Mixed Race Studies

The Geographical Imagination of Barack Obama: Representing Race and Space in America

Southeastern Geographer
Volume 49, Number 3, Fall 2009
pages 221-239
E-ISSN: 1549-6929 Print ISSN: 0038-366X
DOI: 10.1353/sgo.0.0049

Robert J. Kruse, II

It has been noted that the geographical work on race and space has often overlooked the geographies of individual African-Americans. This paper adds to the literature on race and space by focusing upon Barack Obama, the 44^th president of the United States.  Unusual in many ways, Obama offers the opportunity to combine two types of analysis in this paper. First, his memoir, Dreams From My Father, is treated as a geographical text through which we may gain insight into his geographical imagination. Second, this paper discusses the spatialization of racial identities, particularly whiteness, that have informed the public’s impressions of Obama.  Together, these discussions may help us to understand the point at which Barack Obama’s personal geographies intersect with larger racialized landscapes that show increasing hybridity and permeability.

The Specter of Sex: Gendered Foundations of Racial Formation in the United States

State University of New York (SUNY) Press
August 2009
323 pages
Hardcover ISBN13: 978-1-4384-2753-9
Paperback ISBN13: 978-1-4384-2754-6

Sally L. Kitch, Distinguished Professor of Women and Gender Studies
Arizona State University

Genealogy of the formation of race and gender hierarchies in the U.S.

Theories of intersectionality have fundamentally transformed how feminists and critical race scholars understand the relationship between race and gender, but are often limited in their focus on contemporary experiences of interlocking oppressions. In The Specter of Sex, Sally L. Kitch explores the “backstory” of intersectionality theory—the historical formation of the racial and gendered hierarchies that continue to structure U.S. culture today. Kitch uses a genealogical approach to explore how a world already divided by gender ideology became one simultaneously obsessed with judgmental ideas about race, starting in Europe and the English colonies in the late seventeenth century. Through an examination of religious, political, and scientific narratives, public policies and testimonies, laws, court cases, and newspaper accounts, The Specter of Sex provides a rare comparative study of the racial formation of five groups—American Indians, African Americans, Latinos, Asian Americans, and European whites—and reveals gendered patterns that have served white racial dominance and repeated themselves with variations over a two-hundred-year period.

“This gracefully written synthesis of existing historical scholarship advances a position that both asserts distinction between ‘race’ and ‘gender’ as categories and privileges the gendered process of racial formation as key to understanding power and hierarchy in the United States. It is perfect for the classroom and will serve as a guide for theorists who need grounding in history.

Table Of Contents

• Acknowledgments
• Introduction: The “Purloined Letter” of Gendered Race
• Part I: Roots As the Twig is Bent
  • 1. “Women are a Huge Natural Calamity”: The Roots of Western Gender Ideology
  • 2. The First Races in Society: Gendered Roots of Race Formation
  • 3. Gendered Racial Institutions: World Slavery and Nationhood
  • Conclusion: From Gender to Race
• Part II: Bodies Whose Too, Too Solid Flesh?
  • 4. The American “Body Shop”: Gendered Racial Formation in the Colonies and New Republic
  • 5. Enslaved Bodies and Gendered Race
  • 6. Sexual Projection and Race: Science, Politics, and Lust
  • Conclusion: Embodying Race
• Part III: Blood “Off Women Com Owre Manhed”
  • 7. Defining, Measuring, and Ranking Racial Blood: The Ungendered Surface
  • 8. Hardly Gender Neutral
  • 9. Gendered Anti-Miscegenation: Laws and Their Interpretation
  • 10. Preserving White Racial Blood: Rape Accusations and Motherhood
  • Conclusion: Miscegenation as Racial Reconciliation?
• Part IV: Citizenship “My Folks Fought for This Country”
  • 11. What is Citizenship?: Gender and Race
  • 12. Engendering Citizenship: Dependency and Sex
  • 13. “No Can Do” Men and Their Others: Dependency and Inappropriate Gender
  • 14. Mixed Race, Suspect Gender: Both White and . . . Whatever
  • Conclusion: Homosexual Citizenship: A Gendered Racial Oxymoron
• Part V: Implications Patterns for a New Bridge
  • 15. Implications for Feminist Theories of Racial Difference and Antisubordination Politics
  • 16. Gender Implications for Theories of Racial Formation
• Conclusion: Interdependence
• Notes
• Index

Taking Assimilation to Heart: Marriages of White Women and Indigenous Men in the United States and Australia, 1887-1937

University of Nebraska Press
2006
278 pages
Illus.
hardcover ISBN: 978-0-8032-1829-1
paperback ISBN: 978-0-8032-2487-2

Katherine Ellinghaus
University of Melbourne

Taking Assimilation to Heart examines marriages between white women and indigenous men in Australia and the United States between 1887 and 1937.  In these settler societies, white women were expected to reproduce white children to keep the white race “pure”–hence special anxieties were associated with their sexuality, and marriages with indigenous men were rare events. As such, these interracial marriages illuminate the complicated social, racial, and national contexts in which they occurred.

This study of the ideological and political context of marriages between white women and indigenous men uncovers striking differences between the policies of assimilation endorsed by Australia and those encouraged by the United States. White Australians emphasized biological absorption, in which indigenous identity would be dissolved through interracial relationships, while white Americans promoted cultural assimilation, attempting to alter the lifestyles of indigenous people rather than their physical appearance. This disparity led, in turn, to differing emphases on humanitarian reforms, education policies, and social mobility, which affected the social status of the white women and indigenous men who married each other.

Shifting from the personal to the local to the transnational, Taking Assimilation to Heart extends our understanding of the ways in which individual lives have been part of the culture of colonialism.

The Mulatta and the Politics of Race

University Press of Mississippi
2004
272 pages
bibliography, index
ISBN: 157806676X (9781578066766)

Teresa C. Zackodnik, Professor of English
University of Alberta, Canada

An analysis of how black women used the mulatta figure to contest racial barriers.

From abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice.

The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the color line.  In the oratory and fiction of black women from the late 1840s through the 1950s, Teresa C. Zackodnik finds the mulatta to be a metaphor of increasing potency.

Before the Civil War white female abolitionists created the image of the “tragic mulatta,” caught between races, rejected by all. African American women put the mulatta to diverse political use.  Black women used the mulatta figure to invoke and manage American and British abolitionist empathy and to contest racial stereotypes of womanhood in the postbellum United States.  The mulatta aided writers in critiquing the “New Negro Renaissance” and gave writers leverage to subvert the aims of mid-twentieth-century mainstream American culture.

The Mulatta and the Politics of Race focuses on the antislavery lectures and appearances of Ellen Craft and Sarah Parker Remond, the domestic fiction of Pauline Hopkins and Frances Harper, the Harlem Renaissance novels of Jessie Fauset and Nella Larsen, and the little-known 1950s texts of Dorothy Lee Dickens and Reba Lee.  Throughout, the author discovers the especially valuable and as yet unexplored contributions of these black women and their uses of the mulatta in prose and speech.

Forgetting the Alamo, Or, Blood Memory: A Novel

University of Texas Press
September 2009
198 pages
6 x 9 in.; 1 map
ISBN: 978-0-292-71920-0 (hardcover, no dust jacket)
ISBN: 978-0-292-72128-9 (paperback)

Emma Pérez, Associate Professor and Chair of Ethnic Studies
University of Colorado

This literary adventure takes place in nineteenth-century Texas and follows the story of a Tejana lesbian cowgirl after the fall of the Alamo. Micaela Campos, the central character, witnesses the violence against Mexicans, African Americans, and indigenous peoples after the infamous battles of the Alamo and of San Jacinto, both in 1836. Resisting an easy opposition between good versus evil and brown versus white characters, the novel also features Micaela’s Mexican-Anglo cousin who assists and hinders her progress. Micaela’s travels give us a new portrayal of the American West, populated by people of mixed races who are vexed by the collision of cultures and politics. Ultimately, Micaela’s journey and her romance with a black/American Indian woman teach her that there are no easy solutions to the injustices that birthed the Texas Republic.

This novel is an intervention in queer history and fiction with its love story between two women of color in mid-nineteenth-century Texas. Pérez also shows how a colonial past still haunts our nation’s imagination. The battles of the Alamo and San Jacinto offered freedom and liberty to Texans, but what is often erased from the story is that common people who were Mexican, Indian, and Black did not necessarily benefit from the influx of so many Anglo immigrants to Texas. The social themes and identity issues that Pérez explores—political climate, debates over immigration, and historical revision of the American West—are current today.

Legacies of Race: Identities, Attitudes, and Politics in Brazil

Stanford University Press
2009
304 pages
31 tables, 2 figures, 1 illustration.
ISBN-10: 0804762775
ISBN-13: 9780804762779

Stanley R. Bailey, Associate Professor of Sociology
University of California, Irvine

The United States and Brazil were the largest slave-trading societies of the New World. The demographics of both countries reflect this shared past, but this is where comparisons end. The vast majority of the “Afro-Brazilian” population, unlike their U.S. counterparts, view themselves as neither black nor white but as mixed-race.  Legacies of Race offers the first examination of Brazilian public opinion to understand racial identities, attitudes, and politics in this racially ambiguous context.

Brazilians avoid rigid notions of racial group membership, and, in stark contrast to U.S. experience, attitudes about racial inequality, African-derived culture, and antiracism strategies are not deeply divided along racial lines.  Bailey argues that only through dispensing with many U.S.-inspired racial assumptions can a general theory of racial attitudes become possible. Most importantly, he shows that a strict notion of racial identification in black and white cannot be assumed universal.

Mixed Heritage in Young Adult Literature

The Scarecrow Press, Inc.
March 2009
272 pages
Cloth ISBN: 0-8108-5969-6; ISBN-13: 978-0-8108-5969-2

Nancy Thalia Reynolds

Mixed-heritage people are one of the fastest-growing groups in the United States, yet culturally they have been largely invisible, especially in young adult literature. Mixed Heritage in Young Adult Literature is a critical exploration of how mixed-heritage characters (those of mixed race, ethnicity, religion, and/or adoption) and real-life people have been portrayed in young adult fiction and nonfiction.

This is the first in-depth, broad-scope critical exploration of this subgenre of multicultural literature. Following an introduction to the topic, author Nancy Thalia Reynolds examines the portrayal of mixed-heritage characters in literary classics by James Fenimore Cooper, Mark Twain, and Zora Neale Hurston—staples of today’s high school English curriculum—along with other important authors. It opens up the discussion of young-adult racial and ethnic identity in literature to recognize—and focus on—those whose heritage straddles boundaries. In this book teachers will find new tools to approach race, ethnicity, and family heritage in literature and in the classroom.  This book also helps librarians find new criteria with which to evaluate young adult fiction and nonfiction with mixed-heritage characters.

Exiles at Home: The Struggle to Become American in Creole New Orleans

Harvard University Press
2009
400 pages
6-1/8 x 9-1/4 inches
19 halftones in 20 p mock insert
Hardcover ISBN: 9780674023512

Shirley Elizabeth Thompson, Associate Professor in American Studies
University of Texas, Austin

New Orleans has always captured our imagination as an exotic city in its racial ambiguity and pursuit of les bons temps.  Despite its image as a place apart, the city played a key role in nineteenth-century America as a site for immigration and pluralism, the quest for equality, and the centrality of self-making.

In both the literary imagination and the law, creoles of color navigated life on a shifting color line. As they passed among various racial categories and through different social spaces, they filtered for a national audience the meaning of the French Revolution, the Haitian Revolution of 1804, the Civil War and Reconstruction, and de jure segregation.

Shirley Thompson offers a moving study of a world defined by racial and cultural double consciousness. In tracing the experiences of creoles of color, she illuminates the role ordinary Americans played in shaping an understanding of identity and belonging.

The Amalgamation Waltz: Race, Performance, and the Ruses of Memory

University of Minnesota Press
2009
248 pages
18 b&w photos | 6 x 9
ISBN: 978-0-8166-5613-4 (paper)
ISBN: 978-0-8166-5612-7 (cloth)

Tavia Nyong’o, Associate Professor of Performance Studies
New York University

Does racial hybridity offer a future beyond racial difference?

At a time when the idea of a postracial society has entered public discourse, The Amalgamation Waltz investigates the practices that conjoined blackness and whiteness in the nineteenth and twentieth centuries. Scrutinizing widely diverse texts—archival, musical, visual, and theatrical—Tavia Nyong’o traces the genealogy of racial hybridity, analyzing how key events in the nineteenth century spawned a debate about interracialism that lives on today.

Deeply interested in how discussions of racial hybridity have portrayed the hybrid as the recurring hope for a distant raceless future, Nyong’o is concerned with the ways this discourse deploys the figure of the racial hybrid as an alibi for a nationalism that reinvents the racist logics it claims to have broken with.  As Nyong’o demonstrates, the rise of a pervasive image of racially anomalous bodies responded to the appearance of an independent black public sphere and organized politics of black uplift.  This newfound mobility was apprehended in the political imaginary as a bodily and sexual scandal, and the resultant amalgamation discourse, he argues, must be recognized as one of the earliest and most enduring national dialogues on sex and sexuality.

Nyong’o tracks the emergence of the concept of the racial hybrid as an ideological modernization of the older concept of the mongrel and shows how this revision brought race-thinking in line with new understandings of sex and gender, providing a racial context for the shift toward modern heterosexuality, the discourse on which postracial metaphors so frequently rely.  A timely rebuttal to our contemporary fascination with racial hybridity, The Amalgamation Waltz questions the vision of a national future without racial difference or conflict.

Table of Contents

• Introduction: Antebellum Genealogies of the Hybrid Future
• 1. The Mirror of Liberty: Constituent Power and the American Mongrel
• 2. In Night’s Eye: Amalgamation, Respectability, and Shame
• 3. Minstrel Trouble: Racial Travesty in the Circum-Atlantic Fold
• 4. Carnivalizing Time: Decoding the Racial Past in Art and Installation
• Conclusion: Mongrel Pasts, Hybrid Futures
• Acknowledgments
• Notes
• Bibliography
• Index

The Interethnic Imagination: Roots and Passages in Contemporary Asian American Fiction

Oxford University Press
October 2009
216 pages
Hardback ISBN13: 9780195377361; ISBN10: 0195377362

Caroline Rody, Associate Professor of English
University of Virginia

In the wake of all that is changing in local and global cultures–in patterns of migration, settlement, labor, and communications–a radical interaction has taken place that, during the last quarter of the twentieth century, has shifted our understanding of ethnicity away from ‘ethnic in itself’ to ‘ethnic amidst a hybrid collective’.  In light of this, Caroline Rody proposes a new paradigm for understanding the changing terrain of contemporary fiction. She claims that what we have long read as ethnic literature is in the process of becoming ‘interethnic’.  Examining an extensive range of Asian American fictions, The Interethnic Imagination offers sustained readings of three especially compelling examples: Chang-rae Lee‘s ambivalent evocations of blackness, whiteness, Koreanness, and the multicultural crowd in Native Speaker; Gish Jen‘s comic engagement with Jewishness in Mona in the Promised Land; and the transnational imagination of Karen Tei Yamashita‘s Tropic of Orange.  Two shorter “interchapters” and an epilogue extend the thematics of creative “in-betweenness” across the book’s structure, elaborating crossover topics including Asian American fiction’s complex engagement with African American culture; the cross-ethnic adoption of Jewishness by Asian American writers; and the history of mixed-race Asian American fictional characters.

Features

• Examines three major yet under-studied contemporary Asian American novelists: Chang-rae Lee, Karen Tei Yamashita, and Gish Jen.
• Considers major Asian American fiction alongside African American and Jewish American authors.
• In lucid writing, provides a valuable and innovative paradigm for interpreting the burgeoning field of ethnic literature in the U.S.