Mixed Race Studies

Daughter from Danang

2002
U.S.A.
81 Minutes

Directed by:

Gail Dolgin

Vicente Franco

A heartbreaking documentary that upsets your expectations of happily-ever-afters, Daughter from Danang is a riveting emotional drama of longing, identity, and the personal legacy of war. To all outward appearances, Heidi [Bub] is the proverbial “all-American girl”, hailing from small town Pulaski, Tenn. But her birth name was Mai Thi Hiep. Born in Danang, Vietnam in 1968, she’s the mixed-race daughter of an American serviceman and a Vietnamese woman. Fearing for her daughter’s safety at the war’s end, Hiep’s mother sent her to the U.S. on “Operation Babylift”, a Ford administration plan to relocate orphans and mixed-race children to the U.S. for adoption before they fell victim to a frighteningly uncertain future in Vietnam after the Americans pulled out. Mother and daughter would know nothing about each other for 22 years.

Now, as if by a miracle, they are reunited in Danang. But what seems like the cue for a happy ending is anything but. Heidi and her Vietnamese relatives find themselves caught in a confusing clash of cultures and at the mercy of conflicting emotions that will change their lives forever. Through intimate and sometimes excruciating moments, Daughter from Danang profoundly shows how wide the chasms of cultural difference and how deep the wounds of war can run—even within one family.

Mixed Race Beauty Gets a Mainstream Makeover

TruthDig
2011-03-07

Marcia Alesan Dawkins, Visiting Scholar
Brown University

Are mixed race faces considered the most beautiful? A recent report from Allure magazine says yes. Results of a survey conducted by Allure reveal that 64 percent of its readers thought mixed race was the most attractive. The editors attribute the results to the growing population of mixed race youth. As much as I’d like to agree it appears that this is just another case of wishful racial thinking.

Here are a few reasons why. We need to remember that beauty and race are both social constructions—concepts societies create that may not actually exist in nature. As a result, beauty and race are associated with and impacted by class, immigration, gender, sexuality and marketing. Case in point: Since the Time magazine cover in the late 1990s, multiracials are more and more said to be the face of 21st century America. But what’s less known is that even this image was altered to look less “Hispanic/Latino” and more “European.”…

…With that in mind, we also need to think very carefully about what the rise in the mixed race population means. Despite interpretations of the 2000 and 2010 censuses, the idea that the Two or More Races (TOMR) population is somehow seeing a surge in the U.S. because of 1967’s Loving v. Virginia case is false.  Multiracial populations have been in existence since the days of exploration, colonialism and enslavement. The rise that statistics are tracking now reflects people’s ability, willingness, perceived advantages and comfort in describing themselves as multiracial. This growing trend is certainly laudable and may even be a sign of personal progress, but it definitely does not reflect a change in standards of beauty. It might be more accurate to say that the surge in TOMR identification is a sign that we are moving away from the old tragic mulatta stereotype. This stereotype—applied mostly to women—says that multiracials desire to be white and that they loathe the nonwhite part(s) of themselves. Note that what’s still missing from the conversation is how even this unfortunate stereotype privileges mixes that include whiteness and marginalizes others (i.e., Asian-Black)…

Read the entire article here.

Under the Moon’s Light

Directory of World Cinema
2011

English Title: Under the Moon’s Light
Original Title: Sous la clarté de la lune
Country of Origin: Burkina Faso, France
Studio: Les Films de la plaine, NDK productions
Director: Apolline Traoré
Producer(s): Idrissa Ouédraogo
Screenplay: Apolline Traoré
Cinematographer: Daniel Barrau
Editor: Lucie Thierry
Runtime: 90 minutes
Genre: Drama
Language: Moore (Moré), French
Starring/Cast: Rasmané Ouédraogo, Sylvain Lecann, Abdoulaye Koné, Tania Azar, Silvie Homawoo
Year: 2004
Volume: African / Nigerian

Reviewed by: Zélie Asava

Synopsis:

Sous la clarté de la lune interrogates African women’s personal and cultural histories and identities by foregrounding the experiences of mixed-race women and their families, thus exploring the history of interracial relationships in Africa and its diaspora. 

Its central story begins before the narrative starts, about 10 years earlier in a small village in Burkina Faso.  Patrick (Sylvain Lecann), a young white Frenchman steals his mixed-race daughter moments after her young Burkinabé mother has given birth.  As the film opens we see the child, who has been raised in France, return to her mother’s village with her father for what is supposed to be a brief encounter with her other home and family.  Her mother Kaya (Silvie Homawoo) has been mute since the incident.  The mixed-race daughter Martine (Tania Azar) hates the village and its inhabitants, thinking they are all inferior.  She believes her mother to be dead.   Her father Patrick treats the villagers as his servants.  The villagers have been waiting two years for an engineer and Patrick is in town to fix their water pump, as well as to discuss the past with Kaya.  While the locals may reject this white man because of the brutal history he left behind, they need his expertise and money.  The story thus has immediate resonances with Franco-African colonialism and neo-colonialism.

The film follows the three lead characters as they negotiate their differences to form a family.  A fourth key figure, Habib (Abdoulaye Koné), emerges as a young man in love with Kaya and through him spectators are introduced to village life, local systems of power and love, and come to realise that the story may also be read as a series of metaphors on issues of identity…

Read the entire review here.

The White Negress: Literature, Minstrelsy, and the Black-Jewish Imaginary

Rutgers University Press
2011-01-19
248 pages, 3 photographs
Paper ISBN: 978-0-8135-4783-1
Cloth ISBN: 978-0-8135-4782-4
eBook ISBN: 978-0-8135-4989-7

Lori Harrison-Kahan, Full-time Adjunct Faculty in English
Boston College

During the first half of the twentieth century, American Jews demonstrated a commitment to racial justice as well as an attraction to African American culture. Until now, the debate about whether such black-Jewish encounters thwarted or enabled Jews’ claims to white privilege has focused on men and representations of masculinity while ignoring questions of women and femininity. The White Negress investigates literary and cultural texts by Jewish and African American women, opening new avenues of inquiry that yield more complex stories about Jewishness, African American identity, and the meanings of whiteness.

Lori Harrison-Kahan examines writings by Edna Ferber, Fannie Hurst, and Zora Neale Hurston, as well as the blackface performances of vaudevillian Sophie Tucker and controversies over the musical and film adaptations of Show Boat and Imitation of Life. Moving between literature and popular culture, she illuminates how the dynamics of interethnic exchange have at once produced and undermined the binary of black and white.

A Chat with Kat: Marissa Hui, President of HapaSC

Her Campus
2011-02-28

Katharine Goldman

I remember clearly the first time someone used the term “hapa”: I was a freshman, waiting for Campus Cruiser in front of New/North, when a random guy asked me if I was hapa.

Not knowing what it meant, I asked for a clarification. He told me that hapa is Hawaiian for half—it’s traditionally used as a term to refer to people who are half-Asian and half-Caucasian.

Marissa Hui, a senior communications major, knows the intricacies of this term well. She’s the president of HapaSC, an organization on-campus [University of Southen California] dedicated to exploring what it means to be of mixed race, and the exploration of identity that comes with the territory.

HC: Tell me about HapaSC.

Marissa: HapaSC has been around campus for about 10 years. It started originally as a club specifically for students that fit the traditional meaning of “hapa:” half-Asian and half-white. Since then, it’s become an all-encompassing club for students of multiracial, multiethnic, and multicultural backgrounds.

Our mission is to create a diverse community where people can explore their identity. Specifically we deal with a lot of topics about being mixed raced and try to cater to that student population. Sometimes students who are mixed race don’t identify completely with [single-culture] groups, or want to be able to explore their backgrounds within one group and not have to sacrifice one group for another…

Read the entire article here.

Brooklyn Museum Acquires Eighteenth-Century Painting by Agostino Brunias Depicting Dominica Mixed Race Colonial Elite

The Brooklyn Museum
200 Eastern Parkway, Brooklyn, NY 11238-6052
T(718) 638-5000, F(718) 501-6134
January 2011

Agostino Brunias (Italian, ca. 1730-1796), Free Women of Color with their Children and Servants in a Landscape, ca. 1764-1796, Oil on canvas, 2010.59, Gift of Mrs. Carll H. de Silver in memory of her husband, and gift of George S. Hellman, by exchange.

The Brooklyn Museum has acquired, by purchase from the London Gallery Robilant + Voena, Agostino Brunias’s (1730–96) painting Free Women of Color with Their Children and Servants in a Landscape (circa 1764–96), a portrait of the eighteenth-century mixed-race colonial elite of the island of Dominica in the West Indies. Brunias, a London-based Italian painter, left England at the height of his career to chronicle Dominica, then one of Britain’s newest colonies in the Lesser Antilles.

The painting depicts two richly dressed mixed-race women, one of whom was possibly the wife of the artist’s patron. They are shown accompanied by their mother and their children, along with eight African servants, as they walk on the grounds of a sugar plantation, one of the agricultural estates that were Dominica’s chief source of wealth. Brunias documented colonial women of color as privileged and prosperous. The two wealthy sisters are distinguished from their mother and servants by their fitted European dresses.

The painting is a Caribbean version of contemporaneous English works made popular by artists such as William Hogarth and Thomas Gainsborough, whose art often depicts the landed gentry engaged in leisurely pursuits. Free Women of Color with Their Children and Servants in a Landscape and other Caribbean paintings by Brunias celebrate the diversity of European, Caribbean, and African influences in the region.

Although Brunias was originally commissioned to promote upper-class plantation life, his works soon assumed a more subversive, political role throughout the Caribbean as endorsements of a free, anti-slavery society, exposing the artificialities of racial hierarchies in the West Indies. Among his supporters was Haiti’s liberator, François-Dominique Toussaint L’Ouverture, who wore on his waistcoat eighteen buttons decorated with reproductions of Brunias’s paintings.

Free Women of Color with Their Children and Servants in a Landscape will go on view on March 7, 2011, in the European galleries, on the portraiture wall between contemporaneous female Spanish colonial and French subjects.

Author and scholar Adele Logan Alexander appears at the 2010 National Book Festival

2010 National Book Festival
Library of Congress
Washington, D.C.
2010-09-25
Running Time: 00:32:45

Adele Logan Alexander, Professor of History
George Washington University

Speaker Biography: Adele Logan Alexander’s research and teaching incorporate the black Atlantic world, African-American history, family history, gender issues and military and social history. Her first book examined the lives and significance of nonenslaved women of color in the rural antebellum South. Her second explored the Americanization and evolving citizenship of an African- (and Anglo-) American family in the 19th and 20th centuries. In 2003 the African American Historical and Genealogical Society recognized her contributions to the study of family history with an award for Outstanding Lifetime Contribution. She is an adjunct professor of history at George Washington University. Her books include “Homelands and Waterways: The American Journey of the Bond Family, 1846-1926” and “Ambiguous Lives: Free Women of Color in Rural Georgia.” Her latest book is “Parallel Worlds: The Remarkable Gibbs-Hunts and the Enduring (In)Significance of Race” (University of Virginia Press).

Read the Questions and Answers transcript here.

Audience question: In your significant study of African-American families and I guess particularly mixed families, how often did you come across the use of skin products–skin lighteners or whiteners or even darkeners; or was that something that you were able to research or was that something that was talked about at all or written about?

Adele Alexander: Certainly I don’t write about it because I never found it in any of the people that I happen to write about. However, I’ve done a lot of work with a woman you may know about whose name is A’lelia Bundles whose great grandmother was Madame C.J. Walker who developed hair straightening–she called them hair health products, skin health products that also served to create a more–a whiter appearance. But I guess that one of the things is that it almost seems remarkable to me not that so many people did these things, but that so many did not. Because in our culture there was so much of a premium that has been placed on whiteness–day to day inconveniences, legal restrictions and everything else. It’s easy for me to understand why a number of black people wanted to be part of the majority in this country because they were so discriminated against and any steps in that direction I think were understandable.

Mothering Children of African Descent: Hopes, Fears and Strategies of White Birth Mothers

The Journal of Pan African Studies
Volume 2, Number 1 (November 2007)
pages 62-76

Annie Stopford, Ph.D., Psychoanalytic Psychotherapist and Adjunct Research Fellow
University of Western Sydney, Sydney, Australia

Introduction

It is often acknowledged that African identities are “complex, contested and contingent,” and that these negotiations and contestations are conducted in many locations around the globe (Ahluwalia and Zegeye 113). However, there has been little discussion thus far about the role of non-African parents of mixed African-Western children in these processes. In many parts of the world where the African Diaspora has spread, there are increasing numbers of children being born to African and non-African parents, particularly (but not only) African fathers and non-African mothers of diverse ethnicities. Non-African parents may play a significant role in facilitating, supporting, or obstructing their children’s positive identifications and associations with Africa and “Africanness,” especially if and when the marriage or relationship breaks down and the child or children reside with the non-African parent.

In this article, I use extracts from interviews with white Australian birth mothers of African Australian children to explore how they negotiate some of the complexities, challenges, and rewards of mothering children of African descent. I argue that the contributions of non-African mothers of African-other children add an important dimension to discussions about the complexities of postcolonial and Africana hybrid identities. The article begins with a description of empirical data sources, some information about the field of research, and an exploration of the theoretical underpinnings of the discussion. This is followed by a discussion of some issues described by research participants, with an emphasis on narratives about lived experience and intersubjective dynamics. The article concludes with a brief reflection on the implications of these narratives.

…The Research Field

Despite the plethora of recent literature about interracial and postcolonial subjectivities, there has been little in-depth discussion thus far about mothering children of mixed cultural, ethnic, and racial descent. The focus of discussion in mixed race and hybridity studies tends to be on the children of couples of mixed cultures and races, rather than the parents themselves, and the damage done by racist and essentialist discourse to the children of those people who cross “the color line,” especially black/white relationships.

There have, however, been some studies of mixed race and culture families that focus on the parents and their responses to their children (Phoenix and Owens 158-177; Dalmage 1-32). There has also been some feminist and critical race research and discussion specifically about or by white mothers of African descent children in Western locations, and white mothers of African descent children living in Africa, with a particular emphasis on the way white mothers resist racism and try to foster positive identifications with blackness (Reddy 43-64; Lazarre 21-51; Twine 729-746, 878-907; Adomako Ampofo In My Mother’s House). Because fighting racism and fostering Africana identities are of course inextricably linked, I see this research as continuing the work of the aforementioned writers.

Read the entire article here.

Beyond The Whiteness of Whiteness: Memoir of a White Mother of Black Sons

Duke University Press
1996
198 pages
Cloth: ISBN: 978-0-8223-1826-2
Paperback ISBN: 978-0-8223-2044-9

Jane Lazarre

“I am Black,” Jane Lazarre’s son tells her. “I have a Jewish mother, but I am not ‘biracial.’ That term is meaningless to me.” She understands, she says—but he tells her, gently, that he doesn’t think so, that she can’t understand this completely because she is white. Beyond the Whiteness of Whiteness is Jane Lazarre’s memoir of coming to terms with this painful truth, of learning to look into the nature of whiteness in a way that passionately informs the connections between herself and her family. A moving account of life in a biracial family, this book is a powerful meditation on motherhood and racism in America, the story of an education into the realities of African American culture.

Lazarre has spent over twenty-five years living in a Black American family, married to an African American man, birthing and raising two sons. A teacher of African American literature, she has been influenced by an autobiographical tradition that is characterized by a speaking out against racism and a grounding of that expression in one’s own experience—an overlapping of the stories of one’s own life and the world. Like the stories of that tradition, Lazarre’s is a recovery of memories that come together in this book with a new sense of meaning. From a crucial moment in which consciousness is transformed, to recalling and accepting the nature and realities of whiteness, each step describes an aspect of her internal and intellectual journey. Recalling events that opened her eyes to her sons’ and husband’s experience as Black Americans—an operation, turned into a horrific nightmare by a doctor’s unconscious racism or the jarring truths brought home by a visit to an exhibit on slavery at the Richmond Museum of the Confederacy—or her own revealing missteps, Lazarre describes a movement from silence to voice, to a commitment to action, and to an appreciation of the value of a fluid, even ambiguous, identity. It is a coming of age that permits a final retelling of family history and family reunion.

With her skill as a novelist and her experience as a teacher, Jane Lazarre has crafted a narrative as compelling as it is telling. It eloquently describes the author’s delight at being accepted into her husband’s family and attests to the power of motherhood. And as personal as this story is, it is a remarkably incisive account of how perceptions of racial difference lie at the heart of the history and culture of America.

Gender, Race and Religion in the Colonization of the Americas

Ashgate Publishing
July 2007
218 pages
219 x 153 mm
Hardback ISBN: 978-0-7546-5189-5

Edited by

Nora E. Jaffary, Associate Professor of History
Concordia University, Montreal, Canada

When Europe introduced mechanisms to control New World territories, resources and populations, women-whether African, indigenous, mixed race, or European-responded and participated in multiple ways. By adopting a comprehensive view of female agency, the essays in this collection reveal the varied implications of women’s experiences in colonialism in North and South America.

Although the Spanish American context receives particular attention here, the volume contrasts the context of both colonial Mexico and Peru to every other major geographic region that became a focus of European imperialism in the early modern period: the Caribbean, Brazil, English America, and New France. The chapters provide a coherent perspective on the comparative history of European colonialism in the Americas through their united treatment of four central themes: the gendered implications of life on colonial frontiers; non-European women’s relationships to Christian institutions; the implications of race-mixing; and social networks established by women of various ethnicities in the colonial context.

This volume adds a new dimension to current scholarship in Atlantic history through its emphasis on culture, gender and race, and through its explicit effort to link religion to the broader imperial framework of economic extraction and political domination.

Table of Contents

• Introduction: Contextualizing race, gender, and religion in the New World Nora E. Jaffary
• Part 1: Frontiers
  • 2. Women as go-betweens? Patterns in 16th-century Brazil Alida C. Metcalf
  • 3. Gender and violence: conquest, conversion, and culture on new Spain’s imperial frontier Bruce A. Erickson
  • 4. The very sinews of a new Colony: demographic determinism and the history of early Georgia women, 1732–52 Ben Marsh
• Part 2: Female Religious
  • 5. The convent as missionary in 17th-century France Susan Broomhall
  • 6. ‘Although I am black, I am beautiful’: Juana Esperanza de San Alberto, Black Carmelite of Puebla Joan C. Bristol
  • 7. Andean women in religion: Beatas, ‘decency’, and the defense of honour in colonial Cuzco Kathryn Burns
• Part 3: Race Mixing
  • 8. Incest, sexual virtue, and social mobility in late colonial Mexico Nora E. Jaffary
  • 9. ‘An empire founded on libertinage’: The mulâtresse and colonial anxiety in Saint Domingue
    Yvonne Fabella
  • 10. Mediating Mackinac: métis women’s cultural persistence in the Upper Great Lakes Bethany Fleming
• Part 4: Networks
  • 11. Circuits of knowledge among women in early-17th-century Lima Nancy E. van Deusen
  • 12. Waters of faith, currents of freedom: gender, religion, and ethnicity in inter-imperial trade between Curaçao and Tierra Firme Linda M. Rupert
• Afterword
  • Women in the Atlantic world
  • Patricia Seed
• Bibliography
• Index

Read the introduction here.