Mixed Race Studies

Slavery’s legacies

The Economist
2016-09-10

SÃO PAULO

American thinking about race is starting to influence Brazil, the country whose population was shaped more than any other’s by the Atlantic slave trade

ALEXANDRA LORAS has lived in eight countries and visited 50-odd more. In most, any racism she might have experienced because of her black skin was deflected by her status as a diplomat’s wife. Not in Brazil, where her white husband acted as French consul in São Paulo for four years. At consular events, Ms Loras would be handed coats by guests who mistook her for a maid. She was often taken for a nanny to her fair-haired son. “Brazil is the most racist country I know,” she says.

Many Brazilians would bristle at this characterisation—and not just whites. Plenty of preto (black) and pardo (mixed-race) Brazilians, who together make up just over half of the country’s 208m people, proudly contrast its cordial race relations with America’s interracial strife. They see Brazil as a “racial democracy”, following the ideas of Gilberto Freyre, a Brazilian sociologist who argued in the 1930s that race did not divide Brazil as it did other post-slavery societies. Yet the gulf between white Brazilians and their black and mixed-race compatriots is huge…

…Of the 12.5m Africans trafficked across the Atlantic between 1501 and 1866, only 300,000-400,000 disembarked in what is now the United States. They were quickly outnumbered by European settlers. Most whites arrived in families, so interracial relationships were rare. Though white masters fathered many slave children, miscegenation was frowned upon, and later criminalised in most American states.

As black Americans entered the labour market after emancipation, they threatened white incomes, says Avidit Acharya of Stanford University. “One drop” of black blood came to be seen as polluting; laws were passed defining mixed-race children as black and cutting them out of inheritance (though the palest sometimes “passed” as white). Racial resentment, as measured by negative feelings towards blacks, is still greater in areas where slavery was more common. After abolition, violence and racist legislation, such as segregation laws and literacy tests for voters, kept black Americans down.

But these also fostered solidarity among blacks, and mobilisation during the civil-rights era. The black middle class is now quite large. Ms Loras would not seem anomalous in any American city, as she did in São Paulo…

…Both black and white Brazilians have long considered “whiteness” something that can be striven towards. In 1912 João Baptista de Lacerda, a medic and advocate of “whitening” Brazil by encouraging European immigration, predicted that by 2012 the country would be 80% white, 3% mixed and 17% Amerindian; there would be no blacks. As Luciana Alves, who has researched race at the University of São Paulo, explains, an individual could “whiten his soul” by working hard or getting rich. Tomás Santa Rosa, a successful mid-20th-century painter, consoled a dark-skinned peer griping about discrimination, saying that he too “used to be black”.

Though only a few black and mixed-race Brazilians ever succeeded in “becoming white”, their existence, and the non-binary conception of race, allowed politicians to hold up Brazil as an exemplar of post-colonial harmony. It also made it harder to rally black Brazilians round a hyphenated identity of the sort that unites African-Americans. Brazil’s Unified Black Movement, founded in 1978 and inspired by militant American outfits such as the Black Panthers, failed to gain traction. Racism was left not only unchallenged but largely unarticulated.

Now Brazil’s racial boundaries are shifting—and in the opposite direction to that predicted by Baptista de Lacerda. After falling from 20% to 5% between 1872 and 1990, the share of self-described pretos edged up in the past quarter-century, to 8%. The share of pardos jumped from 39% in 2000 to 43% in 2010. These increases are bigger than can be explained by births, deaths and immigration, suggesting that some Brazilians who used to see themselves as white or pardo are shifting to pardo or preto. This “chromatographic convergence”, as Marcelo Paixão of the University of Texas, in Austin, dubs it, owes a lot to policy choices…

Read the entire article here.

For Affirmative Action, Brazil Sets Up Controversial Boards To Determine Race

Parallels: Many Stories, One World
National Public Radio
2016-09-29

Lulu Garcia-Navarro, South America Correspondent

When the test scores came out, Lucas Siqueira, 27, was really excited. His high mark on the Foreign Service exam earned him a coveted position at Brazil’s highly competitive Ministry of Foreign Affairs.

“They hire 30 diplomats a year and thousands of people sign up,” he says in fluent English from his home in Brasilia, the capital.

It was, he says, a great day.

Siqueira considers himself to be mixed race, known in Brazil as pardo, or brown.

“I consider myself to be a very typical Brazilian and I’ve always been very proud of it. In my dad’s family, my grandfather is black, my grandmother has Indian and white roots. And on my mother’s side they are mostly white, mostly Portuguese,” he said.

How he defines himself matters because he was required to self-identify on his application. In 2014, the government introduced a quota system for federal jobs. The affirmative action regulations require that 20 percent of all government positions be filled by people of color — either black or mixed race.

Lucas Siqueira identified himself as mixed race on his application for a job at Brazil’s Ministry of Foreign Affairs. The government decided he wasn’t, and his case is still on hold. As part of the affirmative action program in Brazil, state governments have now set up boards to racially classify job applicants. Courtesy of Lucas Siqueira

The problem came once the announcement of the appointments was made public…

…Wide disparities

The legacy of the period can still be felt today. Even though the majority of the population is of African descent, only 5 percent of Afro-Brazilians were in higher education as recently as 10 years ago. Because of affirmative action, that number is now 15 percent. Vaz says these are hard won gains, but there is a long way to go.

“Only 5 percent of executives are black in Brazil, politicians, diplomats, all things, so the black people don’t access the space of power in my country. This is the real issue we have,” he says.

In the U.S., race is still largely determined by parentage because of the history of the “one drop rule,” where white institutions historically deemed a person black if they had even one drop of black blood.

In Brazil, he says, the criteria is different. Skin tone matters more than race, because so much of the population is mixed…

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‘Pigmentocracy’ a Major Factor in Brazil, Venezuela Turmoil

Fordham Law News: From New York City To You
2016-08-11

Ray Legendre

A global audience watched Brazil unveil the 2016 Olympics earlier this month with a flashy, jubilant opening ceremony that celebrated its racial diversity and belied its ongoing political and economic strife. But acting President Michel Temer’s maneuvering in the months before the Games revealed a racial reality in South America’s most populous country that is anything but golden, Fordham Law School Professor Tanya Hernández said.

“It looked like a racial utopia during the opening ceremonies, but if you look at the cabinet this president has put into place there’s nary a dark-skinned person in the crowd,” said Hernández, associate director and head of global and comparative law programs and initiatives for the Center on Race, Law & Justice at Fordham Law. “You would think you were looking at Sweden, as opposed to Brazil, when you look at the cabinet.”

Temer’s rapid assembly of lighter-skinned cabinet members in the wake of President Dilma Rousseff’s suspension of powers in May highlights the implicit racial bias that exists in Brazil and other Latin American countries with large mixed-race populations. The so-called “pigmentocracy” considers “lighter as brighter” and more capable of excelling in government and other high paying jobs, said Hernández, author of Racial Subordination in Latin America. Lighter-skinned people, of European heritage, are also less likely to suffer the rampant violence and housing displacement as poor black citizens of African descent…

Read the entire article here.

Becoming Creole, Becoming Black: Migration, Diasporic Self-Making, and the Many Lives of Madame Maymie Leona Turpeau de Mena

Women, Gender, and Families of Color
Volume 4, Number 2 (Fall 2016)
pages 171-195
DOI: 10.5406/womgenfamcol.4.2.0171

Courtney Desiree Morris, Assistant Professor of African American Studies and Women’s, Gender, and Sexuality Studies
Pennsylvania State University

This article examines the complex life of one of the Universal Negro Improvement Association’s most charismatic but undertheorized figures, Madame Maymie Leona Turpeau de Mena. Relegated to the footnotes of UNIA history, the existing version of de Mena’s biography identifies her as an Afro-Nicaraguan immigrant who rose to the upper echelons of the UNIA. After years of serving as assistant international organizer and electrifying audiences throughout the hemisphere, she eventually assumed control of all the North American chapters of the UNIA, the editorship of the Negro World, and acted as Marcus Garvey’s representative in the United States and globally. Recently uncovered archival materials reveal that de Mena was actually born in St. Martinville, Louisiana, in 1879. How could such a prominent UNIA figure vanish from the historical record only to reappear and be so misunderstood? Part of the dilemma lies in the fact that de Mena appears to have intentionally altered the key elements of her biography to reflect her changing personal life and political commitments. This article maps de Mena’s shifting racial and political subjectivities as a transnational proto-feminist, moving through the landscapes of the U.S. Gulf South, Caribbean Central America, the U.S. Northeast, and preindependence Jamaica. It provides a critical corrective to de Mena’s existing biography and examines how black women moved through transnational political and cultural movements of the early twentieth century, authoring themselves into existence through intimate and public acts of diasporic self-making.

Read the entire article here.

What is Afro-Latin America?

African American Intellectual History Society (AAIHS)
2016-09-04

Devyn Spence Benson, Assistant Professor of Africana Studies and Latin American
Davidson College, Davidson, North Carolina

From Mexico to Brazil and beyond, Africans and people of African descent have fought in wars of independence, forged mixed race national identities, and contributed politically and culturally to the making of the Americas. Even though Latin America imported ten times as many slaves as the United States, only recently have scholars begun to highlight the role blacks and other people of African descent played in Latin American history. This course will explore the experiences of Afro-Latin Americans from slavery to the present, with a particular focus on Haiti, Cuba, Mexico, Brazil, and Colombia. We will also read some of the newest transnational scholarship to understand how conversations about ending racism and building “raceless” nations spread throughout the Americas and influenced the Civil Rights movement in the United States.

In doing so, the course seeks to answer questions such as: What does it mean to be black in Latin America? Why has racism persisted in Latin America despite political revolutions claiming to eliminate discrimination? How have differing conceptions of “race” and “nation” caused the rise and decline of transnational black alliances between U.S. blacks and Afro-Latin Americans?

Last Tuesday, I began my eighth year of university teaching, but my first day at my new institution – Davidson College. Feeling both like a newbie (I was still unpacking boxes of books last week) and like an old pro, I dove right into teaching two introductory courses—Afro-Latin America and History of the Caribbean—passing out the course description pasted above. Both of my courses were cross-listed with Africana and Latin American Studies and fell under my purview as the new professor of Afro-Latin America. Mine is a joint position and the first untenured new hire for both Africana and Latin American Studies. I was initially shocked when I saw the advertisement last summer and remain shocked in many ways that both Africana and Latin American Studies at Davidson were interested in hiring an Afro-Latin Americanist as their first faculty position (other than chair) in two relatively young departments…

Read the entire article here.

When Black Is Brown: The African Diaspora in Mexico

The Museum of African American Art
Baldwin Hills Crenshaw Plaza
Macy’s 3rd Floor
4005 Crenshaw Boulevard
Los Angeles, California 90008
2016-06-05 through 2016-09-18
Opening Reception: 2016-06-05, 14:00-17:00 PDT (Local Time)

WHERE BLACK IS BROWN: The African Diaspora In Mexico opens Sunday, June 5, 2016, with a public reception from 2:00 to 5:00 pm at The Museum of African American Art. The opening will feature a drumming procession of African and Azteca dancers and musicians, a dramatic performance, and a talk and tour by the exhibit’s curator, Dr. Toni-Mokjaetji Humber, Professor Emeritus, Ethnic and Women’s Studies Department, California State Polytechnic University, Pomona.

WHERE BLACK IS BROWN is an innovative, multidimensional project that includes photographs, artifacts, and installations that document the African presence in Mexico from the Ancient Olmecs — Mother Culture of the Americas — through the colonial enslavement period, to contemporary Mexico. In addition to the visual components, Dr. Humber has incorporated educational programs and activities to compliment the exhibit. She will conduct middle and high school tours of the exhibit with activities for students to better understand the culture and historical contributions of African Mexicans.

“Recognition of an African root in the Mexican heritage, both ancient and modern, has been rendered invisible in the ideological consciousness of what it means to be Mexican,” Dr. Humber states. “This research will present a face of Mexico that has been hidden, denied, and disparaged, yet one that is vital to Mexican history and culture.”

The exhibit is designed to further the understanding of African influence and contributions in the Americas and to foster greater understanding among African American, Chicano/Latino, and Indigenous communities about their historical connections and their intermingled sangre (blood) that has produced beautiful and dynamic peoples of the Americas.

For more information, click here.

Afro-Mexican Constructions of Diaspora, Gender, Identity and Nation

University of The West Indies Press
April 2016
234 pages
Paperback ISBN: 978-976-640-579-3

Paulette A. Ramsay, Senior Lecturer in Spanish
University of the West Indies, Mona, Jamaica

Paulette Ramsay’s study analyses cultural and literary material produced by Afro-Mexicans on the Costa Chica de Guerrero y Oaxaca, Mexico, to undermine and overturn claims of mestizaje or Mexican homogeneity.

The interdisciplinary research draws on several theoretical constructs: cultural studies, linguistic anthropology, masculinity studies, gender studies, feminist criticisms, and broad postcolonial and postmodernist theories, especially as they relate to issues of belonging, diaspora, cultural identity, gender, marginalization, subjectivity and nationhood. The author points to the need to bring to an end all attempts at extending the discourse, whether for political or other reasons, that there are no identifiable Afro-descendants in Mexico. The undeniable existence of distinctively black Mexicans and their contributions to Mexican multiculturalism is patently recorded in these pages.

The analyses also aid the agenda of locating Afro-Mexican literary and cultural production within a broad Caribbean aesthetics, contributing to the expansion of the Caribbean as a broader cultural and historical space which includes Central and Latin America.

Contents

• List of Illustrations
• Foreword Father Glyn Jemmott Nelson
• Acknowledgements
• Introduction
• 1. Racial and Ethnic Diversity in Mexico through the Distorted Lens of Memín Pinguín
• 2. Constructions of Gender and Nation in Selected Afro-Mexican Folktales
• 3. Masculinity, Language and Power in Selected Afro-Mexican Corridos
• 4. Place, Racial and Cultural Identities in Selected Afro-Mexican Oral and Lyric Verses
• 5. Afro-Mexico in the Context of a Caribbean Literary and Cultural Aesthetics
• Conclusion
• Photographs
• Notes
• References
• Index

The crime of miscegenation: racial mixing in slaveholding Brazil and the threat to racial purity in post-abolition United States

Revista Brasileira de História
Ahead of print 2016-08-08
24 pages
DOI: 10.1590/1806-93472016v36n72_007

Luciana da Cruz Brito
City University of New York

This article discuss how the Brazilian example was debated and appropriated by politicians, scientists, and other members of the white US elite, who in the post-abolition period were preparing a nation project which maintained the old slaveholding ideologies of white supremacy and racial segregation, lasting in the country until the twentieth century. In Latin America it was possible to assess the negative effects of racial mixing, while Brazil became an example of backwardness and degeneration, reinforcing the need for urgent segregationist policies in the United States. The question of racial mixing was linked to the production of a notion of national identity which was sustained by the idea of purity of blood and in opposition to Latin American societies.

Read the entire article in English or Portuguese.

The Dougla Defect

Without Wax
2013-12-15

Sara Bharrat

Dougla Defect?
Indian speaks to a Dougla woman about her Dougla baby
Indian: The baby getting nice now.
Now he complexion comin’ lil clear.

—(Rochelle Etwaroo photo and testimony)

For Rochelle Etwaroo: the hybrid of two great people and a seed of hope.

The Dougla Defect is evidence of Guyana’s ongoing Black and Indian war. It is a source of shame to both the Black and Indian man who insists on remaining entrenched in fear. They have both condemned the hybrid of themselves to that cold, cruel no man’s land that separates them.

It is not the Black man or the Indian man who has suffered the most painful wounds in this war. It is the hybrid who suffers; the Dougla boy, the Dougla girl, whose only crime has been birth. The war has stolen home and identity from the Dougla and replaced it with hurt and displacement. How can a nation be so cruel to its children?…

Read the entire article here.

The Pleasures of Taxonomy: Casta Paintings, Classification, and Colonialism

The William and Mary Quarterly
Volume 73, Number 3, July 2016, 3rd series
pages 427-466

Rebecca Earle, Professor
School of Comparative American Studies
University of Warwick, Coventry, United Kingdom

A new model for thinking about the socioracial categories depicted in casta paintings (remarkable eighteenth-century Spanish American images representing the outcome of “racial mixing”) takes seriously both their fluidity and their genealogical character. Approaching classification, and casta paintings, from this direction clarifies the underlying epistemologies that structured colonial society and helps connect the paintings more explicitly to the debates about human difference that captivated Enlightenment thinkers. Ultimately, however, these paintings were produced and collected in the hundreds not simply because they visualized Atlantic debates about classification and human difference but because these visualizations were interesting and pleasant to contemplate. They agreeably roused the pleasures of the imagination via their taxonomic as well as their narrative power. Linking casta paintings to the importance accorded to pleasure in both the scientific and the colonial imagination helps explain their fascination, which derived from their ability to condense the complex interconnections of classification, colonialism, and sexuality into appealing images.