Mixed Race Studies

Revolutionizing Romance: Interracial Couples in Contemporary Cuba

Rutgers University Press
2010-03-01
232 pages
3 illustrations. 2 tables and 1 map
Paper ISBN: 978-0-8135-4723-7
Cloth ISBN: 978-0-8135-4722-0
eBook ISBN: 978-0-8135-4923-1

Nadine T. Fernandez, Associate Professor of Social Sciences
State University of New York, Empire State College

Scholars have long heralded mestizaje, or race mixing, as the essence of the Cuban nation. Revolutionizing Romance is an account of the continuing significance of race in Cuba as it is experienced in interracial relationships. This ethnography tracks young couples as they move in a world fraught with shifting connections of class, race, and culture that are reflected in space, racialized language, and media representations of blackness, whiteness, and mixedness. As one of the few scholars to conduct long-term anthropological fieldwork in the island nation, Nadine T. Fernandez offers a rare insider’s view of the country’s transformations during the post-Soviet era. Following a comprehensive history of racial formations up through Castro’s rule, the book then delves into more intimate and contemporary spaces. Language, space and place, foreign tourism, and the realm of the family each reveal, through the author’s deft analysis, the paradox of living a racialized life in a nation that celebrates a policy of colorblind equality.

Table of Contents

• Introduction
• 1. Interracial Couples from Colony to Revolution
• 2. Socialist Equality and the Color-Blind Revolution
• 3. Mapping Interracial Couples: Race and Space in Havana
• 4. The Everyday Presence of Race
• 5. Blackness, Whiteness, Class, and the Emergent Economy
• 6. Interracial Couples and Racism at Home
• Epilogue

We Are a People: Narrative and Multiplicity in Constructing Ethnic Identity

Temple University Press
January 2000
304 pages
7×10
5 tables 5 figures
Paper EAN: 978-1-56639-723-0; ISBN: 1-56639-723-5

edited by Paul Spickard, Professor of History
University of California, Santa Barbara

and W. Jeffrey Burroughs, Dean of Math and Sciences and Professor of Psychology
Brigham Young University, Hawaii

As the twentieth century closes, ethnicity stands out as a powerful force for binding people together in a sense of shared origins and worldview. But this emphasis on a people’s uniqueness can also develop into a distorted rationale for insularity, inter-ethnic animosity, or, as we have seen in this century, armed conflict. Ethnic identity clearly holds very real consequences for individuals and peoples, yet there is not much agreement on what exactly it is or how it is formed.

The growing recognition that ethnicity is not fixed and inherent, but elastic and constructed, fuels the essays in this collection. Regarding identity as a dynamic, on-going, formative and transformative process, We Are a People considers narrative—the creation and maintenance of a common story—as the keystone in building a sense of peoplehood. Myths of origin, triumph over adversity, migration, and so forth, chart a group’s history, while continual additions to the larger narrative stress moving into the future as a people.

Still, there is more to our stories as individuals and groups. Most of us are aware that we take on different roles and project different aspects of ourselves depending on the situation. Some individuals who have inherited multiple group affiliations from their families view themselves not as this or that but all at once. So too with ethnic groups. The so-called hyphenated Americans are not the only people in the world to recognize or embrace their plurality. This relatively recent acknowledgment of multiplicity has potentially wide implications, destabilizing the limited (and limiting) categories inscribed in, for example, public policy and discourse on race relations.

We Are a People is a path-breaking volume, boldly illustrating how ethnic identity works in the real world.

Table of Contents

Acknowledgments
1. We are a People – Paul Spickard and W. Jeffrey Burroughs

Part I: The Indeterminacy of Ethnic Categories: The Problem and A Solution
2. Multiple Ethnicities and Identity Choices in the United States – Mary C. Waters
3. That’s the Story of Our Life – Stephen Cornell

Part II: Construction of Ethnic Narratives: Migrant Ethnicities
4. Black Immigrants in the United States – Violet M. Johnson
5. The Children of Samoan Migrants in New Zealand – Cluny Macpherson and La’avasa Macpherson

Part III: Ethnicities of Dominated Indigenous Peoples
6. Narrating to the Center of Power in the Marshall Islands – Phillip H. McArthur
7. Discovered Identities and American-Indian Supratribalism – Stephen Cornell
8. Racialist Responses to Black Athletic Achievement – Patrick B. Miller
9. I’m Not a Chileno! Rapa Nui Identity – Max E. Stanton and Andrés Edmunds P.

Part IV: Emerging Multiethnic Narratives
10. Multiracial Identity in Brazil and the U.S. – G. Reginald Daniel
11. Mixed Laughter – Darby Li Po Price
12. Punjabi Mexican American Experiences of Multiethnicity –  Darby Li Po Price

Part V: Theoretical Reflections
13. Rethinking Racial Identity Development – Maria P. P. Root
14. The Continuing Significance of Race – Lori Pierce
15. What Are the Functions of Ethnic Identity? – Cookie White Stephan and Walter G. Stephan
16. Ethnicity, Multiplicity, and Narrative – W. Jeffrey Burroughs and Paul Spickard

Read an excerpt of chapter 1 here.

Manuel Zapata Olivella and the “Darkening” of Latin American Literature

University of Missouri Press
2005
168 pages
6 x 9
index, bibliography
ISBN 978-0-8262-1578-9

Antonio D. Tillis, Associate Professor of African and African American Studies
Dartmouth University

Manuel Zapata Olivella and the “Darkening” of Latin American Literature is an examination of the fictional work of one of Latin America’s most prolific, yet overlooked, writers. Born in Colombia to parents of mixed ancestry, Zapata Olivella [English translation by Google here] uses his novels to explore the plight of the downtrodden in his nation and by extension the experience of blacks in other parts of the Americas. Author Antonio D. Tillis offers a critical examination of Zapata Olivella’s major works of fiction from the 1940s to the present, including Tierra mojada (1947); Pasión vagabunda (1949); He visto la noche (1953); La Calle 10 (1960); En Chimá nace un santo (1963); Las claves mágicas de América (1989); and Hemingway, el cazador de la muerte (1993).

Tillis focuses on the development of the “black aesthetic” in Zapata Olivella’s stories, in which the circumstances of the people of African heritage are centered in the narrative discourse. Tillis also traces Zapata Olivella’s novelistic effort to incorporate the Africa-descended subject into the literature of Latin America. A critical look at the placement of Afro–Latin American protagonists reveals the sociopolitical and historical challenges of citizenship and community. In addition, this study explores tenets of postcolonial and postmodern thought such as place, displacement, marginalization, historiographic metafiction, and chronological disjuncture in relation to Zapata Olivella’s fiction. Tillis concludes that the novelistic trajectory of this Afro-Colombian writer is one that brings into literary history an often overlooked subject: the disenfranchised citizen of African ancestry.

 By expanding and updating the current scholarship on Zapata Olivella, Tillis leads us to new contexts for and interpretations of this author’s work. This analysis will be welcomed by readers who are just beginning to discover the writings of Zapata Olivella, and its new approach to those writings will be appreciated by scholars who are already familiar with his works.

Dangerous crossroads: Mestizaje in the U.S. Latino/a imaginary

Rice University
December 2007
197 pages
Publication ID: 3309864

John L. Escobedo, Assistant Professor of English
University of Colorado, Boulder

A thesis submitted in partial fulfillment of the requirement for the degree Doctor of Philosophy

My dissertation interrogates mestizaje and nationalism to rethink academic tendencies that construct resistant methodologies and singular national representations of hybrid theories and racial identities. To ground this argument, chapters one and two analyze how nationalism compromises current theoretical and feminist uses of mestizaje. The introductory chapter traces the influence of Latin American cultural theorists such as José Vasconcelos (1925) and Fernando Ortiz (1940) on contemporary U.S. Latino/a cultural critics. I argue that by selectively borrowing theoretical elements from Ortiz and Vasconcelos, U.S. Latino/a scholars unintentionally consolidate divergent Latino/a histories as well as ignore issues of nation building, class differences, and racial tensions to promote a unitary discourse of subversive mestizaje. Likewise, my analysis of Jovita González’s novel Caballero (1930) reveals how González’s feminist tactics counteract Mexico’s patriarchal oppression of women by going against traditional feminist themes esteemed in Chicano/a Studies. For González, nationalist tropes of indigenous curanderismo (spirituality) and magical realism insufficiently respond to the needs of oppressed Mexican American women.

The final two chapters evaluate the ramifications of constructing unitary racial identities of whiteness and blackness. My final investigation uncovers the existence of ethnicities within North American racial categorizations of whiteness and blackness that provide new insights to mestizaje’s disruption of ordered classifications of race in the United States. Chapter three argues that the southeastern European immigrant experience of racial inclusion and exclusion from Anglo Saxon whiteness allowed María Amparo Ruiz de Burton to play off of new conceptions of whiteness in an evolving imaginary of white U.S. mestizaje to write her novels The Squatter and the Don (1885) and Who Would Have Thought It? (1872). Chapter four examines the rise of the New Negro Movement during the Harlem Renaissance as a cultural event that required the erasure of individuals in the black community who did not mirror the collective identity of African Americans. This chapter specifically studies Puerto Rican archivist Arthur A. Schomburg as a figure who broadened the conception of the New Negro to recognize the intellectual participation and contribution of Afro Caribbeans to the Harlem Renaissance.

Read the entire dissertation here.

Queering Mestizaje: Transculturation and Performance

University of Michigan Press
2006
256 pages
6 x 9. 29 illustrations
Cloth ISBN: 978-0-472-09955-9
Paper ISBN: 978-0-472-06955-2

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

• Winner of the Outstanding Book Award for 2008 from the Association for Theatre in Higher Education (ATHE)
• Co-winner of the 2007 Modern Language Association Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies

Rethinking mestizaje and how it functions as an epistemology of colonialism in diverse sites from Aztlán to Manila, and across a range of cultural materials

Queering Mestizaje employs theories of postcolonial cultural studies (including performance studies, queer and feminist theory) to examine the notion of mestizaje—the mixing of races, and specifically indigenous peoples, with European colonizers—and how this phenomenon manifests itself in three geographically diverse spaces: the United States, Latin America, and the Philippines. Alicia Arrizón argues that, as an imaginary site for racialized, gendered, and sexualized identities, mestizaje raises questions about historical transformation and cultural memory across Spanish postcolonial sites.

Arrizón offers new, queer readings of the hybrid, the intercultural body, and the hyphenated self, building on the work of Gloria Anzaldúa, Antonio Benitez-Rojo, Walter Mignolo, and Vera Kutzinski, while challenging accepted discourses about the relationship between colonizer and colonized. Queering Mestizaje is unique in the connections it makes between the Spanish colonial legacy in the Philippines and in the Americas. An engagingly eclectic array of cultural materials—including examples from performance art, colonial literature, visual art, fashion, and consumer products—are discussed, and included in the book’s twenty-nine illustrations.

Race-ing Performativity through Transculturation, Taste and the Mulata Body

Theatre Research International
Volume 27, Number 2 (2002)
pages 136-152
DOI: 10.1017/S0307883302000226

Alicia Arrizón, Professor of Women’s Studies
University of California, Riverside

A Cuban cocktail called mulata inspires an examination of the mulata body. Beyond an analysis of the cocktail as a commercial commodity, the mulata body can be placed within an intercultural space shaped by the processes of colonization, slavery and race relations. By examining the grammars in the mulata cocktail, the discussion moves the subject through other texts and discourses in order to mediate the mulata’s embodied genealogy as a form of transculturation. As a hybrid body that inhabits a ‘racialized’ performativity, the mulata’s subaltern agency is imagined beyond the exoticism charged to its presence in the Latin American and Caribbean contexts. A closer look at the mulata body helps to trace not only the process of objecthood affected by masculinist power and desire, but also by the way the process of subjecthood is performatively achieved.

Read or purchase the article here.

Making Ethnic Choices: California’s Punjabi Mexican Americans

Temple University Press
May 1992
352 page
6×9
Paper EAN: 978-1-56639-202-0, ISBN: 1-56639-202-0
Cloth EAN: 978-0-87722-890-5, ISBN: 0-87722-890-6
Electronic Book: EAN: 978-1-43990-364-3

Karen Isaksen Leonard, Professor of Anthropology
University of California, Irvine

This is a study of the flexibility of ethnic identity. In the early twentieth century, men from India’s Punjab province came to California to work on the land. The new immigrants had few chances to marry. There were very few marriageable Indian women, and miscegenation laws and racial prejudice limited their ability to find white Americans. Discovering an unexpected compatibility, Punjabis married women of Mexican descent and these alliances inspired others as the men introduced their bachelor friends to the sisters and friends of their wives. These biethnic families developed an identity as “Hindus” but also as Americans. Karen Leonard has related theories linking state policies and ethnicity to those applied at the level of marriage and family life. Using written sources and numerous interviews, she invokes gender, generation, class, religion, language, and the dramatic political changes of the 1940s in South Asia and the United States to show how individual and group perceptions of ethnic identity have changed among Punjabi Mexican Americans in rural California.

Read chapter 1 here.

Table of Contents

• Preface
• Part I: Introduction
  • 1. Exploring Ethnicity
• Part II: The World of the Pioneers
  • 2. Contexts: California and the Punjab
  • 3. Early Days in the Imperial Valley
  • 4. Marriages and Children
  • 5. Male and Female Networks
  • 6. Conflict and Love in the Marriages
• Part III: The Construction of Ethnic Identity
  • 7. Childhood in Rural California
  • 8. The Second Generation Comes of Age
  • 9. Political Change and Ethnic Identity
  • 10. Encounters with the Other
  • 11. Contending Voices
• Appendixes
• Notes
• Bibliography
• Index

The Punjabi Mexican American community, the majority of which is localized to Yuba City, California is a distinctive cultural phenomenon holding its roots in a migration pattern that occurred almost a century prior. The first meeting of these cultures occurred in the Imperial Valley in 1907, near the largest irrigation system in the Western hemisphere…

Wikipedia

Equivocal subjects: The representation of mixed-race identity in Italian film

University of California, Irvine
2007
226 pages
AAT 3296258
ISBN: 9780549410775

Shelleen Maisha Greene, Assistant Professor of Conceptual Studies
University of Wisconsin, Milwaukee

My dissertation seeks to establish a critical framework for the analysis of mixed-race subjects in Italian film. Within the Italian context, mixed-race subjects emerged out of the colonial conditions stemming from the nation’s occupation and settlement of its east African colonies beginning in the nineteenth century. However, racial mixture has also served as a metaphor for the internal division of Italy between North and South, a historical formation that arguably allows for the development of analytics, such as the “Southern Question,” by which to essentialize a racially heterogeneous population. Through an examination of four historically contextualized films, I examine the presentation of mixed-race subjects in Cabiria (1914), Sotto la croce del sud (1938), Il Mulatto (1949/1951), and Il fiore delle mille e una notte (1974). I argue that the mixed-race subject is a constitutive element of the Italian cinema, a figure that serves as a nodal point for the intersection of conceptions of race and the nation.

Purchase the disseration here.

Classes You May Have Missed: On Modern Brazilian Literature

Pitt Magazine
January, 1995

Bobby J. Chamberlain, Associate Professor of Brazilian Culture and Literature
University of Pittsburgh

Brazilian culture has always been considered a fusion of three different races: the Europeans (specifically Portuguese), the Indians, and the Africans who were taken to Brazil as slaves. But it is wrong to see this culture as some kind of happy hybridization: There is always a hierarchy in this type of fusion. A much larger percentage of whites, descendants of the Europeans, are in the upper classes, and the great majority of blacks and mulattos, those of mixed race, are in the lower classes. Brazilian literature itself began, as did Spanish-American literature, as a specifically European phenomenon in the New World, with a certain inferiority complex that Brazilians, even those of European descent, were not as good as the Europeans in Europe. I’d like to discuss how several writers dealt with the problem of adapting influences from Europe and the United States to a Brazilian literature.

Joaquim Maria Machado de Assis, who wrote at the end of the nineteenth century and the beginning of this one, is often considered the greatest figure in Brazilian literature. He was a mulatto who rose from the lower classes to become the first president of the Brazilian Academy of Letters. The narrators of his novels, middle-class Brazilians, often distort what they tell you to serve their own ends. You start off believing them, but their interpretations of social signs and gestures become strained and paranoid. For instance, in Dom Casmurro (1900), Bento Santiago tells of his childhood with Capitu, whom he later marries and then spurns, accusing her of adultery. From the beginning, he portrays her as a crafty manipulator and himself as her victim, but the evidence of her adultery is flimsy, and Santiago’s coldness to her seems to spring solely from his own neurosis and cruelty…

Read the entire article here.