Mixed Race Studies

Mary Seacole, a Nurse and Heroine

The History Guy: History Deserves to Be Remembered
2017-05-10

Lance Geiger, Historian
O’Fallon, Illinois

The History Guy celebrates National Nurses week with the forgotten history of Mary Seacole, who was a British nurse during the Crimean War.

Sugarwork: The Gastropoetics of Afro-Asia After the Plantation

Asian Diasporic Visual Cultures and the Americas
Volume 5: Issue 1-2 (2019-04-11) Special Issue: Expressions of Asian Caribbeanness edited by Andil Gosine, Sean Metzger, and Patricia Mohammed
DOI: 10.1163/23523085-00501003

Tao Leigh Goffe, Assistant Professor of Africana Studies; Assistant Professor of Feminist, Gender and Sexuality Studies
Cornell University, Ithaca, New York

The politics and the poetics of sugar and its production have long connected African and Asian diasporas as the material legacy of the Caribbean plantation. This article considers the repurposing of sugar as art and the aesthetic of artists of Afro-Chinese descent, Andrea Chung and Maria Magdalena Campos-Pons. Part of a diasporic tradition of employing sugar as a medium that I call sugarwork, their artwork evokes the colonial entanglements of nutrition and labour on the plantation, centered in the belly. The womb makes, and the stomach unmakes. This practice, employing the materiality of foodstuffs, is part of a gastropoetics, wherein centering the sensorium opens alternative forms of knowledge production to the European colonial archive. As the descendants of enslaved Africans and indentured Chinese, Campos-Pons and Chung metabolize sugar in ways that grapple with the futurity of the plantation to form a new intertwined genealogy of black and Chinese womanhood.

Read or purchase the article here.

Luso-Tropicalism and Its Discontents: The Making and Unmaking of Racial Exceptionalism

Berghahn Books
April 2019
346 pages
15 illus., bibliog., index
Hardback ISBN: 978-1-78920-113-0
eBook ISBN: 978-1-78920-114-7

Edited by:

Warwick Anderson, Janet Dora Hine Professor of Politics, Governance and Ethics
Department of History; Charles Perkins Centre
University of Sydney

Ricardo Roque, Research Fellow at the Institute of Social Sciences
University of Lisbon

Ricardo Ventura Santos, Senior Researcher at Fundação Oswaldo Cruz; Professor
Department of Anthropology
National Museum, Rio de Janeiro, Brazil

Modern perceptions of race across much of the Global South are indebted to the Brazilian social scientist Gilberto Freyre, who in works such as The Masters and the Slaves claimed that Portuguese colonialism produced exceptionally benign and tolerant race relations. This volume radically reinterprets Freyre’s Luso-tropicalist arguments and critically engages with the historical complexity of racial concepts and practices in the Portuguese-speaking world. Encompassing Brazil as well as Portuguese-speaking societies in Africa, Asia, and even Portugal itself, it places an interdisciplinary group of scholars in conversation to challenge the conventional understanding of twentieth-century racialization, proffering new insights into such controversial topics as human plasticity, racial amalgamation, and the tropes and proxies of whiteness.

Contents

• List of Illustrations
• Acknowledgments
• Introduction: Luso-tropicalism and Its Discontents / Warwick Anderson, Ricardo Roque and Ricardo Ventura Santos
• PART I: PICTURING AND READING FREYRE
  • Chapter 1. Gilberto Freyre’s view of miscegenation and its circulation in the Portuguese Empire (1930s-1960s) / Cláudia Castelo
  • Chapter 2. Gilberto Freyre: Racial Populism and Ethnic Nationalism / Jerry Dávila
  • Chapter 3. Anthropology and Pan-Africanism at the Margins of the Portuguese Empire: Trajectories of Kamba Simango / Lorenzo Macagno
• PART II: IMAGINING A MIXED-RACE NATION
  • Chapter 4. Eugenics, Genetics and Anthropology in Brazil: The Masters and the Slaves, Racial Miscegenation and its Discontents / Robert Wegner and Vanderlei Sebastião de Souza
  • Chapter 5. Gilberto Freyre and the UNESCO Research Project on Race Relations in Brazil / Marcos Chor Maio
  • Chapter 6. An Immense Mosaic”: Race-Mixing and the Creation of the Genetic Nation in 1960s Brazil / Rosanna Dent and Ricardo Ventura Santos
• PART III: THE COLONIAL SCIENCES OF RACE
  • Chapter 7. The Racial Science of Patriotic Primitives: Mendes Correia in ‘Portuguese Timor’ / Ricardo Roque
  • Chapter 8. Re-Assessing Portuguese Exceptionalism: Racial Concepts and Colonial Policies toward the Bushmen in Southern Angola, 1880s-1970s / Samuël Coghe
  • Chapter 9. “Anthropo-Biology”, Racial Miscegenation and Body Normality: Comparing Bio-Typological Studies in Brazil and Portugal, 1930-1940 / Ana Carolina Vimieiro Gomes
• PART IV: PORTUGUESENESS IN THE TROPICS
  • Chapter 10. Luso-Tropicalism Debunked, Again: Race, Racism, and Racialism in Three Portuguese-Speaking Societies / Cristiana Bastos
  • Chapter 11. Being (Goan) Modern in Zanzibar: Mobility, Relationality and the Stitching of Race / Pamila Gupta
• Afterword I / Nélia Dias
• Afterword II / Peter Wade

Boundaries of Love: Interracial Marriage and the Meaning of Race

New York University Press
May 2019
320 pages
16 black and white illustrations
152.40 x 228.60 mm
Cloth ISBN: 9781479878611
Paper ISBN: 9781479831456

Chinyere K. Osuji, Assistant Professor of Sociology
Rutgers, The State University of New Jersey, Camden

How interracial couples in Brazil and the US navigate racial boundaries

How do people understand and navigate being married to a person of a different race? Based on individual interviews with forty-seven black-white couples in two large, multicultural cities—Los Angeles and Rio de Janeiro—Boundaries of Love explores how partners in these relationships ultimately reproduce, negotiate, and challenge the “us” versus “them” mentality of ethno-racial boundaries.

By centering marriage, Chinyere Osuji reveals the family as a primary site for understanding the social construction of race. She challenges the naive but widespread belief that interracial couples and their children provide an antidote to racism in the twenty-first century, instead highlighting the complexities and contradictions of these relationships. Featuring black husbands with white wives as well as black wives with white husbands, Boundaries of Love sheds light on the role of gender in navigating life married to a person of a different color.

Osuji compares black-white couples in Brazil and the United States, the two most populous post–slavery societies in the Western hemisphere. These settings, she argues, reveal the impact of contemporary race mixture on racial hierarchies and racial ideologies, both old and new.

New documentary ‘Being Both’ explores mixed-race identity

METRO.co.uk
2019-04-29

Natalie Morris, Senior lifestyle Writer

The UK’s fastest-growing ethnic group is comprised of anyone with parents who have two of more different ethnicities – and the varieties within that group are almost endless.

The realities of being mixed-race are unique and often overlooked in mainstream narratives, but documentary maker Ryan Cooper-Brown wants to change that. His new short documentary film Being Both tackles issues that directly relate to the mixed-race experience, from displacement and family conflict to racism and fetishisation.

But the film is also brimming with hope and shines a light on the many positives that come with having mixed heritage.

The eight-minute film condenses a series of compelling stories from the mixed-race community. It is an intimate and uplifting short that captures the shared challenges, emotions and histories of mixed-race people from the UK, Denmark, Italy, Brazil, Mexico, Germany and Japan…

Read the entire article here.

Constructions of race in Brazil: resistance and resignification in teacher education

International Studies in Sociology of Education
Volume 27, 2018 – Issue 2-3: Special Issue: Migration, Borders, and Education: International Sociological Inquiries
pages 307-323
DOI: 10.1080/09620214.2018.1444504

Joel Austin Windle
Department of Modern Languages
Universidade Federal Fluminense, Niteroi, Brazil

Kassandra Muniz
Departamento de Letras
Universidade Federal de Ouro Preto, Mariana, Brazil

This paper reflects on racial identification in Brazil, considering how concepts of race travel internationally and are transformed locally. In light of the silencing of issues of race in Brazilian public education, we analyse the experiences of student teachers of colour participating in a professional development project coordinated by the authors. We report findings of a qualitative study arising from the project, based on reflective journals and interviews, and focusing on processes of racial resignification and resistance. The narratives produced by participants are situated in relation to dominant discourses of racial democracy and mixing, which deny the possibility of a politicised Afro-Brazilian identity. We show how hybrid identifications, drawing on cultural resources and networks that involve transnational circulation, are part of the construction of new social identities in the context of teacher education.

Read or purchase the article here.

Liana by Martha Gellhorn (1944)

Literary Ladies Guide: Inspiration for Readers and Writers from Classic Women Authors
2018-11-25

Taylor Jasmine

Martha Gellhorn was married to Ernest Hemingway when Liana, her fifth novel, was published in 1944. She had already made quite a name for herself as a war correspondent by that point and it rankled her to be described as “Mrs. Ernest Hemingway” in reviews of her books.

Though her fiction varied in its quality and critical acclaim, her book of linked stories titled The Trouble I’ve Seen (1936), based on her actual observations as a journalist during the Depression, earned her a great deal of respect.

Her brief marriage to Hemingway was already in jeopardy the year that Liana appeared. In her capacity as a war correspondent, Gellhorn wanted to cover the action, wherever it happened to be…

…The story centers on Liana, who is described as a mulatto, or what we now call mixed-race. She marries Marc Royer, a wealthy white man on a fictional French Caribbean island called Saint Boniface.

For his part, he marries her mainly to spite another woman, and so, Liana is marked by a kind of tragedy in this sense, becoming a prisoner in his home, and a partner to a man who doesn’t fully love her…

Read the entire review here.

Liana

Charles Scribner’s Sons
1944
285 pages

Martha Gellhorn (1908-1998)

Her Color Was No Barrier—To Men

A French-owned island of the Caribbean is the setting for a haunting story of the tragedy of a marriage between a lovely, untutored mulatto and a rich, lonely white man. He has married her to spite the woman he wants and loves—and has failed; he has reaped ridicule where he had had envy. Then comes on the scene a bitter young French refugee, in love with his last century, detached from the pitfulls and vices of a trepical island community. More hires him to teach Liana—he leaves then to their own devices—and then is startled into jealous suspicion when infidelity is whispered. The thought is fertile seed—and emotional complications confuse the issues of young Pierra’s desire to serve his country. A tragic ending sounds the inevitable finals to an impasse. Simply told, with emotional undertones. —Kirkus Reviews

Leitner Human Rights Speaker Series: Chinyere Osuji, Rutgers University – cosponsored with the Center on Race, Law and Justice – Boundaries of Love: Interracial Marriage and the Meaning of Race in Brazil and the United States

Leitner Center for International Law and Justice
Fordham Law School
150 West 62nd Street
Room 3-09
New York, New York 10023
2019-04-09, 12:30-13:30 EDT (Local Time)
Contact: leitnercenter@law.fordham.edu

Chinyere Osuji is an Assistant Professor of Sociology at Rutgers University with affiliations in Africana Studies and Latin American and Latino studies. Before coming to Rutgers-Camden, she was a post-doctoral fellow at the University of Pennsylvania Center for Africana Studies.

Chinyere conducts research on the meaning that social actors give to racial and ethnic boundaries. Her first book, Boundaries of Love: Interracial Marriage and the Meaning of Race (April 2019, NYU Press) takes a novel approach to comparing race and ethnicity across societies by examining the experiences of interracial couples. Boundaries of Love relies on 103 qualitative interviews that she conducted with 52 black-white couples between 2008 and 2012 in Los Angeles and Rio de Janeiro (in Portuguese). Through using what she calls a critical constructionist approach, Boundaries of Love compares the experiences of couples involving black men and white women with those of black women with white men in these two diverse, multicultural settings. This book reveals how non-elites in these two post-Atlantic slavery societies employ cultural repertoires that push against, bridge over, blur, dismantle or reproduce ethnoracial boundaries.

Chinyere’s next project will employ the critical constructionist approach to nursing and healthcare. In addition, she will be examining the lives of African immigrants, focusing on how they form community without being spatially concentrated.

For more information, click here.

These Photos Celebrate the Beauty of Panama’s Afro-Latinx Community

Vice
2019-03-27

André-Naquian Wheeler

Kayla Reefer

Photographer Kayla Reefer’s new series, “Identidad,” explores her family’s roots in Panama.

Black people are everywhere, my mother once told me. I was sharing my anxieties about studying abroad in Europe, of sticking out like a sore thumb. In my head, blackness was something that began and ended in America. My history classes only ever talked about the slaves stolen and taken to the Deep South. But my mother was right. The African diaspora reaches far and wide: the Afro-Caribbean communities of London, Black Canadians, Afro-Brazilians, and on and on. The problem is how rarely the wide, far-reaching spectrum of blackness is taught, shown, celebrated, and acknowledged.

Photographer Kayla Reefer grapples with the ramifications of this everyday. She is Afro-Latina, the daughter of Panamanian immigrants. Growing up in California, Reefer talks about feeling the need to prove her heritage and identity to her black and Latinx friends. To show them she is not simply one or the other, but an amalgamation of histories. “Eventually, I learned to embrace both worlds,” she says. “Because they’re both me.”

Sadly, not all Panamanians take ownership of their Afro roots, Reefer says. She once saw a Panama census stating only 9 percent of the country was Afro-Latinx. The small statistic does not match up to Reefer’s reality, the people she sees riding the bus during her visits to the Central-American country, of her family and friends. “That statistic is absolutely not true,” she argues, anger in her voice. “It just feeds into the lack of awareness and knowledge of what an Afro-Latinx person is. There’s this erasure happening.”…

Read the entire article here.