Mixed Race Studies

The Life of Isamu Noguchi: Journey without Borders

Princeton University Press
2004
440 pages
6 x 9
36 halftones
Paper ISBN: 9780691127828

Masayo Duus
Translated by Peter Duus

• 2005 Non-fiction Finalist for the Kiriyama Prize, Pacific Rim Voices
• One of Choice’s Outstanding Academic Titles for 2005

Isamu Noguchi, born in Los Angeles as the illegitimate son of an American mother and a Japanese poet father, was one of the most prolific yet enigmatic figures in the history of twentieth-century American art. Throughout his life, Noguchi (1904-1988) grappled with the ambiguity of his identity as an artist caught up in two cultures.

His personal struggles—as well as his many personal triumphs—are vividly chronicled in The Life of Isamu Noguchi, the first full-length biography of this remarkable artist. Published in connection with the centennial of the artist’s birth, the book draws on Noguchi’s letters, his reminiscences, and interviews with his friends and colleagues to cast new light on his youth, his creativity, and his relationships.

During his sixty-year career, there was hardly a genre that Noguchi failed to explore. He produced more than 2,500 works of sculpture, designed furniture, lamps, and stage sets, created dramatic public gardens all over the world, and pioneered the development of environmental art. After studying in Paris, where he befriended Alexander Calder and worked as an assistant to Constantin Brancusi, he became an ardent advocate for abstract sculpture.

Noguchi’s private life was no less passionate than his artistic career. The book describes his romances with many women, among them the dancer Ruth Page, the painter Frida Kahlo, and the writer Anaïs Nin.

Despite his fame, Noguchi always felt himself an outsider. “With my double nationality and my double upbringing, where was my home?” he once wrote. “Where were my affections? Where my identity?” Never entirely comfortable in the New York art world, he inevitably returned to his father’s homeland, where he had spent a troubled childhood. This prize-winning biography, first published in Japanese, traces Isamu Noguchi’s lifelong journey across these artistic and cultural borders in search of his personal identity.

Table of Contents

• Prologue
• Chapter One: Yone and Leonie
• Chapter Two: His Mother’s Child
• Chapter Three: All-American Boy
• Chapter Four: Journey of Self-Discovery
• Chapter Five: Becoming a Nisei
• Chapter Six: The Song of a Small
• Chapter Seven: Honeymoon with Japan
• Chapter Eight: The World of Dreams
• Chapter Nine: The Universe in a Garden
• Chapter Ten: Encounter with a Stonecutter
• Chapter Eleven: Farewell to s Dreamer
• Epilogue
• Notes
• Bibliography
• Acknowledgments
• Index
• Photgraphy Credits

Honors 301: Mixed Race Art and Identity

DePaul University, Chicago, Illinois
Autumn Quarter 2011-2012

Laura Kina, Associate Professor Art, Media, & Design

Mixed Race Art & Identity will focus on contemporary art and popular culture to critically examine images of miscegenation and mixed race and post-ethnoracial identity constructs. Students will learn about the history and emergence of the multiracial movement in the United States from the 1967 Loving v. Virginia Supreme Court Case, which overturned our nation’s last anti-miscegenation law; to the emergence of the multiracial movement in the 1990s leading up to the 2000 U.S. Census, which for the first time allowed multiracial individuals to self-identify as more than one race; to the ways in which discussions of race have unfolded following the 2008 election of President Obama and the results of the 2010 Census.  Through the vehicle of art and cultural studies, students will reflect upon our present moment and the increasingly ethnically ambiguous generation that is coming of age. This seminar course is designed to be interactive and will include: class discussions, leading or co-leading a reading, online reflection posts on readings, viewing films, art lectures, a visiting artist talk, a mid-term paper, and a final creative group curatorial project.

Course Books/Readings and Research Resources

Required Text Books (Available through the University Bookstore and on reserve at the LPC library. We will read select chapters from these two books.)

• DaCosta, Kimberly McClain. Making Multiracials: State, Family, and Market in the Redrawing of the Color Line. Stanford, California: Stanford University Press, 2007.
• Beltrán, Mary and Camilla Fojas, ed. Mixed Race Hollywood. New York: NYU Press, 2008.

Required E-reserve and/or Online Readings (Available through library.depaul.edu or through the course blackboard site, Mixedheritagecenter.org (MHC), or online.)

• (Online) Cotter, Holland. “The Topic is Race; the Art is Fearless.” The New York Times.com. 30 March, 2008.1 Jan. 2009 .
• (MHC) Dariotis, Wei Ming. “Hapa: Word of Power,” Mixed Heritage Center, 2008..
• (E-res) Duus, Masayo. Ch 5 “Becoming a Nisei.” The life of Isamu Noguchi : Journey without Borders. Trans. Peter Duus.
  Princeton, N.J.: Princeton University Press, 2004. 149-175
• (E-res) Elam, Michele. 2011. Introduction.” The Souls of Mixed Folk: Race, Politics, and Aesthetics in the New Millennium.
  Stanford, CA: Stanford University Press, 2011. 1-26
• (E-res) Pinder, Kymberly N. “Biraciality and Nationhood in Contemporary American Art.” Race-ing Art History.
  Ed. Kymberly N. Pinder. New York: Routledge, 2001. 391-401.
• (E-res) Piper, Adrian. “Passing for White, Passing for Black.” The Visual Culture Reader. Ed. Nicholas Mirzoeff.
  New York: Routledge, 1998. 353-362.

Research and selections from original artist interviews with contemporary artists from the forthcoming book “War Baby/ Love Child: Mixed Race Asian American Art” edited by Laura Kina and Wei Ming Dariotis (University of Washington Press, 2013) and related exhibition co-curated by Kina and Dariotis (DePaul University Art Museum April 26 – June 30, 2013, Chicago, IL and Wing Luke Museum of the Asian Pacific American Experience August 9, 2013 – January 19, 2014, Seattle, WA. ) The artists covered include: Mequita Ahuja, Albert Chong, Serene Ford, Kip Fulbeck, Stuart Gaffney, Louie Gong, Jane Jin Kaisen, Lori Kay, Li-lan, Richard Lou, Laurel Nakadate, Samia Mirza, Chris Naka, Gina Osterloh, Adrienne Pao, Cristina Lei Rodriguez, Amanda Ross-Ho, Debra Yepa-Pappan, and Jenifer Wofford.

Film, Video, TV, and Radio

• Chasing Daybreak: A Film About Mixed Race in America, Dir. Justin Leroy. Pro. Matt Kelley. Mavin Foundation, 2005.
• Isamu Noguchi: Stones and Paper, Dir. Hiro Narita. Perf. Christo, Linda Hunt, Isamu Noguchi.
• A Pictures & Words production in assoc. with Thirteen-WNET. Princeton, N.J.: Films for the Humanities & Sciences, 1997.
• MiXeDmE, Dir. Kristen Lee. Pro. Nancy Wen. Ed. Chris Woon. Los Angeles: UCLA Asian American Studies, 2010.
• Muni to the Marriage, Dir. Stuart Gaffney. Independent film, 2004.
• Silences, Dir. Octavio Warnock-Graham. A production of Octave Films, 2006.
• “Kip Fulbeck Mixed Kids,” The TODAY Show. MSNBC. March 28, 2010.

Supplemental E-reserve and Reserve Readings are also available through the LPC Library

Plaque honour for ‘first black star’ Elisabeth Welch

BBC News
2012-02-27

The singer Elisabeth Welch is to be commemorated with an English Heritage blue plaque in south-west London.

She is the second black woman to be honoured with a blue plaque in London.

It will be unveiled in Ovington Court, Kensington, which was her home during the 1930s when she rose to fame on the cabaret circuit.

The performer died aged 99 in 2003 and has been described as “Britain’s first black star”.

Paul Reid, Director of Black Cultural Archives said it was “an important moment for black heritage”.

Welch was born in New York in 1904, but lived in London for 70 years…

…The first black woman to be honoured with a plaque was the nurse Mary Seacole in 2005…

Read the entire article here.

Film Review: Marley

Film Journal International
2012-04-18

Marsha McCreadie

Marley, the documentary by Oscar-winning Kevin Macdonald about the legendary musician and national and international symbol for individual rights, should sparkle and sing—OK, there’s some of that—but it just sort of hums along. Maybe you can’t catch this particular lightning in a bottle, but there might be another way than this respectful, straightforward, admiring approach.

 If anyone could display the spectacular yet contradictory parts of Bob Marley—a multi-talented half-black/half-white womanizer who loved spiritually and pan-nationally; a mesmerizing performer who was a quiet guy; a pride-instiller for his dirt-poor country and religious proselytizer who lived by his own rules—it should be Macdonald. The Oscar-winning British director made the tyrant Idi Amin likeable and the charming James McAvoy despicable in The Last King of Scotland; he set our hearts to pounding with the jarring edit of massacred Israeli Olympians in One Day in September. Marley is thorough, revelatory and completely fair-minded. It’s just not very exciting. Wrong for Bob Marley…

…The Marley family-approved doc includes rare, candid interviews with his children (well, two of the eleven), and three—wait, four—of his seven women. Marley comes across as introspective, also extremely competitive (one too many shots of him at soccer), emphasizing the psychoanalytic angle that he was so driven because he never really knew his white father, married to his mother Cedella but mainly absent until he died when Bob was 10. We see a photo of Norval Marley, learn what little there is to know about this British Marine captain, and find that Bob always saw himself as an outsider: never part of the white community nor of the black, as he was considered a half-caste, not black enough. In the black Jamaican community, it was rumored his white half caused his melanoma, from which he died at 36…

Read the entire review here.

The Legend of Marley: Kevin Macdonald considers reggae, Rasta and politics in new documentary

Film Journal International
2012-04-19

Doris Toumarkine

It’s taken several decades and faced many frustrating setbacks, but a richly documented and worthy film about the late reggae superstar Bob Marley has at last been realized.

Previously attached to Martin Scorsese and Jonathan Demme, Marley has been brought to life by Oscar-winning Scottish director Kevin Macdonald (One Day in September), who was persuaded to board the project by executive producer Chris Blackwell, the man who signed Marley to his influential Island Records label.

Just as important, Hollywood producer/financier Steve Bing’s money kicked in (through his Shangri-La Entertainment) and Marley’s family finally acceded to full cooperation and access after much dissension. Marley’s son Ziggy is an exec producer and Bing is a producer.

Expectations are no doubt soaring high for this first full-blown documentary, not just for hard-core Marley and reggae fans but for all those who value pop music and its evolution as integral to Western culture.

Providing a wealth of visual material, music and testimony from talking heads close to Marley, the Magnolia release initially conveys the artist’s extreme poverty in his native Jamaica, where he grew up the mixed-race son of a teenage black mother and older, largely absent white British father, a military man who sailed the seas or just plain drifted…

…Maybe not everything was captured. Marley had a reputation for the wandering eye (he had 11 children) and smoked a lot of weed, aka ganja, but Marley mostly stays clear of those topics.

 More to the point, the doc provides a wealth of music and suggests why the Marley reggae sound caught on so big. Music abounds, including hits from the album Exodus and the reggae smash “No Woman, No Cry,” whose rhythms were unique because, as the doc shows, Marley shifted the traditional beats…

…So what was the most surprising thing Macdonald learned about Marley?

 “I discovered how Marley was such an outcast, such an outsider even in his native country,” he replies. “As a mixed-race man, he was never really respected and he was even looked down upon because he was a Rastafarian. Yet he found his identity as a Rasta and when he became successful, everything changed.”…

Read the entire review here.

Bob Marley: the regret that haunted his life

The Guardian
2012-04-07

Tim Adams, Staff Writer

Director Kevin Macdonald explains how he pieced together his new film about reggae legend Bob Marley, from troubled early years in Jamaica to worldwide adulation – even after death

In 2005, the director Kevin Macdonald was working in Uganda on his film The Last King of Scotland. In the slums of Kampala he was struck by a curious fact. There seemed to be images of Bob Marley and “Get up, stand up” slogans and dreadlocks wherever he went.

Marley had been on Macdonald’s mind anyway: he had been asked by Chris Blackwell, founder of Island Records, if he would be interested in getting involved in a film project about the Jamaican musician’s enduring legacy.

The original plan had been to follow a group of rastafarians on their journey from Kingston to their spiritual homeland of Ethiopia, to attend a celebration of the 60th anniversary of Marley’s birth. As it worked out, that film was never made, but, when the opportunity arose for Macdonald to make a more ambitious documentary about Marley, he jumped at the chance…

Read the entire article here.

Henry Ossawa Tanner: Modern Spirit

University of California Press
February 2012
304 pages
Paperback ISBN: 9780520270756
Hardback ISBN: 9780520270749

Anna O. Marley, Curator of Historical American Art
Pennsylvania Academy of Fine Arts

This beautiful book, companion publication to the exhibition of the same name, presents a complex overview of the life and career of the pioneering African American artist Henry O. Tanner (1859–1937). Recognized as the patriarch of African American artists, Tanner forged a path to international success, powerfully influencing younger black artists who came after him. Following a preface by David Driskell, the essays in this book—written by international scholars including Alan Braddock, Michael Leja, Jean-Claude Lesage, Richard Powell, Marc Simpson, Tyler Stovall, and Hélène Valance—explore many facets of Tanner’s life, including his upbringing in post–Civil War Philadelphia, his background as the son of a bishop in the African Methodist Episcopal church, and his role as the first major academically trained African American artist. Additional essays discuss Tanner’s expatriate life in France, his depictions of the Holy Land and North Africa, and the scientific and technical innovations reflected in his oeuvre. Edited and introduced by Anna O. Marley, this volume expands our understanding of Tanner’s place in art history, showing that his status as a painter was deeply influenced by his race but not decided by it.

Henry Ossawa Tanner: His Boyhood Dream Comes True

Bunker Hill Publishing
2011-11-16
32 pages
7.3 x 10.3 x 0.4 inches
ISBN-10: 1593730926
ISBN-13: 978-1593730925

Faith Ringgold

Beautifully written and illustrated by Faith Ringgold, this children’s book accompanies the major exhibition Henry Ossawa Tanner: Modern Spirit.

This is the story of Henry Ossawa Tanner (1859-1937), the first African American painter to achieve fame in both Europe and America. An inspiration for the Harlem Renaissance artists and later generations of American painters, his story is retold by Faith Ringgold, one of today’s leading African American artists, to inspire another

Faith Ringgold’s depiction of Tanner’s struggle to achieve his dream and his success as a painter on the world stage will inspire and challenge young readers to look at the artist’s work and maybe go out and buy a few brushes and dry pigments (like Tanner did as a young boy in Philadelphia just 3 years after the Civil War) and set out to achieve their own dreams.

An Irish Tradition With an Only-in-America Star

The New York Times
2012-03-17

Sabrina Tavernise

GREENVILLE, Ohio — For those feeling down about the United States and its place in the world, meet Drew Lovejoy, a 17-year-old from rural Ohio. His background could not be more American. His father is black and Baptist from Georgia and his mother is white and Jewish from Iowa. But his fame is international after winning the all-Ireland dancing championship in Dublin for a third straight year.

Drew is the first to admit that this is a lot to take in, so he sometimes hides part of his biography for the sake of convenience. As in 2010, when he became the first person of color to win the world championship for Irish dancing—the highest honor in that small and close-knit world—and a group of male dancers in their 70s, all of them Irish, offered their congratulations.

“They said, ‘We never thought it would happen, but we’re thrilled that it did,’ ” said Drew’s mother, Andee Goldberg. She added, “They don’t even know he’s Jewish. That hasn’t been broached. I think it would be too overwhelming.”…

…Neither mother nor son can remember a time Drew wasn’t dancing, or the reason that he started. Drew thought it might have had to do with his mother getting tired of Disney movies and playing Fred Astaire and Gene Kelly videos for him. She also took him to musicals and theater performances.

But when he went to a friend’s Irish dance competition in Indianapolis, and saw the girls and boys leaping and skipping, dancing that was part tap, part ballet set to very happy music, he was hooked.

“I was like, ‘Yeah, right,’ ” his mother said, shaking her head. “You’re biracial and you’re a Jew. We thought you had to be Irish and Catholic.”

He said, “I was like, ‘I want a medal.’”…

Read the entire article here.

Tough lessons in CTC’s play about community destruction

MPR News
Minnesota Public Radio
2012-03-15

Nikki Tundel, Reporter

St. Paul, Minn. — A century-old story of discrimination is the basis for a world premiere production opening Friday in Minneapolis.

“Lizzie Bright and the Buckminster Boy” is the Children’s Theatre Company’s adaption of the real-life events of a forbidden friendship during the social segregation of 1912.

It’s a dark tale. But it’s one the theater company believes should be shared – especially with school children.

Actress Traci Allen was a bit wary when she first heard of Minnesota’s Children’s Theatre Company.

“I’m thinking of puppets and, ‘Hello, boys and girls,'” Allen pantomimed before a recent rehearsal.

Her preconceived notion didn’t last long. Today, she is the lead in the CTC’s “Lizzie Bright and the Buckminster Boy.” The children’s play wrestles with various adult themes, from economic turmoil to mortality.

Twenty-six-year-old Allen plays 13-year-old Lizzie. When afternoon rehearsal begins, she’s mourning the death of her grandfather in a song.

The story chronicles the forbidden friendship between Lizzie, who is black, and Turner Buckminster, who is white. It highlights the challenges they face in socially segregated 1912.

“Is there transition music there?” asks CTC artist director Peter Brosius, who directs the play.

The production is based on a Newbery Award-winning book [by Gary D. Schmidt], which in turn is based on the real-life history of Phippsburg, Maine. When the small coastal town was hit by an economic downtown, community leaders looked to the nearby island of Malaga to solve their financial woes.

“The idea,” said Brosius, “Was that the population that was on Malaga, which was a black and mixed-race population, should be removed from that island and that both the coastline and Malaga be turned into a resort. What happened, in fact, was the island was evacuated, people’s homes were moved.”…

Read the entire article and listen to the audio here.