Mixed Race Studies

GalleryDAAS: Photographs by Ed West

University of Michigan
G648 Haven Hall
505 S State Street
Ann Arbor, Michigan 48109
2014-03-13 through 2014-05-02
Opening Reception: 2014-03-14, 17:30-20:00 CDT (Local Time)

Hosted by the Department of Afroamerican and African Studies (DAAS)

GalleryDAAS presents So Called, a photography series by award-winning artist and U-M professor Edward West. Curated by Franc Nunoo-Quarcoo, So Called is a transnational project about multi-ethnic identities in three locations: Honolulu, Hawaii, Havana, Cuba and Cape Town, South Africa. The series includes photographic portraits of individuals drawn from these communities and focuses on the issue of race, specifically the mixing of races and its social complexities. While the mixing of races has long been a consequence of diasporic/nomadic history, we have only recently found a place in our cultural imaginary for a fuller representation of these collective and individual identities and destinies. The introduction of a mixed race category on the U.S. census, literary and filmic treatments of racialized lives, the emergence of postcolonial studies, all suggest an expanded space for the reception of ideas and issues concerning creolization. See GalleryDAAS here.

A practicing artist for more than 30 years, Edward West’s creative work includes photography, collage, and installation. His exhibitions include installations at the Smithsonian Institution, the Detroit Institute of Arts, the Brooklyn Museum of Art, the Museum of Contemporary Photography in Chicago, the Art Institute of Chicago, the Rose Art Museum in Boston, the Honolulu Academy of Arts, the Corcoran Gallery of American Art, and the University of Michigan Museum of Art.

For more information, click here.

Mixed Madness Month 2014

University of Maryland
Adele H. Stamp Student Union
March 2014

________ Looks Like Me

Mixed Madness Month takes place every March. It is the annual heritage and advocacy month for those that consider themselves multicultural, multiracial, multiethnic, and/or a supporter of the mixing of cultures. This year’s theme is:

The “__________ Looks Like Me” theme is part of a larger campaign visual project designed to shatter stereotypes about what individuals of certain categories or groups (race, ethnicity, religion, nationality, occupation, ability, gender, etc.) look like and/or are capable of.

For more information, click here.

Why isn’t College for Learning About Mixed-Race Identities?

Racism Review: scholarship and activism toward racial justice
2014-03-08

Sharon Chang

There are some incredible opportunities out there right now to get certificates, higher ed and even advanced degrees specializing in the experience of Americans of color. Want a degree in Asian American Studies? Sure. How about African American, Native or American Indian, Latin American, Mexican American or Chicano studies? Absolutely. Google [Search] all of these and you’ll find brilliant choices to be credentialed in these heritage experiences at very fine colleges and universities.

But what if you ID as mixed-race multicultural across any of these racial lines? Is there a degree for that?

“Not that I’m aware of,” writes Steven F. Riley of MixedRaceStudies.org (46), “The vast majority of courses on mixed-race studies are within the disciplines of Sociology, Psychology, History and Literature, etc.” Despite the fact that the crop of students moving through college today is the largest group of self-identified mixed-race people ever to come of age in the U.S., “In traditional Ethnic Studies,” writes University of California, Berkeley: Center for Race and Gender, “Mixed race scholarship has often been marginalized, misappropriated, tokenized or simply left out.”

Indeed it has only been in recent history that an arena for multi-race discourse has even forcibly begun construction mostly due to multiracials themselves. In the US this is because we have (a) not only a history of denying mixed race which persists but (b) a habit of continuing to operate under the assumption that race can be easily identified and filed away. Anyone who can’t be instantly categorized by visual scanning either gets shoved into something that kinda sorta fits, shows up as a mere blip on the cognitive-radar screen or flies under it completely. Case in point, whether by choice or lack of choice, some of the more visible mixed-race Asian scholars/authors right now are embedded in other departments at their campuses: Laura Kina (Art, Media, & Design, DePaul University), Leilani Nishime (Dept of Communication, University of Washington), Stephen Shigematsu-Murphy (Asian American Studies, Stanford University), Rebecca Chiyoko King-O’Riain (Sociology, University of Ireland)…

Read the entire article here.

Rutherford’s Bill Galloway reflects on genealogy, racial history

NorthJersey.com
Woodland Park, New Jersey
Thursday, 2014-02-20

Kelly Nicholaides

Bill Galloway, a resident with roots that go back to the 1920s in Rutherford, is proud of both his black roots and the “miscegenation” of his family. The longtime-Rutherford resident’s ancestors built a solid foundation with a focus on education and work ethic in a fully integrated school system since the 1920s. The family built relationships with individuals of all backgrounds, and made lasting connections that cemented their success as community leaders.

A pharmacist who still works full-time, Galloway, 85, reflected on his genealogy as well as the evolution of the concept of race, and notes that his family has a long history of bi-racial roots on both maternal and paternal sides. Regardless, Galloway notes that even if one doesn’t appear black, any black individuals in one’s ancestry technically makes someone black. Part-African-American, part-Scottish and British, with a bit of Native American, Pacific Islander on his paternal side, Galloway, eschews the term African-American. Additionally, he does not differentiate between ethnicity, which relies on DNA, and race, which applies to physical attributes.

“First it was colored, then Negro, then black, and now African American. Yet all of us came from mixed race families, when you think about it. I’m the darkest in my family,” Galloway reflects. “The black race is everything from jet black to pure white. If you have even just a little black in you, even if you don’t appear black, you’re still black. Race has nothing to do with color of your skin. Race is what’s in your DNA.”…

…”Back in those days, and since the miscegenation of the 1860s, black woman had babies by slave owners, and there were thousands during the Civil War. Around 1900, white women were fined if they had a bi-racial baby,” Galloway says. “Back then, people who got tired of discrimination got rid of their birth certificates, came up north here and 100 miles around, and passed as white people. They took Bibles and put in their birth dates and new names. The Bible was accepted as ID,” Galloway explains…

Read the entire article here.

The Romance of Race: Incest, Miscegenation, and Multiculturalism in the United States, 1880–1930; and Spectacular Wickedness: Sex, Race, and Memory in Storyville, New Orleans [Smithers Review]

The Journal of American History
Volume 100, Issue 4 (March 2014)
pages 1222-1224
DOI: 10.1093/jahist/jau065

Gregory D. Smithers, Associate Professor of History
Virginia Commonwealth University, Richmond, Virginia

Jolie A. Sheffer, The Romance of Race: Incest, Miscegenation, and Multiculturalism in the United States, 1880-1930. (New Brunswick: Rutgers University Press, 2013. xiv, 233 pp. Cloth, $72.00. Paper, $24.95.) Emily Epstein Landau, Spectacular Wickedness: Sex, Race, and Memory in Storyville, New Orleans. (Baton Rouge: Louisiana State University Press, 2013. xviii, 310 pp. $39.95.)

Since the global financial crisis in 2008 there has been a lot of discussion in newspapers and among historians about the resurgence of economic history. Major university presses have initiated book series devoted to the history of capitalism, while college classrooms across the country reportedly fill with students eager to learn about the past heroics and/or misdeeds of bankers, entrepreneurs, and Wall Street insiders. This turn in historical scholarship has productive potential, for while history is often written about the deceased, it is written for the living so they might better understand the world in which they live. At the same time, the renewed prominence that economic histories now enjoy also has the potential to sideline (and silence) the histories of racial and ethnic minorities, women, and the working classes.

In this context, Jolie A. Sheffer’s The Romance of Race and Emily Epstein Landau’s Spectacular Wickedness are welcome interventions in historical scholarship. Sheffer, whose focus is on the intersecting literary categories of incest and miscegenation, and Landau, who provides a detailed historical examination of the New Orleans vice district of Storyville, demonstrate how understanding the complex and interconnected histories of race, gender, and sexuality remains critical to comprehending the United States at the turn of the twentieth century. In an era dominated by corrupt politicians and…

Read or purchase the review of both books here.

Fatal Invention: The New Biopolitics of Race and Gender – Dorothy Roberts

University of California, Berkeley
Alumni House
Friday, 2014-03-07, 17:00-19:30 PST (Local Time)

Join us for a discussion with Prof. Dorothy Roberts, University of Pennsylvania Law School, author of Fatal Invention: How Science, Politics, and Big Business Re-create Race in the Twenty-first Century.  Lecture organized by the group, Politics of Biology & Race, a UC Center for New Racial Studies working group, and co-sponsored by the Center for Race & Gender and the Haas Center for a Fair and Inclusive Society.

Dorothy Roberts, an acclaimed scholar of race, gender and the law, joined the University of Pennsylvania as its 14th Penn Integrates Knowledge Professor with a joint appointment in the Department of Sociology and the Law School where she also holds the inaugural Raymond Pace and Sadie Tanner Mosell Alexander chair.

Her pathbreaking work in law and public policy focuses on urgent contemporary issues in health, social justice, and bioethics, especially as they impact the lives of women, children and African-Americans. Her major books include Fatal Invention: How Science, Politics, and Big Business Re-create Race in the Twenty-first Century (New Press, 2011); Shattered Bonds: The Color of Child Welfare (Basic Books, 2002), and Killing the Black Body: Race, Reproduction, and the Meaning of Liberty (Pantheon, 1997).

‘Chinese, on the Inside’

The New York Times
2014-03-03

Liz Mak, writer and multimedia producer
Oakland, California

Catie and Kimberly were adopted from China by a couple from Maine, who attempt to pass on a culture they’ve never known firsthand.

About a decade ago, Barbara Cough adopted two girls from China, Kimberly and Catie. Barbara and her partner, Marilyn Thomas, are raising the children in Portland, Me. I filmed the family last year when the girls (who are not biological sisters) were ages 9 and 11.

More than 80,000 girls have been adopted from China by Americans since 1991. In recent years, China has made adoptions by same-sex couples, already difficult, nearly impossible.

But at the time the girls were adopted, in 2003 and 2004, Barbara and Marilyn felt that adopting girls from China afforded them more protections as parents than domestic adoptions would have, given the complex rules around birth parents’ rights in America.

For Barbara, it was also a way to reconnect with her own history: her great-grandfather Daniel Cough was the first Chinese man in Maine to become a naturalized citizen of the United States. Though Barbara’s generation is only one-eighth Chinese, the family members proudly identify with their cultural heritage…

Read the opinion piece and watch the video here.

International Blackness vs. Homegrown Negroes: Lupita, Chimamanda, Thandie and me

Alternet
2014-02-23

Esther Armah

“She is very white!” Revered Swedish film critic Jannike Åhlund watches a clip of actress Thandie Newton playing Olanna, one of the Nigerian twin sisters in the film adaptation of the award-winning novel Half of a Yellow Sun by Nigerian author Chimamanda Ngozi Adichie. In January, the Goteborg International Film Festival and International Writers’ Stage Gothenburg co-hosted a conversation between Jannike and Chimamanda in Sweden. The audience laughed awkwardly at Jannike’s assertion. Chimamanda frowned at the description. Critiques of Thandie Newton in this leading role gathered force. Chimamanda was called upon to respond to them.

Half of a Yellow Sun is one of Chimamanda Adichie’s three novels. Chimamanda’s name exploded in popular circles recently when Beyoncé included a quote from her TEDx talk, “We Should All Be Feminists,” on the track “Flaweless” from her latest album. Half of a Yellow Sun also stars award-winning Nigerian-British actor Chiwetel Ejiofor of 12 Years a Slave fame and African American actress Anika Noni Rose. Rose stars as Olanna’s fraternal twin, Kainene.

Chimamanda seized the opportunity that Jannike’s comment provided to talk about the complexity of shades within blackness and specific issues of international blackness. The criticism internationally has been that Thandie Newton is not Nigerian and is therefore a problematic choice for the lead role…

…Igbo is a tribe in Nigeria, as is Yoruba, Hausa and Ogoni. The term “Igbo yellow” identified you as the “enemy” during the bloody and brutal Biafran War (the subject of the book and film). Thandie’s light skin as Olanna does not equate to the privilege rooted in the history of shadism and colorism in America. Thandie is not Nigerian – and for some Nigerians her authenticity – and that of the film – wanes precisely because of her “foreign blackness.”

Debates and discussions around colorism and shade in America are often cyclical and absolute — light skinned equals privilege, light is Hollywood leading lady, light is the chosen one; dark equals rejected, ugly, undesirable, unimportant. That is indeed a truth, but it is one of many truths. That is the framing of complexion narratives, and that of the legacy of untreated trauma of America’s history where enslaved Africans had babies by slave masters beginning the panorama of complexion on these shores. Historically, the closer to white you were, the better the treatment you received. Time travel though history and in today’s America that legacy persists, manifesting in celebrity, beauty magazines, and leading lady selection. It continues to be the cause of pain and hurt within and among African American communities, and diasporan black folk due to Western standards of beauty. A recent hour long Oprah’s Life Class on Colorism with New York Times best-selling author and teacher Iyanla Vanzant explored the issue with an audience full of black women running the gamut from deepest chocolate to the lightest of light skinned blacks. Actor and director Bill Duke in his documentary Dark Girls also explored the issue of complexion…

…There is work that contributes to expanding narratives around blackness. Scholar and producer Dr. Yaba Blay’s pivotal projects–(1)ne Drop: Shifting the Lens on Race and “Pretty.Period,” open up the conversations about the two extremes of color – light and dark skinned – contextualizing, clarifying, honoring and celebrating what has often been divisive, contentious, difficult space. On Dr. Blay’s site, she explains her reasoning for Pretty.Period. a visually delicious website that features darker skinned black women. For Dr. Blay, ‘Pretty. Period’ pushes back against the privileging of a single story in relation to complexion. Blay writes, “We focus primarily on the sociopolitical disadvantages that come with being dark-skinned in a society that continues to privilege and prioritize White/Western standards of beauty…

Read the entire article here.

Mapping Interracial/Interethnic Married-Couple Households in the United States: 2010

United States Census Bureau
Presented at the Annual Meeting of the Population Association of America
New Orleans, Louisiana
2013-04-11 through 2013-04-13

Tallese D. Johnson, Population Division
U.S. Census Bureau

Rose M. Kreider, Social, Economic, and Housing Statistics Division
U.S. Census Bureau

Introduction

This poster examines the geographic distribution of interracial and interethnic married couples in the United States. The analysis focuses on county level distributions that map the prevalence of specific combinations of interracial/interethnic married couples, such as Whites married to Asians. The county maps illustrate the diversity of interracial/interethnic couple combinations around the country. Much of the literature on interracial or interethnic married couples shows all such couples together. However, particular intermarried combinations have distinct histories and distributions across the United States.

Given distinct paths of entry into the United States, internal migration patterns, and residential segregation, we would expect that White/Black couples may tend to live in different areas than White/Asian couples, for example. Couples with a relatively longer history of intermarriage, such as Hispanic/non-Hispanic couples or White/American Indian and Alaska Native couples may have distinct patterns of residence. This poster provides basic information about where particular intermarried couples live, by county, across the United States…

View the poster and maps here.

Black history month is a token tribute, but Afro-Latinos don’t even have that

The Guardian
2014-02-26

Icess Fernandez Rojas

The US has a designated celebration for about every group, but if you’re of mixed heritage, you’re on your own

I cringe every time February rolls around. For me, black history month has become predictable. First, it’s the arguments against it: “What about white history month?” Then up come the defenses: “How come black history month is the shortest month of the year?” Then, when we eventually get around to honoring the heroes and heroines of the hour, we dust off the biographies, documentaries, and frankly, Wikipedia entries, of the following: Martin Luther King Jr, Rosa Parks, and that guy who invented peanut butter. By the time it’s the end of the month, we’ve in fact forgotten what in fact we were meant to be celebrating and move on, confident that we’ve done our duty.

Yes, February is cringe-worthy for me. But the above reasons, although valid, aren’t why I recoil at the calendar. February is the month when everyone forgets that I’m black, too.

If you’re Afro-Latino, February isn’t the month for you because it simply doesn’t celebrate the diversity of your heritage. It doesn’t even try. If you’re Afro-Latino, you’re expected to lump your experience of being a person of African descent into the predictability of the month’s celebration…

Read the entire article here.