Mixed Race Studies

Stop Denying Me My Blackness: A Latina Speaks About Race

The Huffington Post
2015-08-04

Vanessa Mártir

I’d been in Wellesley for all of a few weeks when it first happened. It was the fall of 1989, my first year in boarding school. I was walking with another ABC (A Better Chance) student back to our dorm on the outskirts of the Wellesley College campus. We were the “scholarship kids”– her a St. Lucian girl from Flatbush, me a Boricua–Hondureña from Bushwick. We were walking along Washington Avenue, the main street that runs through the town, past the Town Hall that looks like a castle, and the duck pond. I don’t remember what we were talking about or if we were even talking, but I remember his face, bloated and red and angry. He stuck that face out of the truck that slowed down as it passed, then he threw a lit cigarette at us, two teenage girls, her 16, me 13, and said, “Go home, niggers.” We jumped away to avoid getting burnt and stared at the truck as it sped off. She started crying, a quiet, blubbering cry that shook her shoulders. I stayed quiet the rest of the walk home.

The following year, a black girl who was all of a shade darker than me told me I didn’t know prejudice, “because you’re not black.” She pursed her lips and shook her head. I thought back to that lit cigarette and that bloated red face.

In the summer of 1985, my mother took us to Honduras for the first time. One morning, my brother Carlos and I were picking naranjas off the tree whose branch extended out into our family’s patio. We were just kids—I was nine, Carlos was thirteen. We just wanted some oranges. Suddenly the neighbor came running out of her house screaming. She called us malditos prietos, thieves and criminals for picking fruit off her tree. She said she’d rather they rot than have us eat them. My brother pulled open an orange with his fingers, put it to his mouth and sucked on it while he stared at that woman. She sneered and called him, “un prieto sucio.” My brother laughed, juice dripping down his chin, grabbed my hand and walked off. I gave her the universal fuck you sign—the middle finger…

…I’ve been thinking a lot about race, as a Boricua-Hondureña who identifies as BOTH black and indígena, because I am both and neither is mutually exclusive. Here’s the thing, I’m all for conversations about blackness. They are necessary. But to have a complete conversation, we need to talk about how some people, African American and even my own Latino people, have denied me my blackness because “you don’t look black,” they’ve said. The issue is that people like me do not fit into their construct of what race is…

Read the entire article here.

One Tough Cookie: Fran Ross’s “Oreo” Written Decades Before Its Time

Lawrence Public Library
707 Vermont Street
Lawrence, Kansas
2015-07-31

Kate Gramlich

There are a handful of books I have re-read several times because I found some deep, emotional connection with the characters, and each read is like a conversation with a dear old friend. (I have a dear new friend who revisits To Kill a Mockingbird every year for similar reasons and to see how his opinions on the text change over time.)

Then there are books I have re-read because I just know that I didn’t catch everything the author was throwing down the first time. And I’m here to tell you, folks, that Fran Ross’s Oreo is the queen of those books. Oreo’s heroine’s journey to find the “secret of her birth” had me laughing aloud and wrapping my brain around awesome word puzzles the entire time.

Though originally published in 1974 (more on that later), Oreo was re-printed by New Directions in July of this year, and I was lucky enough to grab it right off our New Fiction shelves at LPL last week…

Read the entire review here.

My interracial family needs its own action figures

The Washington Post
2015-08-06

Nevin Martell

(Courtesy of the author)

Growing up, I can recall owning only two black action figures in a massive collection that spanned movies, television and comic book characters. There was Lando Calrissian – the smooth talking, caped czar of Cloud City in The Empire Strikes Back – and Roadblock, G.I. Joe’s muscle-bound machine gunner. All of the others were white, aliens or costume clad villains of indeterminate race.

At the time, the absence of racial diversity didn’t register. I was more concerned with having an equitable mix of good guys and bad guys for the elaborate imaginary battles I orchestrated on my bedroom floor and in the backyard.

Now that I have an interracial son, my perspective has changed. I’d love for him to have toys that serve as a jumping off point for his imagination. When I played with a Luke Skywalker action figure, I wasn’t a 5-year-old boy sitting in the sandbox. I was a future hero of the Rebel Alliance, staring across the dunes at Tatooine’s twin sunset. Back then I had blonde hair. So in my mind’s eye, I looked exactly like Skywalker…

Read the entire article here.

Poitier Revisited: Reconsidering a Black Icon in the Obama Age

Bloomsbury Publishing
2015-01-15
288 pages
25 bw illus
229 x 152 mm
Hardback ISBN: 9781623564919

Edited by:

Ian Gregory Strachan, Associate Professor of English
College of The Bahamas

Mia Mask, Associate Professor of Film
Vassar College, Poughkeepsie, New York

Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier’s iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly ‘post-racial’ moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier’s films explored are every bit as relevant today as when they were first made.

Table of Contents

• List of Figures
• Acknowledgements
• Notes on Contributors
• Introduction
• 1. Walking with Kings: Poitier, King, and Obama / Aram Goudsouzian, University of Memphis, USA
• 2. Historicizing the Shadows and Acts: No Way Out and the Imagining of Black Activist Communities / Ryan De Rosa, Los Angeles Public Schools, USA
• 3. Caribbean All-Stars: Sidney Poitier, Harry Belafonte, and the Rise of the African-American Leading Man / Belinda Edmondson, Professor of English and African-American & African Studies, USA
• 4. “Draggin’ the Chain”: Linking Civil Rights and African American Representation in The Defiant Ones and In the Heat of the Night / Emma Hamilton and Troy Saxby, University of Newcastle, Australia
• 5. Whisper Campaign on Catfish Row: Sidney Poitier and Porgy and Bess / Jeff Smith, University of Wisconsin-Madison, USA
• 6. To Sir, With Love: A Black British Perspective / Mark Christian, Lehman College, USA
• 7. Transgression or Legal Union?: The Meaning of Interracial Marriage in 1967 Film and Law / Kim Warren, University of Kansas, USA
• 8. A Blues the Tom: Sidney Poitier’s Filmic Sexual Identities / Ian Gregory Strachan, College of The Bahamas, Bahamas
• 9. Black Masculinity on Horseback: From Duel at Diablo to Buck and the Preacher and beyond / Mia Mask, Vassar College, USA
• 10. Stepping Behind the Camera: Sidney Poitier’s Directorial Career / Keith Corson, Rhodes College and Memphis College of Art, USA
• 11. No Shafts, Super Flys, or Foxy Browns: Sidney Poitier’s Uptown Saturday Night as Alternative to Blaxploitation Cinema” / Novotny Lawrence, Southern Illinois University-Carbondale, USA
• 12. Transcending Paul Poitier: Six Degrees of Separation and the Construction of Will Smith / Willie Tolliver, Jr., Agnes Scott College, USA

Book Review: CAUCASIA

MixedRaceBooks
2016-07-26

Bethany Lam

Senna, Danzy, Caucasia: A Novel (New York: Riverhead, 1999)

Two biracial sisters—one light-skinned, one dark—are separated as children. The younger, lighter girl grows into a troubled teenager, but she never forgets her beloved older sister. Can she find her sister again … and with her sister, her self?

Plot Summary:

Seven-year-old Birdie Lee idolizes her big sister, Cole. Growing up biracial in 1970s Boston, she needs Cole’s protection and support to cope with the racial tensions of the time (see “Boston busing desegregation“).

The two girls are so close that they have developed a secret language, “Elemeno.” Together, they dream of a fantasy world, also called “Elemeno,” whose inhabitants can change appearance as needed to blend in and survive. As young children, the sisters retreat to this world to escape the things that threaten them, especially the slow crumbling of their parents’ dysfunctional marriage…

Read the entire review here.

Book Review: “A Chosen Exile: A History of Racial Passing in American Life” by Allyson Hobbs

The Santa Fe New Mexican
2015-05-15

Adele Oliveira

A Chosen Exile: A History of Racial Passing in American Life by Allyson Hobbs, Harvard University Press, 382 pages

In the first chapter of The Souls of Black Folk, W.E.B. Du Bois’ 1903 treatise on race, he famously refers to the “veil” that separated black and white America. Du Bois writes about what becoming aware of the veil means: “It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness — an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”

Though Du Bois is referring to individuals who are recognizably black, the difficulty of maneuvering dual identities was particularly potent for racially ambiguous Americans — and especially those who chose to “pass” as white, either temporarily or permanently. The complicated practice of passing is the subject of Stanford history professor Allyson Hobbs’ book, A Chosen Exile: A History of Racial Passing in American Life. In the book, Hobbs traces the history of passing from the 18th century until roughly the end of the civil rights movement, examining the choice to pass and its consequences…

Read the entire review here.

One-sided Biracial TV Families– Why Are So Many Asian Moms MIA?

AsAmNews
2015-08-05

Laylita Day

I started to notice a disturbing trend among certain TV shows. Each one featured a biracial character, specifically a woman who had an Asian mom and White dad. The disturbing part of this was the fact that none of the Asian moms are actually in the shows with one slight exception. This caught my attention mainly because I too have a White dad and Asian mom. My mother and I are fairly close, so seeing show after show where the biracial daughter has no contact or knowledge of her mother made me feel uneasy. I began to ask myself why there were so many M.I.A. Asian moms in biracial TV families…

Read the entire article here.

Book Review: Articulate While Black: Barack Obama, Language, and Race in the U.S.

Jennifer L. Ruef
Stanford University, Palo Alto, California

Urban Education
Volume 50, Number 6 (September 2015)
pages 776-783
DOI: 10.1177/0042085913519339

H. S. Alim, G. Smitherman (2012). Articulate While Black: Barack Obama, Language, and Race in the U.S. New York, NY: Oxford University Press. xv + 199 pp. ISBN-13: 978-0-199-81298-1.

This review highlights the ways in which race is heard and played to advantage or disadvantage. From Barack Obama’s redefinition of presidential—through his deft linguistic style-shifting—to the ways race is read in the speech of students and the general public, Articulate While Black (AWB) challenges the notion of a postracial United States and persuades the reader that who decides the power of racialized English is an open question. Furthermore, it is a call to action for teachers to change the ways race is heard, leveraged, and celebrated in classrooms dedicated to equity and social justice.

Read or purchase the article here.

Greason: Quiet reflections on the impact of race perception

The Times-Herald
Norristown, Pennsylvania
2015-08-05

Walter Greason, Executive Director
International Center for Metropolitan Growth

Imagine looking white, but not being white. It is an experience that exposes the limitations of racial perception, while reinforcing its power. As a child, the experience unfolds through the whispers of a community’s rejection. Hurried words and sudden glances as adults explain to each other – “he’s not really what he looks like.” It is the loss of unspoken opportunities, the isolation from an elite social circle, glimpsed but never joined. It is a daily pain and a forced passage into a marginal status where racial meaning constantly shifted regardless of ancestry.

Imagine the child of such a person, a child representing the first generation after the Loving v. Virginia decision (a landmark civil rights decision of the US Supreme Court which invalidated laws prohibiting interracial marriages). This “unwhite” person might seek refuge in a community color-struck with admiration for lighter complexions. A darker-skinned family of social status might perceive an opportunity to open doors for children who would not experience the depths of anti-black attitudes in the United States – if they were light enough, if their hair was good enough. Such a marriage, such a family, might come to represent both an affirmation and a denial of the racial politics at the end of the twentieth century. This child could pick from a variety of cultures and identities – but somehow, he could never become white…

Read the entire article here.

Interview with Moogega Cooper

HalfKorean.com: An online community for mixed-race Koreans
2013-04-10

David Lee Sanders

Moogega (무지개) Cooper was a top competitor on season one of TBS’s reality competition show, King of the Nerds. It premiered on TBS in January 2013 and the season just ended in early March 2013.

The King of the Nerds premise: “The series will follow 11 fierce competitors from across the nerd spectrum as they set out to win $100,000 and be crowned the greatest nerd of them all.”

Although she did not win the competition, Moogega did place 5th overall and gained a considerable fan following from her involvement on King of the Nerds.

Her “day job” is as a Planetary Protection Engineer at Jet Propulsion Laboratory, a NASA field center. Although the job title may sound a little nerdy, it is quite an interesting and important job in relation to space research and exploration.

We were able to cover some of Moogega’s personal background, her professional career and, of course, discuss her King of the Nerds experience and are pleased to present this interview.

Please note that HalfKorean.com comments/questions are in BOLD.

Background: The Basics on Moogega

Where and when were you born, raised and currently reside?
I was born in 1985 in Southern New Jersey. I was raised there until I was 10 years old. We then all moved to Virginia. Once I finished graduate school in Philadelphia I moved to southern California for my job. I won’t leave southern California at all because I love it here!

How did your parents meet?
They met in Korea. My dad would go there several times to just hang out. He used to be in the military and would go back and forth. He met my mom through mutual friends. I kind of want to get a shirt made that says “Made in Korea” as I was definitely conceived there. They had a small ceremony in Korea and he then brought her back to the United States where they were married in the US…

…Did you grow up around other mixed Koreans or people of mixed heritage?
What was very interesting was that because we were around a lot of military people, there were a lot of mixed heritage people. No one that was mixed exactly like me but I was used to growing up with a rainbow of people.

Did you ever experience any identity issues while growing up?
A lot of people when they look at me and when I reveal to them that I’m half Korean, they say that they don’t see it at all and think that I’m black. I get a lot of people that say that and they try to impose their own classification of my identity and I embrace both sides…

Read the entire interview here.