Mixed Race Studies

Identity issues

Harvard Gazette
2011-01-28

Stephanie Schorow, Harvard Correspondent

‘Black in Latin America’ examines perceptions of race

There were laughs of recognition as Silvio Torres-Saillant, professor of English and humanities at Syracuse University, told a story that underscored a major point of the “Black in Latin America” conference, which kicked off on Jan. 27 at Harvard.

Torres-Saillant, a former director of the Syracuse Latino-Latin American Studies Program, described being approached about joining a black campus caucus some years ago. A representative asked the carefully considered question: “Do you consider yourself more Hispanic or more black?”

His bemused silence may have been seen as an answer by the representative, but it reveals the false dichotomy that, for far too long, has been applied to the study of people of African descent who hail from South, Central, or North America and the Caribbean.

In what many participants called a “historic moment,” scholars from around the world gathered for three days at Harvard to explore issues of race, racial identity, and racism in countries as diverse as Haiti, Brazil, Mexico, and Peru. Of the estimated 12.5 million Africans shipped to the New World during the Middle Passage of the slave trade, the vast majority were taken to the Caribbean and Latin America.

“This is not just about Africa; this is not just about Latin America; this is how it all comes together,” said Caroline Elkins, Harvard history professor…

…In the first session of the conference, which focused on racial identity in the Dominican Republic, anthropologist Juan Rodriguez examined how Dominicans emphasize their European ancestry and distinguish themselves from Haitians who are perceived as the darker “other” or even as “foreigners,” even though the two countries share the same land mass.

Yet, Rodriguez said, examination of DNA from maternal lines of Dominicans finds that 85 percent have African ancestors, 9.4 Indian, and less than .08 European. DNA from paternal lines found 58 percent from European ancestors, 36 from African, and 1 percent Indian, he said. This emphasizes the abusive role played by the European male in relation to enslaved native and African women, he said.

In his humorous, yet poignant, remarks, Rodriguez discussed the use of race on Dominican national identification cards, rattling off some of the 12 classifications of skin color from the early 1970s, including white, black, ashen, discolored, so pale as to appear sick, light with freckles or moles, and purple. He also cited the 15 kinds of hair texture that ranged on a spectrum from “bueno” (good) for straight hair to “malo” (bad) for kinky hair.

Frank Moya Pons, a professor of Latin America and a former minister in the Dominican government, discussed his research into census data that reveals just how reluctant Dominicans have been over the decades to call themselves “mulatto,” preferring to identify themselves as Indians or the native people of the region. “We are in the presence of a mulatto population that calls itself Indian, which gives us much food for thought,” he said…

Read the entire article here.

Pelo Malo (Bad Hair)

Sudaca Films
2013
Venezuela
93 minutes
color

Written and Directed by Mariana Rondón
Produced by Marité Ugás

Starring

Samuel Lange as Junior
Samantha Castillo as Marta

Junior is nine years old and has “bad hair.” He wants to have it straightened for his yearbook picture, like a fashionable pop singer. This puts him at odds with his mother Marta. The more Junior tries to look sharp and make his mother love him, the more she rejects him, until he is cornered, face to face with a painful decision.

Director’s Note

Bad Hair is the intimate story of a nine-year old child’s initiation to life and his difficult journey marked by intolerance.

One of the first images that came to me for this movie was a large multi-family building and the thousands of stories that take place behind those walls: heat, nudity, precariousness, fragility, sensuality, sex, violence, family, mother, child. The little, intimate stories I imagined grew more complex and so my characters were born.

They are helpless characters. Wounded and hurtful adults, and children who are learning how to hurt. Marta, the mother, focused on survival, teaches her son Junior to survive just like her, without resources, without freedom. But Junior is different, he fights with everything he’s got for his desire: to straighten his hair and to dress as a singer for a picture he wants to give his mother: a picture that would show him as he wishes to be seen.

Caracas is also hostile to them, a city of urban, political and family violence. Dreams encapsulated in multi-family buildings- the result of Le Corbusier’s “Utopian city” project in the 50s—now turned into massive vertical hells.

I want to talk about intolerance in a social context that is riddled with dogmas, which don’t embrace otherness, where public affairs extend to the private life of its’ inhabitants, highlighting their differences, be they social, political or sexual.

For more information, click here.

Artists, Educators Laud Black Heritage In Dominican Republic

The Associated Press
2013-10-11

Ezequiel Abiú López, Foreign Correspondent
The Associated Press

SANTO DOMINGO, Dominican Republic (AP) — In a school auditorium filled with laughing students, actresses Luz Bautista Matos and Clara Morel threw themselves into acting out a fairy tale complete with a princess, a hero and acts of derring-do.

Morel had wrapped a white plastic sheet around her multi-colored blouse, while Bautista donned a brown paper bag over her blue tights. The two black actresses wore their hair free and natural, decorated only with single pink flowers.

“Yes, you’re a princess,” said Bautista to Morel, who fretted that she didn’t look like a traditional princess with her dark complexion and hair. Bautista then turned to a young girl sitting in the front row, who shared the same African-descended features as both actresses. “And you too,” Morel said as the child smiled back at her.

The theater group Wonderful Tree has visited schools all over Santo Domingo and some in the countryside to spread the word among black children that their features and heritage should be a source of pride. That message, though simple, has been nothing less than startling in this Caribbean country, where 80 percent of people are classified as mulattos, meaning they have mixed black-white ancestry, but where many still consider being labeled black an offense.

Wonderful Tree represents a larger cultural movement that’s working to combat the country’s historic bias through arts and education. The Dominican choreographer Awilda Polanco runs a contemporary dance company that’s trying to rescue Afro-Caribbean traditions, while the Technological Institute of Santo Domingo has been training primary school teachers to respect and celebrate their students’ African heritage, including through skits that young children can more easily understand.

It’s a bid to transform a color-obsessed society where a majority of the country’s 10 million people choose to identify themselves as “Indio” — or “Indian” — on government documents despite their black roots, and many reject afros in favor of closely cropped hair or sleek blowouts. Public schools for decades even prohibited students from attending classes with their hair loose or in a natural frizz.

Such hair, in fact, is called “bad hair” in the local Spanish lexicon while straightened hair is “good hair.”…

…Women in the Dominican Republic spend an estimated 12 percent of their household budgets on hair salons and treatments, according to “Good Hair, Bad Hair,” which included an economic and anthropological study of Dominican beauty salons.

Dictator Rafael Leonidas Trujillo, who oversaw the killing of some 17,000 Haitians in 1937 in an effort to expel them from the Dominican Republic, was himself a mulatto who used makeup to make his face lighter.

Trujillo was the first to include the term “Indio” in official documents, said historian Emilio Cordero Michel…

Read the entire article here.

Unraveling the Concept of Race in Brazil: Issues for the Rio de Janeiro Cooperative Agreement Site

Journal of Psychoactive Drugs
Volume 30,  Issue 3, 1998 
Special Issue: HIV/AIDS Interventions For Out-of-Treatment Drug Users
pages 255-260
DOI: 10.1080/02791072.1998.10399700

Hilary L. Surratt
The Center for Drug and Alcohol Studies
University of Delaware

James A. Inciardi (1939-2009), Co-Director of the Center for Drug and Alcohol Studies; Professor of Sociology and Criminal Justice
University of Delaware

Scholars throughout the Americas have spent much of the 20th century studying race and its meaning in Brazil. Racial identities in Brazil are dynamic concepts which can only be understood if situated and explored within the appropriate cultural context. Empirical evidence of the fluidity of racial identification quickly came to the authors’ attention within the context of a prevention initiative targeting segments of the Rio de Janeiro population at high risk for HIV/AIDS. Because the main objective of this program was to slow the spread of AIDS through an intervention designed to promote behavioral change, comparisons of client data at the baseline and follow-up assessments for the core of the analyses. Through quality control procedures used to link client information collected at different points in time, it was revealed that 106 clients, or 12.5% of the follow-up sample, had changed their racial self-identification. The authors’ attempts to engage project staff in a dialogue about the fluidity of racial identity among these clients have provided some insight into what might be called the “contextual redefinition” of race in Brazil. Within the framework of this study, the ramifications of this phenomenon are clear. Racial comparisons of HIV risk, sexual activity, drug use, and behavioral change, which are part and parcel of U.S.-based research, would appear to be of little utility in this setting.

Read or purchase the article here.

Description topographique, physique, civile, politique et historique de la partie française de l’isle Saint-Domingue: avec des observations générales sur la population, sur le caractère & les moeurs de ses divers habitans, sur son climat, sa culture, ses productions, son administration  (Topographic description, physical, civil, and political history of the French part of the island Santo Domingo: with general observations on the population, on the character and manners of its various inhabitants, its climate, its culture, production, administration.)

Chez l’auteu
1797-1798
2 volumes : 2 ill., maps (engravings) ; 26 cm. (4to)
856 pages

M. L. E. Moreau de Saint-Méry (Médéric Louis Élie Moreau de Saint-Méry) (1750-1819)

From The John Carter Brown Library: The mixing of races in Saint Domingue occasioned a plethora of commentaries, mostly venomous and polemical, on the causes and consequences of the colony’s multiracial order. The most famous of these commentaries, though not the most polemical, was by Moreau de Saint-Méry, the colonial jurist and historian whose writings on Saint-Domingue are still a major resource for contemporary scholars. In volume one of his Description, Moreau counted and categorized 11 racial combinations in the colony. He argued that ancestry should be traced back seven generations and hence ultimately comprised 128 combinations. The “science” of skin color received one of its earliest formulations in this work, completed in 1789. Moreau was himself the father of a mixed-race child by his mulatto mistress.

Read the entire book here.

The Chinese in Mexico: No Longer a Forgotten History

Mixed Race Radio
Blog Talk Radio
2013-10-09, 21:00Z (17:00 EDT)

Tiffany Rae Reid, Host

Robert Chao Romero, Associate Professor of Chicana/o Studies and Asian American Studies
University of California, Los Angeles

On Today’s episode of Mixed Race Radio we will meet Professor Robert Chao Romero. With a Mexican father from Chihuahua and a Chinese immigrant mother from Hubei in central China, Romero’s dual cultural heritage serves as the basis for his academic studies. He considers himself fortunate to be able to study himself for a living and his research examines Asian immigration to Latin America, as well as the large population of “Asian-Latinos” in the United States. He is also interested in the role played by religion in social activism.

His first book, The Chinese in Mexico, 1882-1940 (2010), tells the forgotten history of the Chinese community in Mexico.  The Chinese in Mexico received a Latino Studies Section Book Award from the Latin American Studies Association. Romero received his J. D. from UC Berkeley and his Ph.D. in Latin American history from UCLA.  

When he is not a professor, he is a pastor and director of Christian Students of Conscience, an organization which trains and mobilizes students in issues of race and social justice from a faith-based perspective.  He is also the author of Jesus for Revolutionaries: An Introduction to Race, Social Justice, and Christianity (October 2013).

Chinese Cubans: A Transnational History by Kathleen López (review)

Journal of Latin American Geography
Volume 12, Number 3, 2013
pages 234-236
DOI: 10.1353/lag.2013.0049

Joseph L. Scarpaci, Professor Emeritus of Geography
Virginia Polytechnic Institute and State University

Kathleen López, Chinese Cubans: A Transnational History (Chapel Hill: University of North Carolina Press, 2013)

The new millennium cast into the academic and general public’s dialect the word ‘globalization’ as well as the call that everyone should ‘think globally and act locally.’ That may be all well and good, but this adage often falls flat when scholars aim to connect the local with global (glocal). Like the words ‘impact,’ ‘effect,’ and ‘affect,’ the terms at once say everything but communicate little. As the graduate coordinator of my doctoral program was fond of harping in front of frightened graduate students many decades back, “perfectly general, perfectly true, but absolutely meaningless.” Clichés, alas, often substitute for deep, critical thinking and analysis.

For these reasons, when one sees a subtitle that includes the ambitiously stated ‘transnational history,’ a little skepticism inevitably comes to mind. Geographers are no doubt even more skeptical because, after all, scale and spatial analysis situate both human and physical geographies in the broader context of social and natural sciences, respectively.

Enter Kathleen López: Assistant Professor of History and Latino and Hispanic Caribbean Studies (a title that might also give one pause) at Rutgers, The State University of New Jersey. Whereas many Latinamericanist geographers struggle to speak any semblance of Spanish and conduct fieldwork with the assistance of Latin American and Caribbean scholars, Dr. López approaches the study of transnational migration to the island of Cuba armed with fluent Spanish and Chinese. Armed with extensive field work in Cuba, China, and the United States, Dr. López assembles a tour d’force that brings archival, ethnographic, and historic analyses to bear on a story that traces the history of Chinese migrants to Cuba in the nineteenth century, through the alliance with Cuban forces to overturn the colonial yoke imposed by Madrid, to the twentieth century events that include strong xenophobia, the Japanese-China war, WW II, and the Cuban Revolution. Copiously referenced and gracefully written, Chinese Cubans tells the tale of a truly global transnational migration pattern that documents how the Chinese in Cuba used investment, remittances, and return visits to bridge these migrants’ search for the best of Cuba and their homeland. The tale begins with the importation of more than 100,000 Chinese workers – indentured servants often treated as slaves because of Great Britain’s objection to the African slave trade—who build rail lines and work in sugar plantations in ways similar to how Chinese ‘coolie’ workers did in the United States. Chinese Cubans were fiercely loyal to the Cuban independence movement of the nineteenth century, and great accolades were given to them by the fiercest and most venerable of revolutionary fighters. Unlike conditions in Peru, Jamaica, and the especially harsh anti-Chinese movement in Mexico in the 1930s, we learn that Cuba was relatively welcoming (overall) in receiving the Chinese diaspora. They added to the miscegenation (mestizaje) stew (ajiaco) that Cuban anthropologist Fernando Ortíz highly praised. However, to López’s credit, she calls into question the much-venerated Ortíz’s description of this marginal contribution to Cuban culture (which Ortíz postulated that, numerically at least, was a European and African fusion). The so-called ‘third founder’ of Cuba (after Columbus and Alexander von Humboldt), Ortíz derided Chinese immigrants for their certain tolerance of homosexuality, their (limited) use of opium. That is why he classified them phenotypically (i.e., “yellow mongoloids”….”and essential otherness” (p. 210).

Readers will find that similar prejudices hurled upon immigrants elsewhere were also cast upon Chinese Cubans. They were often characterized as ‘inassimilable’ just as Jews were in Europe in the twentieth century and much the way Mexicans are portrayed in the current U.S. immigration debacle. When hard economic times fell upon Cuba, anti-nationalism was whipped up against Cubans of Chinese descent, who were often portrayed as perennial strike breakers and ‘scabs.’

Not surprisingly, there are indirect parallels to be drawn between the relationship of mainland (communist) China and Taiwan, on the one hand, and Cuba and the United States, on the other hand. The 1949 Chinese communist takeover of mainland China and the exodus of Chiang Kai-shek to Formosa (Taiwan) generates yet another out-migration of Chinese to Cuba. And in 1959, many Chinese…

Art Review: In the New World, Trappings of a New Social Order

The New York Times
2013-09-19

Karen Rosenberg

‘Behind Closed Doors’ Regards Spanish Colonial Art

“Behind Closed Doors: Art in the Spanish American Home, 1492-1898,” at the Brooklyn Museum, leaves us in the strange position of marveling at the opulence of domestic life in the Spanish colonies while pondering some of the ugliest aspects of colonialism. This is awkward, to be sure, but also enlightening.

As its voyeuristic title suggests, the show follows the layout of a typical house belonging to an elite member of New World society. Drawn largely from the museum’s sizable collection of Spanish colonial art, it fashions a gorgeous set of temporary period rooms out of the fourth-floor special-exhibition galleries. They overflow with sumptuous textiles, family portraits bearing coats of arms, fine silver and porcelain and gilded everything — arranged in the more-is-more manner of the Spanish American upper crust, with cabinets stacked in pyramids and luxury goods laid out on carpeted platforms….

…Also on view are “casta” paintings that employ a rigid racial-classification system; one is called “From Spanish and Indian, Mestizo,” and shows a Spanish man and his indigenous wife with their mestizo, or mixed-race, baby. Here too are works that are not quite casta paintings but seem closely related, such as the group portrait “Free Women of Color With Their Children and Servants in a Landscape” by Agostino Brunias (an Italian working in the British colonies). The painting is not as progressive as it sounds; it reinforces colonial hierarchies of race and class by surrounding its fashionable young heroine — one of the “free women” of the title — with darker-skinned attendants who may well be her slaves…

Read the entire article here.

Chinese Mixed Race in Transnational Comparison (Sawyer Seminar IV)

University of Southern California
Dana and David Dornsife College of Letters, Arts and Sciences
Center for Japanese Religions and Culture
University Park Campus
Doheny Memorial Library (DML), Room: 110C
2013-09-27, 13:00-17:00 PDT (Local Time)

USC Conference Convenors:

Duncan Williams, Associate Professor of Religion
University of Southern California

Brian C. Bernards, Assistant Professor of East Asian Languages and Cultures
University of Southern California

Velina Hasu Houston, Associate Dean for Faculty Recognition and Development, Director of Dramatic Writing and Professor
University of Southern California

PRESENTERS:

“At the Fringes of the Color Line: Re-Examining the One-Drop Rule Through the Transpacific Crossings of Chinese-White Biracials, 1912-1942”

Emma J. Teng, T.T. and Wei Fong Chao Professor of Asian Civilizations and Associate Professor of Chinese Studies
Massachusetts Institute of Technology

“Crossing Boundaries, Claiming a Homeland: Chinese Mexicans’ Transpacific Journeys and the Quest to Belong”

Julia María Schiavone-Camacho, Assistant Professor of History
University of Texas, El Paso

“Sino-Tibetan Hybridity and Ethnic Identity Perception in China”

Patricia Schiaffini, Assistant Professor of Chinese
Southwestern University, Georgetown, Texas

Presented by the Center for Japanese Religions and Culture’s “Critical Mixed-Race Studies: A Transpacific Approach” Andrew W. Mellon Foundation John E. Sawyer Seminars Series at the University of Southern California.

For more information, click here.

Purchasing Whiteness in Colonial Latin America

Not Even Past: “The past is never dead. It’s not even past.” —William Faulkner
Department of History
University of Texas at Austin
2013-09-18

Ann Twinam, Professor of History
University of Texas, Austin

The castas, or mixed race populations, suffered numerous forms of discrimination in colonial Latin America, but in practice pardos and mulatos could still achieve some social mobility.  A rare few, by the mid eighteenth century, were able to petition the Spanish crown through a process known as the gracias al sacar, to purchase whiteness…

Read the entire article here.