Mixed Race Studies

Natasha Trethewey Reads at ECU

The Common Reader
Newsletter of the ECU Department of English
Eastern Carolina University
Volume 26, Number 6: May 2008

Lisa DeVries

On April 2, Natasha Trethewey visited East Carolina University for a public reading and book signing organized by fellow poet and friend John Hoppenthaler.  She won the Pulitizer Prize for her 2006 book of poetry, Native Guard (Houghton Mifflin), the third African American woman to win the award, following in the tradition of Gwendolyn Brooks and Rita Dove.  Trethewey is also a professor of poetry at Emory University and holds the Phyllis Wheatley Distinguished Chair.  She Has received fellowships from the Guggenheim Foundation, the Rockefeller Foundation, the Bunting Fellowship Program of the Radcliffe Institute for Advanced Study at Harvard University, and the National Endowment for the Arts.  Her previous works include Domestic Work (Graywolf Press, 2000) and Bellocq’s Ophelia (Graywolf Press, 2002).  Her most recent work deals with telling the untold stories of history, identity politics, racism, and miscegenation. She claims that she writes only what she is given, “a violent history and the terrible beauty of my South, my Mississippi.”  [Interview and photos by Lisa DeVries.]

Read the entire interview here.

TALK: India and Gaugin’s Tahitian Nudes: Mapping Modernism In A Global Frame

Interdisciplinary Humanities Center
University of California, Santa Barbara
3041 HSSB
2010-02-17 16:00 PST (Local Time)

Saloni Mathur, Associate Professor of Art History
University of California, Los Angeles

This presentation will revisit the legacy of Amrita Sher-Gil, the part-Indian/part-Hungarian painter who stands at the cosmopolitan helm of modern Indian art, by focusing on a single under-examined painting that she produced in 1934. The painting, provocatively titled “Self-Portrait as Tahitian,” depicts the artist’s own nude body in the romantic space of Gauguin’s Tahitian nudes. The talk will examine how Sher-Gil’s mixed race heritage, her insider/outsider status, and her sense of both distance and belonging in relation to India became a powerful driver of her short but influential artistic career.  Saloni Mathur is Associate Professor of Art History at UCLA and author of India by Design: Colonial History and Cultural Display (2007).

Sponsored by the IHC’s South Asian Religions and Cultures RFG.

An Evening with Kip Fulbeck-artist, slam poet, filmmaker Event Type: Lecture

Sacramento State University
University Union Ballroom
2010-02-18, 19:00-21:00 PST (Local Time)
Contact:  (916) 278-6997 

An Evening With Kip Fulbeck, artist, slam poet, and filmmaker- addressing issues on identity, multiraciality, and pop culture through spoken word, stand-up comedy, political activism, and personal stories, University Union Ballroom, 7 pm, FREE!!!
 
Sacramento State’s ASI, Multi-Cultural Center, and the University Union UNIQUE Programs are honored to bring an exciting and unique performance, “Race, Sex, and Tattoos: the Kip Fulbeck Experience” by Kip Fulbeck at the University Union Ballroom on Thursday, February 18, 2010 at 7:00pm.  A book signing will follow the performance.

Kip Fulbeck is an artist, writer, slam poet, professor and award-winning director/filmmaker of Chinese, English and Welsh decent. Using his own experiences of being from a mixed heritage, Kip speaks nationwide, tackling topics such as media imagery, interracial dating patterns and icons of race and sex. His performance, which includes a mixture of spoken word, stand-up comedy, political activism and personal stories inspire audiences to explore how our own ethnic stereotypes and opinions on cultural identity are formed.

Fulbeck’s photographic book, Part Asian, 100% Hapa, features portraits of mixed heritage participants along with their hand written responses of how they self-identify ethnically, responding to the frequently asked question of, “What are you?” “Hapa,” derived from the Hawaiian word for “half,” used to be considered a derogatory word. Today, however, it has been embraced as a term of pride by mixed-race individuals and groups who identify with Asian or Pacific Rim ancestry.  Over 1,200 people nationally have participated in The Hapa Project by Kip Fulbeck.

A Professor and Chair of Art and an affiliate faculty of Asian American Studies and Film Studies at the University of California, Santa Barbara, Kip Fulbeck has performed and exhibited in over 20 countries and throughout the U.S., including the Museum of Modern Art, the Singapore International Film Festival, the World Wide Video Festival, PBS, and the Whitney Museum of American Art Biennial. He has twice keynoted the National Conference On Race in Higher Education, directed 13 independent videos including Banana Split and Lilo & Me, and authored the critically acclaimed books Permanence: Tattoo Portraits; Part Asian, 100% Hapa which features portraits of people of mixed heritage; Paper Bullets: A Fictional Autobiography; and Mixed: Portraits of Multiracial Kids. He has also been featured on CNN, MTV and PBS.

All ages permitted. No alcohol provided or sold at venue.

Theatrical Medicine: Aboriginal performance, ritual and commemoration

The Medicine Project
2008-03-25

Michelle La Flamme

Dr. Michelle La Flamme is an Afro-NDN performer, activist and educator who completed a Ph.D. at UBC [University of British Columbia] in English literature (May 2006). In her other life, she is an avid performer and has worked in film and video production. She tries her best to bridge the world of academia and her creative life and she is often asked to speak or perform at Canadian conferences addressing representations of race in contemporary Canadian art and literature. She was born and raised here on the “best Coast” and has had the good fortune of taking her ideas abroad as a guest lecturer in Germany, Spain and The Netherlands. These days she is particularly interested in Native/Black issues as her bloodlines encompass both sides of the 49th and include Métis, Creek and African-American strains. Currently, she teaches Canadian literature, Academic Writing, Introduction to Fiction and Introduction to Poetry at UBC. She makes the time to write, perform and be involved in community activism when she has the energy.

There are many different definitions of Medicine. As a woman of mixed heritage (Métis, African-Canadian and Creek) I have been exposed to many Aboriginal teachings and ceremonies. My own definition of medicine is based on the teachings of traditional elders who have shared their cultural insight with me regarding the power and meaning of medicine. There are Medicine Wheel ceremonies that involve respect for the four directions and the balance between the physical, mental, spiritual and emotional aspects of an individual. Medicine can be understood in a psychological or philosophical way whereby individuals go through a form of catharsis when they are guided by the teachings. There is medicine involved in seeking advice from elders by way of offering them tobacco. There is participatory medicine involved in being a witness or participant in talking circles, and there is medicine that is physical in the form of tobacco, sweet grass, sage and cedar. There is medicine in ceremony whether these be sweat lodge ceremonies, moon lodge ceremonies, naming ceremonies or longhouse ceremonies. There is medicine in the practice of creating art whether that be carving, weaving or painting. Some traditional languages do not have a word for theatrical performance, so they use the closest word, which is ceremony. These cultural beliefs about medicine and practices which are referred to as medicinal reflect a belief in the power of performance and the possibility of the performance being medicinal for any and all of these cultural associations with medicine. The performances and plays that I examine in this essay can be understood as medicine in that they bring balance to the witnesses through honouring the deceased by way of naming rituals, they bring balance to communities by showing the humanity of Aboriginal women and they provide a cathartic ritual or ceremony for the release of trauma…

Read the entire article here.

Mixed Messages [Theatrical Play]

Written by
Michelle La Flamme
University of British Columbia

with help from

Minelle Mahtani, Associate Professor of Geography and Planning
University of Toronto

Burcu Ozdemir

Mixed Messages is a satirical look at the exclusive rules for membership in academic spaces and a jab at racial identity politics in the “mixed race” movement. It was first  performed as part of the monthly Transculturalisms series at UBC, Fall 2002.

Read the script here.

Living, writing and staging racial hybridity

University of British Columbia
January 2006
380 pages
37 photographs/illustrations

Lisa Michelle La Flamme

A thesis submitted in partial fulfillment of the requirements of the degree of Doctor of Philosophy in the Faculty of Graduate Studies.

Contemporary Canadian literature and drama that features racial hybridity represents the racially hybrid soma text as a unique form of embodiment and pays particular attention to the power of the racialized gaze. The soma text is the central concept I have developed in order to identify, address, and interrogate the signifying qualities of the racially hybrid body. Throughout my dissertation, I use the concept of the body as a text in order to draw attention to the different visual “readings” that are stimulated by this form of embodiment. In each chapter, I identify the centrality of racially hybrid embodiment and investigate the power of the racialized gaze involved in the interpellation of these racially hybrid bodies.

I have chosen to divide my study into discrete chapters and to use specific texts to illuminate my central concepts and to identify the strategies that can be used to express agency over the process of interpellation. In Chapter One I explain my methodology, define the terminology and outline the theories that are central to my analysis. In Chapter Two, I consider the experiences of mixed race people expressing agency by self-defining in the genre of autobiography. In Chapter Three, I explore the notion of racial drag as represented in fiction. In Chapter Four, I consider the ways in which the performative aspects of racial hybridity are represented by theatrical means and through performance.

My analysis of the soma text and racialized gaze in these three genres offers critical terms that can be used to analyze representations of racial hybridity. By framing my analysis by way of the construction of the autobiographical voice I suggest that insight into the narrative uses of racial hybridity can be deepened and informed by a thorough analysis of the representation of the lived experience of racial hybridity in a given context. My crossgeneric and crossracial methodology implicitly asserts the importance of the inclusion of different types of racial hybridity in order to understand the power of the racially hybrid body as a signifier in contemporary Canadian literature and drama.

Read the entire dissertation here.

Grad student explores questions of race through digital technology

News & Events
York Univeristy, Toronto, Ontario
2010-01-28

The technology to turn oneself into a mixed-race avatar might be confined to movies, but Brian Banton plays with racial manipulations of himself online, wrote the Toronto Star (online) Jan. 27 [2010] in a story that included five photos of him.

As a York graduate student, he explores questions of racial hybridity as related to corporate design. Much of the work is obscurely theoretical, Banton says. “But I also want to be playful. (Mixed race) is a serious issue but I don’t want to be heavy-handed.”..

Read the entire article here.

Geek Out: Mixed Race in America

University of Californa, Berkeley
Lawrence Hall of Science
2010-02-10, 19:00 to 22:00 PST (Local Time)

Geek Discourse
Tour the “Race: Are We So Different?” exhibit and participate in a discussion facilitated by Dr. Victoria Robinson of the UC Berkeley Ethnic Studies and American Cultures programs on what it means to be mixed race in America. Authors of the book “Blended Nation” Mike Tauber and Pamela Singh will present several photographs and stories from the book…

For more information click here.

‘Multiracial Identity’ documentary film and discussion

Portland State University
228 Smith Union
Wednesday, 2010-03-03, from 18:30-21:00 PST (Local Time)

This new documentary explores the social and political impact of adding a Multiracial Category (the fastest growing demographic in America) as a stand-alone racial group on the US Census. Different racial and cultural groups see multiracialism differently. For some Whites, multiracialism represents the pollution of the White race. For some Blacks it represents an attempt to escape Blackness. And for some Asians, Latinos and Arabs, multiracialism represents the dilution of the culture. Preview this 88-minute film, followed by refreshments and join the discussion with filmmaker Brian Chinhema, Sarah Ross, Director, HONEY (Honoring our New Ethnic Youth) Inc., Thomas Wright, Director, Oregon Council on Multiracial Affairs, and Dana Stone, Adjunct Faculty, University of Oregon Couples & Family Therapy.

Sponsored by Multicultural Center, the Presidents Commission on the Status of Women, and the Center for Academic Excellence. For more information, contact Patrice Hudson, Co-Chair, Presidents Commission on the Status of Women at (503)725-8327 or pjhudson@pdx.edu.

Prejudice inspires filmmaker to discover Afro-German roots

Indiana Daily Student
Indiana University
2010-01-24

Abby Liebenthal, Staff Reporter

“It all started with a public threat on my life.”

Within the first few minutes of Mo Asumang’s documentary “Roots Germania,” students, faculty and Bloomington residents became part of a search for the director’s identity…

…Asumang said the journey to find her identity was driven by a desire to understand where racism toward Afro-Germans originated.

“It’s like a job to search for identity,” Asumang said. “It starts when you’re born in Germany – it’s not so easy to be part of that country.”

The film was triggered by a song, written by a Neo-Nazi band the “White Aryan Rebels,” that calls for Asumang’s murder. Lyrics in the song include “This bullet is for you, Mo Asumang.”…

Read the entire article here.