Mixed Race Studies

What Obama’s Trip To Havana Revealed About Race In Cuba And The U.S.

African American Intellectual History Society
2016-05-04

Devyn Spence Benson, Assistant Professor of History and African and African American Studies
Louisiana State University

During his groundbreaking visit to Havana last month, President Barack Obama suggested that the embrace of U.S.-style democracy and capitalism would “help lift up” Cubans of African descent. Following the speech, former Cuban President Fidel Castro reminded Obama that the Cuban Revolution had already eliminated racial discrimination in the 1960s.

The contemporary state of racial inequality casts doubt on both men’s assertions: black and brown North-American youth still face police brutality (murder), voter suppression, and low graduation rates, while Afro-Cubans have less access to the emerging tourist sector than ever before. “Democracy” or “socialism”—despite the propaganda and good intentions of our leaders—does not naturally uplift people of African descent.

The symbolism of a black U.S. president eating at one of Havana’s few black-owned restaurants and talking about Afro-Cuban access to the new economy should be celebrated. Missed, though, was the opportunity to reestablish coalitions and activism between people of African descent in both countries. Instead, debates about which country had been most successful in battling racism abounded. Similar to previous interactions between Cuba and the United States, this event showed how both countries invoke celebratory histories that reinforce national racial mythologies, rather than the controversial present…

Read the entire article here.

The Calumet Roundtable: A Discussion with Samantha Joyce

The Calumet Roundtable
2016-04-07

Lee Artz, Host and Professor of Communication
Purdue University Calumet, Hammond, Indiana

Samantha Joyce, Professor of Mass Communication
Indiana University, South Bend

In this episode of “The Calumet Roundtable,” host Dr. Lee Artz, Professor of Communication at Purdue University Calumet, and guest Dr. Samantha Joyce, Professor of Mass Communication at Indiana University South Bend, chat about the representation of race and gender in telenovelas in Brazil. Telenovelas are respected, serious television programs in Brazil and Latin America which air six days a week for approximately nine months, usually containing a mix of real life issues and melodrama. Joyce gives a brief explanation of the history of race equality in Brazil. Artz and Joyce compare the miniseries in the United States to telenovelas in Brazil, and they talk about socially progressive messages in telenovelas.

Joyce wrote “Brazilian Telenovelas and the Myth of Racial Democracy,” which is an open textual analysis of the telenovela “Duas Caras.” This program was the first of its kind to present audiences with an Afro-Brazilian hero.

Envisioning the United States in the Latin American myth of ‘racial democracy mestizaje’

Latin American and Caribbean Ethnic Studies
Published online 2016-04-12
DOI: 10.1080/17442222.2016.1170953

Tanya Katerí Hernández, Professor of Law
Fordham University, The Jesuit University of New York

Transnational comparison is relevant both to how racial hierarchy is obscured and elucidated. This Essay traces how the Latin American ‘racial democracy mestizaje’ depiction of the US as blind to racial mixture and color distinctions mistakenly misrepresent the Southern Jim Crow history as the only US experience of racism. It suggests that, in turn, such a limited frame for comparison cloaks not only the more extensive terrain of racism in the United States that is separate from the Jim Crow reality but also parallels to the Latin American context. Moreover, the circumscribed view of US racism adversely affects those who critique the ‘racial democracy mestizaje’ myth of Latin American post racialism. This is because the standard Latin American story of US racial history hinders the ability to fully countermand the attack that portrays racial justice activists as inappropriately applying overly restrictive US binary perspectives on race. With the fuller explication of the complete US racial history, and its contemporary manifestations, it will not be so easy to dismiss the comparisons of racial subordination across the Americas, as the imperialist imposition of ill-fitting US notions of race.

Read or purchase the article here.

A Telenovela, Slavery, and the Diaspora

African American Intellectual History Society
2016-04-17

Greg Childs

A Escrava Isaura, the 1875 novel by Bernardo Guimarães, was one of a number of late 19th century works of fiction in Brazil that focused on abolitionism. The story revolves around a young enslaved girl named Isaura, her efforts to gain freedom and become married to Alvaro, a wealthy white man who believes fervently in abolition, as well as her trials and tribulations with the plantation overseer who aims to seduce her and make her his concubine. It was quite transparently an anti-slavery propaganda novel. But it was also quite transparently an idealized romance, an effort to portray liberal whiteness as a heroic and saving grace for enslaved peoples. The novel was a huge success in Brazil and catapulted the author to immediate national fame.

Later in 1976 the novel would be reconceptualized as a television show, or telenovela. It was wildly successful and became one of the most watched television programs in the world, broadcasted in over 80 countries. It was undoubtedly a smash success in South America but also in the Soviet Union, China, Poland, and Hungary. In fact, it was in Hungary where the most intriguing- or depending on your perspective, most comical- story about the telenovela comes to us. According to legend, it was in Hungary in the 1980s where the faithful viewers of Escrava Isaura took up collections after the final episode of the series to help purchase Isaura’s freedom…

Read the entire article here.

#BlackLivesMatter in Latin America: Race, Space and Consciousness

New York University Department of Social & Cultural Analysis
20 Cooper Square
New York, New York 10003
Monday, 2016-04-18 18:30-20:00 EDT (Local Time)

The hashtag turned social movement, #blacklivesmatter, has thrust police brutality and institutionalized racism into the American consciousness. African descendants in Latin America are concurrently mobilizing around issues not unlike those faced by blacks in the U.S., drawing inspiration, in part, from #blacklivesmatter. What are the points of convergence in past and present Afro-Latin American and African American struggles to attain human rights? Join us for a multi-media panel discussion on #blacklivesmatter as a globalized from of protest, declaration of black pride and transnational solidarity throughout the Americas.

Moderator:

Dr. Arlene Davila, Professor of Anthropology, Social and Cultural Analysis
New York University

Panelists:

Carmen Perez, The Gathering for Justice
Johanna Fernandez, PhD, CUNY Faculty
Diana Palacios, DRECCA
Wendi Muse, PhD Candidate, NYU

Supported by:

Gallatin Dean’s Office Human Rights Fund
Center for Multicultural Education & Programs
Center for Latin American & Caribbean Studies
Department of Social & Cultural Analysis
Department of Spanish & Portuguese
Afro-Latin@ Forum

For more information, click here.

Poetry Betrays Whiteness

Harriet: A Poetry Blog
Poetry Foundation
2016-04-12

Lucas de Lima (Introduction by Daniel Borzutzky)

Among the many pointed questions that Lucas de Lima raises in “Poetry Betrays Whiteness” is that of how positions of unitedstatesian privilege can be used “to fight structural inequality and global anti-blackness.” This far-reaching essay touches upon, among other things, conceptions of race in the U.S. and Brazil; afro-Brazilian artists who have offered alternative conceptions; and a fascinating discussion of the ways that Brazilian Portuguese has been shaped by indigenous and African influences.

Lucas concludes by drawing our attention to a racist and sexist post on Harriet in 2008 that I had never seen before, and which sadly seems illustrative of the disgusting racism embedded in U.S. literary institutions that has been exposed in the past few years. Lucas asks, among other things, for the Poetry Foundation to take responsibility for the publication of the racist post it provided a platform for. This is a fair request, and one that I second. We should know why such posts are published. Editorial policies surrounding racist content should be clearly articulated and transparent…

…When I’m in Brazil—the country with the largest Black population in the world outside of Africa—I am not a light-skinned Latino or a person of color. I occupy the position of a white person.

Lately, moving between racial categories has magnified my political feelings. The more time I spend in the country I left as a child, the more I hone the grief and rage that whiteness, as a global logic, provokes in me. For every Black person killed by the police in the U.S., countless more are killed in Brazil. In both places, the rise of police brutality and mass incarceration is one condition of racialized life. Another is the exploding suicide rate in Native communities, particularly among youth.

I think of nation-states as inherently militarized spaces articulated through each other. When Frederick Douglass said Brazil was less racist than the U.S. in its treatment of freed slaves, he anticipated the self-fashioning of a ‘racial democracy’ whose mixture would be defined against U.S.-style segregation. Like the vast majority of Brazilians, I have mixed-race ancestry. Because my nonwhite ancestors survived, I am alive and need to be explicit about the horrors of miscegenation—the rape of African and Indigenous women by Portuguese men. My light skin is the result of policies that whitened the population by incentivizing European immigration at the turn of the century. I think all the time about how the state transmits white supremacy through my body. My phenotype encodes a national fear of being too black and brown. As in other slaveholding societies, the idea that Brazil could one day be Haiti haunted the elite…

Read the entire article here.

The Specter of Races: Latin American Anthropology and Literature between the Wars

University of Virginia Press
April 2016
224 pages
6 x 9
Paper ISBN: 9780813938790
Cloth ISBN: 9780813938783
Ebook ISBN: 9780813938806

Anke Birkenmaier, Associate Professor of Spanish and Portuguese
Indiana University, Bloomington

Arguing that race has been the specter that has haunted many of the discussions about Latin American regional and national cultures today, Anke Birkenmaier shows how theories of race and culture in Latin America evolved dramatically in the period between the two world wars. In response to the rise of scientific racism in Europe and the American hemisphere in the early twentieth century, anthropologists joined numerous writers and artists in founding institutions, journals, and museums that actively pushed for an antiracist science of culture, questioning pseudoscientific theories of race and moving toward more broadly conceived notions of ethnicity and culture.

Birkenmaier surveys the work of key figures such as Cuban historian and anthropologist Fernando Ortiz, Haitian scholar and novelist Jacques Roumain, French anthropologist and museum director Paul Rivet, and Brazilian sociologist Gilberto Freyre, focusing on the transnational networks of scholars in France, Spain, and the United States to which they were connected. Reviewing their essays, scientific publications, dictionaries, novels, poetry, and visual arts, the author traces the cultural study of Latin America back to these interdisciplinary discussions about the meaning of race and culture in Latin America, discussions that continue to provoke us today.

Antiracism in Cuba: The Unfinished Revolution

University of North Carolina Press
April 2016
332 pages
6.125 x 9.25
24 halftones, notes, bibl., index
Paper ISBN: 978-1-4696-2672-7

Devyn Spence Benson, Assistant Professor of History and African and African American Studies
Louisiana State University

Analyzing the ideology and rhetoric around race in Cuba and south Florida during the early years of the Cuban revolution, Devyn Spence Benson argues that ideas, stereotypes, and discriminatory practices relating to racial difference persisted despite major efforts by the Cuban state to generate social equality. Drawing on Cuban and U.S. archival materials and face-to-face interviews, Benson examines 1960s government programs and campaigns against discrimination, showing how such programs frequently negated their efforts by reproducing racist images and idioms in revolutionary propaganda, cartoons, and school materials.

Building on nineteenth-century discourses that imagined Cuba as a raceless space, revolutionary leaders embraced a narrow definition of blackness, often seeming to suggest that Afro-Cubans had to discard their blackness to join the revolution. This was and remains a false dichotomy for many Cubans of color, Benson demonstrates. While some Afro-Cubans agreed with the revolution’s sentiments about racial transcendence–“not blacks, not whites, only Cubans”–others found ways to use state rhetoric to demand additional reforms. Still others, finding a revolution that disavowed blackness unsettling and paternalistic, fought to insert black history and African culture into revolutionary nationalisms. Despite such efforts by Afro-Cubans and radical government-sponsored integration programs, racism has persisted throughout the revolution in subtle but lasting ways.

Sacramento’s Mexican genealogists trace their roots to Aztec empire

The Sacramento Bee
Sacramento, California
2016-04-10

Stephen Magagnini

Highlights

• Mexican Americans use Catholic Church records, other documents to map family roots
• Some trace family history to Aztecs, colonial Mexico
• Interest in Mexican family histories is growing as Latinos become biggest group in California

Maria Cortez dug deep into Catholic Church records and family histories and struck gold.

The retired state-worker-turned-genealogist managed to trace her roots back to two of the most famous figures in Mexican history: Miguel Hidalgo, who declared independence from Spain in 1810 with “el grito de Dolores,” and the Aztec emperor Moctezuma II. “You’d be amazed; I think everyone has fascinating stories to be discovered,” said the 55-year-old, who co-founded the Sacramento-based Nueva Galicia Genealogical Society, thought to be the oldest Mexican genealogical club in California.

Cortez and 20 other Mexican Americans with roots in the states of Jalisco, Zacatecas and Aguascalientes gathered Saturday at the Sacramento Family History Center for the club’s quarterly meeting, scanning church records, Mexican census data and border-crossing information to excavate secrets of the past. Interest in exploring Mexican roots is surging, now that Latinos are the state’s largest ethnic group, genealogy TV shows are hot and DNA research is becoming more exact, Cortez said.

Mexican Americans can trace their DNA to as many as five continents, said Cortez, who was born in Guadalajara, Jalisco.

As thrilled as she was to learn that Hidalgo was her seventh cousin four times removed, and that evidence shows Moctezuma was her 12th-great-grandfather, Cortez was shocked to learn the blood of a dozen nations flows through her veins. She said DNA tests show she’s not only 41 percent Native American and 30 percent Iberian, but also 2 percent North African, a little less than 1 percent Bantu from southeastern Africa, 4 percent west Asian, 3 percent Middle Eastern, 1 percent European Jewish, 9 percent Greek and Italian, 5 percent Irish, another 5 percent from Great Britain, along with some roots in southern and central Asia and northwestern Russia.

“We’re the most mixed race in the world, and I’m a child of the world,” said Cortez, noting that other club members have made similar discoveries after researching their DNA. “In Mexico, you’re not taught about slavery, but slavery existed there. … They didn’t disappear. They married and mixed in with the rest of the population, so a lot of us have African ancestry.”…

Read the entire article here.

The black people ‘erased from history’

BBC News Magazine
2016-04-10

Arlene Gregorius, BBC Mexico

More than a million people in Mexico are descended from African slaves and identify as “black”, “dark” or “Afro-Mexican” even if they don’t look black. But beyond the southern state of Oaxaca they are little-known and the community’s leaders are now warning of possible radical steps to achieve official recognition.

“The police made me sing the national anthem three times, because they wouldn’t believe I was Mexican,” says Chogo el Bandeno, a black Mexican singer-songwriter.

“I had to list the governors of five states too.”

He was visiting the capital, Mexico City, hundreds of miles from his home in southern Mexico, when the police stopped him on suspicion of being an illegal immigrant.

Fortunately his rendition of the anthem and his knowledge of political leaders convinced the police to leave him alone, but other Afro-Mexicans have not been so fortunate…

Read the entire article here.