Mixed Race Studies

Art for Obama: Designing Manifest Hope And The Campaign For Change

Abrams
2009-10-01
184 pages
150 full-color illustrations
Trim Size: 9 x 11
Paperback ISBN: 0-8109-8498-9

Edited by:

Shepard Fairey

Jennifer Gross

Few events in recent memory have captivated the world’s attention like that of Barack Obama’s historic presidential campaign. Not only did it stir passionate political momentum, but it also inspired the creative talents of a world of artists, illustrators, and graphic designers.

Shepard Fairey’s iconic Hope portrait became the face of the campaign and, more than ever before, innovative graphic design became a central strategy for winning the race.

Comprised of collages, paintings, photo composites, prints, and computer-generated pieces, Art for Obama showcases the well-known images of the campaign as well as less famous but equally creative pieces from around the globe. This is a volume for design and art aficionados, as well as supporters of the 44th President of the United States who want a keepsake as uncommon as his extraordinary campaign.

Exotic Korla Pandit hid race under swami persona

SFGate
2015-08-15

Jessica Zack

Eric Christensen grew up in San Francisco in the 1950s and remembers his mother, “like a lot of women then, being transfixed by Korla Pandit on television. He wore a jeweled turban and had these mesmerizing eyes that made women feel he could see right through them. Korla was this otherworldly, captivating guy, and we all thought he and his music were from another land.”

Christensen, who lives in Mill Valley, and his former KGO TV colleague John Turner of Berkeley have chronicled Pandit’s life story in their new documentary “Korla,” which has its Bay Area premiere at San Francisco’s Museum of the African Diaspora on Aug. 20.

From his first 1949 episodes of “Adventures in Music” on Southern California’s KTLA, Pandit rode an almost 50-year-long wave of success — as a TV sensation, prolific recording artist (13 albums with Berkeley’s Fantasy Records) and “grandfather of exotica music” — based not only on his keyboard prowess but on his enigmatic swami persona.

With his heavily kohl-rimmed eyes and upturned half-smile, Pandit coaxed unusual sounds from the Hammond B-3 organ, playing “musical gems from far and near” — faux-Polynesian sounds, Hawaiian war chants, “hypnotiques” — while extolling the virtues of “divine consciousness” and “the universal language of music.”

Yet, unbeknownst to his legions of fans until after his death in Petaluma in 1998, at age 77, Pandit’s hypnotic Svengali look and supposedly Hindu name were part of an expertly crafted fiction of self-invention. A magazine profile by R. J. Smith in 2001 revealed that Pandit was actually African American, a minister’s son born John Roland Redd, from Columbia, Mo…

…The film incorporates interviews with music and sociology experts — including Carlos Santana (who likens Pandit to Miles Davis), The Chronicle’s Radio Waves columnist Ben Fong-Torres and UC Berkeley Professor Emeritus Harry Edwards — as well as with Pandit’s nephew Gary Cloud, to examine, says Christensen, “this amazing act, even by show business standards. This wasn’t an act that occurred onstage for an hour or two, this was 24/7, all through his life. Korla put on this persona and couldn’t take it off. Living a lie on a daily basis must have been very difficult.”

“Korla’s life story illustrates what African Americans knew at the time: ‘If I can be anything other than black, my life could change dramatically,’” says Stanford University Assistant Professor of History Allyson Hobbs, whose new book “A Chosen Exile” explores the stories of individuals who passed as someone else racially from the late 19th century through the 1950s. “If they could just twist people’s perception of them even one degree — in this case, from black to another minority — doors previously closed would open.”…

Read the entire article here.

Health Care, Research Failing to Adapt to U.S.’s Growing Multiracial Population

School of Social Work
University of Illinois, Urbana-Champaign
2015-10-12

Data collection methods in research and health care settings have lagged behind in adapting to the rapidly growing population of multiracials, according to studies led by social work professor Karen M. Tabb Dina

Multiracial people who change their racial identity from a single race to multiracial over time may be healthier than their minority peers who consistently identify as monoracial, new research suggests.

Despite the U.S.’s rapidly growing population of multiracial individuals, researchers and health care systems continue to use outdated approaches to racial categorization that force people to classify themselves as monoracial, which may be masking the incidence of health conditions and obscuring disparities in health care access and utilization among multiracial populations, a University of Illinois scholar said.

Social work professor Karen M. Tabb Dina is the lead author of two recent studies that explored issues of racial identity and its impact on health care access and utilization among nearly 8,000 U.S. young people.

The subjects in both of Tabb Dina’s studies were participants in the National Longitudinal Study of Adolescent Health, one of the first surveys to allow respondents to identify themselves as multiracial using two or more racial categories, Tabb Dina said.

Participants in the Adolescent Health survey were asked about their racial background during the first wave of data collection in 1994 and again during the third wave, conducted in 2002.

Of the 7 percent of participants identified as multiracial at either wave, only 20 percent of these people selected the same racial categories both times, Tabb Dina found.

Read the entire article here.

Disparities in Health Services Use Among Multiracial American Young Adults

Journal of Immigrant and Minority Health
First online: 2015-09-29
8 pages
DOI: 10.1007/s10903-015-0289-7

Karen M. Tabb, Assistant Professor of Social Work
University of Illinois, Urbana-Champaign

Christopher R. Larrison, Associate Professor of Social Work
University of Illinois, Urbana-Champaign

Shinwoo Choi
School of Social Work
University of Illinois, Urbana-Champaign

Hsiang Huang, Instructor of Psychiatry
Cambridge Health Alliance
Harvard Medical School

Addressing disparities in health services utilization remains critical for improving minority health; however, most studies do not report on the health service use of multiracial young adults (age 22–34). This study compares past year health service use of self-identified multiracial (two or more races) young adults with monoracial White young adults. Weighted survey data from Add Health (N = 7296) and multivariate logistic regression analyses were used. Compared to monoracial White young adults, Black-White multiracial [OR 0.40, 95 % CI (0.17–0.90)] and Black-Native American multiracial [OR 0.23, 95 % CI (0.09–0.63)] young adults are less likely to report primary care service use in the past year. Multiracial young adults have different health care service utilization than their White monoracial peers with Black-Native American young adults appearing to be particularly vulnerable to under-utilization of primary care services. It is important to examine multiracial subgroups when studying patterns of health services utilization.

Musician’s life brings more than passing interest in passing

San Francisco Chronicle
2015-07-28

Leah Garchik, Features Columnist

As colleagues at KGO-TV, Eric Christensen and John Turner — Eric was a sports producer, John a news editor/arts producer — shared a passion for exotic cultural phenomena. Retired, they’ve combined know-how with that passion to make the doc “Korla, the Movie,” about organist Korla Pandit.

Turban-wearing Pandit, who said he was born in India, had his own TV show in the late ’40s and early ’50s. He was known for playing exotic “foreign” music. He was living in Petaluma when he died, in 1998. A subsequent magazine profile revealed that he was African American, born in Missouri.

A documentary about Pandit as an exotic performer — the likes of Yma Sumac — would be interesting at any time. But now, in the midst of a national discussion about identity that intensified with the recent revelation that Rachel Dolezal had chosen to identify as black, the movie’s tale of “passing” seems particularly relevant. It will be shown Aug. 20 at the Museum of the African Diaspora…

Read the entire article here.

I Am the Blood of the Conqueror; I Am the Blood of the Conquered

Christina Torres: Teacher. Runner. Writer.
2015-10-12

Christina Torres, Middle and high school English and Drama Teacher
University Laboratory School, Honolulu, Hawaii

I didn’t know the true extent of Columbus’s reign of horror until a few months ago. Sitting in a Nashville library, I read accounts of the things Columbus and his men did and felt sick to my stomach.

Columbus and his fellow “conquerors” were assholes. There are a number of sources that show this. It’s easy (and correct) to hate it all. The level of prestige bestowed on them is, frankly, disgusting…

…There was also rage. A sickening, black cloud of it stormed in behind my eyes, as it usually does when I read the real history of things. Normally, that rage has a name: white supremacy, slavery, segregation, police brutality, racism, privilege, bias. I can normally pin that rage to something, burn that effigy as things to stay away from and consciously choose to try and rid myself of, to work day and day to scrape out internalized oppression and beliefs.

You can’t scrape bloodlines clean, though…

..I am Mexicana and Filipina. I have been raised to be proud of the centuries of ancestors who came before me. Both cultures place a strong emphasis on not forgetting familial and cultural history…

Read the entire article here.

Trevor Noah Says He’s Not a Political Progressive. He’d Be Funnier If He Were.

The Nation
2015-10-09

Katie Halper

(The Daily Show with Trevor Noah / Brad Barket)

The new Daily Show host doesn’t have much to say, which leaves him making jokes about tramp stamps and body weight.

Unlike Jon Stewart, Trevor Noah doesn’t ground his comedy in a political ideology. This is of course politically disappointing to people who saw Jon Stewart as someone who not only raised awareness but influenced politics and sometimes even policy. But what’s less obvious is that the lack of political perspective makes the show less funny.

Like millions of viewers in the United States and across the globe, I depended upon Jon Stewart, night after night, to excoriate people in high places who had messed with ordinary people during the day. When Comedy Central announced that Trevor Noah would replace Stewart, I knew that the odds of someone doing as good a job were slim. But I defended Noah when he came under attack for a handful of tweets that ranged from offensive to not at all offensive (just critical of Israeli policy), and from unfunny to really, really unfunny. It seemed an unfair point of focus. I was hopeful that his background, so different from Stewart’s, would bring a fresh perspective. And I thought it went without saying that Noah would continue the show’s political focus and insight…

… In contrast, correspondents Roy Wood and Jordan Keppler brought an angle and some character to the show, which made them funnier. It wasn’t earth-shattering (no pun intended), but Roy Wood Jr.’s report on NASA’s discovery of liquid on Mars was the first time I laughed during the debut episode. It was also the first time racism (and not just race) was addressed on the show. When Noah asks Wood what he can tell us about the story, Wood responds, “I can tell you I don’t give a shit.” When an optimistic Noah says, “Doesn’t this raise the possibility that one day people can live on Mars?” Wood responds, “People like who? Me and you? How am I going to get there? Brother can’t catch a cab, you think we can catch a spaceship?… Black people ain’t going to Mars! And that includes you, Trevor.”…

Read the entire article here.

Tap Roots (1948): A Review of the first “Free State of Jones” movie

Renegade South: Histories of Unconventional Southerners
2015-10-11

Vikki Bynum, Emeritus Professor of History
Texas State University, San Marcos

As we await the release of The Free State of Jones, I thought it might be fun to visit an earlier movie similarly inspired by Newt Knight and the Knight band’s Civil War uprising. Tap Roots, adapted from James Street’s 1942 novel of the same name, was released by Universal International Pictures in August, 1948.

As I searched the internet, I quickly discovered that New York Times reviewer Tom Pryor had been anything but impressed by the movie. “Checking the accuracy of historical detail in Tap Roots, the romanticized Civil War drama,” he wrote, . . . “would serve no special purpose,” presumably because, he added, “clichés, oral and visual,” had produced a drama whose characters exhibited no “individuality or substance.”

Although I had read the novel Tap Roots many years ago, I had never seen the movie—until now. After viewing seven of the eight sections of Tap Roots on YouTube over the space of two days, I have to say, Pryor was correct. Moviegoers learned little to nothing about the important story of Southern Unionism in Jones County, Mississippi, from this production…

Read the entire review here.

The Criminal Justice System and the Racialization of Perceptions

The ANNALS of the American Academy of Political and Social Science
Volume 651, Number 1 (January 2014)
pages 104-121
DOI: 10.1177/0002716213503097

Aliya Saperstein, Assistant Professor of Sociology
Stanford University

Andrew M. Penner, Associate Professor of Sociology
University of California, Irvine

Jessica M. Kizer
Department of Sociology
University of California, Irvine

Recent research on how contact with the criminal justice system shapes racial perceptions in the United States has shown that incarceration increases the likelihood that people are racially classified by others as black, and decreases the likelihood that they are classified as white. We extend this work, using longitudinal data with information on whether respondents have been arrested, convicted, or incarcerated, and details about their most recent arrest. This allows us to ask whether any contact with the criminal justice system triggers racialization, or only certain types of contact. Additional racial categories allow us to explore the racialization of crime beyond the black-white divide. Results indicate even one arrest significantly increases the odds of subsequently being classified as black, and decreases the odds of being classified as white or Asian. This implies a broader impact of increased policing and mass incarceration on racialization and stereotyping, with consequences for social interactions, political attitudes, and research on inequality.

Read the entire article here.

Disentangling the Effects of Racial Self-identification and Classification by Others: The Case of Arrest

Demography
June 2015, Volume 52, Issue 3
pages 1017-1024
DOI: 10.1007/s13524-015-0394-1

Andrew M. Penner, Associate Professor of Sociology
University of California, Irvine

Aliya Saperstein, Assistant Professor of Sociology
Stanford University

Scholars of race have stressed the importance of thinking about race as a multidimensional construct, yet research on racial inequality does not routinely take this multidimensionality into account. We draw on data from the U.S.Longitudinal Study of Adolescent Health to disentangle the effects of self-identifying as black and being classified by others as black on subsequently being arrested. Results reveal that the odds of arrest are nearly three times higher for people who were classified by others as black, even if they did not identify themselves as black. By contrast, we find no effect of self-identifying as black among people who were not seen by others as black. These results suggest that racial perceptions play an important role in racial disparities in arrest rates and provide a useful analytical approach for disentangling the effects of race on other outcomes.