Mixed Race Studies

Discovering my blackness

Blavity
2015-10-27

Juan Robles
Brooklyn, New York

“Oh, you’re Latino. I thought you were black.”

For most of my life, I’ve had people pose some variant of that statement to me. In our society, the prevalent idea is that a person can either be Latino or black but not both. As a child, I would identify only as Latino. I didn’t see myself as black and I didn’t understand, and therefore denied, the fact that I have African ancestors. Sadly, this is the case for many Latinos in America…

Read the entire article here.

In The Mix with Rosa Clemente: A Revolutionary Introduction

The Real News
2015-11-04

Jared A. Ball, Associate Professor of Communication Studies
Morgan State University, Baltimore, Maryland

Activist, journalist and scholar Rosa Clemente sat down with Jared Ball for this extended 3-part interview about her life, work and politics.

Watch the interview here.

Halloween Costume Emails Stokes Debate At Yale

All Things Considered
National Public Radio
2015-11-09

Audie Cornish, Host

Yale University is in turmoil after a series of emails about culturally insensitive Halloween costumes. Some students there are protesting what they say is a hostile environment for students of color. Sebi Median-Tayac [Aaron Z. Lewis], one of the leaders of the protest, speaks with NPR’s Audie Cornish.

Listen to the story (00:03:58) here. Download the story here. Read the transcript here.

What’s Really Going On at Yale

Medium
2015-11-08

Aaron Z. Lewis, Senior
Yale University

Dean Jonathan Holloway; Photo credit: Yale Daily News

By now, you’ve probably seen the video of a Yale student yelling at a professor, the Facebook post about a “white girls only” party, or the email about offensive Halloween costumes. Unfortunately, the short YouTube clips and articles I’ve seen don’t even come close to painting an accurate picture of what’s happening at Yale. I’m a senior here, and I’ve experienced the controversy firsthand over the past week (and years). I want to tell a more complete story and set a few facts straight.

For starters: the protests are not really about Halloween costumes or a frat party. They’re about a mismatch between the Yale we find in admissions brochures and the Yale we experience every day. They’re about real experiences with racism on this campus that have gone unacknowledged for far too long. The university sells itself as a welcoming and inclusive place for people of all backgrounds. Unfortunately, it often isn’t…

Read the entire article here.

Why I teach about Whiteness.

Race and Reflection
2015-11-08

Lee Bebout, Associate Professor of English
Arizona State University

I will be teaching “the whiteness class” in a few weeks, and it seems like a good time to reflect on where I’ve been and where we’re going. Last spring was simultaneously a headache and a joy. I received national media attention, became the focus of neo-Nazi vitriol, and was asked not to respond to the media. But the class was great. One of those invigorating experiences that remind you why you became a professor: 19 of us gathered each week, committed to an in-depth interrogation of how race is made, experienced, and resisted.

Last year, many folks asked me why I teach critical whiteness studies. I was not speaking openly to the media, so I often could not answer. For those who asked and for myself, here is my answer: I do the work I do because racial inequality is a very real problem in the US and globally…

Read the entire article here.

W. E. B. Du Bois and The Souls of Black Folk

University of North Carolina Press
August 2015
288 pages
6.125 x 9.25, notes, index
Paper ISBN: 978-1-4696-2643-7

Stephanie J. Shaw, Professor of History
Ohio State University

In this book, Stephanie J. Shaw brings a new understanding to one of the great documents of American and black history. While most scholarly discussions of The Souls of Black Folk focus on the veils, the color line, double consciousness, or Booker T. Washington, Shaw reads Du Bois’ book as a profoundly nuanced interpretation of the souls of black Americans at the turn of the twentieth century.

Demonstrating the importance of the work as a sociohistorical study of black life in America through the turn of the twentieth century and offering new ways of thinking about many of the topics introduced in Souls, Shaw charts Du Bois’ successful appropriation of Hegelian idealism in order to add America, the nineteenth century, and black people to the historical narrative in Hegel’s philosophy of history. Shaw adopts Du Bois’ point of view to delve into the social, cultural, political, and intellectual milieus that helped to create The Souls of Black Folk.

Halle Berry and the Myth of the Black Man-Eating Bitch

For Harriet
2015-11-06

Kelly Davis
Brookyln, New York

I have a complicated relationship with Halle Berry. I have admired her work, mainly Losing Isaiah and Introducing Dorothy Dandridge. She inspired my haircut senior year of college, not long after she won her history-making Academy Award. She is beautiful—unbelievably beautiful, virtually keeping the same physique for over 20 years. She has stood for me, and women like me, in places we were previously forbidden—on the covers of high-fashion magazines, and the podiums of the world’s most exclusive awards. And yet, when I think of her and her body of work, I am mostly nonplussed.

I recognize that every barrier she has broken and every challenge she has surmounted as a Black woman has been facilitated by her proximity to whiteness. Her bone structure, frame, and facial features make her “good enough” to occupy spaces where other Black actresses have been historically disallowed. She is classically beautiful. She has worked hard to be where she is, but, as with all actresses, appealing to white male gaze gives to a leg up over the competition. Her inclusion has often meant the exclusion of other phenotypically Black girls who have more melanin and more talent…

…The myth of the Man-eating Bitch has a long and storied history, especially for Black and mixed-raced women. Since the days of Thomas Jefferson, brown girls like Sally Hemings have been repeatedly cast as irresistible harlots whose sexual wiles render men incapable of making sound decisions. White women can get away with this. We all found it entertaining and encouraging on Sex and the City’s Samantha Jones, but on Black women it’s filthy, tragic, pitiful, and reviled. Imagine the conversations that would commence if Being Mary Jane was on NBC instead of BET. Let’s think about the disgust that filled the blogosphere over Annalise Keating’s undesirability on How to Get Away with Murder. We all know the deal…

Read the entire artcle here.

The Color of Our Future: Race in the 21st Century

HarperCollins
1999
288 pages
6.125 (w) x 9.25 (h) x 0 (d)
Paperback ISBN: 780688175801

Farai Chideya

Two years ago, Newsweek named Farai Chideya to its “Century Club” of a hundred people to watch as we approached the year 2000. Beautiful, savvy, and wired for sound, she’s an ideal guide to the new, multiracial America that’s emerging as the next generation grows up and begins to shape our society. From coast to coast, from urban ‘hoods to Indian reservations to lily-white small towns, she talks to young men and women about their views on race, painting a vivid portrait of a notion in transition, as America ceases to be defined by the black/white divide and enters a more complex multiethnic era. Most of all, she allows the voices of the next generation — black, while, Latino, Asian, Native American, and multiracial — to ring out with truth and clarity.

Since the Civil Rights movement, most Americans have thought of race as a black and white issue. That won’t be the case for long. By the year 2050, there will be more nonwhite than white Americans, and most of the nonwhite population will be Asian and Latino, not black. Increasingly, America is becoming a multiracial society. Americans in their teens and twenties are at the forefront of this cultural revolution. In The Color of Our Future, young journalist Farai Chideya explores how members of the next generation deal with race in their own lives and how the decisions they make determine America’s ethnic future.

From urban hoods to Native American reservations to lily-white small towns, Chideya talks to young men and women about their personal views of race, painting a vivid portrait of a nation in transition. In clear, compelling language, she describes young people dealing with the complexities of diversity in their everyday lives. She writes of a young interracial couple pitted against their community in the South and of the white teens in Indiana, birthplace of the Klan, who get their black, hip-hop aesthetic from MTV. She interviews a Native American who wants to be the next Bill Gates, bringing computer access to his reservation in Montana, and a Mexican-American woman, working for the border patrol in El Paso, who catches the destitute Mexicans who flock into the United States to work for affluent white Texans. All these young people have clear, strong ideas about the impact of race on everything from education to pop culture. They are honest, sometimes brutally so, about their own prejudices. Their moving stories are the blueprint for the future of America. With a discerning ear and sharp insight, Chideya allows the voices of the next generation — black, white, Latino, Asian, Native American, and multiracial — to ring out with truth and clarity and guide us to the kaleidoscope of our future.

Slavery’s Hidden History: An interview with historian Eric Foner

American Libraries
2015-10-27

George M. Eberhart, Editor

Eric Foner—Pulitzer Prize–winning historian, author of Gateway to Freedom: The Hidden History of the Underground Railroad (W. W. Norton, 2015), Columbia University professor, and author of more than 20 history texts—spoke to American Libraries about his latest book and his plans for the future. Foner’s specialty is the American Civil War and Reconstruction, and he has been teaching a popular course on that topic to Columbia undergraduates for more than 30 years. His book Reconstruction: America’s Unfinished Revolution, 1863–1877 (Harper and Row, 1988) is recognized as a definitive work on federal attempts to rebuild the South and establish equal constitutional rights for African-Americans. Foner is giving a talk about the Underground Railroad at the Chicago Humanities Festival on October 31.

Your most recent book is a fascinating look at the Underground Railroad and antislavery networks of pre–Civil War New York City. Explain how you came across the document that shed new light on these events.

ERIC FONER: It was totally accidental. Madeline Lewis, an undergraduate history major at Columbia who also worked for my family as a dog walker, was writing a senior thesis a few years ago about Sydney Howard Gay, an abolitionist editor here in New York City. Gay’s papers, about 80 boxes of them, are in the Columbia Rare Book and Manuscript Library. One day she said to me, “You know, Professor Foner, in one box there is a document having to do with fugitive slaves. I’m not quite sure what it is. It’s not relevant for my work, but you might find it interesting.” So I filed that in the back of my mind, and one day I was in the library and decided to look at that document. It was actually two little notebooks, dating from 1855 and 1856 when Gay was editing the National Anti-Slavery Standard and actively assisting escaped slaves. He kept a record of more than 200 men, women, and children who passed through New York City, and he called it the “Record of Fugitives.”…

Read the entire interview here.

The Souls of Black Folk

Yale University Press
2015-06-30 (Originally published in 1903)
240 pages
18 b/w illus.
5 1/2 x 8 1/4
Paper ISBN: 9780300195828

W. E. B. Du Bois (1868–1963)

Introduction and Chronology by:

Jonathan Scott Holloway, Edmund S. Morgan Professor of African American Studies, History, and American Studies; Dean of Yale College
Yale University

This collection of essays by scholar-activist W. E. B. Du Bois is a masterpiece in the African American canon. Du Bois, arguably the most influential African American leader of the early twentieth century, offers insightful commentary on black history, racism, and the struggles of black Americans following emancipation. In his groundbreaking work, the author presciently writes that “the problem of the twentieth century is the problem of the color line,” and offers powerful arguments for the absolute necessity of moral, social, political, and economic equality. These essays on the black experience in America range from sociological studies of the African American community to illuminating discourses on religion and “Negro music,” and remain essential reading in our so-called “post-racial age.” A new introduction by Jonathan Scott Holloway explores Du Bois’s signature accomplishments while helping readers to better understand his writings in the context of his time as well as ours.