Mixed Race Studies

LATC-GA 2145 – Semester in Latin America: Brazilian Racial Democracy

New York University
Spring 2012

Sarah Sarzynski, Assistant Professor/Faculty Fellow of Latin American and Caribbean Studies

Racial democracy, or the myth of racial democracy, has been a dominant national narrative in Brazil throughout the twentieth century. Gilberto Freyre’s The Masters and the Slaves (1933) is often associated as the first articulation of “racial democracy.” Freyre argues that the benevolent nature of Brazilian slavery allowed for a racial democracy—that is, a society not based on racial divisions—to emerge through miscegenation. From the start, the national narrative of racial democracy drew comparisons between the Brazilian “racial paradise” and the segregated United States. The well-developed historiography on Brazilian racial democracy refutes Freyre’s arguments about the benevolent nature of Brazilian slavery and demonstrates how the narrative of racial democracy masks discrimination and racial inequality in Brazil. Yet, ideas attached to racial democracy have a remarkable persistence in Brazil even today, hindering the implementation of affirmative action policies and the recognition of indigenous peoples as national citizens.

The first part of this course focuses on contextualizing the development of racial democracy as a Brazilian national narrative. We examine the dominant racial ideologies and practices that preceded the idea of Brazil as a racial democracy during the Old Republic (1889-1930). Then, we turn to evaluating Freyre’s seminal work The Masters and the Slaves and how it turned into a political project of the Vargas Era (1930-45). We also analyze the challenges to racial democracy during this period by reading about black social movements and intellectuals, and resistance to national indigenous policies. Course readings include theoretical texts on democracy to position various meanings of racial democracy. The second part of the course traces developments and challenges to Brazilian racial democracy from 1945-1985. Themes include how racial democracy intersects with gender/ sexuality, modernization policies, groups excluded from the national mixed-race type, authoritarian rule, and mass culture/popular culture. The final section of the course shifts to contemporary issues of affirmative action and other racially based policies and resistance in popular culture. We focus on the persistence of notions attached to racial democracy and question how the national narrative has changed over time.

The course draws from interdisciplinary texts and sources including scholarly analyses in literary criticism, history and anthropology; archival documents such as Brazilian and US newspapers; film and popular culture; and, novels. Portuguese is not required.

Fifty years after Frantz Fanon: beyond diversity

Advances in Psychiatric Treatment
Volume 18, Number 1 (January 2012)
pages 25-31
DOI: 10.1192/apt.bp.110.008847

Adedapo Sikuade

Frantz Fanon (1925–1961), a West Indian of mixed race, was a French colonial psychiatrist trained in Lyon, France, who worked mainly in colonial North Africa between 1953 and 1957. He was one of the earliest psychiatrists to suggest that the lived experience of ethnic minorities within a discriminatory colonial environment could trigger mental illness. This article focuses on Fanon’s work and contributions to psychiatry, as well as his philosophy, advocacy for social inclusion and pioneering work in culturally relevant rehabilitation. It also examines what lessons could be learnt from his life’s work as a psychiatrist and traces his influence on a generation of psychiatric researchers, suggesting how his contribution may have influenced critical thought and current views.

Read or purchaes the article here.

Comparison between two race/skin color classifications in relation to health-related outcomes in Brazil

International Journal for Equity in Health
Volume 10, Number 1, (2011-08-25)
pages 35-42
DOI: 10.1186/1475-9276-10-35

Claudia Travassos
Instituto de Comunicação e Informação Científica e Tecnológica em Saúde (ICICT/FIOCRUZ), Avenida Brasil

Josué Laguardia
Instituto de Comunicação e Informação Científica e Tecnológica em Saúde (ICICT/FIOCRUZ), Avenida Brasil

Priscilla M. Marques
Instituto de Comunicação e Informação Científica e Tecnológica em Saúde (ICICT/FIOCRUZ), Avenida Brasil

Jurema C. Mota
Escola Nacional de Saúde Pública Sérgio Arouca (ENSP/FIOCRUZ), Rio de Janeiro, Brasil

Celia L. Szwarcwald
Instituto de Comunicação e Informação Científica e Tecnológica em Saúde (ICICT/FIOCRUZ), Avenida Brasil

Background 

This paper aims to compare the classification of race/skin color based on the discrete categories used by the Demographic Census of the Brazilian Institute of Geography and Statistics (IBGE) and a skin color scale with values ranging from 1 (lighter skin) to 10 (darker skin), examining whether choosing one alternative or the other can influence measures of self-evaluation of health status, health care service utilization and discrimination in the health services.

Methods 

This is a cross-sectional study based on data from the World Health Survey carried out in Brazil in 2003 with a sample of 5000 individuals older than 18 years. Similarities between the two classifications were evaluated by means of correspondence analysis. The effect of the two classifications on health outcomes was tested through logistic regression models for each sex, using age, educational level and ownership of consumer goods as covariables.

Results 

Both measures of race/skin color represent the same race/skin color construct. The results show a tendency among Brazilians to classify their skin color in shades closer to the center of the color gradient. Women tend to classify their race/skin color as a little lighter than men in the skin color scale, an effect not observed when IBGE categories are used. With regard to health and health care utilization, race/skin color was not relevant in explaining any of them, regardless of the race/skin color classification. Lack of money and social class were the most prevalent reasons for discrimination in healthcare reported in the survey, suggesting that in Brazil the discussion about discrimination in the health care must not be restricted to racial discrimination and should also consider class-based discrimination. The study shows that the differences of the two classifications of race/skin color are small. However, the interval scale measure appeared to increase the freedom of choice of the respondent.

Introduction

During the 20th century in Brazil, the discussion on race-related issues – either social, economic, educational and/or political ones – was restricted to certain fields of study, such as sociology and social anthropology. More recently, the debate has spread towards public health, and various studies in this area deal with race as a determining factor for health inequity. Such studies include race and/or skin color as one of their variables, but the complexity surrounding racial classification influences and, therefore, hampers the analysis of race as a variable, especially when it is considered as a social construct instead of a biogenetic entity.

The significance of phenotypic distinctions in racial classifications is related to the importance given to race as a basis for the social differentiation and stratification. Besides, in racialized social systems the placement of people in racial categories involves some form of hierarchy that produces definite social relations between races.

Opposed to the North-American bipolarity, Brazilians identify their skin color in a multiple mode, which is less categorical and more contextual. It is the product of a complex equation involving physical traits, socio-economic origin and region of residence that may result in a set of categories spread through a light-dark continuum. As shown by Sansone, Brazilian skin color terminology varies according to strategies individuals use to manage racial relations in several contexts (work, family, leisure, friendships) and also according to their age, education, and income.

The official classification of race/skin color in Brazil is composed by five categories—White [Branco], Brown [Pardo], Black [Preto], Yellow and Indigenous. Despite the controversies, some scholars have argued in favor of this classification: it refers to an objective, precise, “demographic” characteristic more suitable for census purposes than other measures that they consider more related to color identity. However, the way Brazilians identify their race/skin color may fit better in a classification spread through a light-dark continuum…

Read the entire article here.

Colonial Blackness: A History of Afro-Mexico

Indiana University Press
2009
248 pages
6.125 x 9.25
Paperback ISBN: 978-0-253-22331-9

Herman L. Bennett, Professor of Latin American History
City Univerisity of New York

Asking readers to imagine a history of Mexico narrated through the experiences of Africans and their descendants, this book offers a radical reconfiguration of Latin American history. Using ecclesiastical and inquisitorial records, Herman L. Bennett frames the history of Mexico around the private lives and liberty that Catholicism engendered among enslaved Africans and free blacks, who became majority populations soon after the Spanish conquest. The resulting history of 17th-century Mexico brings forth tantalizing personal and family dramas, body politics, and stories of lost virtue and sullen honor. By focusing on these phenomena among peoples of African descent, rather than the conventional history of Mexico with the narrative of slavery to freedom figured in, Colonial Blackness presents the colonial drama in all its untidy detail.

Racial Politics in Contemporary Brazil

Duke University Press
1999
232 pages
9 tables
Paperback ISBN: 978-0-8223-2272-6
Cloth ISBN: 978-0-8223-2252-8

Edited by

Michael Hanchard, Professor of Political Science and African American Studies
Johns Hopkins University, Baltimore, Maryland

Bringing together U.S. and Brazilian scholars, as well as Afro-Brazilian political activists, Racial Politics in Contemporary Brazil represents a significant advance in understanding the complexities of racial difference in contemporary Brazilian society. While previous scholarship on this subject has been largely confined to quantitative and statistical research, editor Michael Hanchard presents a qualitative perspective from a variety of disciplines, including history, sociology, political science, and cultural theory.

The contributors to Racial Politics in Contemporary Brazil examine such topics as the legacy of slavery and its abolition, the historical impact of social movements, race-related violence, and the role of Afro-Brazilian activists in negotiating the cultural politics surrounding the issue of Brazilian national identity. These essays also provide comparisons of racial discrimination in the United States and Brazil, as well as an analysis of residential segregation in urban centers and its affect on the mobilization of blacks and browns. With a focus on racialized constructions of class and gender and sexuality, Racial Politics in Contemporary Brazil reorients the direction of Brazilian studies, providing new insights into Brazilian culture, politics, and race relations.

This volume will be of importance to a wide cross section of scholars engaged with Brazil in particular, and Latin American studies in general. It will also appeal to those invested in the larger issues of political and social movements centered on the issue of race.

Table of Contents

• Introduction / Michael Hanchard
• Free African Brazilians and the State in Slavery Times / Richard Graham
• Black Cinderella? Race and the Public Sphere in Brazil / Michael Hanchard
• Ethnic Boundaries and Political Mobilization among African Brazilians: Comparisons with the U.S. Case / Edward E. Telles
• Racial Democracy and Racial Identity: Comparing the United States and Brazil / Howard Winant
• Miguel Reale and the Impact of Conservative Modernization on Brazilian Race Relations / Michael Mitchell
• Women and Racial Inequality at Work in Brazil / Peggy A. Lovell
• Notes on Racial and Political Inequality in Brazil / Carlos Hasenbalg and Nelson do Valle Silva
• The Black Movement and Political Parties: A Challenging Alliance / Benedita da Silva
• My Conscience, My Struggle / Thereza Santos
• Blacks and Political Power / Ivanir dos Santos
• Contributors
• Index

Trans-American Modernisms: Racial Passing, Travel Writing, and Cultural Fantasies of Latin America

University of Southern California
August 2009
311 pages

Ruth Blandón

Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (ENGLISH)

In my historical examination of the literary works of Nella Larsen, William Carlos Williams, Langston Hughes, James Weldon Johnson, Jessie Redmon Fauset, and Carl Van Vechten, I investigate U.S. modernists’ interest in Latin America and their attempts to establish trans-American connections. As they engage with and write about countries such as Brazil, Puerto Rico, the Dominican Republic, Cuba, Costa Rica, and Venezuela as utopian spaces, these writers often tend to relegate Latin America to the status of a useful trope, one that allows them to negotiate a variety of identitarian and sexual anxieties.

The domestic political landscape that informs the desire for migration to the Latin Americas—whether real or fantastical—in the early twentieth century leads to Johnson’s depiction of the savvy and ambitious titular character in his first and only novel, Autobiography of an Ex-Coloured Man, to Van Vechten’s, Larsen’s, and Fauset’s fantastical Brazil in their respective Nigger Heaven, Passing, and Plum Bun. Hughes’s translation of Cuban poet Nicolás Guillén’s poetry illustrates his straddling of national and color lines through the translation of language. These writers react to Jim Crow laws, one-drop rules, and color lines in their connections to and fantasies of the Latin Americas. What then of writers who make similar trans-American connections and constructions, but who write from a space of relative privilege, however resistant they are to that privilege? Consider William Carlos Williams, who negotiates the pressures of assimilation in the United States as he attempts to assert his Afro Puerto Rican and Anglo Dominican heritages. Although Williams is commonly recalled as an “all-American” poet, his works betray his constant attempts to harness three perpetually shifting and overlapping identities: that of a son of immigrants, of a first generation “American,” and of a son of the Americas.

The trans-American connections I reveal span the fantastical to the truly cross-cultural. In placing United States modernism and the Harlem Renaissance within a larger hemispheric context, I shift our sense of U.S. modernism in general, but also of the Harlem Renaissance’s place within U.S. modernism in particular.

Table of Contents

• Dedication
• Acknowledgments
• List of Figures
• Abstract
• Introduction
• Chapter One:
  • Reading, Misreading, and Language Passing in James Weldon Johnson’s The Autobiography of an Ex-Coloured Man and Along This Way
  • Blackness under the law
  • James Weldon Johnson’s Along This Way
  • The Autobiography of an Ex-Coloured Man
  • Conclusion
• Chapter Two:
  • Brazilian Schemes and Utopian Dreams in Nella Larsen’s Passing, Jessie Redmon Fauset’s Plum Bun, and Carl Van Vechten’s Nigger Heaven
  • Historical Context
  • From Liberia to Brazil—A Change of Venue
  • Carl Van Vechten’s Nigger Heaven
  • Jessie Fauset’s Plum Bun, “Home,” and Brazil
  • Larsen’s Passing and Brazil as Utopia/Dystopia
  • Conclusion: Utopia vs. Brazilian Reality
• Chapter Three:
  • All-American Me: William Carlos Williams’s Construction and Deconstruction of the Self
  • Cultural Context—Casta and Passing
  • Blurring Cultural Boundaries: “Only the whites of my eyes were affected.”
  • The Specter of Blackness: “I had visions of being lynched…”
  • In The American Grain: “I am—the brutal thing itself.”
  • Translation: “El que no a vista Sevilla, […] no a vista maravilla!”
  • Conclusion: “I’ll keep my way in spite of all.”
• Chapter Four:
  • “Look Homeward Angel Now”: Travel, Translation, and Langston Hughes’s Quest for Home
  • Langston Hughes in Mexico and Cuba—1907-1948: Mexico
  • Cuba
  • Langston Hughes and Nicolás Guillén in Spain
  • Translation, Analogy, and the “I”
  • Of Poetry, Jazz, Son, and Rumba
  • The Translations
  • Conclusion: Translating, Travel, and “Home”
• Bibliography

List of Figures

• Figure 1: James Weldon Johnson, photographed by Carl Van Vechten in 1932.
• Figure 2: “Les Demoiselles d’Avignon.” Pablo Picasso, 1907.
• Figure 3: “Noire et Blanche.” Man Ray, 1926.
• Figure 4: “Blues.” Archibald Motley, 1929.
• Figure 5: “An Idyll of the Deep South.” Aaron Douglas, 1934.
• Figure 6: Bessie Smith, photographed by Carl Van Vechten, 1936.
• Figure 7: Billie Holiday, photographed by Carl Van Vechten, 1949.
• Figure 8: The Williams Family
• Figure 9: “De Español y Mulata; Morisca.” [“From Spaniard and Mulatto, Morisca.”] Miguel Cabrera, 1763.
• Figure 10: “De Mestizo y d India; Coyote.”[“From Mestizo and Indian, Coyote.”] Miguel Cabrera, 1763.
• Figure 11: William Carlos Williams, circa 1903.
• Figure 12: Elena Hoheb Williams
• Figure 13: Langston Hughes
• Figure 14: Diego Rivera with Frida Kahlo, photographed by Carl Van Vechten, 1932.
• Figure 15: Nicolás Guillén

Read the entire dissertation here.

Escaping to Destinations South: The Underground Railroad, Cultural Identity, and Freedom Along the Southern Borderlands

National Park Service
Network to Freedom
2012-06-20 through 2012-06-24
St. Augustine, Florida

The Network to Freedom has joined with local partners to present an annual UGRR [Underground Railroad] conference beginning in 2007. These conferences bring together a mix of grass roots researchers, community advocates, site stewards, government officials, and scholars to explore the history of the Underground Railroad. Rotated to different parts of the country, the conferences highlight the unique history of various regions along with new research.

The 2012 Conference theme is the resistance to slavery through escape and flight to and from the South, including through international flight, from the 16th century to the end of the Civil War. Traditional views of the Underground Railroad focus on Northern destinations of freedom seekers, with symbols such as the North Star, Canada, and the Ohio River (the River Jordan) constructed as the primary beacons of freedom. This conception reduces the complexity of the Underground Railroad by ignoring the many freedom seekers that sought to obtain their freedom in southern destinations.

Likewise, borders and the movement across them by southern freedom seekers are also very crucial to our understanding of the complexities of the Underground Railroad. Freedom seekers often sought out political and geographical borderlands, as crossing these locations usually represented the divide between slavery and freedom. To this end, the conference will explore how southern freedom seekers seized opportunities to escape slavery into Spanish Florida and the Seminole Nation, to the Caribbean Islands, and into the western borderlands of Indian Territory, Texas, and Mexico.

Escape from enslavement was not just about physical freedom, but also about the search for cultural autonomy. The conference will explore the transformation and creation of new cultural identities among southern freedom seekers that occurred as a result of their journeys to freedom, such as the dispersal of Gullah Geechee culture and the formation of Black Seminole cultural identity.

The 2012 Conference will include participation by independent and academic scholars at all levels, educators, community activists, public historians and preservationists, and multi-media and performance artists. The conference seeks to create a cultural, historical, and interpretive exchange between domestic and international descendent communities of southern freedom seekers.

Gullah Geechee and Black Seminole descendants are particularly welcome at the conference.

For more information, click here.  Call for papers information (Deadline 2012-01-15) is here.

The Mystery of Samba: Popular Music and National Identity in Brazil

University of North Carolina Press
February 1999
168 pages
6.125 x 9.25, notes, bibl., index
Paper ISBN  978-0-8078-4766-4

Hermano Vianna

Edited and translated by

John Charles Chasteen, Associate Professor of History
University of North Carolina, Chapel Hill

Samba is Brazil’s “national rhythm,” the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country’s African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity.

But how did Brazil become “the Kingdom of Samba” only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a “repressed” music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups–poor and rich, weak and powerful–often working at cross-purposes to one another.

A fascinating exploration of the “invention of tradition,” The Mystery of Samba is an excellent introduction to Brazil’s ongoing conversation on race, popular culture, and national identity.

Table of Contents

• Translator’s Preface
• Author’s Preface to the U.S. Edition
• Acknowledgments
• 1. The Encounter
• 2. The Mystery
• 3. Popular Music and the Brazilian Elite
• 4. The Unity of the Nation
• 5. Race Mixture
• 6. Gilberto Freyre
• 7. The Modern Samba
• 8. Samba of My Native Land
• 9. Nowhere at All
• 10. Conclusions
• Notes
• Index

The African Presence in Brazil: Slavery, Resistance, Miscegenation and Strategic Popularization of Afro-Brazilian Music Culture

Kalamazoo College
2004
69 pages

Danielle Dubois Flax

This thesis intends to investigate the history of slavery in Brazil, its effects on the demographic, psychological and political reality of Afro-Brazilians, and most essentially: how representations of Afro-Brazilian music and culture that were de-valorized, persecuted and outlawed for such extended periods of time became appropriated by the powerful, white Brazilian communities and subsequently became the quasi-official symbols of Brazilian culture. This research also focuses on Samba as one of these appropriated cultural symbols that, as the focus of Hermano Vianna’s book, The Mystery of Samba, made an “unexplained leap from infamous outcast to (virtually official) national emblem, a transformation conventionally mentioned only in passing…”(12).

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Obama’s story resonates in racially diverse Brazil

Washington Post
2011-03-18

Juan Forero, Staff Writer

RIO DE JANEIRO — Brazil is a big gumbo of ethnicities, its people proud of their diversity and confident their country is among the most tolerant of nations. But this country—a leading center of black culture—has never had a black president.

So like many Brazilians, Carlos Jose Melo said he would eagerly turn out for President Obama when he tours the country’s signature city on Sunday, a day after meeting with President Dilma Rousseff in Brasília.

Melo has spent most of his life in favelas, Rio’s rough-and-tumble shantytowns, which were first settled by former slaves and dirt-poor soldiers.

“In Brazil, we have all kinds of culture, people, and our inner identity comes from black people,” said Melo, 47, a drug abuse counselor in City of God, a favela Obama is expected to visit on Sunday. “That’s why I think Obama is important for the world, because a poor guy suddenly becomes the most important man in the world.”

Obama’s story—the humble beginnings and the rise to prominence and power—is familiar here. And so is his race, which has struck a chord in a country with the world’s second-largest black population, after Nigeria.

…T-shirt dealer Dilci Aguiar de Paula, who is black and has worked at the base of Sugar Loaf for 25 years, said she can hardly contain her excitement.

“He is a president the whole world likes, a black president,” she said. “I would give him a hug. I would tell him he is a good president.”…

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