Review of Kessler, John S.; Ball, Donald B., North From the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

Posted in Articles, Book/Video Reviews, History, Media Archive, Tri-Racial Isolates, United States on 2011-04-17 02:02Z by Steven

Review of Kessler, John S.; Ball, Donald B., North From the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

H-Net Reviews
June 2002

Penny Messinger, Assistant Professor of History
Daemen College, Amherst, New York

John S. Kessler, Donald B. Ball. North From the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio. Macon, Ga.: Mercer University Press, 2001. xiii + 220 pp., ISBN 978-0-86554-703-2; ISBN 978-0-86554-700-1.

Ethnic Diversity in Appalachia and Appalachian Ohio

Scholars of the Appalachian South have begun to explore the ethnic and racial diversity of the region as part of an attempt to go beyond the one-dimensional stereotype of the white, “one hundred percent American” hillbilly that has frequently prevailed in depictions of the area’s residents. Kessler and Ball offer an interesting contribution to this effort. The title, North from the Mountains, while specifically describing migration from the mountains of eastern Kentucky to the hills of southern Ohio, also refers to a migration from South to North that took place in several steps, over several generations. The group that established the settlement in the small crossroads community of Carmel, Ohio had its origins, the authors explain, in a multi-racial community that formed in the mid-Atlantic colonies between the mid-1600s and 1800. Members of the group relocated to the disputed borderlands of the Virginia and North Carolina mountains during the 1790s, where they were called “Melungeons,” and from there to Magoffin County (then part of Floyd County), Kentucky, by 1810. Migrants from Magoffin County settled in Highland County, Ohio, around 1864, forming the Carmel Melungeon settlement. The Melungeon settlement straddled the borders of Highland and Pike counties and spread south and east from Carmel, a small crossroads community not far from the current Fort Hill State Memorial. Although it never grew into a town, during the 1940s Carmel was large enough to sustain a store, schools (later absorbed during the consolidation process), two churches, and several cemeteries. At its peak size around 1900, Carmel had included additional stores and businesses, an attorney, and a post office (operating from 1856 until 1921). The Melungeon settlement in Carmel appears to have reached its peak size of around 150 people during the 1940s.

The questions “Who are the Melungeons?” and “Where did they come from?” have intrigued anthropologists, novelists, and regional scholars for many decades. To an even greater degree than is the case for other residents of the Southern Appalachians, the group has been the subject of stereotype and myth. The term “Melungeon” is explained as an adaptation of the French “mélange,” meaning “mixture,” and has sometimes been used as an epithet. Kessler and Ball use the Spanish “mestizo,” meaning a person of mixed racial ancestry, to characterize members of the Melungeon communities. The term “Melungeon” describes several insular, multi-ethnic, or multi-racial communities within the Appalachian region, notably those located in Hancock and Hawkins counties in Tennessee, and Lee, Scott, and Wise counties in Virginia. However, Kessler and Ball argue that this definition should be expanded to include “genetically comparable and similarly named families throughout an area covering at least twenty-nine adjacent counties variously located in northwestern North Carolina, southwestern Virginia, northeastern Tennessee, and southeastern Kentucky,” in addition to the Carmel settlement (p. 2). These mixed-race communities were often held in low regard by their neighbors, creating a sense of shared identity among residents within the community that was reinforced by hostility from outside. Historically, the attitude of residents of the communities surrounding mestizo settlements was often manifested in a refusal to intermarry with the community members, a pattern that served to reinforce group identity and to preserve racial composition. Kessler and Ball also provide concise discussions of other mestizo populations within the Appalachian area that are unrelated to the Melungeon groups and delineate the points of distinction among the groups.

During the 1940s and 1950s, anthropologists described Melungeon communities as “tri-racial isolates,” a term that emphasized a mixed heritage of white, African, and Native American ancestry. The authors note that group members generally emphasized their Native American rather than their African ancestry, although both races contributed to the group’s ethnic mix. A more controversial aspect of Melungeon identity is the group’s claim of Portuguese and/or Middle Eastern ancestry. Molecular biologist Kevin Jones is currently coordinating a project to analyze genetic material from Melungeon community members in order to answer the question of ancestry. N. Brent Kennedy, who edits the series “The Melungeons,” addresses the issue of identity in the book’s foreword. Kennedy is also the author of a recent book on the Melungeons and a leader in the movement for Melungeon pride and identity.[1] In discussing the ancestry of the group, Kennedy writes, “No doubt some of us are primarily Native American; others more Turkish and/or central Asian; still others more Portuguese, or Semitic, or African. But, despite the old argument that the Melungeon claim to be of various origins is ‘proof’ against all origins, there is no conflict in such a multiplicity of claims. We were more multicultural than the average Englishman when we first arrived. And, like all Americans, we Melungeons have also become even more multicultural and multiethnic with the passage of time.” Kennedy continues, “Early America was far more ethnically and racially complex than we have been taught. Some whites were not northern European, some blacks were not sub-Saharan African, and some Indians and some mulattos were not Indians and mulattos….We Melungeons and, indeed, other mixed groups have irrefutable ties not only to northern Europe, sub-Saharan Africa, and early America, but also to the eastern Mediterranean, southern Europe, northern African, and central Asia” (pp. ix-x)…

Read the entire review here.

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North from the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

Posted in Books, History, Media Archive, Monographs, Tri-Racial Isolates, United States on 2011-04-17 00:40Z by Steven

North from the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio

Mercer University Press
2001
220 pages
Paperback ISBN: 9780865547032

John S. Kessler

Donald B. Ball

The newest book in Mercer University Press’ new series The Melungeons: History, Culture, Ethnicity, and Literature is North from the Mountains: A Folk History of the Carmel Melungeon Settlement, Highland County, Ohio by John S. Kessler and Donald B. Ball. It is the first substantive study of the Carmel Melungeon settlement since 1950. Tracing their history from about 1700, this book contains extensive firsthand information to be found in no other source, and relates the Carmel population to the Melungeons and similar mixed-blood populations originating in the Mid-Atlantic coastal region. This study combines a review of documentary evidence, extensive firsthand observations of the group, and information gleaned from area informants and a visit to the Carmel area. The senior author, until about age eighteen, was a resident of a community nearby, hence the personal insight and perspective into the lifestyle and inter- and intrarelationships of the group.

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Transcending Blackness in the 21st Century, or How Can I Be Like Barack Obama?

Posted in Barack Obama, Communications/Media Studies, Literary/Artistic Criticism, Live Events, Media Archive, Social Science, United States on 2011-04-15 03:56Z by Steven

Transcending Blackness in the 21st Century, or How Can I Be Like Barack Obama?

Global Studies: A Member of the International Instutute
University of Wisconsin, Madison
Multiracial Tales and Multicultural Discourses
494 Van Hise Hall
2011-04-18, 17:30 CDT (Local Time)

Ralina L. Joseph, Assistant Professor of Communications
University of Washington

As “postrace” is the buzzword of the new century, and Barack Obama has quickly become a poster child of the postrace, the question arises: must multiracial African Americans metaphorically transcend blackness in order to achieve success? This talk will critique the notion that mixed-race black subjects function as bridges offering safe passage to a third, interstitial, or hybridized space. I argue that a two-sided stereotype, comprised in the “new millennium mulatta” and the “exceptional multiracial,” has arisen instead through a variety of mediated discourses.

Ralina Joseph is an Assistant Professor of Communication at the University of Washington. Her forthcoming book from Duke University Press entitled Transcending Blackness: Anti-Black Racism and African American Multiraciality from the New Milennium Mulatta to the Exceptional Multiracial investigates 1998-2008 era pop culture representations of multiracial African Americans.

For more information, click here.
View the poster in color or black-and-white.

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Mixed Race on Campus: Multiracial Student Identities and Issues in Higher Education

Posted in Campus Life, Live Events, Media Archive, United States on 2011-04-15 03:12Z by Steven

Mixed Race on Campus: Multiracial Student Identities and Issues in Higher Education

NCORE 2011
24 Annual National Conference on Race & Ethnicity in American Higher Education
San Francisco, California
2011-05-31 through 2011-06-04

Thursday, 2011-06-02, 13:15–16:15 PDT (Local Time)

Eric Hamako, Doctoral Candidate
Social Justice Education Program
University of Massachusetts, Amherst

Multiracial and Mixed‑Race students are a growing, yet under‑recognized, population at U.S. colleges and universities.  How well does your campus serve Multiracial students’ needs and Multiracial student organizations?  And how can you support improvements? 

In this interactive workshop, we’ll explore challenges facing Multiracial students and Multiracial student organizations—as well as possible solutions to those challenges.  Participants will also learn basic Multiracial terms, demography, and identity theories, as well as gain resources for learning more in the future. Participants will have the opportunity to develop personal and collaborative action plans to implement what they’ve learned. This session should particularly benefit participants interested in the success of Multiracial students and student organizations, students interested in organizing Multiracial groups, and Student Affairs professionals who are interested in policy changes to support Multiracial students.

For more information, click here.

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The Family Changes Colour: Interracial Families in Contemporary Hollywood Cinema

Posted in Articles, Literary/Artistic Criticism, United States on 2011-04-15 02:32Z by Steven

The Family Changes Colour: Interracial Families in Contemporary Hollywood Cinema

Screen
Volume 43 Issue 3 (Autumn 2002)
pages 271-292
DOI: 10.1093/screen/43.3.271

Nicola J. Evans, Lecturer of Media and Cultural Studies
University of Wollongong, New South Wales, Australia

How profound the hatred, how deep the bigotry… that wakens in this image of black life blooming within white…. It is an image that squeezes racism out from the pores of people who deny they arc racist.
Patricia Williams

In December 1998, DNA tests identified Thomas Jefferson as the father of at least one child with his black slave woman Sally Hemings. The discovery spawned numerous commentaries in the media on the significance of this finding and many large claims were made. Superficially what was at stake was the right of Hemings’s descendants to claim Jefferson as an ancestor and to be buried in the Monticello family plot, a right long contested by some of Jefferson’s white descendants who control the foundation and the graveyard. But there were many who saw the decision as symbolic not just of a past that the USA had erased, but a future towards which it might tend. For Lucian Truscott IV, a white Jeffersonian descendant who supports the Hemings’s claim, the finding affirmed that this Country ‘is a family not only in democratic theory, but in blood’? Allusions to the national family were quickly buttressed by parallels drawn between Jefferson and William Jefferson Clinton, another president accused of extramarital liaisons, whose 1992 campaign was attended by rumours that he had fathered a black child. Lisa Jones, writing in the Village Voice, summed up the tenor of many commentaries by declaring ‘I can’t think of a more potent metaphor of American race relations at the millennium than the battle over graveyard space at Monticello’.

The findings of the Monticello committee capped a decade in which a surprising number of films, both mainstream and art-house, began to explore familial ties that cross the colour line. Some of these films, such as Made in America (Richard Benjamin, 1993), Secrets and Lies (Mike Lieigh, 1996) and A Family Thing (Richard Pearee, 1996), have plots reminiscent of abolitionist literature, in which the discovery of an interracial relationship in the past throws the family into melodramatic disarray. Other films, including Six Degrees of Separation (Fred Schepisi, 1993), Smoke (Wayne Wang, 1995), Losing Isaiah (Stephen Gyllenhaal, 1995) and Finding Forrester (Gus van Sant, 2000), feature whites who become symbolic parents to black children, often with the suggestion that these metaphorical ties are more rewarding than the relationships the parents have with their own white children. The question this paper considers is whether the growing screen presence of the interracial family is a step forward in the task of imagining more democratic race relations. If our concept of the family changed colour—from white to something more multicoloured—would this strengthen and improve interracial bonds as many activists through history have insisted, or is the fight for inclusion in the family plot indeed a fight for graveyard space?

For mainstream films to be considering interracial relations at all is a departure. When it comes to race Hollywood has toed the colour line, producing either all-black films, or white-cast films with token representation of African-Americans. The rare instances in which interracial relations occur are designed to be temporary, or to end tragically. Even the black and white buddy movie, the most popular format for including interraciality, typically suppresses or evades racial issues through rousing paeans to the race-transcendent bonds of masculinity. For mainstream films to be exploring interracial families is startling. Both on screen and off, the taboo against race-mixing within the family has seemed particularly strong. In the quotation that heads this paper, Patricia Williams suggests that the image of a mother suckling a child of another race is an idea that sticks in the gullet of even those who are most liberal on race issues. Benetton, a company famous for its taboo-breaking advertisements, appeared to agree when in 1989 they cancelled a campaign that proposed to feature a poster of a black mother breast-feeding a white child.’ What is special about the family that makes the imagination balk at the prospect of race-mixing here, even when cautiously permissive of interracial friendships outside the family?

Until recently, the censorship of interraciality on screen was matched by a paucity of interracial studies in scholarship. Gregory Stephens notes the tendency among scholars to pathologize interraciality, viewing even,’ relationship that crosses racial lines as inevitably exploitative or oppressive. As Stephens points out, such an assumption enforces the colour line by making ‘any interracial relations beyond rape or genocide unimaginable . Citing Frederick Douglass s definition of racism as ‘diseased imagination’, Stephens calls us to begin the task of creating more affirmative scripts for interraciality. It is in the spirit of this work that I examine the representation of interracial families on film. While aiming to stay alert to ways such representations may recycle racist scenarios, my goal is to see whether there is material here with which to envision more equitable relations between blacks and whites across the unnatural chasm ot the racial divide.

Although this essay will focus on film, I begin with the Monticello affair because it suggests why the family is such an explosive site tor the exploration of race issues. Specifically the Monticello case points to three aspects ol the family as an ideological entity: the family as a primary measure of social well-being, the interdependency of family and narrative, and the historical opposition between family values and race values…

Read or purchase the article here.

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Mark Tawin’s Mississippi: Race, 1800-1850

Posted in Articles, History, Media Archive, Native Americans/First Nation, United States on 2011-04-12 21:32Z by Steven

Mark Tawin’s Mississippi: Race, 1800-1850

Mark Twain’s Mississippi
Project Partners: Northern Illinois University Libraries, The Newberry Library, The St. Louis Mercantile Library, Tulane University Libraries and  University of California, Berkeley
Made possible by a grant from the Institute of Museum and Library Services
2005

Peter J. Kastor, Associate Professor of History and American Culture Studies Program
Washington Unviversity in St. Louis

The changes in the Mississippi Valley from 1800-1850 represented a condensed version of the broader changes that would occur throughout North America during the eighteenth and nineteenth century. Not only did the last vestiges of Indian power collapse in the faced of white supremacy, but the fluid and complex relationships that had marked life for so long gave way to an increasingly simplistic racial hierarchy.

All of the factors at work in the Mississippi Valley—demography, commerce, diplomacy, and culture—came together to reshape these racial relationships. For example, the Europeans who vied for control of the Mississippi in 1800 may have each sought racial control, but they lacked the diplomatic power to do so. Meanwhile, the relative scarcity of white settlers made the Europeans dependent on Indians for trade. Indians welcomed this state of affairs, since the needs of Europeans for diplomatic allies or for trading partners often placed Indians in advantageous situations. Nothing exemplified this state of affairs better than the large population of mixed-race peoples who occupied the Mississippi Valley. In addition to the Métis in the mid and upper Mississippi Valley, the lower Mississippi Valley was home to a large population with African and European ancestry. That mixed-race population formed the majority of the free people of color in New Orleans, the largest and most prosperous free black community anywhere in North America. These mixed-race populations all secured their goals by exploiting the economic and diplomatic realities that continued to shape life on the Mississippi…

Read the entire essay here.

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Diversity Dialogues lecture opens forum on ethnic identity

Posted in Campus Life, Identity Development/Psychology, Media Archive, United States on 2011-04-10 23:47Z by Steven

Diversity Dialogues lecture opens forum on ethnic identity

Spartan Daily
News@SJSU
San José State University
2011-03-06

Francisco Rendon

So … what are you?”

Although a common question facing persons of mixed ethnic heritage, it often characterizes society’s attempt to label them, and these persons‘ struggle to fit into one culture.

This question, as well as other issues concerning mixed heritage persons, such as ethnicity boxes on tests, were discussed and analyzed in discussion groups Thursday in the Dr. Martin Luther King Jr. Library.

The event was part of SJSU’s Diversity Dialogue Series, sponsored by the Office of Equal Opportunity, said Program Developer Marina Corrales.

“(These events) are about sharing our experiences and background,” Corrales said. “We use diversity as an educational tool for faculty, students and staff.”

Corrales said she was satisfied with the attendance, which held about 60 people…

…The event began with an introduction from Spano, who defined “mixed-heritage” as “people who self-identify as belonging to two or more races.

Participants then viewed a brief video featuring interviews and a speech from Kip Fulbeck, an art professor at UC Santa Barbara.

The video included a feature on Fulbeck’s book depicting persons of mixed Asian-American descent, and a discussion of the phrase “Hapa,” a term used for persons mixed with Asian or Pacific Islander heritage…

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The Mysterious Portraitist Joshua Johnson

Posted in Arts, Biography, History, Media Archive, Slavery, United States on 2011-04-10 20:25Z by Steven

The Mysterious Portraitist Joshua Johnson

Archives of American Art Journal
Volume 36, Number 2 (1996)
pages 2-7

Jennifer Bryan

Robert Torchia

The Maryland Historical Society’s Department of Manuscripts recently received three volumes of Baltimore County court chattel records—registers of personal property transactions such as mortgages, deeds of gift, powers of attorney, bills of sale, and releases of slaves from bondage. The earliest of the three volumes contains the bill of sale and the manumission record of America’s first-known black artist, the mysterious portraitist Joshua Johnson, who was active from 1790 to 1825. These extremely significant documents have survived through pure chance. According to the donor, M. Peter Moser. when the Baltimore City courthouse underwent renovation in 1954, many original documents were slated for destruction. His father. Judge Herman M. Moser, saw the discarded chattel records being thrown into bins and asked if he could have a few of the books, coincidentally saving the volume containing Johnson’s sale and manumission records.

Johnson’s existence was unknown until 1939, when Baltimore genealogist and an historian J. Hall Pleasants attributed thirteen paintings to him and attempted to reconstruct his career on the basis of fragmentary and often contradictory information. Pleasants characterized Johnson as a “nebulous figure” and he has remained so over the last fifty-eight years, despite numerous exhibitions and articles devoted to him. Only one of Johnson’s paintings bears his signature, Sarah Ogden Gustin (ca.  1805, National Gallery of Art, Washington. D.C.), and only one is documented in papers left by a patron, the well-known Rebecca Myring Everett and Her Children (1818, Maryland Historical Society, Baltimore). His life dates are unknown, and historians argue over whether his name was spelled Johnson or Johnston.

Even Johnson’s race has been a subject of contention. The idea that the artist was black was challenged when prices for his paintings escalated on the an market during the early 1970s. The authors of a history of African-American artists cast stronger doubts when they noted the highly circumstantial and speculative nature of the “evidence.”* Pleasants had collected four different accounts from the descendants of old Baltimore families who owned portraits by Johnson in which the artist was variously described as a slave, a slave trained as a blacksmith, a black servant afflicted with consumption, and an immigrant from the West Indies. In the federal censuses for Baltimore of 1790 and 1800, a Joshua Johnson is listed as a free white head of household. In the most comprehensive survey of Johnson’s life to date, Carolyn J. Weekley discovered an additional family tradition that held that Johnson was black and one that identified him as a “red man.” Until now, the sole documentary evidence that Joshua Johnson was indeed black was the Baltimore City Directory of 1817-1818, in which he is listed among “Free Householders of Colour.”

The issue of Johnson’s race has sociological and political ramifications. His gradual rise from anonymity to prominence paralleled the civil rights movement and, more recently, the academic emphasis on multiculturalism. Influenced by this climate, historians have tended to romanticize the artist, often at the expense of historical accuracy. Johnson has progressed from being parenthetically mentioned in a 1954 survey of American art as “a colored artist” who “remained a true primitive” to being the African-American artist par excellence.

The chattel records conclusively prove that Johnson was a mulatto, the son of a white man and a black slave woman owned by a William Wheeler. Sr. On July 15, 1782. the clerk of the Baltimore County court enrolled two documents, the bill of sale and the release from bondage of a slave named Joshua, “now aged upwards of Nineteen Years.” The bill records that on October 6…

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Mixed Blood: An analytical look at methods of classifying race

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Identity Development/Psychology, Media Archive, Social Science, United States on 2011-04-09 19:43Z by Steven

Mixed Blood: An analytical look at methods of classifying race

Psyhcology Today
1995-11-01

Jefferson M. Fish, Professor Emeritus of Psychology
St. John’s University, New York, New York

An analytical look at methods of classifying race.

Race is an immutable biological given, right? So how come the author’s daughter can change her race just by getting on a plane? Because race is a social classification, not a biological one. We might just have categorized people according to body type rather tha skin color. As for all those behavioral differences attributed to race, like I.Q.—don’t even ask.

Last year my daughter, who had been living in Rio de Janeiro, and her Brazilian boyfriend paid a visit to my cross-cultural psychology class. They had agreed to be interviewed about Brazilian culture. At one point in the interview I asked her, “Are you black?” She said, “Yes.” I then asked him the question, and he said “No.”

“How can that be?” I asked. “He’s darker than she is.”…

…The short answer to the question “What is race?” is: There is no such thing. Race is a myth. And our racial classification scheme is loaded with pure fantasy…

…Since the human species has spent most of its existence in Africa, different populations in Africa have been separated from each other longer than East Asians or Northern Europeans have been separated from each other or from Africans. As a result, there is remarkable physical variation among the peoples of Africa, which goes unrecognized by Americans who view them all as belonging to the same race.

In contrast to the very tall Masai, the diminutive stature of the very short Pygmies may have evolved as an advantage in moving rapidly through tangled forest vegetation. The Bushmen of the Kalahari desert have very large (“steatopygous“) buttocks, presumably to store body fat in one place for times of food scarcity, while leaving the rest of the body uninsulated to radiate heat. They also have “peppercorn” hair. Hair in separated tufts, like tight curly hair, leaves space to radiate the heat that rises through the body to the scalp; straight hair lies fiat and holds in body heat, like a cap. By viewing Africans as constituting a single race, Americans ignore their greater physical variability, while assigning racial significance to lesser differences between them.

Although it is true that most inhabitants of northern Europe, east Asia, and central Africa look like Americans’ conceptions of one or another of the three purported races, most inhabitants of south Asia, southwest Asia, north Africa, and the Pacific islands do not. Thus, the 19th century view of the human species as comprised of Caucasoid, Mongoloid, and Negroid races, still held by many Americans, is based on a partial and unrepresentative view of human variability. In other words, what is now known about human physical variation does not correspond to what Americans think of as race…

…Americans believe that race is an immutable biological given, but people (like my daughter and her boyfriend) can change their race by getting on a plane and going from the United States to Brazil—just as, if they take an avocado with them, it changes from a vegetable into a fruit. In both cases, what changes is not the physical appearance of the person or avocado, but the way they are classified.

I have focused on the Brazilian system to make clear how profoundly folk taxonomies of race vary from one place to another. But the Brazilian system is just one of many. Haiti’s folk taxonomy, for example, includes elements of both ancestry and physical appearance, and even includes the amazing term (for foreigners of African appearance) un blanc noir—literally, “a black white.” In the classic study Patterns of Race in the Americas, anthropologist Marvin Harris gives a good introduction to the ways in which the conquests by differing European powers of differing New World peoples and ecologies combined with differing patterns of slavery to produce a variety of folk taxonomies. Folk taxonomies of race can be found in many—though by no means all—cultures in other parts of the world as well…

Read the entire article here.

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Race and Mixed Race

Posted in Course Offerings, History, Law, Literary/Artistic Criticism, Media Archive, Social Science, United States on 2011-04-08 21:57Z by Steven

Race and Mixed Race

University of Michigan
College of Literature, Science, and the Arts
American Culture
AMCULT 311 –  Topics in Ethnic Studies
Section 001
Fall 2011

Evelyn Azeeza Alsultany, Assistant Professor of American Culture

This course examines how conceptions of race and mixed race have been historically shaped through law, science, and popular culture. In addition to examining the ways in which race has been socially constructed and how its meanings have changed over time, the course also explores the politics of interracial marriage, contemporary mixed race identities, and cross-racial adoption. Through an examination of historical, sociological, and autobiographical texts, the course explores a variety of themes including: census classifications, affirmative action, notions of colorblindness, questions of appearance, “authenticity,” community belonging, and the debates around the mixed race movement. Course requirements include posting a weekly discussion question, two in-class exams, and a final group project.

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