Mixed Race Studies

Behind the Curtain | Race is common theme in local exhibits

City Living Seattle
2013-09-19

Jessica Davis, Columnist

According to the 2000 Census, Washington state ranks ninth in the country for interracial marriages. Overall, people of color make up more than 34 percent of Seattle residents.

“RACE: Are We So Different?” at the Pacific Science Center and the Wing Luke Museum of the Asian Pacific American Experience’s exhibit “War Baby/Love Child” each take a different angle on racial themes and address some common misconceptions about race.

“There is a lot of great work being done by all sizes of local arts and cultural groups around the topic of race,” said Diana Johns, vice president of exhibits for Pacific Science Center. “Pacific Science Center is happy to be able to contribute to this continuum of broader community conversation alongside local institutions like the Wing.”…

…Different races, approaches

The Wing’s exhibit “War Baby/Love Child: Mixed Race Asian American Art,” curated by DePaul University associate professor Laura Kina and San Francisco State University associate professor Wei Ming Dariotis, includes works by 19 mixed-race artists and brings to light the different approaches to the identities and experiences of mixed Asian Americans and mixed Pacific Islander Americans.

The project makes visible underrepresented histories with Asian-American studies, mixed-race studies and contemporary art. Through video, installation and other approaches, artists explore a range of topics, including multiculturalism, gender and sexual identity, citizenship and nationality, and transracial adoption.

One such piece, “Guardian,” a painting at the entrance of the exhibit, gives a nod to creator Louie Gong’s Native and Chinese roots, with two foo dogs and three eagles stacked like a totem pole…

Read the entire article here.

Tangled Roots: Stories and events to celebrate multi-racial families and mixed-race people in Yorkshire

Tangled Roots Exhibition: Portraits of Writers from Yorkshire taken by Anthony Farrimond
Seven Arts, Harrogate Road
Leeds, England
2013-09-18 through 2013-10-13

Tangled Roots is an Arts Council funded project which records and celebrates the experiences of multi-racial families in Yorkshire.

Tangled Roots first event is an Exhibition of portraits of multi-racial writers from Yorkshire. Photographed by Anthony Farrimond. On display at Seven Arts, Harrogate Road, Chapel Allerton, Leeds. 18 September – 13 October.

For more information, click here.

Sugar Pie DeSanto: After 50 Years, ‘Go Going’ Strong

Fresh Air from WHYY [Philadelphia]
National Public Radio
2010-07-29

Terry Gross, Host

Ed Ward, Rock Music Commentator

Ace Records

Sugar Pie DeSanto was born in Brooklyn in October 1935, and was christened Umpeleya Marsema Balinton. Her father was Filipino, her mother African-American. Her mother had been a concert pianist, but DeSanto says her father couldn’t carry a tune in a bucket. He moved the family to San Francisco when Peliya, as they called her, was 4, and soon enough, the young girl discovered dancing and singing and made a fast friend with a neighbor named Jamesetta Hawkins, who was a member of a girl gang called the Lucky 20’s.

Hawkins wound up in jail for her gang activities, and when she got out, she formed a singing group with one of Peliya’s younger sisters. Peliya looked on in envy as Hawkins was discovered by bandleader Johnny Otis and re-christened Etta James. She started entering talent contests in San Francisco, and won so often, they told her to stop entering. At another talent contest in L.A., Otis saw her again and offered to record her. He made good on his offer, and gave her a stage name, too: Little Miss Sugar Pie…

Read the story here. Listen to the story here. Read the transcript here.

Visualizing Race, Identity, and Change

Proof
National Geographic
2013-09-17

Michele Norris, Guest Contributor

Proof is National Geographic’s new online photography experience. It was launched to engage ongoing conversations about photography, art, and journalism. In addition to featuring selections from the magazine and other publications, books, and galleries, this site will offer new avenues for our audience to get a behind-the-scenes look at the National Geographic storytelling process. We view this as a work in progress and welcome feedback as the site evolves. We can be reached at proof@ngs.org.

A feature in National Geographic‘s October 125th anniversary issue looks at the changing face of America in an article by Lise Funderburg, with portraits of multiracial families by Martin Schoeller, that celebrates the beauty of multiracial diversity and shows the limitations around our current categories when talking about race.

In many ways race is about difference and how those differences are codified through language, categories, boxes, segmentation, and even the implicit sorting that goes on in our heads in terms of the way we label others and even ourselves.

Appearance and identity are most certainly linked when it comes to racial categories, but there is another important ingredient in that stew: Experience. There is no room for that on those official census forms, but when a person picks up a writing instrument to choose which box they check, experience most certainly helps guide their hand…

Read the article and view the photographs here.

Lecture by Nayland Blake

California College of the Arts
Timken Lecture Hall, San Francisco Campus
Graduate Studies Lectue Series
2012-11-27, 19:00 PST

Nayland Blake’s mixed-media work in sculpture and installation has been variously described as disturbing, provocative, elusive, tormented, sinister, hysterical, brutal, and tender. Often incorporating themes of masochism, it also manifests two other major threads: his biracial heritage and what he calls his pansexuality.

Blake was included in the 1991 Whitney Biennial and the controversial Black Male: Representations of Masculinity in Contemporary American Art exhibition at the Whitney Museum of American Art in 1994. His work is in the collections of SFMOMA, the Whitney Museum, and the Walker Art Center in Minneapolis. He chairs the International Photography Center —Bard MFA program, and he lives and works in Brooklyn.

Faculty-Alumnus David Huffman’s “Out of Bounds” at SFAC Gallery a “SHIFT” Toward Dialogue About Race in America

California College of the Arts
Featured News
2011-09-14

Jim Norrena

Alumnus David Huffman (MFA 1998), who is a recently tenured assistant professor in CCA’s undergraduate Painting/Drawing Program and Graduate Program in Fine Arts, is one of three featured artists in the current group exhibition SHIFT: Three Projects Constructing a New Dialogue About Race in America at the San Francisco Arts Commission Gallery (through December 10, 2011).

Shifting Demographics, Shifting Races

SHIFT is described as an exhibition that “pushes the public to think about our changing demographics and what role race plays in our post-millennial American circumstance.” Also featured are Bay Area artists Elizabeth Axtman [The Love Renegade #308: I Love You Keith Bardwell (Phase 1)] and Travis Somerville (Places I’ve Never Been), yet it is Huffman’s Out of Bounds, his first multimedia exhibition, that is positioned in the Main Gallery at 401 Van Ness Avenue.

“Diversity can be viewed as a social activism of inclusion,” says Huffman, who is mixed race, “to include various groups of people who are normally rejected by prejudice, regardless of their capabilities. Out of Bounds includes works that examine various perspectives — some of which might normally be rejected because of their racial affiliation. I think that diversity is also about broadening the spectrum of possibilities from a variety of capable peoples and ideas.”…

Read the entire article here.

One Drop of Love: A Multimedia Solo Performance on Racial Identity by Fanshen Cox DiGiovanni at James R. Fitzgerald Theater

James R. Fitzgerald Theater
Cambridge Rindge & Latin School
459 Broadway
Cambridge, Massachusetts 02138
Friday, 2013-08-30, 19:30 EDT (Local Time)

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

Jillian Pagan, Director

Produced by: Ben Affleck, Matt Damon and Chay Carter

How does our belief in ‘race’ affect our most intimate relationships?

One Drop of Love: A Daughter’s Search for her Father’s Racial Approval is a multimedia solo show that journeys from the U.S. to East & West Africa and from 1790 to the present as a culturally Mixed woman explores the influence of the “one -drop rule” on her family and society.

For more information, click here.

Don’t miss Hapa-Palooza 2013: Celebrate mixed ethnicity and third culture in Vancouver

Vancouver Observer
Vancouver, British Columbia
2013-09-13

Jordan Yerman

Celebrate the whole you with literature, film, art, and dance. This is Hapa-Palooza.

The third annual Hapa-Palooza Festival kicks off on September 18, once again bringing three days of art and culture to Vancouver. Focusing on mixed-race identity, this is a celebration of what makes us… us.

Anna Ling Kaye, Hapa-Palooza’s Artistic Director, says, “The big thing that’s different this year is that we’re incorporated as our own society. We’re making a big push for a bigger festival.”…

Read the entire article here.

Hapa-Palooza: A Celebration of Mixed Roots, Arts and Ideas

Vancouver, British Columbia, Canada
2013-09-18, 2013-09-19, and 2013-09-21

Hapa-Palooza: A Vancouver Celebration of Mixed-Roots Arts and Ideas is a new cultural festival that celebrates the city’s identity as a place of hybridity, synergy and acceptance. A vibrant fusion of music, dance, literary, artistic and film performances, Hapa-Palooza places prominence on celebrating and stimulating awareness of mixed-roots identity, especially amongst youth.

For more information, click here.

New Book by Dr. Yaba Blay Explores Racial Identity and Skin Color Politics

Drexel Now
Drexel University
2013-07-31

News Media Contact: Alex McKechnie, News Officer, University Communications
Phone: 215-895-2705; Mobile: 401-651-7550

What does it mean to be Black? Is Blackness a matter of biology or consciousness? What determines who is Black and who is not? A new book by Dr. Yaba Blay, an assistant professor and co-director of the Africana Studies program in Drexel University’s College of Arts and Sciences, seeks to challenge narrow perceptions of what Blackness is and what it looks like. 

The book, entitled (1)ne Drop: Shifting the Lens on Race, combines candid narratives and photos of 60 contributors from 25 different countries, providing a living testimony to the diversity of Blackness. It is intended to spark dialogue about the intricacies and nuances of racial identity and the influence of skin color politics.

The book is part of Blay’s larger, multi-platform project called (1)ne Drop – a reference to the “one-drop rule” from the early 1900s that held that anyone with 1/32 of “African Black blood” was Black.

The project, which includes an online and traveling exhibition, ultimately seeks to raise social awareness and inspire community conversation about the complexities of Blackness as both an identity and a lived reality.

The project was the inspiration behind “Who is Black in America?”, the fifth installation of CNN’s Black in America television documentary series with Soledad O’Brien in 2012, on which Blay served as a consulting producer…

Read the entire press release here.