Mixed Race Studies

A Reflection on Mixedness

Runnymede Trust
July 2010

Sabrina Mahfouz, Poet, Writer and Playwright

On the 27 May Runnymede and the Arts Council held a joint seminar in which they invited a group of arts practioners and policy makers to come and debate the nature of ‘Arts and Mixedness’; as well as what—if anything—the Arts Council should be doing to encourage, fund or facilitate engagement with people racialised as mixed.  Several of the participants subsequently provided reflections on the meeting and on the subject of mixedness and the arts.

The following submission was kindly provided by the writer, playwright and poet Sabrina Mahfouz.

‘Mixedness’ in it’s definition is so complex that it is often shied away from or regarded as being catered for via more specific diversity categories. I think the arts are somewhere to explore the possibility that this is not enough. In a Britain where ‘mixedness’ will one day be the majority minority (if it isn’t already) the arts should be reflecting this in its content, commissioning and – perhaps most importantly, in its casting (without it being a box-ticking exercise). Mixedness of course goes further than race – social class, religion and sexuality are some of the most obvious factors and for the moment it seems that discussion and awareness are much more important than policy and targets…

Read the entire article here.

Not So Plain as Black and White: Afro-German Culture & History, 1890-2000

University of Rochester Press
2005-03-01
266 pages
Pages: 266
Size: 9 x 6
Hardback 13 Digit ISBN: 9781580461832
Imprint: University of Rochester Press

Edited by

Patricia M. Mazón, Associate Professor of History
State University of New York, Buffalo

Reinhild Steingröver, Assistant Professor of German
University of Rochester, Eastman School of Music

Since the Middle Ages, Africans have lived in Germany as slaves and scholars, guest workers and refugees. After Germany became a unified nation in 1871, it acquired several African colonies but lost them after World War I. Children born of German mothers and African fathers during the French occupation of Germany were persecuted by the Nazis. After World War II, many children were born to African American GIs stationed in Germany and German mothers. Today there are 500,000 Afro-Germans in Germany out of a population of 80 million. Nevertheless, German society still sees them as “foreigners,” assuming they are either African or African American but never German.

In recent years, the subject of Afro-Germans has captured the interest of scholars across the humanities for several reasons. Looking at Afro-Germans allows us to see another dimension of the nineteenth- and early twentieth-century ideas of race that led to the Holocaust. Furthermore, the experience of Afro-Germans provides insight into contemporary Germany’s transformation, willing or not, into a multicultural society. The volume breaks new ground not only by addressing the topic of Afro-Germans but also by combining scholars from many disciplines.

Table of Contents

1. Dangerous Liaisons: Race, Nation, and German Identity
2. The First Besatzungskinder: Afro-German Children, Colonial Childrearing Practices, and Racial Policy in German Southwest Africa, 1890-1914
3. Converging Specters of an Other Within: Race and Gender in Pre- 1945 Afro-German History
4. Louis Brody and the Black Presence in German Film Before 1945
5. Narrating “Race” in 1950s’ West Germany: The Phenomenon of the Toxi Films
6. Will Everything Be Fine? Anti-Racist Practice in Recent German Cinema
7. Writing Diasporic Identity: Afro-German Literature since 1985
8. The Souls of Black Volk: Contradiction? Oxymoron?

ART & DESIGN FACULTY – Shelleen Greene awarded IRE Faculty Diversity Research Award

Peck School of The Arts News
University of Wisconsin, Madison
2010-06-15

The award will allow Assistant Professor Shelleen Greene to complete her book project, Equivocal Subjects: Mixed-Race Identity in the Italian Cinema. The book examines the representation of mixed-race subjects of Italian and African descent in the Italian cinema, arguing that the changing cultural representations of mixed-race identity reveal shifts in the country’s conceptual paradigms of race and nation. Greene’s work further contends that these representations of mixed-race identity inform African diasporic filmmakers seeking to “write” the history of post-colonial Italy as a means of narrating African disaporic identity formation in the present era of global migration…

Read the entire article here.

America’s Mixed-Race Kids Examine Their Identity

Voice of America News
2010-05-05

Faiza Elmasry
Washington, DC

Photographs celebrate richness and beauty of multiracial society

At least seven million Americans identify themselves as belonging to more than one race, and interest is rapidly growing in issues of multi-racial identity.

In his new book, “Mixed: [Portraits of Multiracial Kids],” writer and artist Kip Fulbeck presents a collection of portraits celebrating the faces of mixed-race children.

Kip Fulbeck grew up in a multi-racial family.

His father was English, Irish and Welsh. He had a Chinese mother and Chinese step-siblings. At home, he says, he was considered the white kid, but at school he was the Asian kid. Exploring the multi-racial identity has inspired Fulbeck’s works, including his recent photography book…

Read the entire article here.

Rubén Trejo: Beyond Boundaries / Aztlán y más allá

University of Washington Press
Published with Northwest Museum of Arts and Culture
April 2010
160 pages
110 color illus., notes, bibliog., 9 x 10 in
Paperback ISBN: 9780295990040

Edited and Introduced by:

Ben Mitchell, Senior Curator of Art
Northwest Museum of Arts and Culture, Spokane, Washington

Essays By:

Tomás Ybarra-Frausto, Former Professor of Spanish and Portuguese
Stanford University
Former Associate Director for Creativity and Culture
Rockefeller Foundation

John Keeble, Professor Emeritus
Eastern Washington University

“Multiple backgrounds can form such two- and three-dimensional ideas that they take you to the brink of lunacy, but I have used this rich background and ethnic landscape for creating art. As a student at the University of Minnesota, I often wondered what the study of Russian history, Shakespeare, English literature, or Freud . . . had to do with cleaning onions in Hollandale, Minnesota, picking potatoes in Hoople, North Dakota, or visiting relatives in Michoacán. This diversity of ideas can produce a three-headed monster or an artist, and I chose the latter.” –Rubén Trejo

Rubén Trejo: Beyond Boundaries / Aztlán y más allá is the first comprehensive survey of Trejo’s art and career. It focuses on more than fifty works from 1964 through the present, including pieces from his delightful life-size, puppet-like Clothes for Day of the Dead series; works from the Calzones series – cast bronze underwear and jalapenos – that challenge the Spanish machismo culture; seminal examples of his lifelong exploration of the cruciform image; and much more. The volume includes biographical and interpretive essays, as well as a chronology, list of exhibitions, and bibliography.

Rubén Trejo (1937-2009) was born in a Chicago, Burlington and Quincy railroad yard in St. Paul, Minnesota, where his father, a mixed Tarascan Indian and Hispanic from Michoacán, Mexico, and his mother, from Ixtlan in the same Mexican province, had found a home for the family in a boxcar while his father worked for the railroad. Trejo became the first in his family to graduate from college, and in 1973 he moved to the Pacific Northwest, where he began a thirty-year association with Eastern Washington University as teacher and artist.

His isolation from major centers of Chicano culture led him to search for self-identity through his art. Influenced and inspired by such writers and artists as Octavio Paz and Guillermo Gómez-Peña, he explored a dynamic, multidimensional worldview through his sculpture and mixed-media pieces and created a body of work that deftly limns his identity as an artist and a Chicano. Throughout his long teaching career, he worked tirelessly to create opportunities for young Chicanos through tutoring and mentoring.

Table of Contents

• Preface by Ben Mitchell
• In a Garden of Ideas / Ben Mitchell
• Beyond Boundaries, Aztlán y más allá / Tomás Ybarra-Fraust
• Plates
• Trejo’s Perfect Havoc / John Keeble
• Chronology for Rubén Miguel Trejo
• Selected Exhibitions
• Selected Bibliography
• Patrons
• About the Authors

Crossing Waters, Crossing Worlds: The African Diaspora in Indian Country

Duke University Press
2006
392 pages
7 illustrations, 1 table

Edited by:

Tiya Miles, Professor of American Culture, Afroamerican and African Studies, and Native American Studies
University of Michigan

Sharon Patricia Holland, Associate Professor of English; African & African American Studies
Duke University

Contributors: Joy Harjo, Tiya Miles, Eugene B. Redmond, Jennifer DeVere Brody, Sharon Patricia Holland, Tiffany M. McKinney, David A. Y. O. Chang, Barbara Krauthamer, Melinda Micco, Celia E. Naylor-Ojurongbe, Deborah E. Kanter, Robert Warrior, Virginia Kennedy, Tamara Buffalo, Wendy S. Walters, Robert Keith Collins, Ku’ualoha Ho’omanawanui, Roberta J. Hill

Crossing Waters, Crossing Worlds explores the critically neglected intersection of Native and African American cultures. This interdisciplinary collection combines historical studies of the complex relations between blacks and Indians in Native communities with considerations and examples of various forms of cultural expression that have emerged from their intertwined histories. The contributors include scholars of African American and Native American studies, English, history, anthropology, law, and performance studies, as well as fiction writers, poets, and a visual artist.

Essays range from a close reading of the 1838 memoirs of a black and Native freewoman to an analysis of how Afro-Native intermarriage has impacted the identities and federal government classifications of certain New England Indian tribes. One contributor explores the aftermath of black slavery in the Choctaw and Chickasaw nations, highlighting issues of culture and citizenship. Another scrutinizes the controversy that followed the 1998 selection of a Miss Navajo Nation who had an African American father. A historian examines the status of Afro-Indians in colonial Mexico, and an ethnographer reflects on oral histories gathered from Afro-Choctaws. Crossing Waters, Crossing Worlds includes evocative readings of several of Toni Morrison’s novels, interpretations of plays by African American and First Nations playwrights, an original short story by Roberta J. Hill, and an interview with the Creek poet and musician Joy Harjo. The Native American scholar Robert Warrior develops a theoretical model for comparative work through an analysis of black and Native intellectual production. In his afterword, he reflects on the importance of the critical project advanced by this volume.

Table of Contents

• Foreword: “Not Recognized by the Tribe” / Sharon P. Holland
• Preface: Eating out of the Same Pot? / Tiya Miles
• Acknowledgments
• Introduction: Crossing Waters, Crossing Worlds / Tiya Miles and Sharon Patricia Holland
  1. A Harbor of Sense: An Interview with Joy Harjo / Eugene B. Redmond
  2. An/Other Case of New England Underwriting: Negotiating Race and Property in Memoirs of Elleanor Eldridge / Jennifer D. Brody and Sharon P. Holland
  3. Race and Federal Recognition in Native New England / Tiffany M. McKinney
  4. Where Will the Nation Be at Home? Race, Nationalisms, and Emigration Movements in the Creek Nation / David A. Y. O. Chang
  5. In Their “Native Country”: Freedpeople’s Understandings of Culture and Citizenship in the Choctaw and Chickasaw Nations / Barbara Krauthamer
  6. “Blood and Money”: The Case of Seminole Freedmen and Seminole Indians in Oklahoma / Melinda Micco
  7. “Playing Indian”? The Selection of Radmilla Cody as Miss Navajo Nation, 1997-1998 / Celia E. Naylor
  8. “Their Hair was Curly”: Afro-Mexicans in Indian Villages, Central Mexico, 1700-1820 / Deborah E. Kanter
  9. Lone Wolf and DuBois for a New Century: Intersections of Native American and African American Literatures / Robert Warrior
  10. Native Americans, African Americans, and the Space That Is America: Indian Presence in the Fiction of Toni Morrison / Virginia Kennedy
  11. Knowing All of My Names / Tamara Buffalo
  12. After the Death of the Last: Performance as History in Monique Mojica’s Princess Pocahontas and the Blue Spots / Wendy S. Walter
  13. Katimih o Sa Chata Kiyou (Why Am I Not Choctaw)? Race in the Lived Experiences of Two Black Choctaw Mixed-Bloods / Robert Keith Collins
  14. From Ocean to o-Shen: Reggae Rap, and Hip Hop in Hawai’i / Ku’ualoha Ho’omanawanui
  15. Heartbreak / Roberta J. Hill
• Afterword / Robert Warrior
• References
• Contributors
• Index

‘If You Can’t Pronounce My Name, You Can Just Call Me Pride’: Afro-German Activism, Gender and Hip Hop

Gender & History
Volume 15 Issue 3 (November 2003)
Pages 460 – 486
DOI: 10.1111/j.0953-5233.2003.00316.x

Fatima El-Tayeb, Assistant Professor of African-American Literature and Culture
University of California, San Diego

The history of the black German minority, now estimated at around 500,000, goes back several centuries. It is only since the twentieth century, however, that Germans of African descent have been perceived as a group. This did not lead to their recognition as a national minority, but rather, from the 1910s to the 1960s, they were defined as a collective threat to Germany’s racial and cultural ‘purity’. When a sense of identity emerged among Afro-Germans themselves in the 1980s, the majority population continued to deny the existence of ethnic diversity within German society. At the turn of the twenty-first century, Afro-Germans seemingly suddenly appeared as a new, ‘hip’ minority. This appearance was largely focused on the immense public success of the Hip Hop collective ‘Brothers Keepers’, conceived as an anti-racist, explicitly Afro-German intervention into German debates around national identity and racist violence. This article explains the success of ‘Brothers Keepers’ by contextualising it within the tradition of two decades of Afro-German feminist activism and the transnational Hip Hop movement of European youth of colour.

Read or purchase the article here.

ENGL S-88 Study Abroad in Venice, Italy: Interracial Literature (32137)

Harvard Summer Program in Venice, Italy: Liberal arts studies in Italy’s city of canals
2010-06-03 through 2010-07-30
Mondays, Wednesdays, 10:00-12:30 CEST (Local Time)
(4 credits: UN, GR) Limited enrollment

Werner Sollors, Henry B. and Anne M. Cabot Professor of English and African-American Studies
Harvard University

This course examines a wide variety of literary texts on black-white couples, interracial families, and biracial identity, from classical antiquity to the present. Works studied include romances, novellas, plays, novels, short stories, poems, and nonfiction, as well as some films and examples from the visual arts. Topics for discussion range from interracial genealogies to racial “passing,” from representations of racial difference to alternative plot resolutions, and from religious and political to legal and scientific contexts for the changing understanding of race. Focus is on the European tradition and the Harlem Renaissance.

Prerequisites: none.

For more information, click here.

Artist Kip Fulbeck Is Back Exploring Identity, but This Time With Children

Los Angeles Downtown News
2010-03-26

Richard Guzmán

DOWNTOWN LOS ANGELES – Upon entering Mixed, the recently opened show at the Japanese American National Museum, one can’t help but smile.

The happy young faces depicted in the 70 photographs that make up the exhibit are filled with joyful innocence. One image shows two girls, one in a ballerina outfit, the other wearing rainbow stockings and a necklace and bracelet to match, engaged in a carefree dance; another portrays a little girl proudly holding up her two colorfully dressed rag dolls; a third depicts a close-up of a smiling boy, his long dreadlocks flowing down his face.

The show, with the full title Mixed: Portraits of Multiracial Kids by Kip Fulbeck, is intended to be playful, interactive and fun. But it also deals with a sensitive subject: identify, and in particular, the identity of people who come from mixed backgrounds. Each of the children in the exhibit is the product of parents of different races or ethnicities…

Read the entire article here.

Multiracial Americans and Social Class: The Influence of Social Class on Racial Identity

Routledge
2010-04-21
256 pages
Hardback ISBN: 978-0-415-48397-1
Papeback ISBN: 978-0-415-48399-5
E-Book ISBN: 978-0-203-88373-0

Edited by

Kathleen Odell Korgen, Professor of Sociology
William Paterson University

As the racial hierarchy shifts and inequality between Americans widens, it is important to understand the impact of social class on the rapidly growing multiracial population. Multiracial Americans and Social Class is the first book on multiracial Americans to do so and fills a noticeable void in a growing market.

In this book, noted scholars examine the impact of social class on the racial identity of multiracial Americans in highly readable essays from a range of sociological perspectives. In doing so, they answer the following questions: What is the connection between class and race? Do you need to be middle class in order to be an ‘honorary white’? What is the connection between social class and culture? Do you need to ‘look’ White or just ‘act’ White in order to be treated as an ‘honorary white’? Can social class influence racial identity? How does the influence of social class compare across multiracial backgrounds?

Multiracial Americans and Social Class is a key text for undergraduate and postgraduate students, researchers and academics in the fields of Sociology, Race and Ethnic Studies, Race Relations, and Cultural Studies.

Table of Contents

Part 1: Who are Multiracial Americans?

• 1. Multiracial Americans and Social Class, Kathleen Odell Korgen
• 2. In-Between Racial Status, Mobility and Promise of Assimilation: Irish, Italians Yesterday, Latinos and Asians Today, Charles Gallagher
• 3. ‘What’s Class Got to Do with It?’: Images and Discourses on Race and Class in Interracial Relationships, Erica Chito Childs
• 4. Social Class: Racial/Ethnic Identity, and the Psychology of Choice, Peony Fhagen-Smith
• 5. Stability and Change in Racial Identities of Multiracial Adolescents, Ruth Burke and Grace Kao

Part 2: Culture, Class, Racial Identity, and Blame

• 6. Country Clubs and Hip-Hop Thugs: Examining the Role of Social Class and Culture in Shaping Racial Identity, Nikki Khanna
• 7. Language, Power, and the Performance of Race and Class, Benjamin Bailey
• 8. Black and White Movies: Crash between Class and Biracial Identity Portrayals of Black/White Biracial Individuals in Movies, Alicia Edison and George Yancey
• 9. ‘Who is Really to Blame?’ Biracial Perspectives on Inequality in America, Monique E. Marsh

Part 3: Social Class, Demographic, and Cultural Characteristics

• 10. ‘Multiracial Asian Americans’, C. N. Le
• 11. A Group in Flux: Multiracial American Indians and the Social Construction of Race, Carolyn Liebler
• 12. Socioeconomic Status and Hispanic Identification in Part-Hispanic Multiracial Adolescents, Maria L. Castilla and Melissa R. Herman

Part 4: Social Class, Racial Identities, and Racial Hierarchies

• 13. Social Class and Multiracial Groups: What Can We Learn from Large Surveys? Mary E. Campbell
• 14. The One-Drop Rule through a Multiracial Lens: Examining the Roles of Race and Class in Racial Classification of Children of Partially Black Parents, Jenifer Bratter
• 15. It’s Not That Simple: Multiraciality, Models, and Social Hierarchy, Ingrid Dineen-Wimberly and Paul Spickard

Contributors

Benjamin Bailey is an Associate Professor of Communication at the University of Massachusetts-Amherst. His research on the interactional negotiation of ethnic and racial identity in US contexts has appeared in Language in Society, Journal of Linguistic Anthropology and International Migration Review.

Jenifer L. Bratter is an Assistant Professor of Sociology and Associate Director of the Institute for Urban Research at Rice University. Her research focuses on the dynamics of racial intermarriage, marriage and multiracial populations, and has recently been published in Social Forces, Sociological Quarterly, Sociological Forum and Family Relations.

David L. Brunsma is Associate Professor of Sociology and Black Studies at the University of Missouri. He is author or editor of numerous books, including Beyond Black: Biracial Identity in America. His research has appeared in Social Forces, Social Science Quarterly, Sociological Quarterly, and Identity.

Ruth H. Burke is a Graduate Student in Sociology at the University of Pennsylvania. Her research focuses on racial inequality in the United States and racial identification.

Mary E. Campbell is an Assistant Professor of Sociology at the University of Iowa. Her research focuses on racial inequality and identification, and has recently been published in American Sociological Review, Social Problems, Social Science Quarterly and Social Science Research.

Maria Castilla earned her BA in 2009 from Dartmouth College, with high honors in sociology. She currently attends Cardozo School of Law at Yeshiva University.

Erica Chito Childs is an Associate Professor at Hunter College. Her research interests focus on issues of race, black/white couples, gender and sexuality in relationships, families, communities and media/popular culture. Her publications include Navigating Interracial Borders: Black-White Couples and Their Social Worlds (2005) and Fade to Black and White (2009).

Ingrid Dineen-Wimberly is a historian and lecturer at UC Santa Barbara, whose forth-coming book, By the Least Bit of Blood, examines the uplift potential a vocal Black identity provided mixed-raced leaders during the 19th and 20th centuries. Her analysis extends beyond the U.S. to include the function of race in the process of Latin-American nation-making.

Alicia L. Edison is a Graduate Student at the University of North Texas. Her research focuses on race and ethnicity, biracial identity formation, and the perpetuation of racial stereotypes within the media.

Peony Fhagen-Smith is an Assistant Professor of Psychology at Wheaton College in Norton, MA. Her research centers on racial/ethnic identity development across the life-span and has published in Journal of Black Psychology, Journal of Counseling Psychology, Journal of Multicultural Counseling and Development, and The Counseling Psychologist.

Melissa R. Herman, Assistant Professor of Sociology at Dartmouth, studies how identity affects developmental outcomes among multiracial adolescents. Her current research projects examine perceptions of multiracial people and interracial relationships. Her recent work appears in Child Development, Sociology of Education, and Social Psychology Quarterly.

Charles A. Gallagher is Professor and Chair of the Department of Sociology, Social Work and Criminal Justice at La Salle University in Philadelphia. In addition to numerous book chapters, his research on how the media, popular culture and political ideology shapes perceptions of racial and social inequality has been published in Ethnic and Racial Studies, Social Forces and Race, Gender and Class.

Grace Kao is Professor of Sociology and Education at University of Pennsylvania. Her research focuses on race and immigrant differences in educational outcomes. Currently, she serves on the editorial boards of Social Science Research, Social Psychology Quarterly and Social Science Quarterly.

Nikki Khanna is an Assistant Professor of Sociology at the University of Vermont. Her research on racial identity negotiation and gender in group processes has been published in Social Psychology Quarterly, Advances in Group Processes, and The Sociological Quarterly.

C. N. Le is a Senior Lecturer in Sociology and Director of Asian/Asian American Studies at the University of Massachusetts, Amherst. He focuses on racial/ethnic relations, immigration, institutional assimilation among Asian Americans, and public sociology through his Asian-Nation.org website.

Carolyn A. Liebler is an Assistant Professor of Sociology at the University of Minnesota. Her research on indigenous populations, racial identity and the measurement of race has been published in Ethnic and Racial Studies, Social Science Research, and Social Science Quarterly.

Monique E. Marsh is a Graduate Student of Sociology at Temple University. Her research focuses on racial inequality and identification, and has recently been presented at the Eastern Sociological Society Annual Conference and at the National Science Foundation’s GLASS AGEP Research Conference.

Paul Spickard teaches history and Asian American studies at UC Santa Barbara. The author of fourteen books, including Almost All Aliens: Immigration, Race, and Colonialism in American History and Identity. He is currently studying race in Hawaii and in Germany.

George A. Yancey is a Professor of Sociology at the University of North Texas. His work has focused on interracial families and multiracial churches. His latest book is Interracial Families: Current Concepts and Controversies.