Mixed Race Studies

“Skinfolks” and “Kinfolks”: Racial Passing in American Films 1930-1960

Department of American Studies
University of Virginia
Summer 2002

Introduction

Characters with a desire to become something that they are not in order to escape their realities have been present from the earliest American films to the present. The popular encyclopedia of American cinema, Videohound, categorizes films with these characters under “Not-So-Mistaken-Identity”. Of these “not-so-mistaken identity” films, more than half of the characters in question are black passing as white. This reflects the American obsession with race, authenticity, and reinvention.

As characters whose racial identity could rest somewhere between black and white, passing characters have the potential to subvert racial categories by proving the falsity of the black and white racial binary. Elaine Ginsberg argued that the power of passing narratives is “its interrogation of the essentialism that is the foundation of identity politics, passing has the potential to create a space for creative multiple identities, to experiment with multiple subject positions, and to cross social and economic boundaries that exclude or oppress.” However in most popular American films, these characters are never allowed the freedom to define themselves and live with their choices.

Despite the possibilities their existence in a society anxious about interracial sex suggests, they are actually used most often to prove that it is not possible to transcend racial categories. And just in case the repeated humiliation, violence, and personal sacrifices they endure in the films did not persuade the audience to value stability in racial identity, more traditional, stereotypical black characters are always present, and usually placed at the moral center of the films, to reinforce racist definitions of blackness and whiteness…

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Mixed Race/Mixed Space in Media Culture & Militarized Zones

Thursday Afternoon Forum Series
University of California, Berkeley
691 Barrows Hall
2010-10-07, 16:00 to 17:30 PDT (Local Time)

A Critical Race Theory Approach to Understanding Cinematic Representations of the Mixed Race Experience
Kevin Escudero, Ethnic Studies

This presentation focuses on the developmental trajectory of the portrayal of mixed race people in mainstream media.  Primarily looking at film, but also analyzing other media texts such as photography, stand-up comedy and particular sub-genres of film (Disney, television series, etc.) this presentation seeks to understand the ways in which different forms of media have portrayed mixed race people pre and post-Loving.  While much work has been done on the depiction of mixed race people in media post-Loving, there is a need for such work to be contextualized within the pre-Loving depictions of mixed race.  Furthermore, very little attention has been given to the ways in which pre-1967 depictions of mixed race characters (e.g. the tragic mulatto) oftentimes reflect as well as perpetuated racist stereotypes of mixed race people.  These depictions of mixed race people during the anti-miscegenation era are what I argue, has given rise to the utilization by mixed race people of multiple forms of self-expression available through various media in the post-Loving era. 

Using a framework of “neutralizing the Other” in combination with a Critical Race Theory analysis I will also examine the ways in which post-1967 depictions of mixed race people in media have resulted in a neutralizing of the pre-1967 “threat” of miscegenation and the resulting mixed race offspring of these marriages.  Using pre-1967 depictions as a backdrop for post-Loving discourse, this paper also comments as to the self-perception and self-representation of mixed race youth today in film.  In this analysis, other forms of marginalization and subordination are prevalent, specifically gender.  Not to be overlooked in mixed race and miscegenation discourse, women of color are more often than not depicted as hypersexualized, super-fertile beings while mixed race men depending on their racial mixture are depicted as either hyper-masculine beings (Dwayne “The Rock” Johnson and Vin Deisel) or associated with a more effeminate masculinity (e.g. Keanu Reeves who is half Asian and half Caucassian).  Tiger Woods, on the other hand, and the media portrayal of his marriage scandal at the end of 2009, has been cast as the ultimate playboy among men.

Historical Development and Expression of Black-Okinawa: Mixed-Socio-Cultural Race/Space in Militarized Zone
Ariko Ikehara, Ethnic Studies

This paper examines the historicity of the Cold War and the Post-Cold War era and the narrativity of its aftermath in which the legacy and memories of the U.S.-Asia border (militarized Asia space) are apprehended, narrated and remembered from a transpacific gaze: mixed-space/race zone in the U.S. militarized Asia.   Thus, this project seeks to map out a genealogy of mixed-space/race in the U.S. militarized Asia zone in the historical context of the Cold War and Post-Cold War era.  Re-examining the “natural” phases of social-geographical expansion/spatial development brought on by the militarization of Asia during the Cold war and Post-Cold war era in Asia, my main focus is couched in the base cultural space (mixed-space) in Okinawa.  Some of the research questions are: what is the structure that maintains and fuels the military complex in Asia, what forms did the militarized place become mixed-space, and what are the different circumstances in which the mixed-race people (Amerasians) with or without mixed families traverse and move in and out and around (circulation) of the militarized Asia zone.  Centering the black-Amerasian history and narrativity as the loci of inquiry, I am particularly interested in exploring how the notion of “blackness” is apprehended, circulated, and performed in the mixed-space/race, and is reiterated over and again within the larger spatiality of transnational sites in between US and Asia.

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VIS409 Mixed Race Women’s Memoirs

Antioch University Midwest
Winter 2010

This course is designed as a multidisciplinary exploration of race, gender, and identity utilizing oral and written narratives of Black-white mixed race women from the mid-nineteenth century to the present as source material. Drawing from elements of cultural studies, African American studies, American studies, and women’s studies, students will construct critical and historical contexts for self-identity and perceptions of that identity in women of interracial descent.

An Illuminated Life: Belle da Costa Greene’s Journey from Prejudice to Privilege (review)

Libraries & the Cultural Record
Volume 45, Number 3, 2010
E-ISSN: 1932-9555
Print ISSN: 1932-4855
pages 375-377

Nena Couch, Curator and Professor of Theater
Ohio State University

The life of the librarian seldom is acknowledged beyond the confines of the community in which she or he is active; therefore, Heidi Ardizzone’s biography of Belle da Costa Greene, librarian to J. Pierpont Morgan and first director of the Pierpont Morgan Library, should be a welcome publication. Greene was a widely respected and successful librarian who made significant contributions to the development and refinement of Morgan’s collection until his death and continued her work with his son John “Jack” Pierpont Morgan, Jr. She was actively involved in the establishment of the Morgan Library as a public institution. Her work had national and international impact and as such is worthy of a full-length biography. Enhancing her story is her testing of boundaries: she was a woman in what was a man’s field, and she was of mixed race passing as white. However, Ardizzone’s primary interests are not in Greene’s significant professional accomplishments—although they are touched upon in An Illuminated Life—but in “Belle’s social life and experiences” (10) and in speculation about a woman…

Read the entire review here.

Trading Races: Joseph and Marie Bunel, a Diplomat and a Merchant in Revolutionary Saint-Domingue and Philadelphia

Journal of the Early Republic
Volume 30, Number 3, Fall 2010
pages 351-376
E-ISSN: 1553-0620
Print ISSN: 0275-1275

Philippe R. Girard, Associate Professor of History
McNeese State University, Lake Charles, Louisiana

Based on extensive research in French, British, and U.S. archives, the article focuses on Joseph Bunel, a diplomatic and commercial envoy for Toussaint Louverture and Jean-Jacques Dessalines, and his wife Marie Bunel (Fanchette Estève), who spent her adult life as a merchant in Cap Français (Cap Haïtien) and Philadelphia. Joseph and Marie Bunel were a white Frenchman and a free black Creole, but their careers were shaped more by their social and monetary ambitions than by their racial background. After spending a few years in prerevolutionary Saint-Domingue (Haiti) as a merchant and a plantation manager, Joseph Bunel played an important administrative role in Louverture’s regime after 1798, first as a diplomatic envoy charged with drafting treaties of commerce and non-aggression with the United States and England during the Quasi-War, then as Louverture’s paymaster. Because of his closeness to the regime, he was deported to France during the Leclerc expedition. After moving to Philadelphia in 1803, he became a noted exporter of war contraband to Dessalines’ Haiti and in 1807 settled permanently in this country as a merchant. Marie Bunel, a prosperous free-colored merchant from Cap Français before the outbreak of the Haitian Revolution, continued her mercantile activities throughout the revolutionary period. Though personally close to notable figures like Louverture and Henri Christophe, her political involvement in the revolutionary struggle was limited. Persecuted along with her husband during the Leclerc expedition, she moved to Philadelphia, where she lived as an independent merchant long after Haiti had declared its independence. It was not until 1810 that for personal reasons she moved back to Haiti, where little evidence is available to retrace the end of the Bunels’ eventful lives.

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Sandweiss unearths a compelling tale of secret racial identity

News at Princeton
Princeton University
2009-12-17

Jennifer Greenstein Altmann

For three decades, history professor Martha Sandweiss had wondered about a little-noticed detail in the life of Clarence King, a well-known figure in the history of the American West. King, a 19th-century geologist and author, was a leading surveyor who mapped the West after the Civil War.

Back in graduate school, Sandweiss had read a 500-page biography of King that devoted just five pages to a secret, 13-year relationship that King, who was white, had with a black woman.

“Thirteen years, five pages? It just didn’t seem right to me,” said Sandweiss, a historian of the American West who joined the Princeton faculty last year.

A few years ago, Sandweiss decided it was time to investigate. Poring through census documents that were available online, she was able to discover in a matter of minutes that King, who was blond and blue eyed, had been leading a double life as a white man passing as a black man.

“Once I uncovered that, I knew I had to try to unravel the story,” she said.

The result is “Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line,” published earlier this year by The Penguin Press…

…But the most amazing part of King’s story is that someone with fair hair and blue eyes was accepted as a black man. He managed it, Sandweiss said, because of the so-called “one-drop” laws passed in the South during Reconstruction, which declared that someone with one black great-grandparent was considered legally black.

“The laws were meant to make it very difficult to move from one racial category to the other,” Sandweiss said. “Ironically, they made it very possible to do that, because you could claim an ancestry — or more often hide an ancestry — that was invisible in the color of your skin.”…

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The Effect of Interracial Media Portrayals on Perceptions of Multiracialism

XULAneXUS: Xavier University of Louisiana’s Undergraduate Research Journal
Research Manuscript
Volume 5, Number 1, April 2008
9 pages

Ashley E. Winston
Department of Psychology

The notion that context has an effect on perceptions of multiracialism was investigated. Context was manipulated in terms of exposure to interracial harmony and interracial disharmony in the form of a movie clip from the movie Something New (2006). The effect of the clip on participants’ perceptions of multiracial people was measured by the Attitudes Toward Multiracial Children Scale, and the racial identification of the participants was measured by the Racial Identity Scale. The results from the two measures were calculated with an independent-samples t-test to compare the mean scores of the two groups. Results show that the mean of the group who received the disharmony clip was significantly lower than the mean of the group who received the harmony clip. The results imply an importance of the media portrayal of interracial interaction and racial stereotyping on the perceptions of society for the multiracial community.

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Mapping race: Multiracial people and racial category construction in the United States and Britain

Immigrants & Minorities
Volume 15, Issue 2 (July 1996)
pages 107-119
DOI: 10.1080/02619288.1996.9974883

Paul R. Spickard, Professor of History
University of California, Santa Barbara

The social construction of what are often called ‘racial’ categories has proceeded differently in different places. The bases of ascription and group identity, the placement of the boundaries between groups, and the power dynamics between groups have changed dramatically over time and social and political circumstance in each place. This article is a meditation and speculation on the ways that racial categories have been constructed and have changed in the United States and Britain over the course of the twentieth century.’ It uses the identity situations of people of multiple ancestries – Black and White, Asian and African and so on – as a tool to deconstruct the meanings assigned to racial categories and the power dynamics that underly those categories. The article lays out some things that the situation of multiracial people – people some of whose ancestors were Africans and some of whose ancestors came from somewhere else – tells us about the ways racial categories and meanings have evolved over the course of the twentieth century in the United States and in Britain. It finds, in sum, that White Americans have long had clearer ideas than White Britons about what they wanted to do with race; that those clear categories in the US are now breaking down, partly because of the rise of a multiracial consciousness on the part of some people of mixed parentage; and that a British innovation of the 1970s and the 1980s, a common Black identity for all non-White Britons, is no longer working very well, either.

Read or purchase the article here.

American Lives: The ‘Strange’ Tale Of Clarence King

National Public Radio
2010-08-18

Steve Inskeep, Host
Morning Edition

U.S. Geological Survey Photographic Library

Ada Copeland, an African-American woman born in Georgia just months before that state seceded from the Union, moved to New York City in the mid-1880s. There, she met a man named James Todd. He was light-skinned, handsome, had a good job for an African-American man in that time — a Pullman porter.

They hit it off, and eventually married. They had five children and a house in Brooklyn. Their story would be unremarkable if not for one detail: Nothing James had told his future wife was true.

“James Todd was really not black, he was not a Pullman porter, and he was not even James Todd,” author Martha Sandweiss tells NPR’s Steve Inskeep. “He was in fact Clarence King, a very well-educated white explorer who was truly a famous man in late 19th century America.”…

…Sandweiss’ book, Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line, examines why King chose to live a double life — and how his experience reflects and represents how Americans, both past and present, have thought about race. In the aftermath of the Civil War, particularly, the U.S. had to recast some of the ways it thought about questions of race and identity…

Read and/or listen to the story here.

Passing Strange: A Gilded Age Tale of Love and Deception Across the Color Line

The Penguin Press
2009-02-05
384 pages
5.98 x 9.01in
Hardcover ISBN 9781594202001

Martha A. Sandweiss, Professor of History
Princeton University

National Book Critics Circle Awards Winner

The secret double life of the man who mapped the American West and the woman he loved

Clarence King is a hero of nineteenth-century western history. Brilliant scientist and witty conversationalist, bestselling author and architect of the great surveys that mapped the West after the Civil War, King was named by John Hay “the best and brightest of his generation.” But King hid a secret from his Gilded Age cohorts and prominent family in Newport: for thirteen years he lived a double life—as the celebrated white explorer, geologist, and writer Clarence King and as a black Pullman porter and steelworker named James Todd. The fair, blue-eyed son of a wealthy China trader passed across the color line, revealing his secret to his black common-law wife, Ada King, only on his deathbed.

Noted historian of the American West Martha Sandweiss is the first writer to uncover the life that King tried so hard to conceal from the public eye. She reveals the complexity of a man who while publicly espousing a personal dream of a uniquely American “race,” an amalgam of white and black, hid his love for his wife and their five biracial children. Passing Strange tells the dramatic tale of a family built along the fault lines of celebrity, class, and race—from the “Todds” wedding in 1888 to the 1964 death of Ada, one of the last surviving Americans born into slavery, to finally the legacy inherited by Clarence King’s granddaughter, who married a white man and adopted a white child in order to spare her family the legacies of racism.

A remarkable feat of research and reporting spanning the Civil War to the civil rights era, Passing Strange tells a uniquely American story of self-invention, love, deception, and race.