Mixed Race Studies

The Sea Captain’s Wife: A True Story of Love, Race, and War in the Nineteenth Century

W. W. Norton & Company
September 2007
384 pages
5.5 × 8.3 in
Paperback ISBN: 978-0-393-33029-8

Martha Hodes, Professor of History
New York University

Finalist for the Lincoln Book Prize.

Award-winning historian Martha Hodes brings us into the extraordinary world of Eunice Connolly. Born white and poor in New England, Eunice moved from countryside to factory city, worked in the mills, then followed her husband to the Deep South. When the Civil War came, Eunice’s brothers joined the Union army while her husband fought and died for the Confederacy. Back in New England, a widow and the mother of two, Eunice barely got by as a washerwoman, struggling with crushing depression. Four years later, she fell in love with a black sea captain, married him, and moved to his home in the West Indies. Following every lead in a collection of 500 family letters, Hodes traced Eunice’s footsteps and met descendants along the way. This story of misfortune and defiance takes up grand themes of American history—opportunity and racism, war and freedom—and illuminates the lives of ordinary people in the past.

Midwinter 1881, Ellen Merrill received a letter. It came from the West Indies, written by a man Ellen didn’t know, and the news was bad. That was clear from the second sentence, in which the stranger spoke of “the late Mr. and Mrs. Connolly.” When Ellen reached the end of the letter, she read it again, and then again, before she took out a sheet of paper. “My Dear Brother,” she wrote to Henry Richardson, “I have at last succeeded in learning the fate of Mrs. Connolly and family.” She asked Henry to impart the news to their mother and to their sister Ann McCoy. As Ellen signed off, she thought about dangerous weather. “We had a Storm here last week which blowd the tide in and nearly washed us away for three days.” She posted the letter from Mississippi to Massachusetts.

The hurricane that swirled off the Miskito Cays of Central America in September 1877 took the life of an American woman named Eunice Connolly. Eunice was an ordinary woman who led an extraordinary life by making momentous decisions within a world that offered her few choices. Eunice Richardson Stone Connolly was born white and working class in New England in 1831. She married a fellow New Englander who took her to the South and fought for the Confederacy in the Civil War, while Eunice’s two brothers fought for the Union. After the war, Eunice married a well-to-do man of color and went to live in a settlement of former slaves on the British Caribbean island of Grand Cayman. This book tells her story…

…Eunice’s story and the choices she made expose the complexities of racial classification across geographical borders. Her family traced their lineage back to England and France, but as Eunice worked in the mills and labored as a servant, she came precariously close to the degraded status of impoverished Irish and black women. Later, when she married a “man of color” (that was the phrase invoked at the time), she found out that reputation also counted in a person’s racial status and that for women, whiteness depended upon specific ideas about purity. Then, when Eunice took up residence on a West Indian island, she realized that labels like “white,” “black,” “mulatto,” and “colored” carried different meanings in different places. Eunice’s story illuminates the complexities of racism too: Her unusual experiences make clear just how mercurial racial categories could be in the nineteenth century, but her life also proves just how much power those mercurial markers could exert to confine—or transform—a person’s life. In her voyages from New England to the Deep South to the British Caribbean, Eunice also made a journey from the life of an impoverished white woman in the United States to the life of an elite woman of color in the West Indies…

Read chapter 1 in PDF or HTML format.

Casta Painting: Images of Race in Eighteenth-Century Mexico

Yale University Press
2004-04-10
252 pages
8 1/2 x 11
100 b/w +100 color illus.
Paper ISBN: 9780300109719
Cloth ISBN: 9780300102413

Ilona Katzew, Associate Curator of Latin American Art
Los Angeles County Museum of Art

Selected for Honorable Mention for a 2003-2004 Book Award given by the Association for Latin American Art.

The pictorial genre known as casta painting is one of the most compelling forms of artistic expression from colonial Mexico. Created as sets of consecutive images, the works portray racial mixing among the main groups that inhabited the colony: Indians, Spaniards, and Africans. In this beautifully illustrated book, Ilona Katzew places casta paintings in their social and historical context, showing for the first time the ways in which the meanings of the paintings changed along with shifting colonial politics.

The book examines how casta painting developed art historically, why race became the subject of a pictorial genre that spanned an entire century, who commissioned and collected the works, and what meanings the works held for contemporary audiences. Drawing on a range of previously unpublished archival and visual material, Katzew sheds new light on racial dynamics of eighteenth-century Mexico and on the construction of identity and self-image in the colonial world.

Table of Contents

• Acknowledgements
• Introduction
• 1. Painters and Paintings: A Visual Tradition and Its Historiography
• 2. “A Marvelous Variety of Colors?”: Racial Ideology and the Sistema de Castas
• 3. The Rise of Casta Painting: Exoticism and Creole Pride, 1711-1760
• 4. Changing Perspectives: Casta Painting in the Era of the Bourbon Reforms, 1760-1790
• 5. The Theater of Marvels: Casta Paintings in the Textual Microcosmos
• Concluding Remarks: A Genre with Many Meanings
• Abbreviations
• Notes
• Bibliography
• Photograph Credits
• Index

Nagô Grandma and White Papa: Candomblé and the Creation of Afro-Brazilian Identity

University of North Carolina Press
September 2009
208 pages
6.125 x 9.25, 2 figs., 4 tables, notes, bibl., index
Cloth ISBN: 978-0-8078-3177-9
Paper ISBN: 978-0-8078-5975-9

Beatriz Góis Dantas, Professor Emerita of Anthropology
Universidade Federal de Sergipe in Brazil

Translated by Stephen Berg

Nagô Grandma and White Papa is a signal work in Brazilian anthropology and African diaspora studies originally published in Brazil in 1988. This edition makes Beatriz Góis Dantas’s historioethnographic study available to English-speaking audiences for the first time.

Dantas compares the formation of Yoruba (Nagô) religious traditions and ethnic identities in the Brazilian states of Sergipe and Bahia, revealing how they diverged from each other due to their different social and political contexts and needs. By tracking how markers of supposedly “pure” ethnic identity and religious practice differed radically from one place to another, Dantas shows the social construction of identity within a network of class-related demands and alliances. She demonstrates how the shape and meaning of “purity” have been affected by prolonged and complex social and cultural mixing, compromise, and struggle over time. Ethnic identity, as well as social identity in general, is formed in the crucible of political relations between social groups that purposefully mobilize and manipulate cultural markers to define their respective boundaries–a process, Dantas argues, that must be applied to understanding the experience of African-descended people in Brazil.

The Idea Of Race

Hackett Publishing Company
2000
256 pages
Cloth ISBN: 0-87220-459-6, ISBN-13: 978-0-87220-459-1
Paper ISBN: 0-87220-458-8, ISBN-13: 978-0-87220-458-4

Edited by

Robert Bernasconi, Edwin Erle Sparks Professor of Philosophy
Pennsylvania State University

Tommy L. Lott, Professor of Philosophy
San José State University

A survey of the historical development of the idea of race, this anthology offers pre-twentieth century theories about the concept of race, classic twentieth century sources reiterating and contesting ideas of race as scientific, and several philosophically relevant essays that discuss the issues presented. A general Introduction gives an overview of the readings. Headnotes introduce each selection. Includes suggested further readings.

Table of Contents
Introduction

The Classification of Races

1. Francois Bernier, “A new division of earth, according to the different species or races of men who inhabit it”
2. Francois-Marie Voltaire, “Of the Different Races of Men,” from The Philosophy of History
3. Immanuel Kant, “Of the Different Human Races”
4. Johann Gottfried von Herder, Ideas on the Philosophy of the History of Humankind
5. Johann Friedrich Blumenbach, On the Natural Variety of Mankind
6. G. W. F. Hegel, “Anthropology,” from The Encyclopedia of Philosophical Science

Science and Eugenics

1. Arthur de Gobineau, The Inequality of Human Races
2. Charles Darwin, “On the Races of Man,” from The Descent of Man
3. Francis Galton, “Eugenics: Its Definition, Scope and Aims”

Heredity and Culture

1. Franz Boas, “Instability of Human Types”
2. Alain Locke, “The Concept of Race as applied to Social Culture”
3. Ashley Montagu, “The Concept of Race in the Human Species in the Light of Genetics”

Race and Political Ideology

1. W. E. B. Du Bois, The Conservation of Races
2. Anthony Appiah, “The Uncompleted Argument: Du Bois and the Illusion of Race”
3. Leopold Senghor, “What is Negritude?”

Racial Identity

1. Linda Alcoff, “Mestizo Identity”
2. Michael Hanchard, “Black Cinderella? Race and the Public Sphere in Brazil”
3. Michael Omi and Howard Winant, Racial Formation in the United States.

Inexacting Whiteness: Blanqueamiento as a Gender-Specific Trope in the Nineteenth Century

Cuban Studies
Volume 36, 2005
pages 105-128
E-ISSN: 1548-2464
Print ISSN: 0361-4441
DOI: 10.1353/cub.2005.0033

Gema R. Guevara, Associate Professor, Languages & Literature and Associate Professor, Spanish Section
University of Utah

In Cuba, race, nation, and popular music were inextricably linked to the earliest formulations of a national identity. This article examines how the racialized discourse of blanqueamiento, or whitening, became part of a nineteenth-century literary narrative in which the casi blanca mulata, nearly white mulatta, was seen as a vehicle for whitening black Cubans. However, as the novels of Cirilo Villaverde and Ramón Meza reveal, the mulata’s inability to produce entirely white children established the ultimate unattainability of whiteness by nonwhites. This article analyzes the fluidity of these racial constructs and demonstrates that, while these literary texts advocated the lightening of the nation’s complexion over time, they also mapped the progressive “darkening” of Cuban music as popular culture continued to borrow from black music.

Read the entire article here.

‘Toubab La!’ Literary Representations of Mixed-Race Characters in the African Diaspora

Cambridge Scholars Publishing
July 2007
453 pages
ISBN13: 9781847182319
ISBN: 1-84718-231-3

Ginette Curry, Professor of English
Florida International University

The book is an examination of mixed-race characters from writers in the United States, The French and British Caribbean islands (Martinique, Guadeloupe, St. Lucia and Jamaica), Europe (France and England) and Africa (Burkina Faso, South Africa, Botswana and Senegal). The objective of this study is to capture a realistic view of the literature of the African diaspora as it pertains to biracial and multiracial people. For example, the expression “Toubab La!” as used in the title, is from the Wolof ethnic group in Senegal, West Africa. It means “This is a white person” or “This is a black person who looks or acts white.” It is used as a metaphor to illustrate multiethnic people’s plight in many areas of the African diaspora and how it has evolved. The analysis addresses the different ways multiracial characters look at the world and how the world looks at them. These characters experience historical, economic, sociological and emotional realities in various environments from either white or black people. Their lineage as both white and black determines a new self, making them constantly search for their identity. Each section of the manuscript provides an in-depth analysis of specific authors’ novels that is a window into their true experiences.

The first section is a study of mixed race characters in three acclaimed contemporary novels from the United States. James McBride’s The Color of Water (1996), Danzy Senna’s Caucasia (1998) and Rebecca Walker’s Black White and Jewish (2001) reveal the conflicting dynamics of being biracial in today’s American society. The second section is an examination of mixed-race characters in the following French Caribbean novels: Mayotte Capécia’s I Am a Martinican Woman (1948), Michèle Lacrosil’s Cajou (1961) and Ravines du Devant-Jour (1993) by Raphaël Confiant. Section three is about their literary representations in Derek Walcott’s What the Twilight Says (1970), Another Life (1973), Dream on Monkey Mountain (1967) and Michelle Cliff’s Abeng (1995) from the British Caribbean islands. Section four is an in-depth analysis of their plight in novels written by contemporary mulatto writers from Europe such as Marie N’Diaye’s Among Family (1997), Zadie Smith’s White Teeth (2000) and Bernardine Evaristo’s Lara (1997). Finally, the last section of the book is a study of novels from West African and South African writers. The analysis of Monique Ilboudo’s Le Mal de Peau (2001), Bessie Head’s A Woman Alone: Autobiographical Writings (1990) and Abdoulaye Sadji’s Nini, Mulâtresse du Sénégal (1947) concludes this literary journey that takes the readers through several continents at different points in time.

Overall, this comprehensive study of mixed-race characters in the literature of the African diaspora reveals not only the old but also the new ways they decline, contest and refuse racial clichés. Likewise, the book unveils how these characters resist, create, reappropriate and revise fixed forms of identity in the African diaspora of the 20th and 21st century. Most importantly, it is also an examination of how the authors themselves deal with the complex reality of a multiracial identity.

Table of Contents

• Acknowledgements
• Introduction
• PART I. THE UNITED STATES
  • Chapter 1: James McBride’s The Color of Water (1996): A Journey Beyond Black and White
  • Chapter 2: Danzy Senna’s Caucasia (1998): The Surviving Canary
  • Chapter 3: Rebecca Walker’s Black White and Jewish: Autobiography of a Shifting Self (2001): The Chameleon Experience
• PART II. THE FRENCH CARIBBEAN ISLANDS
  • Chapter 4: Mayotte Capécia’s I am a Martinican Woman (1948): “My father is Black, My Mother is Brown, and I, Am I White?” (Martinican Riddle)
  • Chapter 5: Michèle Lacrosil’s Cajou (1961): The Anti-Narcissus
  • Chapter 6: Raphaël Confiant’s Ravines du Devant-Jour (1993): Ethnostereotypes in Martinique
• PART III. THE BRITISH CARIBBEAN ISLANDS
  • Chapter 7: The Racial Paradox of Derek Walcott in What the Twilight Says (1970), Derek Walcott: Another life (1973) and Dream on Monkey Mountain (1967)
  • Chapter 8: Michelle Cliff’s Abeng (1995): A Near-White Jamaican Woman’s Quest for Identity
• PART IV. EUROPE
  • Chapter 9: Marie N’Diaye’s Among Family (1997): A Desperate Search for Caucasian Identity
  • Chapter 10: Zadie Smith’s White Teeth (2000): The Concept of Englishness in the 21st Century
  • Chapter 11: Bernardine Evaristo’s Lara (1997): Transculturality in England: Oyinbo, Whitey, Morena, Nig Nog, Nigra!
• PART V. AFRICA
  • Chapter 12: Monique Ilboudo’s Le Mal de peau (2001): Colonization and Forced Hybridity
  • Chapter 13: Bessie Head’s A Woman Alone: Autobiographical Writings (1990): White-on-Black and Black-on-Black Racial Oppression in Southern Africa
  • Chapter 14: Abdoulaye Sadji’s Nini, Mulâtresse du Sénégal (1947): “Toubab La!”
• Conclusion
• Works Cited
• Primary Sources
• Critical Sources
• Index

Read a preview  here.

The Libertine Colony: Creolization in the Early French Caribbean

Duke University Press
May 2005
408 pages
19 b&w photographs
Cloth ISBN: 0-8223-3453-4, ISBN13 978-0-8223-3453-8
Paperback ISBN: 0-8223-3465-8, ISBN13 978-0-8223-3465-1

Doris Garraway, Associate Professor of French
Northwestern University

Presenting incisive original readings of French writing about the Caribbean from the inception of colonization in the 1640s until the onset of the Haitian Revolution in the 1790s, Doris Garraway sheds new light on a significant chapter in French colonial history. At the same time, she makes a pathbreaking contribution to the study of the cultural contact, creolization, and social transformation that resulted in one of the most profitable yet brutal slave societies in history. Garraway’s readings highlight how French colonial writers characterized the Caribbean as a space of spiritual, social, and moral depravity. While tracing this critique in colonial accounts of Island Carib cultures, piracy, spirit beliefs, slavery, miscegenation, and incest, Garraway develops a theory of “the libertine colony.” She argues that desire and sexuality were fundamental to practices of domination, laws of exclusion, and constructions of race in the slave societies of the colonial French Caribbean.

Among the texts Garraway analyzes are missionary histories by Jean-Baptiste Du Tertre, Raymond Breton, and Jean-Baptiste Labat; narratives of adventure and transgression written by pirates and others outside the official civil and religious power structures; travel accounts; treatises on slavery and colonial administration in Saint-Domingue; the first colonial novel written in French; and the earliest linguistic description of the native Carib language. Garraway also analyzes legislation—including the Code noir—that codified slavery and other racialized power relations. The Libertine Colony is both a rich cultural history of creolization as revealed in Francophone colonial literature and an important contribution to theoretical arguments about how literary critics and historians should approach colonial discourse and cultural representations of slave societies.

Table of Contents

• Illustrations
• Preface
• Introduction: Creolizaton in the Old Regime Chapter One: Border of Violence, Border fo Desire: The French and the Island Caribs
• Chapter Two: Domestication and the White Noble Savage
• Chapter Three: Creolization and the Spirit World: Demons, Violence, and the Body
• Chapter Four: The Libertine Colony: Desire, Miscegenation, and the Law
• Chapter Five: Race, Reproduction, and Family Romance in Saint-Domingue
• Conclusion
• Notes
• Works Cited
• Index

Legalizing Identities: Becoming Black or Indian in Brazil’s Northeast

University of North Carolina Press
June 2009
272 pages
6.125 x 9.25, 18 illus., 2 maps, notes, bibl., index
Cloth ISBN  978-0-8078-3292-9
Paper ISBN  978-0-8078-5951-3

Jan Hoffman French, Assistant Professor of Anthropology
University of Richmond

Anthropologists widely agree that identities—even ethnic and racial ones—are socially constructed. Less understood are the processes by which social identities are conceived and developed. Legalizing Identities shows how law can successfully serve as the impetus for the transformation of cultural practices and collective identity. Through ethnographic, historical, and legal analysis of successful claims to land by two neighboring black communities in the backlands of northeastern Brazil, Jan Hoffman French demonstrates how these two communities have come to distinguish themselves from each other while revising and retelling their histories and present-day stories.

French argues that the invocation of laws by these related communities led to the emergence of two different identities: one indigenous (Xocó Indian) and the other quilombo (descendants of a fugitive African slave community). With the help of the Catholic Church, government officials, lawyers, anthropologists, and activists, each community won government recognition and land rights, and displaced elite landowners. This was accomplished even though anthropologists called upon to assess the validity of their claims recognized that their identities were “constructed.” The positive outcome of their claims demonstrates that authenticity is not a prerequisite for identity. French draws from this insight a more sweeping conclusion that, far from being evidence of inauthenticity, processes of construction form the basis of all identities and may have important consequences for social justice.

Is Parental Love Colorblind? Allocation of Resources within Mixed-Race Families (Preliminary Version)

Prepared for the Labor and Population Workshop,
Department of Economics, Yale University
May, 2007
53 pages

Marcos A. Rangel, Assistant Professor
Harris School of Public Policy Studies
University of Chicago

Recent studies have shown that differences in wage-determinant skills between blacks and whites are likely to emerge during a child’s infancy. These findings highlight the role of parental investment decisions and suggest that differences in labor income tend to persist across generations, either because minority parents are limited in their choices, or because they have relatively negative expectations regarding the rewards attached to investments in skills. Exploring the genetics of skin-color determination and the widespread incidence of mixed-race families in Brazil, I present evidence that, controlling for observed and unobserved parental characteristics, light-skinned children are more likely to receive investments in formal education than their dark-skinned siblings. Even though not denying the importance of borrowing constraints (or other ancestry effects), this suggests that parental expectations regarding differences in the return to human capital investments may play an independent role on the persistence of earnings differentials.

Read the entire working paper here or here.

Africans and Native Americans: The Language of Race and the Evolution of Red-Black Peoples (Second Edition)

University of Illinois Press
1993
Paper: 978-0-252-06321-3
352 pages

Jack D. Forbes, Professor Emeritus. Native American Studies and Anthropology
University of California, Davis

This volume will revise the way we look at the modern populations of Latin America and North America by providing a totally new view of the history of Native American and African American peoples throughout the hemisphere. Africans and Native Americans explores key issues relating to the evolution of racial terminology and European colonialists’ perceptions of color, analyzing the development of color classification systems and the specific evolution of key terms such as black, mulatto, and mestizo, which no longer carry their original meanings. Jack Forbes presents strong evidence that Native American and African contacts began in Europe, Africa, and the Caribbean and that Native Americans may have crossed the Atlantic long before Columbus.