixing. But the problem is, [that progress is] still based on appearance.”

People who embody racial diversity can’t be expected to explain the concept to everybody else, but their thoughts on the matter are often illuminating. As Dawkins said, “It’s still important to bring issues of multiracial identity to the public’s attention.”…

Read the entire article here.

Beyond Bondage: Free Women of Color in the Americas

University of Illinois Press
2004
344 pages
6 x 9.25 in. 
Illustrations: 25 tables
Cloth ISBN: 978-0-252-02939-4
Paper ISBN: 978-0-252-07194-2

Edited by

David Barry Gaspar, Professor of History
Duke University

Darlene Clark Hine, Board of Trustees Professor of African American Studies and History
Northwestern University

Black women who were not slaves during the era of slavery

David Barry Gaspar and Darlene Clark Hine’s Beyond Bondage outlines the restricted spheres within which free women of color, by virtue of gender and racial restrictions, were forced to carve out their existences. Although their freedom, represented by the acquisition of property, respectability, and opportunity, always remained precarious, the collection supports the surprising conclusion that women of color often sought and obtained these advantages more successfully than their male counterparts.

Halle Berry and Nahla: Not So Mixed, Not So Happy

The Huffington Post
2011-02-09

Marcia Dawkins, Visiting Scholar
Brown University

As we await the results of the 2010 Census it’s tempting to think that our growing comfort with categorizing people as multiracial has erased racism and the fear of interracial relations. But in a recent interview with Ebony Magazine, Halle Berry says that we’re neither as mixed nor as happy as we’d like to think.

In the interview Berry addressed her ugly custody battle with Gabriel Aubry over their 2-year-old daughter, Nahla. Allegations are circulating about the couple’s different racial philosophies, including the use of racial slurs, and their anxiety over Nahla’s racial categorization in the press. Berry told Ebony that “I feel like [Nahla is] black” because of the one drop rule. In other words, Berry sees herself and her daughter as black because they are of partial African American ancestry. Other sources say that Aubry sees Nahla as white and that he thinks Berry should demand a retraction whenever Nahla is identified otherwise…

…Note the word “naturally.” If we take a step back in time we will find that many, including the U.S. Supreme Court in Plessy v. Ferguson, used the word “naturally” to justify and promote racial segregation and inequality. Now, many are using this same terminology to suggest that mixed race people are, by nature, non-racist and capable of promoting large-scaled racial healing. Some even suggest that multiracial families can promote the end of race and racism because of their biological backgrounds. The beauty of thinking this way is that it allows culture to masquerade as human nature without any justification.

This popular-but-flawed way of thinking equates racial progress with racial mixing and ignores the fact that interracial romantic relationships still experience higher rates of failure and different kinds of challenges than same-race relationships. That’s why we can have multiracial families selling car insurance, pasta, and video games on one hand and, on the other, have Halle Berry and Gabriel Aubry’s rancorous custody battle…

Read the entire article here.

Asian American Studies: Building Academic Bridges – Nitasha Sharma

The Department of African American Studies
Northwestern University, Evanston Illinois
October 2010

Ronald Roach

NITASHA TAMAR SHARMA Title: Assistant Professor of African-American and Asian American Studies, Northwestern University Education: Ph.D., Anthropology, University of alifornia at Santa Barbara; M.A., Anthropology, University of California at Santa Barbara; B.A., Anthropology, University of California at Santa Cruz Age: 35

With a dual appointment in the African-American Studies department and the Asian American studies program at Northwestern University, Dr. Nitasha Sharma is well positioned to produce scholarship that bridges the two disciplines. Sharma’s forthcoming book, based on her anthropology dissertation, Claiming Space, Making Race: South Asian American Hip Hop Artists, examines the influence that African-American-inspired hip hop culture has had on young musicians of South Asian descent, developing what some scholars see as fertile ground in ethnic studies—cross-cultural and comparative inquiry on U.S. racial and ethnic groups.

In her third year as an assistant professor at Northwestern, Sharma is regarded as a skillful and popular teacher. Her courses have included “The Racial and Gender Politics of Hip Hop”; “Race, Crime, and Punishment: The Border, Prisons, and Post-9/11 Detentions”; and “Cracking the Color Lines: Asian and Black Relations in the U.S.” Sharma has also done considerable work on mixed-race populations, including those in the U.S. and Trinidad. The African-American Studies department has awarded its Outstanding Teaching Award to Sharma in both her first and second years.

In addition, Sharma’s dual appointment has attracted the attention of Asian American studies scholars as well as Asian American student groups nationally and has resulted in numerous speaking engagements for the young professor. “(These individuals and organizations) really want to have the framework to understand the collaborations that my appointment symbolizes,” she says…

…“Nitasha is especially attractive in the way that she complicates our understanding of how race is constructed… And she is very good at demonstrating the impact of African-American culture and history on diverse populations around the globe,” Hine adds.

Sharma’s personal background may help explain her rise as a young scholar. She knew as a youngster growing up in Hawaii that she wanted to follow in the footsteps of her parents, both professors. Her father, a retired University of Hawaii history professor and Indian immigrant, and mother, a still-active University of Hawaii anthropologist in Asian studies and Brooklyn, N.Y., native of Russian Jewish descent, met and married in the United Kingdom and settled in Hawaii. “I wanted the life that my parents had. They had summers off and traveled around the world; they were frequently at home during the week days… The talk at the dinner table was largely about academic life and their work,” Sharma says…

Read the entire article here.

‘Land of our Mothers’: Home, Identity, and Nationality for Anglo-Indians in British India, 1919–1947

History Workshop Journal
Volume 54, Issue 1
pages 49-72
DOI: 10.1093/hwj/54.1.49

Alison Blunt, Professor of Geography
Queen Mary, University of London

This paper explores the symbolic and material intersections of home, identity and nationality for Anglo-Indians (previously known as ‘Eurasians’) in the period between the Montague Chelmsford Reforms and Indian Independence. Community claims for a legitimate heritage were articulated through images of Britain as fatherland and India as motherland, and were closely tied to political attempts to gain a legitimate stake in national life. The paper examines public debates about home, identity and nationality with reference to the two main Anglo-Indian leaders of the twentieth century, Henry Gidney and Frank Anthony. While a British imperial lineage was imagined through the figure of a British forefather, political debates about home, identity and nationality largely erased the figure of an Indian maternal ancestor and instead focused on Mother India and on the domestic roles of Anglo-Indian women. The political recognition of both women and the home was an attempt not only to domesticate Anglo-Indian women, but also to domesticate a new national identity that regarded India more than Britain as home. But the home life of Anglo-Indians remained more British than Indian and political attempts to foster national loyalty to India as motherland were contested on a domestic scale. The mixed descent of Anglo-Indians was thus both manifested and erased in public debates about the future and status of the community.

…This paper is about India as ‘land of our mothers’ at a time when questions of home, identity and nationality were bound together in complex and contested ways for Anglo-Indians and other minority communities in India. Through my focus on a distinct community of mixed descent, I examine the ways in which national identity was embodied in gendered and racialized ways that reflected and reproduced a dual affiliation to both Britain and India as home. Community claims for a legitimate heritage were articulated through images of Britain as fatherland and India as motherland, and such claims were closely tied to political attempts to gain a legitimate stake in national life. For this reason, I analyse public debates about home, identity and nationality, drawing on political representations by Anglo-Indian leaders and on articles and letters published in the Anglo-Indian Review. I focus on the period from the Montague Chelmsford Report of 1919, which laid the foundations for Indianization in government employment and political representation, to independence in 1947. This also allows me to contrast the policies of the two main Anglo-Indian leaders of the twentieth century. Henry Gidney led the community from 1919 until his death in 1942, when he was succeeded by Frank Anthony, who served as president of the [All-India Anglo-Indian Association] AIAIA and as a nominated member of parliament representing community interests from 1942 until his death in 1993. Rather than render spaces of home as more symbolic than actual in forging a national identity, I argue that political attempts to foster a greater national loyalty to India as motherland rather than Britain as fatherland were contested on a domestic scale. Anglo-Indian homes continued to be imagined as more British than Indian despite political attempts by Gidney and Anthony to identify the community as a nationalist minority. Rather than explore the home merely as a feminized space, I am interested in how it also came to be shaped by a masculine imperial heritage. While a British imperial lineage was imagined through the figure of a British forefather, political debates about home, identity, and nationality largely erased the figure of an Indian maternal ancestor and instead focused on Mother India and on the present and future political roles of Anglo-Indian women within and beyond the home. While ideas of home and identity were potent sites in shaping ideas of nationality, the mixed descent of Anglo-Indians was thus both manifested and erased in public debates about the future and status of the community…

Read the entire article here.

A White Side of Black Britain: Interracial Intimacy and Racial Literacy

Duke University Press
December 2010
328 Pages
57 b&w photos, 3 figures
Paperback ISBN: 978-0-8223-4876-4
Cloth ISBN: 978-0-8223-4900-6

France Winddance Twine, Professor of Sociology
University of California, Santa Barbara

A White Side of Black Britain explores the racial consciousness of white women in the United Kingdom who have established families and had children with black men of African Caribbean heritage. Filling a gap in the sociological literature on racism and antiracism, France Winddance Twine introduces new theoretical concepts in her description and analysis of white “transracial” mothers raising their children of African Caribbean ancestry in a racially diverse British city. Varying in age, income, education, and marital status, the transracial mothers at the center of Twine’s ethnography share moving stories about how they cope with racism and teach their children to identify and respond to racism. They also discuss how and why their thinking about race, racism, and whiteness changed over time. Interviewing and observing more than forty multiracial families over a decade, Twine discovered that the white women’s racial consciousness and their ability to recognize and negotiate racism was derived as much from their relationships with their black partner and his extended family as it was from their female friends. In addition to the white birth mothers, Twine interviewed their children, spouses, domestic partners, friends, and extended families members. Her book is best characterized as an ethnography of racial consciousness and a dialogue between black and white family members about the meaning of race, racism, and whiteness. It includes intimate photographs of the family members and their community.

Table of Conents

Illustrations
Acknowledgments
Introduction
1. A Class Analysis of Interracial Intimacy
2. Disciplining Racial Dissidents
3. The Concept of Racial Literacy
4. Antiracism in Practice
5. Written on the Body: Ethnic Capital and Black Cultural Production
6. Archives of Interracial Intimacies: Race, Respectability, and Family Photographs
7. White Like Who? Status, Stigma, and the Social Meanings of Whiteness
8. Gender Gaps in the Experience of Interracial Intimacy
Conclusion: Constricted Eyes and Racial Visions
Notes
References
Index

Brass Ankles Speak

Essays by Alice Dunbar-Nelson
circa 1929

Alice Dunbar-Nelson (1875-1935)

Prefatory Note by Gloria T. Hull

Entitled “Brass Ankles Speaks” (Vol. 2, WADN), it is an outspoken denunciation of darker skinned black people’s prejudice against light-skinned blacks told by a “brass ankles,” a black person “white enough to pass for white, but with a darker family background, a real love for the mother race, and no desire to be numbered among the white race.” This brass ankles recalls her “miserable” childhood in “a far Southern city” where other schoolchildren taunted and plagued her because she was a “light nigger, with straight hair!” This kind of rebuff and persecution continued into a Northern college and her first teaching job:

Small wonder, then, that the few lighter persons in the community drew together; we were literally thrown upon each other, whether we liked or not. But when we began going about together and spending time in each other’s society, a howl went up. We were organizing a “blue vein” society. We were mistresses of white men. We were Lesbians. We hated black folk and plotted against them. As a matter of fact, we had no other recourse but to cling together.

And she states further that “To complain would be only to bring upon themselves another storm of abuse and fury.”

This essay was as close as Dunbar-Nelson ever got to revealing feelings about her own racial status as a “yaller nigger.” She tried to publish it, but would not or could not do so under her own name, and the magazine editor refused to print it pseudonymously.

Brass Ankles Speaks (circa 1929)

The “Race” question is paramount. A cloud of books, articles and pronunciamentos on the subject of the white man or girl who “passes” over to the other side of the racial fence, and either entirely forsakes his or her own race, to live in terror or misery all their days, or else come crawling back to do uplift work among their own people, hovers on the literary horizon. On the other hand, there is an increasing interest and sentimentality concerning the poor, pitiful black girl, whose life is a torment among her own people, because of their “blue vein” proclivities. It seems but fair and just now for some of the neglected light-skinned colored people, who have not “passed” to rise and speak a word in self-defense.

I am of the latter class, what E. C. Adams in “Nigger to Nigger” immortalizes in the poem, “Brass Ankles.” White enough to pass for white, but with a darker family background, a real love for the mother race, and no desire to be numbered among the white race.

My earliest recollections are miserable ones. I was born in a far Southern city, where complexion did, in a manner of speaking, determine one’s social status. However, the family being poor, I was sent to the public school. It was a heterogeneous mass of children which greeted my frightened eyes on that fateful morning in September, when I timidly took my place in the first grade. There were not enough seats for all the squirming mass of little ones, so the harassed young, teacher—I have reason to believe now that this was her first school—put me on the platform at her feet. I was so little and scared and homesick that it made no impression on me at the time. But at the luncheon hour I was assailed with shouts of derision—“Yah! Teacher’s pet! Yah! Just cause she’s yaller!” Thus at once was I initiated into the class of the disgraced, which has haunted and tormented my whole life— “Light nigger, with straight hair!”

This was the beginning of what was for nearly six years a life of terror, horror and torment. For in this monster public school, which daily disgorged about 2,500 children, there were all shades and tints and degrees of complexions from velvet black to blonde white. And the line of demarcation was rigidly drawn—not by the fairer children, but by the darker ones. I had no color sense. In my family we never spoke of it. Indian browns and cafe au laits, were mingled with pale bronze and blonde yellows all in one group of cousins and uncles and aunts and brothers and sisters. For so peculiarly does the Mendelian law work in mixed bloods, that four children of two parents may show four different degrees of mixture, brown, yellow, tan, blonde.

In the school, therefore, I felt at first the same freedom concerning color. So I essayed friendship with Esther. Esther was velvet dark, with great liquid eyes. She could sing, knew lots of forbidden lore, and brought lovely cakes for luncheon. Therefore I loved Esther, and would have been an intimate friend of hers. But she repulsed me with ribald laughter—“Half white nigger! Go on wid ya kind!”, and drew up a solid phalanx of little dark girls, who thumbed noses at me and chased me away from their ring game on the school playground…

Read the entire essay here.

The Works of Alice Dunbar-Nelson (Volume 1)

Oxford University Press
1988
480 pages
4-5/8 x 6-1/2
Hardback ISBN13: 978-0-19-505250-3; ISBN10: 0-19-505250-1

Alice Dunbar-Nelson (1875-1935)

Edited by Gloria Hull

Spanning the gamut of literary genres, from autobiographical short stories to poetry, journalism, and novelettes, this is a comprehensive collection of one of America’s most seminal women writers. A testament to the nineteenth century as birthplace for black woman writers, The Works of Alice Dunbar-Nelson offers insight into the themes of oppression and intolarance, often considered dangerous or ignored in the nineteenth century, but now pervade much writing today. Themes such as crossing racial boundaries, infused with Dunbar-Nelson’s autobiographical fervor.